How much you know about Carnatic Music - Page 2

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*dolly* thumbnail
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Posted: 18 years ago
#11

Originally posted by: ans24us1

I have learnt Carnatic music 😛 But yes lost in touch with it due to studies 😭😭 I loved learning it.. Started frm the age of 6, I learnt it till I reached my 10th std.. But after tat board exams and everything and so totally lost in touch with it I reached till the stage of Keerthanai and learnt few songs.. As my Dad is in transferrable job, I had to learn frm the beginning wen I shifted places and so learnt same Keerthanai's again and again... 😕

Yes, I prefer Carnatic to Hindustani especially in vocal.. But for instrumental I prefer Hindustani for sure..

Thanks Dolly for these questions, making me remember things.. But totally out of touch..

wah anu that is great!!!!..why dont you give some input on them.please correct me if Iam wrong in the answers here. I will try to post some answers ...

*dolly* thumbnail
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Posted: 18 years ago
#12
    Give on common characterstic and one differentiating charactistic between a kirtana and a kriti. What are maguda swarams in a ragamalikai? What differentiates a thillana from a regular kriti? Can you give at least two examples of musical forms that focused on bhakthi or devotion? Cite at least two composers from each of the following periods - pre-triniti, triniti, and post-triniti. How many systems of Indian music existed before the 10th century? Can you cite one or two reasons why South Indian classical music was called Carnatic music? Who wrote the Thevara Padhikams and what type of musical form does it belong to? There were three composers from the seventhy century who were pioneers of the bhakthi movement. Can yuoi cite two of those three composers? How many Azhvars were there? Who was responsible for compiling the 4,000 Divya Prabhandam? In what language was 4,000 Divya Prabhandam written? Can you name the only female Azhvars among the Azhvars? Who composed the ThiruvAchakam and TiruvempAvai? What is the Tamil equivalent of Raga? What was the contribution of Jayadeva; name the set of his famous compositions? Who wrote the Geetha Govindam? What is the primary theme of the Geetha Govindam compositions? Who wrote the Thiruppugazh?
  1. What distinguishes Arunagirinathar's compositions (in terms of theme or messages) from some of the earlier composers?
Edited by dolly - 18 years ago
*dolly* thumbnail
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Posted: 18 years ago
#13
questions/answers

6.What is the difference between a swara and a note?

A note can be produced by mechanical means. By pressing the key in a harmonium or plucking a string in a Veena or a Guitar. However, swaras can only be produced by the human voice.Therefore, a swara can only be learnt by listening and learning.
The word Swaram came from two syllables - 'Swa' meaning the self and 'ra' meaning to shine. That is, only when you feel the swaram inside you, you can throw light on it and make it shine.


Edited by dolly - 18 years ago
*dolly* thumbnail
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Posted: 18 years ago
#14
7.What is a raga? Give at least two characteristics of a raga.

A raga is a combination of swarams that are sung in a certain sequence during the ascending order and sung in a certain sequence during the descending order.The order of the ascending and descending swaras are expected to create melody and listening experience.

No two ragas are alike; that is, they do not have the same set of swaras in the ascending and descending scales in the same position. A change in just one swaram would create a new raga. Simply repeating the scales of a raga does not produce a raga.

1.Raga is organic - something that is constantly growing, changing, and mutating.Each time an artist sings a raga from the soul, it comes back to life - shining with all its brilliance and rejuvenating the life of the artists and the listener alike.

2.A raga is distinct from a composition or a symphony. For example, you can only make minor changes to the Symphony. On the contrary, a raga can be brought to life by each individual and in a most distinctive way. The artist can put a personal stamp on the raga. And, a raga cannot be repeated exactly the same way even by the same singer. This is the greatness of a raga; it is reincarnated as a new each time it is sung.



Edited by dolly - 18 years ago
*dolly* thumbnail
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Posted: 18 years ago
#15
8.Why does the same raga (e.g. Kalyani or Sankarabharanam) sung by two different musicians wont sound exactly alike?

The swara arrangements in a raga only give a physical structure to the raga. It is the singer or the artist who gives life to the physical structure. Thus, a raga is a personal statement of what happens in the mind and spirit of an artist. so even though it is the same set of notes in the ascending and descending scales, they do not sound identical.



Edited by dolly - 18 years ago
*dolly* thumbnail
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Posted: 18 years ago
#16
9.What are the two types of ragas?

