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Posted: 13 years ago
#51
Bhimashankar Jyotirling Temple- Maharashtra
temple
Bhimashankar in Maharashtra is an ancient shrine, enshrining Bhimashankara one of the 12 Jyotirlingas of Shiva. Bhimashankar is located in the village of Bhorgiri 50 km north west of Khed, near Pune. It is located 125 km away from Pune in the ghat region of the Sahyadri hills. Bhimashankar is also the source of the river Bhima.

A unique bell (roman style) can be seen in front of the temple which was presented by Chimaji Appa ( Brother of Bajirao Peshwa and uncle of Nanasaheb Peshwa )Chimaji Appa collected two large bells after he won war against Portugue from Vasai Fort. He offered one here at Bhimashankar.


The Bhimashankar temple is a composite of old and the new structures and is built in the Nagara style of architecture. It is a modest temple yet graceful temple and it dates back to mid 18th century. The shikhara of the temple was built by Nana Phadnavis. The great Maratha ruler Shivaji is also said to have made endowments to this temple to facilitate the carrying out, of worship services. As with other Shiva temples in this area, the sanctum is at a lower level.

Although the structure here is fairly new, the shrine Bhimashankaram (and the Bhimarathi river) have been referred to in literature dating back to the 13th century CE. Saint Jnaneshwar is said to have visited Tryambakeshwar and Bhimashankar.

This temple in the Nagara style is an old and not a very large structure. The jyotir Lingam is situated on top of the Sahyadri hill temple. Lord Siva is considered to be taking rest here after the Trpurantaka samharam. The sweat drops of Lord Siva were converted as steam & is running as Bhimarati. New structures have been added. There are two idols of Nandideva. One idol is old, while the other is of fairly recent addition. There is a theertham & a well behind the temple structure. The Bhimashankarar Lingam measures around one and a half feet & quite narrow. The Goddess is worshipped as Kamalaja.

Far away from the tumult of the urban life, peeping through the white fleecy clouds, Bhimashankar, one of the twelve Jyotirlingas, can certainly be termed as a Pilgrim Paradise. The dense forests surrounding the high ranges also play an abode to the rare species of flora and fauna. Situated at the extreme end of the Sahayadri Ranges, this place gives a wonderful view of the world around you, the forts, the rivers and the hill stations around. Bhimashankar is also the source of the River Bhima, which flows southeast and merges with the river Krishna. Endless stretches of virgin forests, lofty peaks that seems to reach out to the heavens and the whispering waters of the River Bhima, Bhimashankar is definitely one of God's choicest creations. It seems as if Lord Shiva is keeping a silent vigil over the majestic ranges of the Sahayadris. The serenity interrupted only by the silent murmuring of the cool breeze and the occasional chirping of birds, Bhimashankar is definitely a pilgrim's paradise, a trekker's delight and a traveller's sojourn. In some classics like Shiva Leelamrit, Gurucharitra, Stotraratnakar etc., BheemaShankara is described as a woman. Gangadhar Pandit, Ramdas, Sridhar swamy, narahari Malo, Gnaneshwar, and other saints describe BheemaShankara as JyotirLinga.

Historical figures like Chatrapati Shivaji and Rajaram Maharaj were known to visit this shrine. This was a favourite palce for Peshwa Balaji Vishwanath and Raghunath, Raghunath Peswa had a well dug up here. The Diwan of the Peshwar, Nana Phadanvis renovated this temple. A court hall was built by a Pune trader or Sahukar by the name Chimanji Antaji Nayik Bhinde in 1437 AD.

The temple of Bhima Shankara is built in Hemadpanthi style. It is decorated with the Dashavatar statues. These are very beautiful to look at. The Nandi temple is close to the main temple. A huge bell weighing 5 mans(1 man=40 seens) is located close to the temple. It has 1721 AD inscribed on it. When this bell is rung, the entire temple echoes with its sound.

The worship of BhimaShankar is done, with Rudrabhishek, Panchamrit snan, everyday. The Lord is praised in rich words. On Mondays as well as other days, lot of devotees flock here for Darshan. A big fair (mela) takes place on Maha Shivaratri festival. The natural scenic beauty of this place is wonderful to look at.

The Temple can be divided into three parts-Sabhamandap, Kurmamandap and Garbhagriha. The Sabhamandap is spacious and has counters of puja/abhishek registrations. Here one can see purohits explaining about different pujas to devotees. The present Sabhamandap was built in the year 1960.The main temple and its shikhar has intricate stone carving, which makes ornamentation of the mandap quite dull. There are independent temples of Shani Maharaj and Nandi idols adjoining to main temple. The main Bhimashankar temple is surrounded by Shri Ram, Dutta, Vitthal and Mataji temples. From Dutta temple one can see beautiful kalash and shikhar of main Bhimashankar temple.

