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There was a famous dialogue in Pyar Ka Punchnama (2011), "Hindi films me ladka ladki mile aur film khatum, uske baad ki kahani koi nai batata (In Hindi films, story ends when girl and boy meet. Nobody tells what happens after that)." After this the protagonist goes on to tell the problems couples face after getting into a relationship. Vidya Balan and Farhan Akhtar's Shaadi Ke Side Effects begins from where most Hindi films end.
Married couples are definitely going to fall off laughing from their chairs after watching the film, and taunts on each others are also expected.
However, People who are still young and planning to tie the knot, or all those who got married 15 years back might not find the film equally interesting. We noticed the difference at the cinema hall where we watched the film. There were people who were laughing their guts out, while others were wondering why they were laughing. If you are married, it won't take you long to understand the reason.
We felt that the film's title should have been Bachche Ke Side Effects' because the problem between the couple starts after the kid's birth, and story revolves around her.
Is it just for married couples?
Strictly! If you haven't gone through all the troubles couple face after tying the knot, or haven't seen anyone going through all those troubles then you might not able to establish a connect with the characters. Everyone else will fall laughing from their chairs especially in the first half.
Many among the audience are going to empathise and even co-relate with the characters, situations and problems they face.
In addition to that debutant director Saket Chaudhary has tried to teach married couples, how to make their shadi' successful?
It is a mare extension of Kapil Sharma's husband-wife jokes?
No! There is much more to the film than just husband-wife jokes.
How are Vidya Balan and Farhan Akhtar in the film?
Farhan Akhtar is undoubtedly one of the most talented stars in B'town today. After watching the film, you will feel like the role was tailor-made for the director-cum-actor. From Rockstar to Shaadi Ke Side Effects, Farhan Akhtar has come a long way as an actor.
Vidya Balan's character is almost similar to the one she played in her last film Ghanchakkar. She played it equally good this time as well, however, the diva has a good script and direction to back her performance this time.
How is the music?
Music is average and fits perfectly to the theme of the film. However, you might delete the songs within a few days from your playlist.
Big Question: Should I watch the movie?
Pardon Saket Chaudhary for a few minutes in the second half which are a bit extended, rest the film entertains and tickles your funny bone.
Category: ReviewsPublished on Thursday, 27 February 2014 10:47Written by Kiran Arora
Do marriages really have side effects? A lot of people are of the opinion that there are no side effects, as long as you keep love and trust in the relationship intact.By TNN | posted Feb 27th 2014 at 2:59PM
0COMMENTS
What's hot:
The film belongs to Farhan who stuns you with his straight-faced witticisms and plethora of expressions that amuse and move dramatically.
What's not:
The first half takes a while to catch up.
iDiva verdict:
Single or married, this film will have more of a 'special effect' than 'side effect' on you.
EDITOR'S RATING:
Cast: Farhan Akhtar, Vidya Balan, Vir Das, Ram Kapoor, Purab Kohli
Direction: Saket Chaudhary
Story: Sid & Trisha have moved beyond dating days. They've survived multiple lovers' tiffs and overcome PMS (read: pre-marriage syndrome). Bravo! Now they are a happily married couple. Wait! Only until a 'pregnant' pause changes it all.
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He says it. She disagrees. He reacts. She overacts. He makes mistakes, he says sorry. She makes mistakes, 'he' says sorry. So there! Even geniuses like Socrates and Einstein couldn't crack a fool-proof plan to a 'happy marriage'. Even novel cosmic concepts like Men are from Mars and Women are from all over the place (lol!) can't explain this 'heavenly' intervention. So then? Let's take a look at Saket Chaudhary's insightful story of shaadi and its shocking effects.Chances are you would be in a constant state of dj vu if you are married, or have a child, or are planning a second, or are a man!
Yes, Shaadi Ke Side/Effects' is purely a one-sided affair.
The struggles. The shortcomings. The adjustments. The chaos. The constant bickering.
Almost every tussle is panned out from a male perspective. Leaving very little space or scope to delve into the woman's psyche.
A few insights are thrown in at the fag end through quick lines, at a time when tears and emotions are played out in full measure.
Director Saket Chowdhary takes the story forward from the 2006 rom-com Pyaar ke Side Effects', exploring the supposed aftermath of when two lives get united in matrimony.
Only, his married couple - Trisha and Sid - don't show any real jitters and have successfully nailed the happily ever after' bit.
They sneak out of their mundane lives occasionally to live out a fantasy, which they believe is key to spicing things up in their marriage.
And that's not all. Sid even spills the beans to a puzzled hotel manager who mistakes them for a naughty twosome heady in love.
"When I make a mistake, I say sorry. And, when my wife makes a mistake, I say sorry," he broadcasts proudly, hinting at their secret of marital bliss.
