PHANTOM Reviews/Box Office thread. - Page 25

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ChotaBheem thumbnail
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Posted: 10 years ago

Originally posted by: -SparklingVibz-

Word of Mouth for #Phantom is Phenomenal...People coming
out from theatre with smiles on their faces...

TeamKabirKhan


great
confused by KRK
I hope it does well
Edited by ChotaBheem - 10 years ago
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Posted: 10 years ago



Movie Review: Phantom

Quick take: Slick execution of clumsy ideas
More on: Movie Review, Saif Ali Khan, Katrina Kaif, Kabir Khan, Phantom

WRITTEN BY
Rachit Gupta
Written By Rachit Gupta
Features Editor
Posted Thu, Aug 27, 2015
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Movie Review: Phantom

Director: Kabir Khan

Cast: Saif Ali Khan, Katrina Kaif, Sabyasachi Chakrabarty and Mohammed Zeeshan

An eye for an eye would leave the whole world blind. Mahatma Gandhi said that a few decades ago. In essence what he really meant was that revenge is never really worth it. Especially so, when dealing with social and political circumstances. Yet, Kabir Khan's Phantom advocates the cause of vigilante justice fuelled by violence. It's okay to kill half a dozen men because they purported the terrorist attacks on Mumbai. Yes there is the thin veil of cinematic liberty, even so, you are selling cold blooded revenge as a sense of patriotic justice. Either that's a juvenile way of being heroic or gross misrepresentation of morals and nationalism.

Nonetheless the story deals with a dishonoured Indian army man being propositioned to go kill all those directly responsible for orchestrating the 2008 attacks on Mumbai. Their names are changed ever so slightly. So our tainted hero Daniyal Khan (Saif Ali Khan) sets out on a body-of-lies mission to track and destroy the villains. The mission takes him to exotic locales like London, Chicago, Jordan, Syria and ultimately Pakistan. His aide de camp is the beautiful but cheekily named Nawaz (Katrina Kaif). As the mission wears on, their chemistry keeps growing, eventually turning to an understated relationship of trust and admiration. Thrown into the muddle are a RAW chief (Sabyasachi Chakrabarty) his ambitious new consultant (Mohammed Zeeshan) and a few undercover Indian agents. The template is so Ek Tha Tiger.

Despite its all too familiar screenplay, Phantom suffers from a bad case of choppy editing all through the first half. The second half is a lot more taut and that's where the film begins to redeem itself. The strength of this movie are it's cinematography and action choreography. You really feel as if you are watching a slick Hollywood action movie. It's entertaining and deeply engaging. Rarely do you such finese in the execution of action films in India. If you've grown up enjoying the works of Ridley Scott and /or Tom Cruise you'll have a blast watching Phantom.

On the subject of action stars, Saif Ali Khan has attempted the genre of late with offerings like Kurban, Agent Vinod and Race 2. Phantom with all its genre qualities is very similar to the former films. No surprises then that his performance has nothing new. It's like a heady mix of bravado and restrained intensity. It works in parts only. Most times its just marred by the fact that he's playing a secret agent as loud and thundering as Rambo. Katrina Kaif too juggles with a half baked role. She's an Indian parsi girl living in London, working for international first aid agencies with questionable motives. And she pines for a cup of tea in the swanky tea shop of the Taj Mahal Hotel in Mumbai. Perhaps that's too much crammed into a small wrapper.

All said and done, Phantom is slightly lacking in cinematic intelligence and guile. Especially when you consider Kabir Khan's last offering Bajrangi Bhaijaan. The film's sense of patriotism is kiddish and it tries a little too hard to make a hero out of its protagonist. Even then, it does enough to entertain you and keep you hooked. It would make a decent Sunday watch if not taken too seriously.


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Posted: 10 years ago


SAIF & KATRINA ARE A COMPLETE MISFIT FOR THEIR ROLES IN PHANTOM

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By Team Biscoot | Aug 28,2015,01:46 PM IST

By Bhakti Mehta

Cast - Saif Ali Khan, Katrina Kaif

Director - Kabir Khan

Rating - **1/2

The story of Phantom is about how the Indian Research and Analysis Wing (RAW), recruits an ex-soldier called Daniyal Khan (Saif Ali Khan) to go on a mission of terminating all the most wanted terrorists that had their hands in the Mumbai 26/11 attack. On this journey, he is introduced to a former RAW officer, Nawaz (Katrina Kaif) who is roped into this situation unwillingly but goes along with it. The movie then unfolds as to how Daniyal goes about to plotting and executing his plans to coldly murder all the terrorists on the list.

