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Review: Satyamev Jayate hits the right chordsPublished: Monday, May 7, 2012, 10:15 IST | Updated: Monday, May 7, 2012, 13:24 IST By Pooja Mehta | Place: Mumbai | Agency: DNA | |||
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Just when you thought that the news media was dissipating itself in the purposeless eddies of irrelevance, trying to keep people excited without engaging them here comes Aamir Khan with an exquisite piece of journalism. Satyamev Jayate is a television program which is ambitious in scope, thorough in research, unrelenting in questioning, singular in focus, simple in presentation and yet searing in its indictment - of much of journalism as it is currently practiced, of the medical profession, of the keepers of law, the deliverers of justice and the political leadership. Khan has shown that there is not dearth of issues, only of imagination and that the television rating points game can be played without social regression or dumbing down.
Who would have thought that an issue like female foeticide could be the stuff of prime time television and keep the country riveted? Khan is dramatic without being theatrical. He is understated but the facts are not. (Thirty million girl-children killed in the womb in the past six decades - as many as were killed by starvation during Mao's Great Leap Forward in the 1950s as China tried to catch up with the west in steel production). Khan does not let those figures be mere statistics as he drives home the terrible implications of mass murder committed within the oppressive confines of domesticity or the sterile walls of the operation theatre. Using 3G technology he brings us face to face with a group of Haryanvi youth in their mid-30s forced into bachelorhood (known colloquially as kanwar fauj or army of the unmarried) -by the ravages of the sonogram. A social worker says that in his native Alwar district of Rajasthan, an adverse sex ratio has resulted in a thriving market for Bihari brides. He estimates that at least 15,000 are bought every year. The lucky ones are those that stay bought. Many are sold onward. A Jain lady from Bhilwara (Rajasthan) gives a personal attestation: her cousin fetched a wife all the way from Karnataka's Belgaum district. A lady 'protection officer' of Haryana says the degradation is not limited to females in the bridal market. Any woman who speaks out against the practice is questioned about her 'aukath' (worth), when women are 'available' for Rs 10,000 a piece.
Khan also summons eyewitnesses: women whose lives were made hell by husbands and in-laws because they conceived the 'wrong' gender. A lady from Ahmedabad's Vastrapur locality, Amisha Yagnik, narrates how she was forced to undergo six abortions in eight years without her consent and with the doctor's connivance, till she plucked the courage to walk out of marriage and bring up a daughter, now eight years old, on her own as a single parent while working in a call center. The testimony of Parveen Khan from Morena in the badlands of Bundelkhand, an area known for mispalced machismo, was moving as much from her courage and grace as for the viciousness of the attack she was subjected to. Her face, badly disfigured by a furious husband but surgically reconstructed later courtesy of a doctor in Jaipur, was emblematic of the intense loathing that drives men insane when thwarted in their obsessive quest for the male child. Nor are these instances confined to poor and illiterate families. Khan rattles middle class Indians in their comfort zones. The example of Delhi's Mitu Khurana, herself a doctor, is proof that education need not be ennobling or that wealth is an antidote to greed. Discovered carrying twin girls, she has to face the combined wrath of her husband, an orthopaedic surgeon, and in-laws - one a professor of history in Delhi University and the other, a school vice-principal. When born prematurely because of violence-induced shock, the grandmother is gleeful that the girls have a slim chance of survival. And when she kicks the mobile crib carrying one of them two flights down the stairs, it is the mother's prudence and sheer luck that saves the child.
For those of us in television journalism, who have forgotten the basics in the din of daily news coverage, Khan's is a refresher course. He does not scream, because the facts speak. He is not in your face, yet there is shock and awe. Khan does not berate or condemn. He is not a rampaging bull seeking retribution on behalf of the victims. He diagnoses the problem and tells us how things went wrong, when the government in its zeal to control population growth winked at sex-selective abortions in public hospitals. The salesmen of ultrasound machines invoked social prejudice and the avarice of medical practioners to expand the market with the promise of investment paying for itself many times over. And the bearers of standards, and the upholders of law connived in the practice: the Medical Council of India has not cancelled a single license. A seven-year-old sting operation on about 140 Rajasthan doctors has only resulted in harassment for the journalists of Sahara Samay channel; there has not been a single conviction.
