{Episode 246} Do Pal Ruka Khwaabon Ka Kaaravaan... - Page 4

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Posted: 13 years ago
#31

I'm so behind on posting up my responses, Borna, so catching up now.

The things that you mentioned here are so many of the reasons why I enjoyed that scene so much. Yash's statements and his reactions to Bua's assumptions that he will "get over Aarti" had me smiling in spite of the venom that Bua was spewing about how inconsequential Aarti is. I do think that there is a significance behind his words...like you said, they are separating voluntarily, to bring their family back together. How exactly that will happen, we shall see next week. *sigh*

The divorce is real (as far as we know, and I really want them to have a chance to renew their vows). But the separation is not. Love runs deep because neither thought they'd ever be able to love each other the way they do now. We'll have to see indeed!

@bold: Oh, yes! Thank you for bringing that up again. It is interesting to see how much Yash has changed (and how little Maya Bua has) in his perception of his "patni ki jagah." Gone are the days when he would flare up at the mention of Aarti being his wife...and that is largely due to Aarti's own sense of identity and how that ended up influencing Yash, I think...She may have been insecure in many respects, but one thing that became clearer to her, especially after Palak's birthday party, was that taking Arpita's place was not what she needed to do to fit into the family. That was Aarti's instinctive response at the beginning of the marriage rituals as well...By being true to herself, she gained respect and love from many...and the wrath of some.

You said this much better than I could, Borna. That's exactly it! IA, Aarti knew from the beginning she had to be herself, and that's really want she wanted. She never wanted to replace Arpita and it seemed to spark Yash's ability to begin being emotionally free with her; she became his ally. Any misstep she made was because she was prodded by someone else (mostly Vidhi) to mimic Arpita in some way and that never worked. Come to think of it, Yash's first connection to Aarti was really when she was herself -- playing in the rain with Ansh or defying Gayartri by putting her handprint next to Arpita's or even by knocking around a thief when he stole Yash's wallet. Because she retained her true sense of self, their connection was able to deepen naturally.

Quite a wonderful amount of development from the initial days, don't you think? Looking back, it makes me so happy to see how Gayatri has accepted Aarti into the family; she feels for Yash, Aarti, and all of the children (all 4 of them), and I love how that has been shown so far. Hopefully there isn't another twist coming our way, because Gayatri's concern seems to come straight from the heart.

So agree on your last sentence, I'm hoping against hope that she doesn't disappoint me in the coming weeks. I love how much she's become a protector of Yash and Aarti's love, marriage and parenthood.

No problem at all with the caps. I wish I had better quality caps for you, though. 😳

@bold 1: LOVE. That might just be my favorite part - because of the music, and of course because of the way Aarti nestles against Yash and squeezes his arm. The way Kratika kept her hands constantly in motion truly gives the impression of someone who is desperately clinging to a lifeline, not wanting to surrender...It also surprised me a little, because Aarti is usually never this desperately tactile around Yash - so that made it all the more significant and intimate...

OMG, yes! So glad you mentioned Aarti's desperate almost-clawing grab of Yash's arm. I noticed it too. Whether it was the director's decision or Kratika's acting choice, or a little bit of both, it was a great touch. Aarti was so clearly desperate to stay close to Yash. It was almost as if she was trying to get into is skin, if she could, so that they'd always be close and she wouldn't have to even contemplate losing him to another woman.

On your second bold, no, I haven't posted by thoughts on the MF. 😳 I'm much more content responding to other more brilliant posts like yours, endorsing and adding in as needed.

I know! It's remarkable how easily they communicate to each other and to the audience during prolonged periods of silence. I was first thoroughly impressed by this during the SR episodes - it struck me after a repeat viewing or two that they didn't say anything aloud for a very, very, very long time! Their expressions and gestures and body language communicated everything so clearly that their voiceovers were an additional bonus. Yash and Aarti...This is a relationship that developed from silence, essentially...A very unique, unconventional way of developing the relationship between two protagonists in a love story, I might add...But that is definitely a big part of why I love this show so much!

Gah! You said this so perfectly. Like I was saying in your review for Monday's episode, their limited verbal communication after they were just married was a little frustrating at first. But, now they've become so interdependent they seem to understand each other best in their silence. Words seem to simply affirm what they've already told each other via touch and action.

Oh, I loved reliving the whole sequence through your lyrical analysis. Your description of this part just got me, especially:

As Aarti continues to cry onto his shoulder, Yash places his hand over hers, in a gesture of supportive understanding. They pull apart slowly as Yash brings his hands up to both sides of Aarti's face, cupping it lightly...He shakes his head gently...Don't cry, Aartiji...His thumbs brush her tears away and he blinks a genuine message...Please, don't cry...

I know I sound like a broken record now, but when she nestles against him, with his head on hers, is my favorite part. And this follow-on you've described was so, so good. We've spoken at length about the naturalness and uniqueness of their silent communication; the way he looks at her, shakes his head, and wipes her tears, almost pleading with her not to cry, is another beautiful visual to put on the "silent communication" list. It's imprinted in my memory.