Director Kabir Khan should be commended on the fact that even though the film is on terrorism, pertaining to the attacks in India, he was fairly neutral and did not play the much touted blame-game where Pakistan is concerned. Both the Hindu and Muslim religions were not tainted in the story and neither did they give in to the stereotype of showing the audience that all Pakistanis are terrorists. So kudos on that. But there are some grave mistakes in the script that cannot be overcome.
The film is based on Hussain Zaidi's book Mumbai Avengers but does not do justice to it. Kabir Khan has taken a lot of leeway in the form of artistic freedom and in doing that, has left many holes in the screenplay which makes the movie weak. Some parts are quite gripping and get you involved in the film, but the lack of continuity, cold chemistry of the lead stars and too-true-to believe convenient scenes will make you question on the sensibilities of the filmmaker.

Phantom gets a little too unbelievable at one point especially when it is shown how shoddy the conditions of our Indian intelligence organisations is. Also the part where Daniyal is captured by the ISI and just gives out his real name is difficult to fathom.

Kabir Khan had an adequate script with Phantom and what could have made it better is a cast that would make us believe in this fantastical story. But instead, he went with Saif and Katrina, both who are not completely equipped for roles like these.

Saif has had a string of bad lucks since the last couple of years and was hoping that this film by his saving grace. Sadly, he doesn't generate any redeeming qualities with his tired acting skills. The actor tries his Agent Vinod avatar again in Phantom but the perpetual frown on his face throughout the film brings one to yours too. He fails to bring in the passion that is needed to do this intense role of a man who is thoroughly wronged but is willing to go to any lengths for his country.

What more can be said about Katrina's plain acting skills that hasn't already been said before? The actress seems to be trying hard to do different roles but with her stiff expressions and dialogue delivery we can say that she is not very suitable for roles with this kind of intensity. She is adequate till the time she has to say the lines but then disappoints with the lack of emotion in them. Though we admire Kat that she is attempting to find her footing in the type of cinema where she is not a decoration, it seems like the actress needs a little more time to get into the skin of her characters in serious films like this.

Though Phantom is not primarily a love story, there is a (obviously) love angle in the film. But barring the romantic track 'Saware' sung by Arijit Singh, we can't really feel the connection between Saif and Katrina. There is a sweet moment in the film where they show both of them talking about the Taj (26/11) attacks and Nawaz relating the story of how her father would take her there when she was little and Daniyal promising her to take her there after their mission is over. Except these few moments, there seems to be a detachment between them which is quite the downer.

The film has been an ambitious project for the director Kabir Khan and he gets points for the cinematography of showing the realistic action sequences especially the scene with the submarine. And another thing that the filmmaker can be credited with is how he manages to generate patriotism in his audience. The hard-core action towards the end of the movie is worth a watch and the filmmaker hits the cord by giving us a feeling of justice that is served for the heinous attacks that happened seven years ago.

Our Verdict -

Phantom makes you feel the wounds that everyone suffered during the 26/11 Mumbai attacks. So if you are willing to overlook the little gaps in the script and the adequate acting of the stars, then this movie will be worth watching if for nothing else, then Kabir Khan's direction along with the patriotic touch.

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Posted: 10 years ago


Movie Review: Phantom for the mob opera

Fri, Aug 28, 2015

Phantom

Director: Kabir Khan

Actors: Saif Ali Khan, Katrina Kaif

Rating: **

Stepping out of the theatre in this film's interval, an immediate sense you get is that all you've been watching thus far was actually an afterthought. We're at the mid-point. This is when the "Rambo" type hero decides to penetrate Pakistan. You know that all along that must have been the whole point of this picture. Halfway through, the movie has only begun.

Until then Rambo shows off his prowess and generally earns street cred, firing guns among IS terrorists in Syria, killing off David Headley inside the prison, chasing cars, and basically shuttling between Chicago, London, Beirut, Amman, before he finally heads to Lahore.

This is a revenge drama, if you may. The lead character Daniyal Khan (Saif, with a botoxed forehead severely crunched between his eye brows), is an ex Indian army soldier, excommunicated from the Indian army since. He is recruited by the Indian spy agency RAW (Research & Analysis Wing) to, well: One by one, knock down each mastermind behind the 26/11 attacks in Mumbai. To begin with, by infiltrating Lashkar-e-Toiba. By doing what exactly? Oh come on, I've only seen this film. How am I supposed to know?

You would totally get it if this was a video game. It should be. The firepower could suitably match the star-power of an animated hero in the middle of it all. The underlying politics would be easy to ignore. There's firstly far more physical labour involved in recreating this script on the big screen.