The hiccups in this otherwise fairy tale, however, creep in when Trisha and Sid turn parents unexpectedly.
The diaper changes, the late-nights and the feedings play spoilsport in their romance.
Cracks appear almost instantly when Sid's freedom is curtailed and his parties and male buddies are locked away.
Trisha, on the other hand, embraces motherhood wholeheartedly and is baffled at Sid's immaturity and lack of earnestness.
As an unprepared Sid fumbles and falters in attempting to become the "best papa in the world" and adopts an unconventional life to nail the "best marriage strategy", we are left wondering if this should have been titled "the side effects of being a daddy" instead.
Despite the obvious disregard of the female point of view, we must confess that Saket's story has some incredible situations that had us cracking, even when some of them were already unveiled in the trailers.
Sid's quirky journey as he attempts to understand and empathise with his pregnant wife is a laugh riot. Especially, when he leaves a pizza delivery boy absolutely stunned. It had to be Farhan Akhtar to crack it.
He brings genuineness and amiability to an otherwise self-centered and often confused Sid who earns for his timeout. You empathise with him as he struggles to tune mindless TV ad jingles to ensure his family is taken care of and hopes that one day financial independence would mean a life of a true musician.
Vidya Balan matches up, despite being given a nagging part. Although she manages to salvage this oversight towards the end, her methods might appear unjustified and shocking to some.
That aside, she's earnest and it's empowering to see an actress flesh out real women without succumbing to the pencil-thin image that Bollywood often frames.
Writer Arshad Sayed pens some genuinely fun lines, with Sid walking away with the better ones. "I feel like Sehwag... Dropped after a few bad performances, for someone much younger and enthusiastic," he mocks when a younger neighbour turns Trisha's new buddy.
The supporting cast of Ram Kapoor, Vir Das, Rati Agnihotri, Illa Arun and Purab Kohli are fairly non-interfering, with some getting a little more screen time and importance than the rest.
Despite the brilliant performances and some incredibly funny situations, Saket's narrative slumps innumerable times over the two-hour-and-twenty-five-minutes screen time.
But if you have time to spare, then Shaadi Ke Side Effects' is a fairly enjoyable ride. Only, don't go looking for any marriage counseling here because you are not going to find it.
February 27, 2014 0 Comments 110 Total Views http://www.canindia.com/a9hb8
"When I do something wrong, I say sorry to my wife. When my wife does something wrong... I say sorry to my wife."
One of the gems that flows out of Farhan Akhtar's mouth while addressing the oldest question on the gender equation: what does a woman really want in a marriage? Could it be the same things as a man? Maybe the route taken by the two individuals is different?
Director Saket Chaudhary raises some pertinent questions on the fake road-signs that could lead to an aborted marriage. Not all of the winking homilies work. But the film holds together primarily because of the intelligent writing and the sharp and crisp way the two main actors interpret the parts of the two individuals in a marriage that has a lot going for it. That includes a baby girl who arrives just in time to get this seven-year delayed sequel trotting on the right road.
A lot of pre-production fine-tuning must have gone into making Farhan Akhtar and Vidya Balan look compatible together. The two actors give delectably nuanced performances without looking over-rehearsed. Seldom in recent times have I seen two actors looking so married on screen. Farhan's Sid and Vidya's Trisha come together as a couple that desperately wishes to make the marriage work.
The script is written entirely from the male point of view. And if there are any doubts on the film's mildly misogynist tone, then there is Farhan's voiceover to remind which side of marriage the script is on.
The film opens with a sequence where the pair plays a tantalizing game in a crowded pub to kindle some additional romance into their togetherness. It's a smoothly done sequence redolent with images of similar sequences we might have seen in other films on impending domestic discord. Yet there is a freshness in the way Farhan and Vidya approach this sequence and their roles. There's a kind of lived-in familiarity with the world of the married couple, and yet played at a detached dispassionate pitch.
The second-half deliberately forfeits the blithe spirit in pursuit of a more penetrating perspective on marital woes. Even when the film loses a lightness of touch, it nonetheless remains even-pitched preferring understatement to hysteria. Again, a lot of the credit for the narrative's correct pitch must go to the two principal actors. Vidya looks better than ever before. Radiant and expectant as a pregnant woman in the initial scenes, she glides into the zone of paranoid motherhood with plenty of panache.
Shaadi Ke Side Effects had an average opening at multiplexes on its first morning with collections around the 25-30% mark on its first morning. The opening morning collections were better than last weeks Highway and another multiplex film Hasee Toh Phasee released a few weeks back.
The opening was best in Delhi NCR as some multiplexes registered around 35% occupancy. The initial is not good but also not too bad and growth over the day can help it to a reasonable first day figure though single screens and smaller cities have the expected dull response
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