Garbhagriha - 25 to 30 people can be in the garbhgriha at the same time. Swayambhu Jyotirlinga is in an underground chamber that glows in the lamp light. It is the only Jyotirlinga, where people offer marigold with bilva to Lord Shiva. Devotees circumambulate the Jyotirlinga adding to the heap of scared bilva leaves and marigold that cover it. The yoni is clad in etched silver.

Darshan Protocols - In the main temple one sees Nandi idol followed by goddess Parvati and before entering garbhagriha. After puja/abhishek to the Jyotirlinga one comes out from the same route. In the premises is temple of Shanimaharaj and Nandi temple followed by a place of akhand dhuni. The Dhun of Guru Gorakhnath is maintained by the Nath Sampradaya even today.

Then come temples of Shri Ram, Dutta, Vitthal and Mataji and also visits the holy kund. Next the main temple is Shri Ram temple. The present temple was built in a memory of a lady Taibai Arnaji Konkane. The devotees also offer peda (a sweet) to Bhimashankar.
Edited by mnx12 - 13 years ago
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Posted: 13 years ago
#52
Arunachaleswar(Annamalaiyar) Temple Thiruvannamalai.




Annamaliyar temple, dedicated to lord shiva ,located at the foothills of Annamalai Hills in the town of Thiruvannamali in Tamilnadu .Shiva is worshipped as Annamalaiyar or Arunachaleswarar represented by lingam, with his consort, Unnamulaiyamman (Apithakuchambaal - Parvati). The temple occupies a significant place in Saivam (sect of Shiva) realm and is regarded as one of the Pancha Bootha Stalas (one of the five temples associated with the five classical elements) this temple is associated with the element fire (Agni).

Temple History .


Lingothbavar:
The Creator Lord Bramha and Protector Lord Vishnu entered into a controversy among themselves so as to ascertain who was the greatest. Lord Siva was asked to be the judge. Lord Siva told them that whoever was able to see his crown as well as his feet would be termed as the greatest. Then Lord Siva transformed himself into a Jothi (a column of fire) touching the heaven and earth. Vishnu took the avatar of varaha (wild boar) and dug deep into the earth to find Siva's feet but at last accepted defeat. Bramha took the form of a swan and flew to see the crown of Siva. Unable to see the crown, Bramha saw a thazhambu (ketaki)flower which had decked Siva's crown falling down. He asked the flower as to the distance of Siva's crown whereby the flower replied that he had been falling for forty thousand years. Bramha, realizing that he would not be able to reach the crown asked the flower to act as a false witness. The thazhambu (ketaki)flower acting as a false witness declared that Brahma had seen the crown. Siva became angry at the deception and cursed that Bramha should have no temple on earth and that the thazhambu flower should not be used while praying to Lord Siva. The place where Lord Siva stood as a column of fire to eliminate the ego is Thiruvannamalai.
The Annamalai Hill was Agni (fire) during Krithayugam, was Manikkam (Emerald) during Threthayugam, was pon (Gold) during Dwaprayugam and rock during Kaliyugam as per the ancient legends. On the request of Vishnu and Bramha by their devout prayer, Siva who was in the form of a fire column took the form of a Sivalingam at the foot of the hill where the Arulmigu Annamalaiyar Temple is located.
Arthanareeswarar:
Lord Siva's wife Goddess Umadevi once playfully closed His eyes which plunged the world into darkness. All living beings suffered in the dark. To absolve herse of this sin Mother Umadevi created a Sivalingam out of sand and worshipped at Kancheepuram.At that instance, Lord Siva ordered her to proceed to Thiruvannamalai and do penance so that she could get half of His body. Likewise Mother Parvathi did penance at Pavalakundru with the help of Saint Gowthama. A demon called Makidasuran disturbed the penance of Mother Parvathi. The Mother took the form of goddess Durga Devi and destroyed him on the full moon day of the Tamil Month of Karthigai during the auspicious period of pradosham(between 4 to 6 pm comes in Somavar). Lord Siva presented himself in the form of Fire atop the hill and merged Goddess Parvathi on the left half of his body.
To commemorate this event, every year during the Tamil month of Karthigai in Kiruthigai Star, exactly at 6.00 p.m. Arthanareeswaramurthi presents himself as Jyothi Swaroopa to his devotees at the time of Karthigai Festival 10th day.A divine light of fire is lightened at the top of Annamalai hill to represent it.

[YOUTUBE]http://www.youtube.com/watch?feature=player_detailpage&v=PMV7TAVvVs8[/YOUTUBE]





Saints of Thiruvannamalai.