A still from the movie Phantom

And since this is a film, just consider for a sec how Daniyal gets David Headley, chief planner of the Mumbai attacks. Daniyal gets into Headley's classified prison in Chicago as an under-trial murderer. At some point, having tracked Headley's movements inside jail, he unscrews the overhead pipe supplying water for Headley's morning shower. He poisons the water. Headley takes a shower with his mouth wide open. Headley dies. Hah!

You have to completely credit a masterly touch of director Kabir Khan (his last one was an Indo-Pak peacenik pic Bajrangi Bhaijaan) that this seemingly B-grade script spools out still as an acceptably A-grade movie, for whatever it's worth. Sincerely apologies for laughing about Headley's death up there. A double ha-ha for the fact that the filmmakers, I hear, were publicly upset for Pakistan having banned this movie.

Well they would ban Tom and Jerry if they had a chance to (Tom playing India obviously!). But this is absolutely the most notoriously anti Pak establishment film that I've ever seen come out of India. Which isn't to say that our friendly neighbours couldn't do with a dose of sanity. At this point Pakistan seems like a Third World country literally annihilating itself over third-rate conspiracy theories.

But this is mainly a movie that shows India punching beyond its weight. The Pak secret service agency ISI had similarly sponsored a film Waar (in 2013) taking the pants off RAW, which I haven't seen yet. It wouldn't surprise me one bit if this film was similarly sponsored by the RAW itself. Not that there's anything particularly unique by way of story here. I'm only curious to know when is it that the filmmakers sat in their drawing room before a drawing board and decided to go ahead with this operation.

Here's what we've watched already. Saif as a spy travelling across the world, including Pakistan, was Agent Vinod (2012). For a while here, he turns rogue, like Tom Cruise in Mission Impossible: Rogue Nation (2015). But only very, very briefly. Cut to Katrina, or actually let's not, since she's in the war zone but still posing for Vogue. Kat was also a spy in Kabir Khan's Ek Tha Tiger, as she is here (although what she's really up to, is hard to tell).

The 26/11 incident was dealt with (however shoddily) in Ram Gopal Varma's The Attacks Of 26/11 (2013). Audiences in my theatre saw touches of Akshay Kumar's Holiday (2014): army-man on a one-man mission etc. But Akshay, like Saif, was the spy conducting surgical operations abroad for RAW in Baby (2015), trying to get to the same guy, Hafiz Saeed, or his lookalike, in Saudi Arabia. Oh but Phantom is in Pakistan. Well Nikhil Advani's D-Day (2013) was again about getting into Pakistan and nabbing Dawood Ibrahim, the mastermind of the '93 Mumbai terror attacks. And were they all inspired by Argo (2012)? Hard to tell. But you know what's turned into a genre. I'll tell you what I find worrying.

This script is based on the fictional novel Mumbai Avengers by S Hussain Zaidi, veteran crime journalist, who I've had the great fortune of working with in two of my past jobs. Zaidi wrote Black Friday, a fine piece of investigative journalism that was made into a stellar film by Anurag Kashyap that started with the line, "An eye for an eye makes the whole world blind." It is attributed to Mahatma Gandhi. Most people don't know this, but Gandhi never said those words. Screenwriter John Briley wrote them for the film Gandhi (1982). They are still very instructive works.

However thrilling parts of this picture may be (and the Pak portions are riveting), I felt slightly uncomfortable with people clapping and hooting around me, watching deaths of few individuals or masterminds, as it were; as if such killings can quite simply avenge the massacre of 166 people on 26/11/08. I'm sorry, but you do begin to feel a bit queasy hearing such collective bloodthirsty outbursts in a dark hall. This movie has been made for that response and that mob alone.

Edited by ChotaBheem - 10 years ago
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Posted: 10 years ago


