Originally posted by: happychappy
OK. I watched my recording.
For a change, watched all the commercials with care - I was seeing most of them for the first time! 😉Watched the show also.Point 1 - Both our leads are really high-quality "professional" actors - I am filled with "admiration"..- They both give their emotional best, irrespective of any minor problems such as lack of story! 👏- They both look fantastic while crying - such a rare quality 😃that's exactly what I felt too their sincerity and emotions they depicted were amazing! even though they too mustn't have been able to relate to this tamasha. I mean isn't this crisis a very PG Wodehouse type of crisis? Yet these two again put in their best.Point 2 - As far as I know the GMT's 19th century Saraswatichandra was a progressive character, working against superstition and such like.. (Remember Saras jumping into temple pond to save some child, and Kumud supporting him? )But...The bacche-log who are story-writing now have no clue abt all that ancient claptrap, so now in the 21st century they have turned apna Saras into a regressive person who waits on God to save him from sticky situations like an illegal second marriage! Kumud invoked Kanha, Dugba called on Ambe-Ma and Saras stuck by good old Ganpati Bappa in keeping with the festive spirit! All divine angles were covered, unleashing high-powered winds of change, putting out not only the diyas in this episode, but also turning the whole premise of a character on its head... CeeVees know (and care) less about characters than we do. End of Story.it was awful that Saras did nothing to stall the sagai! he had no plan in mind! he was just waiting for divine intervention to save him, and so was everyone.But what was funny was everyone's reaction after Saras burned his hand, it was like he had done something brilliant and mind blowing! I don't know, happy, ab toh gussa bhi nahi aata. It's just pitiably ridiculous.