Thiruvannamalai temple and the hills behind it ,is always associated with numerous divine souls .Where one among them is
Arunagirinathar .
Arunagiri a Tamil poet was born in Thiruvanamalai, during 15 cent A.D. His father died soon after his birth and his mother and sister instilled him with their cultural and religious traditions. Legends claim that Arunagiri was attracted to the pleasures of the flesh and spent his youth in pursuing a life of debauchery. His sister always gave whatever she earned to make her brother happy, and he frequented devadasis. There came a time when his sister had no money to meet his demands. She said that he should sell her in order to have money, upon hearing which Arunagirinathar realised how selfish he had been. He decided to end his life, went to a temple and hit his head against the pillars and steps, begging for forgiveness. Then he leapt from the temple tower.He is saved by LOrd Muruga(skanda),who transformed him, into a saint.Its is said that Lord Skantha asked Arunagiri's life for his(Skantha's) devotion,instead of wasting his soul.





Thus blessed by God Skantha ,he attained the enlightenment and began to sang his first devotional song its collections later called as "Tiruppugazh"(known for its poetical and musical qualities, as well as for its religious, moral and philosophical content in Tamil Literature ) and thereafter decided to spend the rest of his life singing in praise of the God. He was a devotee of Lord Skantha and worshipped him at several places associated with his God Muruga or Skantha.His fame got the jealousy of chief minister named
Sambandandan (who is a great Devi -Upasaka) of king Pravuda deva II ,who ruled the Thiruvannamalai region at that time . He claimed Arunagirinathar as a false saint and not a true devotee of the god Subramaniya(Skantha). So the king arranged a public gathering at Annamalai temple and asked Arunagiri to show(Vision of Lord Skandha ) Subramanya to others also. So Arunagiri started singing songs towards Muruga .But with respect to the evil cheifminister 's wish that he asked Goddess umadevi the previous night ,to hold her son skandha tightly in her hands ,so that Arunagiri will felt ashamed before the crowd, the next morning.Because of this promise Lord skandha was Stopped by DeviParvati,so Skandha ordered Arunagiri to start prising songs on Uma Devi ,Hence fully mesmerized by the beauty of song devi released her child .Thus LOrd Skandha appeared before all the gathering and Blessed them with his vision . The pillar from which Lord Murugan appeared as also the Mandapam where the assembly was convened are to be seen even today in the Arunachaleshwarar Temple, where a small shrine is dedicated to Lord Murugan. As the Lord here came out of a Khamba (pillar), He is called, "Khambattu Ilayanaar."
Statues of Lord Murugan with Arunagirinathar standing on top of the pillar from which the Lord appeared at the Arunachaleswarar Temple

When Arunagirinathar manifested Lord Skanda and the king had Darshana, it is said that the king lost his eye-sight due to the divine brilliance which human sight cannot endure. At once, Arunagirinathar gave Bhasma (vibhuthi/holy ash) and brought back the king's eyesight. This is one version; while the other is that Arunagirinathar fetched the Paarijaatha flowers from heaven and restored the king's vision. It is thus having defeated in the contest, Sambandandan disappeared from the assembly in utter shame and left the kingdom. But his enmity to Arunagirinathar did not subside. He somehow wanted to do away with Arunagirinathar and so, after sometime, he approached the king again. Knowing that the king who had lost his eye-sight would be eager to get it back somehow, Sambandandan said to the king: "O mighty king! There is only one way of getting back your eye-sight. If the heavenly Paarijaatha flowers are brought and placed over your eyes, they will regain vision. And this super-human act, only Arunagirinathar and myself are capable of doing. But I wish that Arunagirinathar do it, as my bringing the flowers will affect his fame and glory. Please, therefore, request Arunagirinathar to fetch the flowers and in case he declines to do so, I shall at once bring them for you."
The Gopura (tower) from which sage Arunagiri as a parrot merged in Lords Skandha's hand.

The king, not knowing Sambandandan's evil intentions but desirous of regaining his vision requested Arunagirinathar accordingly, to which the latter readily agreed. Arunagirinathar climbed the temple gopuram (tower) left his physical body there, entered the body of a parrot that was just dead then, and flew to the heavenly region. It is said that he did this as one cannot go to heaven with this Panchabhuta-Sarira (or body made of five elements). But, strangely, the parrot's body, too, is made up of the same five elements. Sambandandan took this opportunity and informed the king that Arunagirinathar is dead, that his body lies in the Arunachala-Gopuram and that it should be burnt soon. The king, too, without due investigation or thought, ordered it to be cremated, which the evil-minded Sambandandan got done without the least delay, lest Arunagirinathar should come back.The Arunagirinathar-parrot returned from heaven with the Paarijaatha flowers only to find his body missing from the Gopuram. Taking it to be the will of God, the parrot went to the king, offered the flowers to him and, to his great joy, restored the king's eye-sight. The king felt extremely sorry for his hasty and unconsidered action in getting Arunagirinathar's body burnt. He wept bitterly and begged the Saint's pardon. The Arunagirinathar-parrot, his divine mission being over, flew away and seated itself on the arms of the Lord, for eternity.

Ramana Maharishi.