There are two types of ragas – parent ragas or Janaka ragas (also called by the names of Melakarta raga, Karta raga, or Sampoona raga), and child or children ragas called Janya ragas.
Janya ragas or child ragas are born from or created from the Janaka or parent ragas.
There are 72 Janaka or Melakarta ragas
Edited by dolly - 18 years ago
*dolly* thumbnail
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Posted: 18 years ago
#17
9.What is the fundamental difference between the two types of ragas?

Janaka ragas carry all the seven swaras (s r g m p d n) in the ascending order and the same seven swaras (s r g m p d n) in the descending order
However, unlike the Janaka or parent raga, a Janya raga may not use the same seven swaras in both ascending and descending order. For example, it can use one type of a swara (e.g. Suddha Rishabam) in the arohanam while a different type of the same swara (e.g. Chatussruti Rishabam) in the avarohanam. For example, Bhairavi:
. .

s r g m p d n s

.

s n d p m g r s

Similarly, a Janya raga need not use all the seven notes of the parent. It may use all seven notes in the ascending order while it can use six notes in the descending order or even use other combinations (these are discussed further, later). For example, the raga Saramathi has the following swara sequence:
.

s r g m p d n s

.

s n d m g s

2. Also in Janaka or parent raga each swaram must occur only once in the Arohanam only once in the Avarhonam. Unlike the parent, a Janya raga can repeat a swara. For example, the raga Sahana has the following sequence:

.

S r g m p m D n s

.

s n d p m G m R g r s

Edited by dolly - 18 years ago
*dolly* thumbnail
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Posted: 18 years ago
#18

10.What is a varja ragam?

1.Is a characteristic of Janya ragas.
2.Either in the arohanam or in the avarohanam, one or two swaras may be omitted. These omitted swaras are called varja swarams.

  • When a raga has only six of the seven notes of the parent in both avarohanam and the arohanam, it is called Shadava. For example, Sriranjani raga:

    .

    s r g m d n s

    .

    s n d m g r s

    • When a raga takes only five of the seven notes of the parent, it is called audava. For example, Mohanam:

    .

    s r g p d s

    .

    s d p g r s

    Other combinations include, seven swaras in arohanam and six on the avarohanam (Sampoorna – shadava); six in the arohanam and five in the avarohanam (Shadava – audava) etc. The following tables shows the eight varja raga possibilities.

    Arohanam

    Avarohanam

    Example

    Sampoorna (7)

    Shadava (6)

    Neelambari

    Shadava (6)

    Sampoorna (7)

    Kamboji

    Sampoorna (7)

    Audava (5)

    Saramathi

    Audava (5)

    Sampoorna (7)

    Bilahari

    Shadava (6)

    Shadava (6)

    Sriranjani

    Shadava (6)

    Audava (5)

    Nattakuranji

    Audava (5)

    Shadava (6)

    Vasantha

    Audava (5)

    Audava (5)

    Mohanam




  • Edited by dolly - 18 years ago
    *dolly* thumbnail
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    Posted: 18 years ago
    #19

    11.What is a vakra ragam?

    • When one or two swaras, either in arohanam or the avarohanam occur out of order or in an irregular manner, it is called a vakra ragam. For example, Sriragam, where the avarohanm is vakram or not in the order of swaras.

    .

    s r m p n s

    .

    s n p d n p m r g r s

      Note: In non-vakra ragas, notes go up and down in a regular order In vakra raga, a prior note could repeat itself (e.g. n and r in the above example). However, this is not always true (e.g, Mukhari).
    • There are three kinds of vakra ragams.

    1. Ragas in which only the arohanam has vakra swarams (irregular order). Example: Anandhabhairavi.

    2. Ragas in which only avarohanam has vakra swarams (irregular order). Example: Sriragam

    3. Ragas in which vakra swaras (irregular order) occur both in arohanam and avarohanam (e.g. Sahana).

    Edited by dolly - 18 years ago
    *dolly* thumbnail
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    Posted: 18 years ago
    #20

    12.At least give me two examples of Ghana ragas?

      The characteristics or true nature of a Gana raga is revealed by singing the thanam (Ghanam); also, known as the Madhyama Kalam. Examples of Ghana raga include: Nattai, Gowlai, Arabhi, Varali, and Sri in which Sri Thyagaraja has composed the pancharathnas.
    • It also includes the ragas – Kedaram, Narayanagowlai, Saranganata, Bauli, and Ritigowla.
    Edited by dolly - 18 years ago

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