PHANTOM MOVIE REVIEW

Release Date : Aug 28,2015
Phantom (aka) review

Review by : Kaushik L M
CAST AND CREW
1 of 2
Production: Sajid Nadiadwala, Siddharth Roy Kapur
Cast: Katrina Kaif, Mohammed Zeeshan Ayyub, Saif Ali Khan
Direction: Kabir Khan
Screenplay: Kabir Khan
Music: Pritam
Background score: Julius Packiam
Cinematography: Aseem Mishra
Distribution: UTV Motion Pictures
Just a few weeks after notching up a massive success in the form of Bajrangi Bhaijaan, director Kabir Khan is back with his next release, the Saif Ali Khan - Katrina Kaif starrer Phantom. The director sticks to his preferred anti-terrorism space and he has already showed his adeptness in handling such films through his earlier superhits, New York and Ek Tha Tiger. Phantom is more uncompromising and unwavering in its anti-terrorism approach compared to the other two, and will turn out as a definite treat for action buffs.
The film is basically about the weeding out of the Lashkar-E-Taiba masterminds behind the 26/11 Mumbai terror attacks (A story you wish were true, as the poster says). A small group of Indian agents choose an almost non-existent, tainted ex-Indian army man named Daniyal Khan (nicknamed Phantom) for this vigilante mission. Daniyal does this for the pride and respect associated with being an army man.
Katrina Kaif also tags along with Saif from country to country, in a professional capacity, as he goes about his action-packed missions. The film is high on technical finesse and production value as it traverses many nations and locations. Good work by DoP Aseem Mishra and also the action team as there are many types of chase sequences which have been shot with distinction.
The background score by Julius Packiam just has to add to the tension and grip in the proceedings and it does that, just fine. The place for Pritam's songs is minimal as the director hasn't compromised on song sequences, which stick out from the core plot. Phantom is definitely minimal on mainstream mass elements, save the finale when it turns patriotic and mildly manipulative.
Coming to the performers, the handsome Saif is earnest throughout, while the graceful Katrina Kaif showcases her brand of effortless, sophisticated performance again. There is a subtle romance which blooms between the two towards the end, and Katrina emotes well in these segments. Zeeshan Ayyub, as the mastermind behind this 'Phantom' mission, proves his caliber again as a good actor. There are a lot of other characters playing the Indian / Pakistani agents and the extremists.
Kabir Khan's screenplay is such, that there is always some movement in the story. There are many parallel occurrences, and the extended 2nd half segment in Pakistan is among the high points in the script, along with the one in the Chicago jail. Kabir has treated his film like an English espionage thriller, sprinkled with some Indian drama and sentiments.
Phantom does have its moments where you have to suspend some disbelief as there is a lot happening, mostly in the protagonist's favor. He keeps maneuvering without much fuss and is almost invincible, like how our heroes generally are, almost till the finish line !
Verdict: A focused anti-terrorism flick, high on action
2.75
( 2.75 / 5.0
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Posted: 10 years ago


PHANTOM
Thursday 27 August 23:590 COMMENTS
Release Date :8/28/2015 12:00:00 AM
Director :Kabir Khan
Genre :Action
Phantom

Details :

Friday, 28th July 11:40 AM IST

PHANTOM Is Right Blend Of Entertainment And Social Message



Pluses:

Fantastic direction, thrilling action, decent performances from cast, gripping background score


Minuses:

cliche songs, predictable plot

Critic Rating:

3.5/5

Business Rating:

3/5

Verdict:

Watch it for thrill and message

Detailed Analysis:


Kabir Khan has given some really interesting films i.e. 'Kabul Expess', 'New York', Ek Tha Tiger' and 'Bajrangi Bhaijaan'. Now he has back with 'Phantom' which is again based on international terrorism and social conflicts.


Rishi Kapoor plays a Mr Bhalla, who runs a bakery in a hill station called Kasol. He is never seen to be baking anything. All he does is to yell and shout at his wife, and sonny boy Inder (played by Supriya Pathak and Abhishek Bachchan, respectively). Why? That's a mystery.

Ms Pathak is to be found in an ashram', looking vacantly about. Abhishek switches locations from a Bangkok poolside with bikinied babes to the winding roads of Kasol, where he encounters college-mate Nimmi (Asin, colourless) who has feelings for him. Why anyone would have a tender spot for someone as indifferent as Inder is an even bigger mystery.

Up pops a long-haired goon called Cheema who's only job is to twirl a gun, and threaten people. Why the talented Mohammed Zeeshan Ayyub took on this thankless part is a ... yes, you got that. It's a puzzle.

Plot? Non-existent. The jokes? Screamingly unfunny. Rishi Kapoor doing su-su', singing aiyi-aiyi-aiyi'? Groan. When will grown men wanting to urinate stop becoming an acceptable gag in Bollywood? Can someone solve this? It's always good to see Supriya Pathak, but when will someone come up with a substantial part for her?

- See more at: http://indianexpress.com/article/entertainment/movie-review/all-is-well-movie-review-abhishek-bachchan-asin/#sthash.7CQEWPe9.dpuf

Rishi Kapoor plays a Mr Bhalla, who runs a bakery in a hill station called Kasol. He is never seen to be baking anything. All he does is to yell and shout at his wife, and sonny boy Inder (played by Supriya Pathak and Abhishek Bachchan, respectively). Why? That's a mystery.