Ramana Maharishi's Birth name is Venkatraman Iyer .He was born to a Tamil-speaking Brahmin family in Thiruchuzhi, Tamil Nadu in 1879 Dec 30.Venkataraman seemed a normal child with no apparent signs of future greatness. He was popular, good at sports, very intelligent but lazy at school, indulged in an average amount of mischief, and showed little religious interest. He did have a few unusual traits. When he slept, he went into such a deep state of unconsciousness that his friends could physically assault his body without waking him up. He also had an extraordinary amount of luck. In team games, whichever side he played for always won. This earned him the nickname 'Tangakai', which means 'golden hand'. When Venkataraman was about 11, his father sent him to live with his paternal uncle Subbaiyar in Madurai for higher Studies.When he was fifteen ,His father Died ,hence he is disturbed by fear of death.He lost his interest in Worldly education and determined to find the truth beyond the birth and death cycles .he preferred to sit alone, absorbed in concentration on the Self, and went daily to the Meenakshi Temple, ecstatically devoted to the images of the Gods, tears flowing profusely from his eyes.

Sri Ramana Maharishi (1879 – 1950)

He decided to leave his home and go to Arunachala. Knowing his family would not permit this, he slipped away, telling his brother he needed to attend a special class at school. Fortuitously, his brother asked him to take five rupees and pay his college fees on his way to school. Venkataraman took out an atlas, calculated the cost of his journey, took three rupees and left the remaining two with a note which read: "I have set out in quest of my Father in accordance with his command. This (meaning his person) has only embarked on a virtuous enterprise. Therefore, no one need grieve over this act. And no money need be spent in search of this. Your college fee has not been paid. Herewith rupees two. Thus he reached the Arunachaleswar Temple at Thiruvannamalai and beamed in to a Yogi ,who later worshiped by peoples and still considered as one of the purest soul in near past .He lived at the mountain for the rest of his life. Although born a Bhramin, he declared himself an "Atiasrami", a Sastric state of non-attachment to anything in life and beyond all caste restrictions.The Ashram that grew around him, Sri Ramana Ashram,(Most important for all visitors who seeks his blessings) is situated at the foothill of Arunchala, to the west to the pilgrimage town of Tiruvannamalai.

Story of King Vallala Maharaj :
King Vallala is said to be one among the rulers who is responsible for the construction of temple .During his period he renovated the temple complex ,After completed the construction of the Fourth prakara 's (column)Gopuram ,King Vallala became proud of his achievement. In order to teach him a lesson, Lord Arunachaleswarar refused to leave the temple through the Vallala Gopuram during first 9 days of 10 day Special Festival conducted on that time.The King was distressed and prayed for his forgiveness. Only then, Lord Arunachaleswarar consented to pass through this gopuram on the 10th day of the festival. This is a lesson taught by Lord Siva about humility and greatness, not only to King Ballala but to everyone.
Arunachala Puram describes King Vallala as an embodiment of all human virtues. He was praised for his uprightness, generosity and love for Lord Arunachaleswarar. The King had no issues. Lord Siva tested him for his piety and became a child at the hands of king Vallala and his wife. King Vallala embraced the child in all his lovingness and later Lord Siva disappeared. When the king prayed for a child, Lord Siva assured him that would perform all his funeral rites as he himself became a child to the king. Even now in the month of Maasi (February) when the annual anniversary of King Vallala Deva's death occurs, at the instruction of Lord Arunachaleswarar, the Lord is taken in procession with great Ceremony to the village Pallikonda Pattu, where the funeral rites take place. This festival is known as 'Masi Maga Theerthavari' Urchavam.


Architecture of Annamalai Temple.

The temple at Tiruvannamalai is one of the biggest and grandest temples in South India. With the hill as back ground it gives the appearance of a fort to those who see it from a distance. It is unique on account of its stately towers, high rampart walls, broad quadrangles, spacious gateways, large mantapams and fine tanks. It has also much architectural importance and sculputural beauty.

Tiruvannamalai should have been under the sway of the Pallava Kings who ruled from Kancheepuram before the ninth century A.D. We do not find any inscription in the temple prior to A.D.850 and hence the present temple could not have existed then. Saint Sambandar in his Thevaram relating to this place mentions a temple. Saints Appar and Sambandar belonged to the Seventh Century, Sekkizhar, the renowned author of Periapuranam mentions that both the Saints Appar and Sambandar worshipped Arunchaleswarar in the hill Temple. The Chola Kings ruled over the country for more than four Centuries from 850 A.D. to 1280 A.D. Some earlier Kings of Vijayalaya dynasty must have begun to construct the inner shrine(Garbegraha). In the fourteenth Century the Hoysala Kings had their capital at Tiruvannamalai. Afterwards the Kings of Vijayanagar and Nayak Kings of Thanjavur ruled over this part of the Country. In the Seventeenth Century it came under the sway of the Nawabs of Carnatic. There was confusion and chaos after A.D. 1753. Muraru Raya, Krishna Raya, Mrithis Ali Khan, Burkat Ullakhan, French Soupries and Sambrinet, English Captain Stephen Smith besieged this place and had their successes and defeats. In A.D. 1790 it was captured by Tippu Sultan. During the first half of the nineteenth century it came under the British rule.


