Chepu Bytes - Page 2

Originally posted by: samudbest

Right Arshiji that pra is too chepu and disgusting. How was he looking to kumud with lust in his eyes, i mean that is such a cheap man. And what to say about kumud madam, she still so dumb that still can't able to notice the cheap intentions of Pra.

Originally posted by: Linda25

Today I was like why I browsed this Tab 😡

Its height, this writer losing everything, can't she show that saras kumud going for long drives, raining, romancing, enjoying, shopping. There is a lot to show, but showing such cheap stuffs 🤢

Originally posted by: kiranpreethee

Thanks Aarshiji, Missed yesterdays eisode and will iss todays also. SC not worth the wait, with such juvenile behaviour from the Desai girls and new entrant Anushka.

Originally posted by: twila

Arshi...

Great Bytes ... perfectly portraying the disgusting behaviour of that Psycho Murderer...

Now on seeing the Pre-Cap , one can only say that if even on Monday , our " Harvard Chandra " and his " Tezdhaar " don't get it ... Then they have really LOST IT !!

Twila..

But of course they won't...👎🏼

Remember the tendency of the CVs to up the barfing quotient for e.g. l'affaire kusum stalking saras...

...this track's worse coz its already evolving into a more lecherous touchy - touchy style...take away the so called mystery behind the wall angle and we seem to be having this creep actually looking at kumud in a sexual way and making advances ...

...yuck!...

...caught up with last 2 epis today after reading Arshi's comments...could not figure out if the Samud track was a SC or a Crime Patrol / Savdhan India type show...

...L'affaire kusum was a kindergarten show in comparision...I do not recollect anything overtly physical in kusum's infatuation with saras...except that one scene in the end when kusum deliberately bumps into saras...but that was at the end of that track..

...I read somewhere that show extension will be decided in sept and TRPs seem to have risen...

... If both realize the game how will the story move?...

...if TRPs continue to increase...Methinks to introduce 'tension' & 'suspense' kumud will be made the dumb one as blindly sympathetic to whatever sob story the creep will conjure and saras will be the guy who will eventually get it, but whose attempts to expose the creep will be thwarted...

...and so expect this to steadily degrade into a B-grade TV show territory (story-wise)

Originally posted by: twila

Arshi...

Great Bytes ... perfectly portraying the disgusting behaviour of that Psycho Murderer...

Now on seeing the Pre-Cap , one can only say that if even on Monday , our " Harvard Chandra " and his " Tezdhaar " don't get it ... Then they have really LOST IT !!

Kumud kyaa... Saras bhi stupid hai... Kal kaise usske ghar sone chalaa gayaa... Made 4 each other!!!
Maine sunaa Gumaan waapas aa rahi hai... Sach hai kyaa? Koi bataao plz...

Originally posted by: hotdogg

Twila..

But of course they won't...👎🏼

Remember the tendency of the CVs to up the barfing quotient for e.g. l'affaire kusum stalking saras...

...this track's worse coz its already evolving into a more lecherous touchy - touchy style...take away the so called mystery behind the wall angle and we seem to be having this creep actually looking at kumud in a sexual way and making advances ...

...yuck!...

...caught up with last 2 epis today after reading Arshi's comments...could not figure out if the Samud track was a SC or a Crime Patrol / Savdhan India type show...

...L'affaire kusum was a kindergarten show in comparision...I do not recollect anything overtly physical in kusum's infatuation with saras...except that one scene in the end when kusum deliberately bumps into saras...but that was at the end of that track..

...I read somewhere that show extension will be decided in sept and TRPs seem to have risen...

... If both realize the game how will the story move?...

...if TRPs continue to increase...Methinks to introduce 'tension' & 'suspense' kumud will be made the dumb one as blindly sympathetic to whatever sob story the creep will conjure and saras will be the guy who will eventually get it, but whose attempts to expose the creep will be thwarted...

...and so expect this to steadily degrade into a B-grade TV show territory (story-wise)

Originally posted by: -R-R-R-

Kumud kyaa... Saras bhi stupid hai... Kal kaise usske ghar sone chalaa gayaa... Made 4 each other!!!
Maine sunaa Gumaan waapas aa rahi hai... Sach hai kyaa? Koi bataao plz...