Khan does not seek to titillate. His intention is not 'entertain' and leave the issue hanging in the air. Khan suggests solutions. He presents the example of Punjab's Nawashahr where there has been a dramatic increase in the birth of girl children because of a public education campaign initiated by Krishna Kumar, an IAS officer, as collector. He calls for exemplary punishment of a few high profile doctors as in South Korea, where the practice, once rampant, was stifled within a year. He urges the audience to sign a petition (see http://satyamevjayate.in) to the Rajasthan government for a fast track court to try the cases brought to light by the Sahara Samay sting operation. And he tells us all to look deep within and change our mindsets.
Justice Markhanday Katju said upon taking over as chairman of the Press Council of India that he had a low opinion of journalists because the general lot, according to him, is intellectually lacking. If that is true, it is to be expected in a vocation where entry is free. But that is also its strength, because it draws in, despite relatively low salaries, a whole lot of young people who have the passion to change the world. And to those who are not so young the message from Aamir Khan is: do not be jaded.
I t probably is one of the most explosive launches of a show inIndian television history. Satyamaeva Jayate - Aamir Khan's homeproduction - has had it all: seven channels simulcasting the show in different languages, a launch ad spend of Rs 60 million, a campaign to keep the content of the show absolutely secret which heightened viewer curiosity, a very active buzz marketing campaign, close to Rs 900 million in sponsorship money behind it, reportage on almost every news channel, and, of course Aamir Khan, as a host and anchor of the show urging viewers – nay hypnotizing viewers to tune in. And they did by the millions. It is quite likely that the show will have the highest TRPs in television history and highest GRPs for a single episode of a show ever. A new benchmark will have been set by the time the ratings come out next week. Indiantelevision.com estimates that close to 70-80 GRPs will be generated by the show across languages. These GRPs are very very valuable for they will open up a time slot for advertisers and broadcasters on Sunday morning, one which has been moribund for around 20 years. As it is Colors has started telecasting All is Well with Dr Ahluwalia and Salman Khan on Sunday mornings and the channel has been experimenting with event based shows in the early afternoon slot. It has met with middling success, but the channel's programmers have kept at it in the belief that early Sunday afternoon will build audiences. The show is noteworthy for one point. Star TV head honcho Uday Shankar – a former journalist – does want to use it to try and make it an instrument of change in Indian society. At least make an attempt to weed out evils which have been plaguing hapless common Indians for decades. And it is using various media outlets to get the message of Satyameva Jayate out: TV, print, Internet, social media, public interactions, and what have you.
The third medium that is being used is the print medium where Aamir Khan will be penning a column around Satyameva Jayate. The fourth medium is the Internet: viewers can log on to the website satyamevajayate.in to watch the episode in its entirety after it is telecast on TV, watch some interesting clips, they can also recap and study the issue which is being covered, they can upload their hope, horror stories onto the site in the form of videos or leave voice messages at a number, ask Aamir questions, leave comments, and donate to NGOs. A complete site if there was any. One limitation which we hope the Star India team will try and get over is that the website is only in English – more language versions in Tamil, Telugu, Kannada and Hindi are needed. This limitation despite, satyamevjayate.in had got more than 5300 likes and 297 tweets at the time of writing. The fifth medium is the screen. Aamir and Star plan to screen the first episode in select villages to create awareness of the evil of female foeticide with common people who missed the first episode for want of a TV set.This apart what works well is the buzz the show generated on social media such as Twitter, Facebook and their like. Aamir Khan, female foeticide, Satyamev Jayate were all trending on Twitter. Other stars tweeted, lauding the show, further adding to the online buzz. The official YouTube channel had generated 180,000 views and 3,910 likes and 42 dislikes at the time of writing. What is also laudable is the fact that for the first time viewers who are also mobile phone users can donate money by just sending an SMS about the amount they want to dole out, thanks to Star's tieup with Airtel Money. The show will draw in a core loyal audience – ratings are likely to level off once the initial euphoria around it dies down. But that audience will be large enough to merit the gamble that Aamir and Shankar took when they chose the 11 am Sunday morning slot. Source - http://www.indiantelevision.com/special/y2k12/satyamev_jayate.php |
I have a surprising admission to make: I don't watch television. And I blame television for it.