The Temple is situated east at the bottom of the hill half a mile west of the Railway Station. It faces East. It has got four stately towers on all the four sides and four high stone walls just like the rampart walls of a fort. The Eastern Tower called the Rajagopuram is the Highest. The Southern tower is called Thirumanjangopuram, that iin the west is called Peygopuram and that in the north is called Ammaniamma Gopuram. The temple occupies an extent of about 25 acres of land. The walls on the East and West measure 700 feet each. The South wall is 1479 feet long and North wall is 1590 feet. The Rajagopuram which adorns the East Gateway is 217 feet high with 11 storeys, its base measure 135 feet by 98 feet. This tower was built by King Krishna Devaraya of Vijayanagar and completed by Sevappa Nayaka of Thanjavur. Krishna Devaraya also constructed the Thousand Pillared Mantapam and dug the tank opposite to it . Ammani Ammal a Sanyasini built the North Gopuram which is called after her name.

The towers, the pillars in the Mantapams and Vimananms consist of figures of Sculptures Excellence. In the side walls of the Entrance of East Gopuram there are dance poses and figures of Bewitching Beauty. Generally stone-Idols are fixed with what is called "Ashtabandana". But in this case it is "Swarnabandana" (Gold) which is of Special Importance. There are five inner rounds. Including what is called Madavilagam running just outside the temple walls and the four car streets and the path round the Giri the temple is said to have Seven Prakaras.

As enjoined, one should enter the temple by the Main Gate in front of the Sanctumsanctorum. Before entering the Eastern Gate we see the Sixteen-Pillared Mantapam and the Four-Pillared Mantapam. When we pass the Eastern Tower Gate we see the Gopura Ganapathi. This deity is held in high esteem and veneration by all devotees and the first worship to Him. We first come to the fifth prakaram and see before us the Kambathilayanar Sannidhi and Gnanappai Mantapam. Here it was that God Muruga appeared in a Pillar for the sake of the King Prabudadevaraya as prayed for by saint Arunagirinathar in response to his famouns song "Athalasadanarada". To the south there is the sacred tank called Sivaganga Theertham. It has stonesteps and Thirumalapathi Mantapam on all four sides.

In the South East corner of this fifth prakaram there is the Adiyar Viduthi (Devotees rest house), Siddhi Vinayagar shrine is found in the North-West side of the tank. To the West of the tank is the Theerthawarimantapam. There is Mangalavinayagar Sannidhi in the fifth South Prakaram and Thiruvarul Vilasa Mantapam just to the West of the South tower. There is the Kothala Vinayagar shrine in the Western Prakaram. There is nothing worth seeing in the Northern Prakaram except the big banyan tree which is considered sacred. Coming again to the Eastern Side of the fifth Prakaram we see the Mathapirappu Mantappam. A festival with Sri Chandrasekara Swami is celebrated here on the first day of the Tamil Month. Then we see the Thousand Pillared Mantapam and the underground temple of Sri Pathala Linga where at Ramana Maharishi's body was eaten by ants and months in his state of Supreme Awareness. In between Sivaganga Tank and Thousand Pillared Mantapam there are the Rudrakshamantapam and the Big Nandhi Mantapam.


The separate temple for Unnamalai Nayaki or Abidhakujambal is situated in the North Western portion of the third Prakaram. In the Mahamantapam in front of the Arthamantapam of this shrine we see the image of Kalanthagar, Veenadharar, Veerabadrar, Adilakshmi, Santhanalakshmi, Gajalakshmi, Dhanalakshmi, Dhanyalakshmi, Vijayalakshmi, Ayswaryalakshmi, Veeralakshmi, Rudra Durga, Mahasakthi and Saraswathi. In the front mantapam there are also the shrines of Vijayaraghava Vinayagar, Navagrahams and Chitraputhrar. To the back of the sanetum-sanctorum we see the Parasakthiamman, Vigneswarar, Cholalingam and Cheralingam. Inside the Garbhagraha we see the charming and graceful Goddess Unnamulai Ambal, the inseperable partner of Sri Anurachaleswara. The Sanskrit name for the Goddess is Abidhakujambal.

After worshipping at Unnamulai Amman's shrine we come to the third Eastern Prakaram. Facing East at the extreme South and Extreme North there are the Shrines of Sambanda Vinayagar and Palaniandavar. On both sides of the entrance to the second Prakaram we see Ganpathi and Subramaniam and the Dwarapalakars (Gate keepers). Taking leave of Adhikara Nandikeswarar in the passage we enter into the second Prakaram. In the North we see Isanyalingam and all Utsavamurthis (festival idols) and in the South there is Indra Lingam. On all there sides of the second Prakaram there are number of deities

.