The creatives have once again proved beyond a shadow of a doubt that they are incorrigible and irredeemable in their ham handed approach and inept treatment of the plot ideas as well as the prime characters and their relationship and function purely based on their rooted prejudices. The start of the Mumbai sequence presented a hopeful sign and now they have taken the cliched path again and its execution shows signs of bleak prospects. First of all the premise of the Mumbai track itself is irrational and due to lazy writing as our cvs never care to establish proper grounds for any issue. Saras despite being the eldest son and heir of LN's business empire set out to expand VC's small scale trade in Mumbai. (In fact all brothers have dedicated their career to VC's business). Our writers have never been pragmatic or logical in dealing with any matter, problem or situation. Now the show has a new format and more contemporary scenario. Introducing change calls for freshness in script, new storyline, well-thoughtout execution that fits the genre and well-etched new characters. However the storyline appears too far-fetched now. Is the theme suspense thriller or murder mystery? Cvs have again opted for the the conventional cliche formula of 'obsession' even for this new setup. 'Stalking' or obsession has been a dominant and recurring idea by cvs. ( Kalika with Pramad, Pramad w kumud, Kusum w saras, jugnu w kumud, now prashant w kumud). Moreover stalking and separation are two main things the cvs are milking to shift the focus to saras and kumud which would be invariably followed by their share of trails and tribulations in overcoming the hurdles culminating in unwarranted heavy drama with sporadic samud touching moments thrown in. All their plot ideas are too contrived and appalling indeed. The plot would be neither perfectly coherent nor the seamless integration of sequences and events, hence no finesse to the tracks. But they come up with cute and poignant samud moments few and far between to entice the fans and to alleviate the overall damage. This is their standard operating procedure. They can never forgo the concept of recycle and reuse and also the lack of consistency and logic in their script. W.r.t to the current track creating an engaging suspense drama or mystery requires practice, skill and tight plotting. Prashant is the key mystery angle and his motivations and character need to be explored by developing context and conflict in a realistic and logical way. The indispensable saras and kumud should be the central focus and this sequence should strike a fine balance between prashant angle and samud life. The actor must be proficient and clever enough to play a deranged, potentially dangerous person without stock expressions. This track needs more prominent characters (not idling) to partake in the story and proceedings. But here the predictability, no possibilities of different outcomes, no thrills,surprises,suspense, mediocre portrayal, no backstory makes for uninteresting and unpleasant viewing. Writers always attempt to explore the theme which is not their forte. We have a villain to hate, rant on and bash while our cvs have kumudsundari in reserve as stand-in 'deputy'. The writers never cease to resort to the constant character butchery of kumud and misrepresent her on their whim to suit bizarre situations and unreasonable purposes. Is it a deliberate attempt to exalt saras, the eponymous character by way of making kumud lose originality? Thus she gets to face viewers ' wrath and brickbats. I wonder why cvs fail to gauge how this victimisation adversely affects the strong bonding of saras and kumud which is the core aspect of the show. They share true compatibility. Writers in a bid to establish conflict between them exploit the pretty run-of-the-mill 'miscommunication' and the resultant 'misunderstanding' which is at best tenuous and too insubstantial w.r.t to samud not in conformity with their core characteristics and their strong, committed relationship and their survival against all odds in their tumultuous life situations. Of course conflict is the one that drives the story, but here it should be the antagonist or the circumstances, not the couple themselves. In a nutshell fans don't want kumud - the enigma either highly strung or insecured or even obtuse and the superficial stereotypical handling of samud relationship. Parallel tracks can coexist but here the setback is it doesn't interrelate with the main plot. By the looks of things the main sequence may be sidetracked by the potential love angle which may get extra footage. The whole track is full of silly hackneyed rehash, delusional characters, ott performances and lazy scripting which results in more than half of the episode remaining as filler. Unfortunately at times both sequences seem trite and irrelevant. It is obvious that the creatives are stuck in a rut and are losing their direction. The makers must realise that it is incumbent on them to act and get a good set of writers on board who focus on quality.

