Originally posted by: shruthiravi
@DD your other one, I cant read quickly hindi in English😕. Will read when I really get time. As I have to read 2-3 times to understand it.
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Originally posted by: shruthiravi
@DD your other one, I cant read quickly hindi in English😕. Will read when I really get time. As I have to read 2-3 times to understand it.
Originally posted by: shruthiravi
@DD are you not jumping. I am like My God can screenplay be this intricate. Can it connect so much. Reflection, change, illusion all in one episode. When I started analyzing SKR I never thought I will look at each episode amazingly because that is the connect CVs have woven. And I am thankful to this thread because since we came connecting it is easier, else many points would have been lost. Posting analysis soon
Remember we used to call Bharath Ram's reflection. In other words in Bharath we will see Ram. Look at the contrast today. Bharath is a boy born to a mother who has Mahatwakamsha and Ravan is also a boy born to a mother who has Mahatwakamsha. What differentiates them. Bharath discovered the Ram inside him and became his reflection denouncing everything.
And Ravan today alchohol was trying to keep him away from truth. But his conscience that spoke in the mirror asked him to discover the Ram in him. Because he knows he wants Sita's love and that kind of love only Sita can give, not even Mandodari can give it. Instead of being jealous of Ram try to get the love. Idiot Ravan. He loved alchohol and broke the mirror or reflection and killed that awakening towards Ram.
And then he goes to Sita and look what he does. He does an illusion that keeps on changing. So without understanding where the opening at a given instant no one can enter Ashoka Vatika or rather a person who cannot understand change cannot enter it. Neither you can set direction for the weapon.
And Ravan when he proclaims to Vibhishan that his 10 heads knows everything, no one can be more intelligent than him it shows Surpi and her ideas, then Sulo and Meghnad. Yes he might know them because in his calculations he considers only Sanskriti. And Vibhishan says a beautiful dialogue what if the person does not want to attack. It had double meaning. The all intelligent Ravan cannot foresee his brother leaving and joining enemy. Because he doesn't know conscience, he doesn't know Prakriti.
Another thing Ravan says to Vibhishan that first attack has to be on mind, then defeat. Idiot he forgot " Lift the Dhanush and prove your Bhakthi" who he has in the Ashoka Vatika is the daughter of that person who did mind attack and she has already done enough damage which he doesn't want to face and ended up drinking alchohol.
The most beautiful part was the way Trigadha creates Maya by asking people to focus on her eyes. See I said earlier also eyes are windows to the soul. It is very difficult to hide your true feelings from eyes. That's why we say great actors have expressive eyes. Their eyes show whether they are living the character and the extend of their performance. And what should a great Mayavi do. Have such a mind control to ensure their eyes reflect not what their feelings are, but what they want the other person to see. It is completely hiding the Prakriti or your true nature. So Trijadha the woman who can hide Prakriti is going to meet the person who has only Prakriti or natural feelings in her eyes. It will be interesting how it will turn out.
And this is what I want to play out in Meghnad -Laxman combat. The game of eyes. The game of Maya. How the knowledge of Prakriti Sita gave to Lakshman is enabling him to break Meghnad's Maya.
Last but not least who can break Ravan's illusion. Only the one who knows Prakriti. Because if you know Prakriti you understand change as Prakriti is changing every instant. Hanuman will break it and without Ravan's knowledge will enter Ashoka Vatika. Ravan has no defense for the person who knows Prakriti and understands Sanskriti because in his intelligence he never tried to understand Prakriti.