After going round the three sides of the Second Prakaram we enter by the East into the First Prakaram which encloses the Garbagraha of Sri Arunachaleswarar, the main deity of the temple. He has got many names. The popular Tamil Name is Annamalaiyar. Other names are Sonachaleswarar, Arunagiriswarar, Sounadriswarar,Bhaktapasavimochakar,Vedamurthi etc.




Completed ...

My next post will be on Ekambareshwar temple, Kanchipuram.pg 9


Edited by vanadhi - 13 years ago
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Posted: 13 years ago
#53



Baba Bhootnaath and Sri Shyama Kali Tarna Trmple Mandi Himachal Pradesh


The Temples have a nice story. Will post it soon
Edited by NandiniPS - 13 years ago
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Posted: 13 years ago
#54
Religious places are good to visit...
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Originally posted by: NandiniPS




Baba Bhootnaath and Sri Shyama Kali Tarna Trmple Mandi Himachal Pradesh


The Temples have a nice story. Will post it soon


These Temples were built by the Bengali rulers of the small princly state of Mandi in Himachal Pradesh in 1660

The story goes that Raja Vijay Sen of Mandi once had a dream that a cow was giving milk at a spot and then climbing a hill and giving milk there too. On investigation it was found that the cow was doing so in reality

They dug the two spots and found a swambhu Murti o f Godess Mahakali and a pindi of Lord Shiva from the area. Raja Vijat sen then built these two temple. They say Maa Shayama Kali blessed him that no one will ever invade and occupy the princly state . The Sen dynesty rules this small state till India became independent. No one invaded it neither the muguls nor the British. Later it peacefully succeeded to India


Edited by NandiniPS - 13 years ago
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Maa Jwala Mukhi Temple in Jwala Ji Himachal Pradesh

Jawala Ji temple is one of the 51 Shaktipeeths of India. Jawalaji Temple is one of highly venerated shakti temple in India. It is situated in the lap of Shivalik range of Kangra valley called "Kalidhar". This is believed to be the first ever temple built by the Pandavas. Jawala ji is a Devi Temple Dedicated to the "GODDESS OF LIGHT", located in Jawala Mukhi, district Kangra of Himachal Pradesh.

Sati's tongue is believed to have fallen at the very place where Jawalaji Temple is now situated. The tongue of Sati is represented by Holy Flame or Jawala that is perpetually burning. The flames come out from nine different rocks in the temple.Jawala Ji has an unique characteristic of perpetual flames emanating from the rock at temple site being considered the manifestation of Goddess.Jawala Ji as a center of faith is unparallel and unique. There is no deity or idol that is worshiped. Jawala Ji is a great heritage center for not only the people of Jawala Mukhi, Kangra or Himachal Pradesh but of the whole world. During March to April and September to October every year colorful fairs are held during the Navaratra celebrations.

Jawalamukhi has since times immemorial turned out to be a great pilgrimage center. The Mughal Emperor Akbar once tried to extinguish the flames by covering them with an iron disk and even channelizing water to them. But the flames blasted all these efforts. Akbar then presented a golden parasol (chattar) at the shrine. However, his cynicism at the power of devi caused the gold to debase into another metal which is still unknown to the world. His belief in the deity was all the more strengthened after this incident. Thousands of pilgrims visit the shrine round the year to satisfy their spiritual urge.

http://www.himachalhillstations.com/images/devi-jawala-ji-1.jpg




Edited by NandiniPS - 13 years ago
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Posted: 13 years ago
#57
Tripura Sundari Temple


Tripura Sundari Temple is considerd as one of the 51 shakti peethas of India. It is said that 'right foot' of Mata Sati felt in this place. The temple consists of a square type sanctum which looks like a typical Bengali hut. It is located at 3km towards south from Udaipur town. The temple is also known as 'Matabari' by the local people.

Goddess Sati is worshipped in this temple as TripuraSundari, Tripureswari and Shodoshi. Goddess Shodashi is the most enchanting beauty of the ten great learnings i.e, Dasha Mahavidyas.

This pithasthan is also known as 'Kurma Pith' because the shape of the temple premises resembles to that of "Kurma" namely tortoise. Inside the temple, the idol of Maa Kali is kept which is made of reddish black "Kastic Pathar" (a special stone). Maa Kali is worshipped in her 'Soroshi' form in this temple. There is an idol of smaller size of Maa Kali called 'Chotto Maa 'and this image used to be carried by Maharajas of Tripura during "Mrigaya" namely hunting and also during war.

Temple's History

Legend says that temple was first constructed by Maharaja Dhanya Manikya in 1501 A.D. King Maharaja Dhanya Manikya who ruled Tripura towards the end of the 15th century, had a revelation one night in his dream. In the dream he received divine instructions from Devi Bhagavati to install Goddess Tripura Sundari in the temple that was located on a hil ltop near the town of Udaipur. The temple actually dedicated to lord Vishnu.