Originally posted by: lal04

The creatives have once again proved beyond a shadow of a doubt that they are incorrigible and irredeemable in their ham handed approach and inept treatment of the plot ideas as well as the prime characters and their relationship and function purely based on their rooted prejudices. The start of the Mumbai sequence presented a hopeful sign and now they have taken the cliched path again and its execution shows signs of bleak prospects. First of all the premise of the Mumbai track itself is irrational and due to lazy writing as our cvs never care to establish proper grounds for any issue. Saras despite being the eldest son and heir of LN's business empire set out to expand VC's small scale trade in Mumbai. (In fact all brothers have dedicated their career to VC's business). Our writers have never been pragmatic or logical in dealing with any matter, problem or situation. Now the show has a new format and more contemporary scenario. Introducing change calls for freshness in script, new storyline, well-thoughtout execution that fits the genre and well-etched new characters. However the storyline appears too far-fetched now. Is the theme suspense thriller or murder mystery? Cvs have again opted for the the conventional cliche formula of 'obsession' even for this new setup. 'Stalking' or obsession has been a dominant and recurring idea by cvs. ( Kalika with Pramad, Pramad w kumud, Kusum w saras, jugnu w kumud, now prashant w kumud). Moreover stalking and separation are two main things the cvs are milking to shift the focus to saras and kumud which would be invariably followed by their share of trails and tribulations in overcoming the hurdles culminating in unwarranted heavy drama with sporadic samud touching moments thrown in. All their plot ideas are too contrived and appalling indeed. The plot would be neither perfectly coherent nor the seamless integration of sequences and events, hence no finesse to the tracks. But they come up with cute and poignant samud moments few and far between to entice the fans and to alleviate the overall damage. This is their standard operating procedure. They can never forgo the concept of recycle and reuse and also the lack of consistency and logic in their script. W.r.t to the current track creating an engaging suspense drama or mystery requires practice, skill and tight plotting. Prashant is the key mystery angle and his motivations and character need to be explored by developing context and conflict in a realistic and logical way. The indispensable saras and kumud should be the central focus and this sequence should strike a fine balance between prashant angle and samud life. The actor must be proficient and clever enough to play a deranged, potentially dangerous person without stock expressions. This track needs more prominent characters (not idling) to partake in the story and proceedings. But here the predictability, no possibilities of different outcomes, no thrills,surprises,suspense, mediocre portrayal, no backstory makes for uninteresting and unpleasant viewing. Writers always attempt to explore the theme which is not their forte. We have a villain to hate, rant on and bash while our cvs have kumudsundari in reserve as stand-in 'deputy'. The writers never cease to resort to the constant character butchery of kumud and misrepresent her on their whim to suit bizarre situations and unreasonable purposes. Is it a deliberate attempt to exalt saras, the eponymous character by way of making kumud lose originality? Thus she gets to face viewers ' wrath and brickbats. I wonder why cvs fail to gauge how this victimisation adversely affects the strong bonding of saras and kumud which is the core aspect of the show. They share true compatibility. Writers in a bid to establish conflict between them exploit the pretty run-of-the-mill 'miscommunication' and the resultant 'misunderstanding' which is at best tenuous and too insubstantial w.r.t to samud not in conformity with their core characteristics and their strong, committed relationship and their survival against all odds in their tumultuous life situations. Of course conflict is the one that drives the story, but here it should be the antagonist or the circumstances, not the couple themselves. In a nutshell fans don't want kumud - the enigma either highly strung or insecured or even obtuse and the superficial stereotypical handling of samud relationship. Parallel tracks can coexist but here the setback is it doesn't interrelate with the main plot. By the looks of things the main sequence may be sidetracked by the potential love angle which may get extra footage. The whole track is full of silly hackneyed rehash, delusional characters, ott performances and lazy scripting which results in more than half of the episode remaining as filler. Unfortunately at times both sequences seem trite and irrelevant. It is obvious that the creatives are stuck in a rut and are losing their direction. The makers must realise that it is incumbent on them to act and get a good set of writers on board who focus on quality.