Edited by 1HappyGrl - 13 years ago
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Posted: 13 years ago
#32
No need to worry about catching up quickly, Jac! As long as the posts aren't closed before you get to them, take as much time as you need! 😃 Thank you SO much for coming back to this post with more comments!
She never wanted to replace Arpita and it seemed to spark Yash's ability to begin being emotionally free with her; she became his ally. Any misstep she made was because she was prodded by someone else (mostly Vidhi) to mimic Arpita in some way and that never worked. Come to think of it, Yash's first connection to Aarti was really when she was herself -- playing in the rain with Ansh or defying Gayatri by putting her handprint next to Arpita's or even by knocking around a thief when he stole Yash's wallet. Because she retained her true sense of self, their connection was able to deepen naturally.
Aaah, you just mentioned three of my favorite moments from those initial months of the show! 😃 Those are shining examples of instances when Aarti wasn't being subjected to the pressures of putting up a facade for anyone or any reason, and that's why I really enjoy watching Yash's reactions to Aarti in those scenes even now! He saw her love for Ansh and felt that the depth of that maternal love could fill the void in Palak-Payal's lives; he saw her determined defiance and resolution to maintain her own identity while giving Arpita and Yash-Arpita's relationship respect; he saw her spontaneity and strength when she would stop at nothing until she gave that thief a bashing for stealing her husband's wallet...Interestingly enough, the examples you cite here are in a sort of progression: she went from being "a potential mother" to "a Scindia bahu" to "a wife," and even if Yash didn't acknowledge some of those things (back to his refusal to concede that he and Aarti could ever share a loving relationship as husband-wife), he didn't berate her unless she was trying to be someone she was not. And yes, those missteps occurred because others were pressuring her to put up a facade or a mask...*sigh* And in spite of that, it was always Aarti's true personality that Yash connected to. Love the bolded sentences! I wonder what would have happened if Yash and Aarti had met before "the other two" had come into their lives...
OMG, yes! So glad you mentioned Aarti's desperate almost-clawing grab of Yash's arm. I noticed it too. Whether it was the director's decision or Kratika's acting choice, or a little bit of both, it was a great touch. Aarti was so clearly desperate to stay close to Yash. It was almost as if she was trying to get into his skin, if she could, so that they'd always be close and she wouldn't have to even contemplate losing him to another woman.
It was a fantastic touch indeed! I have a suspicion that the director relays the writers' words along with his own vision/interpretation...and then it is up to the actor to respond to the commands accordingly, with their own interpretations thrown into the actions/delivery. There seems to be a synergy between the director and the actors - and now I think I understand a bit more clearly what Kratika's comment about the director being the one who puts soul into the characters was referring to. The collaboration between all members of this PH's team is amazing. Noticed that during the BTS footage we got about the "3rd marriage" scene. Very fascinating!
You've described the movement of her hands as an "almost-clawing grab" and I think that is the perfect way to describe it! The bit in bold, again, is in line with my own interpretation of her actions. Beautifully expressed, Jac! Wanting to get into his skin, so that she'd always be with him...It always leaves me slightly stunned, that part. She just does not stop moving! Even while she's speaking, her hands are gripping his arm, his shirt...and then later, when he lets go of her to place his hands on her cheeks, her hands sort of slide down along his arm to his wrist, and she loosens her grip reluctantly.
On your second bold, no, I haven't posted by thoughts on the MF. 😳 I'm much more content responding to other more brilliant posts like yours, endorsing and adding in as needed.
*sigh* Well, if you ever feel inspired to do so, please let me know! 😳 If not, we can continue our long discussions here, there, and everywhere! 😆 (Thank you sooo much for the compliment 🤗)
Gah! You said this so perfectly. Like I was saying in your review for Monday's episode, their limited verbal communication after they were just married was a little frustrating at first. But, now they've become so interdependent they seem to understand each other best in their silence. Words seem to simply affirm what they've already told each other via touch and action.
😳 Thank you! When I read that bit about the limited communication being "a little frustrating," my immediate thought was, "I quite enjoyed it all! 😆" but then I thought of all the problems that came up because of gaps in communication. Aha. Those were sort of frustrating times, haha! But they pulled through and have become so, SO well-attuned to each other as time has gone by...Another set of wonderful statements in bold. This instantly takes me back to the day when Aarti told Yash to "voice the words that had thus far been residing in his eyes and in his heart" - they both knew that he loves her...because his actions, touches, and other silent cues conveyed clearly how much he cares for her. But the words served as an affirmation or reaffirmation that she wanted and needed to hear at that moment, and so he expressed those feelings aloud, for her...
I know I sound like a broken record now, but when she nestles against him, with his head on hers, is my favorite part. And this follow-on you've described was so, so good. We've spoken at length about the naturalness and uniqueness of their silent communication; the way he looks at her, shakes his head, and wipes her tears, almost pleading with her not to cry, is another beautiful visual to put on the "silent communication" list. It's imprinted in my memory.
My dearest friend, I am a broken record, too! Rather proud of it, because the nuances are worth being "broken-record-like" about! 😉 I have a lot of "favorite parts" but that is another one of them! Their expressions! Yash's expressions as he articulates his pleas wordlessly, with his eyes and fingers speaking for him...Gurmeet was phenomenal there. And I just have to put in a word of appreciation for the cinematography again. Every shot is so lovely, but I really love the ones where Aarti's head is resting beneath Yash's, and the wind is blowing their hair back...Reminded me of Veer-Zaara's visuals when I first saw this song sequence..
.
"Tum the mile ya mili thi manzilein..." - that moment is SO beautiful. The way he looks at her, the way her hair is falling across her forehead but is then pushed back by the wind until it is swept into her face again...And all the while, Yash just stands there, answering the question in Aarti's eyes with his inaction. He doesn't reach up to touch her face or her hair at all. He just looks at her...and then pulls away, with immense difficulty. Aaah, so many superlative moments!

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