that seething power on screen... can't find it anywhere else.
one tycoon and i pagal served hot..
phar kamariya issake kari khatir bhill be coming backwa kijhya..
these scenes... how do they manage to exude this intensity... two people barely touching each other... and just look at those lines. this teej scene. really if one must fall in love, one might as well do it like this.
Made an edit after eons.. is he simply driving thinking about uss larki jisse Arnav Singh Raizada ko koi farak nai parta?
Hama hi kidnap kiye hain nandkisore.. secret wala place me gusse wala...:)Ami, so great to see those purples and the array of shots that only you could/ would bring!Loved the analogy you drew between both the reflection shots, such a sea of difference in their emotions, so true. You know The rare mirror, side mirror views have always been used very effectively and poignantly i felt. After Nainital when he leaves her on the road, or on haldi when she was seriously engaged in bargaining with the chana wala ...seemed like reflections of this taciturn man..beautiful that last line ...
Originally posted by: BarunDiwani
You know...i watched the teej epis a few nights agao and some of the moments were just so sublime...would have been mediocre hadnt it been for these two actors. the two that pulled at my heartstrings were ASR catching our jhalli's reaction to La breaking her fast by ASR...brilliant and then simply how he was looking at her when she was leaving for the night...standing quietly in the corner...ufff
yeah, exactly. most of the scenes, if you just tell yourself the story, are either very ordinary or downright terrible, yet... can you imagine anyone else doing that terrace scene followed by the temple wedding?
i'd have stopped watching such a serial that very instant. instead, i began to see the beauty of that horror moment.
on crooner, they'd love to swoon over tej. i came to the forum long after that. there would be talk of how gorgeous kkg looked, etc. i had binge watched ipk around end november... june to diwali in three nights or something. and at that stage i was totally dead with diwali so while watching glazed eyed the whole teej thing never hit me as hard.
i kept thinking, yeah, she looked all right, but nothing like diwali. then i went and watched again... and began to notice all sorts of things. things no one could have written. though yes, the direction of those moments out in the courtyard, the camera... wonderful. but without these two actors... hmm. i realised it was how khushi made me feel was the thing, without those expressions, she would have been just another pretty girl.
every unspoken, unwriteable feeling of a young girl getting attracted terribly to a horrid fellow she really doesn't want to get attracted to is there.
and asr's anger mixed with an attraction he just doesn't know is there...
both under the spell of a powerful pull. uff.
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