Like many others, I too come from the black and white television set era, a time when Doordarshan ruled supreme. For a long time there was only one channel to watch. And, while it is riled today for its bureaucratic snarls and non-creative decisions, it left its mark on a whole generation. Mine.
There was Buniyaad, a serial like none I have watched on television since. There was also Humlog, fare the entire nation stayed glued to. And other programmes and serials that, looking back, show up the hollowness of today's bouquet of riches.
Those serials did not have cardboard characters dressed in designer clothes in the comfort of their homes mouthing cliches, or an editor gone berserk on whatever that machine is called. Those serials were populated by simple people, and dealt with simple stuff. You had people like Gulzar [ Images ], Basu Chatterjee etc making programmes for television.
Stuff that all of India [ Images ] enjoyed watching.
I think the decline began with the boom in satellite television. Suddenly freed from the government's clutches on programming, producers sought to put as much distance between themselves and Doordarshan's way of functioning.
A classic case of throwing the baby out with the bathwater.
Producers must have found plenty of stuff wrong with Mandi House -- Doordarshan's head office in New Delhi [ Images ] (explanation for the younger readers) -- but there was also some good programming that came out of there. It is always tough to match societal concerns with commerce, and while it may rank on the government's agenda, marrying the two didn't matter to the private producers. It did when DD was the only act in town, but not anymore.
So we saw the classic decline in television fare, leading to mind-numbing shows that apparently enjoyed humongous TRPs. Television-watching crowds were happy, the advertisers were happy, and so were the channels.
Thus, in the new winds of liberalisation that was blowing across India, the old was unceremoniously junked. It was happening across media, not just on television.
As the television stations fought a pitched battle for glam and glitz, Bollywood stars with their mammoth followings took to the small screen. Interestingly, this had only a tentative start, with a former superstar who had fallen on bad days and who tried out television to see if it could revive his fortunes.
It did, and how!, and today, while he doesn't have time for the medium anymore, other stars too quickly made it part of their stomping ground, shaking their hips, mouthing their dialogues, shaking a leg and bewitching the audiences in the studio and outside, and also boosting their bank balance many times over.
Sure, there was some tipping of the hat to the India that existed beyond TRPs and saas-bahu serials, the real India, an India the new wealthy citizen seems to have forgotten, so taken in is he by this intoxicating buzzword called 'entertainment'.
What this mass dumbing-down indicated about us as a nation, as a people, didn't seem to matter to anyone.
And it needed someone with a different thinking to make India sit up and think about itself. Given his oeuvre, given his sensitivities, it had to be Aamir Khan who could set television programming right, but it didn't have to necessarily be him.
It could have been any of the Khans -- all as intelligent as this one, if not more; all as concerned about India as this Khan is, no doubt -- or any of the big stars we all love, but the truth is, no one had the cojones (pardon my Spanish) to do it.
At times, it is so easy to fall prey to, be seduced by the 'arre, chal raha hai toh chalne do' line of argument. No one wants to upset the apple cart, no one wants to derail the gravy train. And so all of India was caught up in this mad rush to be entertained, while Bharat looked on from the sidelines, hoping to get to this happy place where everyone seemed dressed in designer clothes and mouthed fancy dialogues, where there was no hunger, no deprivation, no wife-beating, no female foeticide
Yes, female foeticide. Which only happens in the other India, as people said on Aamir's show, before being shown that it happens right in our backyards while we are being seduced by television.