The king was confused on how a temple dedicated to Vishnu could have an idol of the consort of lord shiva. The revelation was repeated to him, after which the ruler decided to obey the command. This fable is considered as one example of how harmony between the Vaishnavas and shaivas.

Temple's Structure

In the eastern side of the temple there is a famous 'Kalyan Sagar' fishes and tortoises of huge size are found and devotees feed them with "muri" and biscuits. No fishing is permitted in the Kalyan Sagar. One of the specialities of the temple here is the sweet, brown, condensed milk pedas that devotees get and distribute among families and friends. Animal sacrifice is one of the features of this temple. Garland goats are brought here as offerings.

Kalyan Sagar

Every year on Diwali, a famous Mela takes place near the temple which is visited by more than two lakhs pilgrims.

Edited by sukhi... - 13 years ago
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Posted: 13 years ago
#58
BRAJESHWARI TEMPLE Kangra Himachal Pradesh Shakti Peedh

The Brajeshwari Devi temple, located in the old Kangra Township, is said to have been built over the charred breasts of Sati. This shrine, once renown for its great wealth, has been plundered relentlessly over the ages. The first of the plunderers was Mahmud of Ghazni, who looted it in 1009. A mosque was built on the ruins and a garrison was left behind. 35 years later, the local king regained its possession. The shrine was repaired and a replica of the idol was enshrined. The temple was filled with gold, silver and diamonds only to be ransacked again in 1360 by Firoz Tughlaq. Later Emperor Akbar visited the shrine with his Dewan, Todar Mal and restored it to its former grandeur. The temple was razed to the ground by an earthquake in 1905, but a new one came up the very same year, thanks to the Kangra Restoration Committee.

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#59
Sri Chintapurni Temple Shaktipeeth Una Himachal Pradesh

eities: Goddess Chintpurni (form of Durga)
Location: In Chintpurni village of Una district, Himachal Pradesh
Built by: Bhagat Mai Dass
Significance: One of the 51 Shakti Peethas
Also known as:Chhinmastika Devi (Goddess without a head)
Best time to visit:April-October

"Chinta" Means WORRY……
Tension or worries act as a slow Poison. Maiya saves her bhakts from it, giving elixir of life, by fulfilling their desires and hence rightly known as CHINTAPURNI.

Himachal Pradesh is quite aptly called "Devabhoomi" – Abode of the Gods. There are more than 2000 temples and religious places scattered all over the state. Many of these are quite well-known and attract thousands of devotees throughout the year.

The temple dedicated to Mata Chintpurni Devi is located in a village of the same name in District Una, Himachal Pradesh. Devotees have been visiting this Shaktipeeth for centuries to pray at the lotus feet of Mata Shri Chhinnamastika Devi and Mata Shri Chintpurni Devi. They bring with them their worldly concerns and seek blessings from the Devi.It is believed that if you ask something from the Devi with a true heart, your wish will be granted.

Apart from the holy shrine, according to Manav Bhardwaj, the place is full of picturesque surroundings. Some very nice places for sight seeing, indoor and out door activities are situated in and around Chintpurni. In the center of the Temple is the temple garbha griha. The image of Mata Chintpurni Devi is installed here in the form of a pindi (a round stone). People queue up for a darshan of the Devi and make their prayers and offerings.They bring with them their worldly concerns and seek blessings from the Devi. It is believed that if you ask something from the Devi with a true heart, your wish will be granted.

Legend:
long with hundreds of mythical legends about the origin of a temple in different parts of India, the very popular temple of Chintpurni temple is of the same type. The legend is that one 'Bhagat Mai Dass' was a great devotee of Durga deity and worshipped her with great devotion and never bothered over mundane affairs. He was a married man and his family along with others had shifted from Patiala side to village 'Rapoh' in Una district of Himachal Pradesh. The legend is that one-day Bhagat Mai Dass was going to his father-in-law's place and felt tired while by a jungle and slept under a tree. He had a dream: a young girl appeared before him and wanted him to stay there and worship her. He woke up in bewilderment.

He came back to the particular spot from his father-in-law's place and went on praying to Durga. The girl appeared this time in human form and told him the whereabouts where he would find her in the form of a 'pindi' (a round stone-ball). He should install the Pindi in a temple. The Devi blessed him that he would have no fright, as it was a 'Devasthan' (site of Gods) though so deserted. She disappeared and Mai Dass discovered the Pindi and installed it in a temple. It is believed that the place is where the toes of 'Gati' goddess had fallen being cut off by the 'Chakra' of Vishnu Lord, when he was cutting away the pieces of Sati's dead body carried by Lord Shiva in his 'Tandava Nritya'. The Pindi represents Sati's feet and is a manifestation of her. Chintpurni Devi is believed to fulfill the desires of a person who comes there and devotedly worships her.