Ms Pathak is to be found in an ashram', looking vacantly about. Abhishek switches locations from a Bangkok poolside with bikinied babes to the winding roads of Kasol, where he encounters college-mate Nimmi (Asin, colourless) who has feelings for him. Why anyone would have a tender spot for someone as indifferent as Inder is an even bigger mystery.

Up pops a long-haired goon called Cheema who's only job is to twirl a gun, and threaten people. Why the talented Mohammed Zeeshan Ayyub took on this thankless part is a ... yes, you got that. It's a puzzle.

Plot? Non-existent. The jokes? Screamingly unfunny. Rishi Kapoor doing su-su', singing aiyi-aiyi-aiyi'? Groan. When will grown men wanting to urinate stop becoming an acceptable gag in Bollywood? Can someone solve this? It's always good to see Supriya Pathak, but when will someone come up with a substantial part for her?

- See more at: http://indianexpress.com/article/entertainment/movie-review/all-is-well-movie-review-abhishek-bachchan-asin/#sthash.7CQEWPe9.dpuf

Film starts off with the visuals of the 26/11 Mumbai attack. This is immediately followed by a high octane car chase sequence between Daniyal Khan (Saif Ali Khan) and an unknown man in Chicago (US) who bangs his car and tries to drive away. Daniyal finally gets hold of him but accidentally kicks him off the bridge into the river below. This, then, leads to an array of flashback events, which establishes the connection between Daniyal Khan's past to his present day life. The flashback states that, after being dismissed from the Indian army, Daniyal goes into a hibernation of sorts, living an isolated and secluded life of his own. In the meanwhile, when India's RAW (Research and Analysis Wing) learns about Pakistan based terrorist group Lashkar's yet another plan of attacking India, they plan a secret operation, off the books, to take down all the accused and masterminds behind Mumbai attacks. After much research they decided on hiring Daniyal Khan for this job. The RAW officials believe that Khan is like 'Phantom', he has no records and is completely off the radar.






As a part of the mission, he meets up with the beautiful and talented Nawaz (Katrina Kaif) in UK where she works as a 'Security Consultant'. The duo however gel well after Daniyal's first two missions in UK and US. Thereafter this duo's journey traverses from Beirut, Syria and finally Pakistan. Even though Daniyal Khan's mission happens to be a 'top secret' and 'highly confidential' one, the Pakistani officials sniff out his plan before Daniyal Khan reaches his ultimate goal of killing Hariz Saeed (Shahnawaz Pradhan), the mastermind behind the 26/11 attacks. Does Daniyal Khan become successful in his life threatening mission, why does Nawaz help him in his mission, are Pakistani authorities able to catch hold of Daniyal Khan, is what the rest of the story is all about.





Performance wise Saif Ali Khan is good but at times his dialogue delivery does not go along with the intense situation. Katrina Kaif also is good enough but she is average in scenes which demand hig octane drama. Zeeshan Ayub is average and other supporting cast is also good.




Film has interesting plot but screenplay stretched in 2nd half. Dialogues are good. Film has below par editing. Music is unnecessary and cliche. Cinematography is good and production design is awesome. Background music deserves special mention.


Director Kabir Khan delivers yet another entertaining film with the elements of international terrorism, politics and thrilling action. But this one is not as simple as 'Bajrangi Bhaijaan' and neither it is as emotional as 'New York'.




Film will release today and it will get average reviews and score decent numbers over weekend. Though it will not be a huge hit but should be a decent earner for Saif Ali after long time.

Go for this one for some chill and thrill!

TheekThaak thumbnail
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Posted: 10 years ago
Lol. Such bad reviews. Shows that no director is completely trust worthy these days. Who do people expect anything from Katrina in the acting department anyway? 😆
ChotaBheem thumbnail
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Posted: 10 years ago

Originally posted by: Kaapi

Lol. Such bad reviews. Shows that no director is completely trust worthy these days. Who do people expect anything from Katrina in the acting department anyway? 😆


till now I trust Hirani and Neeraj Pandey.
They have 100% good track record

ChotaBheem thumbnail
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Posted: 10 years ago

I wait for audience review.
Lets see what they comment on it
fairy_queen thumbnail
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Posted: 10 years ago
These are the same critics that trashed TWMR and then had to change their reviews after seeing how popular the movie was 😆 They also trashed New York when it was getting standing applause in international film festivals. These critics are all old hacks that either can't say anything good about any movie (see raja sen, FirstPost) or write bad reviews if they don't get paid.

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