Festival:
A major fair is held for ten days at the Chintpurni Temple between July and August. It is called the Sawan Ashtami Fair and begins on the first Sawan Navaratra. Tales about the miraculous powers of the Devi have spread far and wide. Thousand of devotees visit the temple every year and particularly so during the Navaratras in Shravan (August), Kartik (October) and Chaitra (March-April). Sankranti, Purnima and Ashtami are the other popular days. During the time of Navratras, the temple observes grand fairs and festivity. People from far and near come to visit this holy shrine to seek the blessings from the Goddess. In the past years, the temple has been repaired and modified to hold the huge crowd during festivals.

Other attraction near by:
Sheetla Devi Temple
Chamunda Devi Temple
Jwalamukhi Devi Temple
Vajreshwari Devi Temple
Dharamsala and McLeodganj
Masroor Temples
Maharana Pratap Sagar on Pong Dam
Pragpur-Garli heritage village
Sujanpur-Tira and Nadaun
Naina Devi Temple
Baba Balak Nath Sidhpeeth
Kaleshwar.

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#60


Kailash'Mansarovar Shakti peeth

Kailash Mansorovar
As per, Hindu Scriptures, significance of Kailash-mansarovar yatra is immense. Kailash is considered as abode of Shiva-Parvatiji. The peak of Kailash is the most beautiful among all other peaks.

Kailash Peak has been center of devotion from ancient times for the Devas, Danavas, Yakshas, Kinners, Vidyadharas, Gandharvas, Apsaras, yogis, Munis, Siddhas, Tapes and humans. A lot of pilgrims visit Kailash-Mansarovar every year. today kailash-Mansavroverbelongs to china and Tibet. Therefore, these days only a few pilgrims can visit Kailash-Mansarovar with permission of Chinese authority. As a person always pine for visiting his birth place, devotes of Lord Shiva are always eager to visit Kailash-Mansarovar. All the time, they dream of visiting this place.

Rajatgiri Kailash which is 22028ft. above sea level is difficult to access. Pilgrims have to cross many mountain ranges to reach there. There are various routes to reach kailash from India.
  • One route goes from Ladakh region of Kashmir;
  • Second route passes through Gangotri towards Nailang Ghat;
  • Third route is from Badrinath via Man Ghat;
  • Fourth route goes via Niti Ghat which is in North- East direction of Joshi Math;
  • Fifth route goes via Almora, Dharchula, Gabyang, and Lipu Ghat;
  • Sixth route goes from Nepal towards Kailash-Mansarovar.



As per devi puran, hands of Sati had Fallen here. As a result Mansarovar is created. There fore, it is considered as one of the fifty one shaktipeeth. Here we can see Raj Hamsa and ordinary Hamsa. A Raj Hamsa is a pure white Swan and an ordinary Hansa is of dirty grey colour. Their red beaks are very tender and they can fly very high main rivers of India originate from Mansarovar. During summer melting ice falls downs and produces loud shound similar to that of a Mridanga. Pilgrims visiting Mansarovar during summer feel hyptonized, listening to this divine music. It is impossible to have bath in freezing cold water of Mansarovar. Some courageous pilgrims take a holy dip into the water. It is believed that by having a dip in this water, one can attain Rudralok.

Lake Manasa Sarovar is a personification of purity, and one who drinks water from the lake will go to the Abode of Lord Shiva after death. He is believed to be cleansed of all his sins committed over even a hundred lifetimes.

Like Mount Kailash, Lake Manasa Sarovar is a place of pilgrimage, attracting religious people from India, Nepal, Tibet and the neighboring countries. Bathing in the Manasa Sarovar and drinking its water is believed to cleanse all sins. Pilgrimage tours are organized regularly, especially from India, the most famous of which is the Kailash Manasa Sarovar Yatra which takes place every year. Pilgrims come to take ceremonial baths in the cleansing waters of the lake.

Manasasarovar lake has long been viewed by the pilgrims as being nearby to the sources of four of the greatest rivers of Asia, namely theBrahmaputra, Karnali, Indus and Sutlej. Thus it is an axial point which has been thronged to by pilgrims for thousands of years. The region was initially closed to pilgrims from the outside; no foreigners were allowed between 1949 and 1980. After the 1980s it has again become a part of the Indian pilgrim trail.

According to the Hindu religion, the lake was first created in the mind of the Lord Brahmaafter which it manifested on Earth. Hence, in Sanskrit it is called "Manas sarovara", which is a combination of the words manas(mind) and sarovara (lake). The lake, in Hindu religious belief, is also supposed to be the summer abode of the Hamsa goose. Considered to be sacred, the Hamsa is an important element in the symbology of the subcontinent, representing wisdom and beauty.

Edited by NandiniPS - 13 years ago

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