If I heard Aamir Khan's opening dialogues on Satyameva Jayate right (I live in a very noisy part of Mumbai [ Images ]), he is deeply concerned about the real issues out there that all of India seems to have put a lid on; perhaps it stings him when he compares his own prosperity against it. For it is this India outside that is generating the mindboggling revenues for his and others' films.
His concern should be ours, too: do we have the right to be an island of happiness, of prosperity, and blank out the grim reality while being surrounded by an ocean of unhappiness, poverty, illiteracy and whatnot? That should be our concern, but it is not. We think we have done our bit by paying our taxes, donating a little to charity or the temple, being a 'good citizen' and, hey, at the end of a hectic workday am I not entitled to some entertainment? What's wrong with it?
Nothing wrong with that at all, pal. But there's a little more to being socially conscious than being fed the wrong information and being smug in our own little world, thinking the bad stuff happens to and is done by the 'others', you know, the illiterate villagers out there, the poor people. Not us the georgette and chiffon folk, the FabIndia customers.
As Aamir Khan showed on TV, and searingly at that, the reality is not what we have been led to believe, it seems. Picking on a topic that impacts all of India, and one that causes deep anguish to the Bharat Mata that we so vocally and aggressively show our love for on Twitter, Facebook, our bumper stickers and wherenot, Aamir Khan brought the truth into our living rooms: we are complicit in the murder of female foetuses rampant in our society, not they, by our silence.
It's a mirror he has held to our face, and it is an ugly citizen that is staring back, not a Shah Rukh Khan [ Images ] or Hrithik [Images ] lookalike that we have been led to believe.
Our SMS at the end of watching his show won't make us a lucky winner of Rs 100,000, or a fancy car, or holiday package for two, but it sure can save future lives. The women who unburdened themselves of their anguish on television won't win a gift hamper sponsored by a corporate; but if it could make us pause and think, Aamir Khan's effort will not have been wasted. As for me, yes, I know it's going to be next to impossible to budge from before the TV set at home on Sunday mornings. Like it used to be once.
And yes, Rajni would have been proud too (and if you thought I was referring to the southern superstar, you do need to see Aamir Khan's Satyameva Jayate, on Star Plus and Doordarshan, Sundays at 11 am).
Source - http://www.rediff.com/movies/column/aamir-khans-concern-should-be-ours-too/20120507.htm
Last Sunday started in a rather unusual way. Aamir Khan, in his show Satyamev Jayate, exposed a grim reality of the world's largest democracy. His focus: Female foeticide. The issue caught fire within moments and led to a flood of news discussion, articles, tweets and Facebook posts about how this is a harsh reality and how Aamir is doing a fantastic job. I agree.
But why now? Why does it take someone like Aamir Khan to start a Sunday morning show to address issues which we ignore routinely? Issues that we think do not bother us and thus don't matter. Why not the mainstream media? Why not us? Ashutosh of IBN7 posted a Facebook status a few evenings back, "I wish news channel editors could show same courage as Aamir did with Satyameve Jayte." His statement reflects a harsh reality.
But what is forcing this compelling harsh reality? I remember an argument I received four years ago prior to starting YouthKiAwaaz.com that social issues are not commercially viable.
Most of the corporate sponsors come from this ideology. The fact that advertisers do not want to "bore" the audience with social issues and the fact that the mainstream media wants to showcase something that is more surreal - something that targets the aspirations of the people is a big contributing factor to the way a channel, or a television program, a newspaper is run.
The daily soaps that show an ultra rich family, womanising and showcasing how it is the lady of the house who is the one to suffer the most or rather, who must always suffer the most, add to it.
The reality TV shows that make fun of the very fact that opposite sexes must respect each other, and that dignity and culture must be promoted, not degraded, add to it. But the reality stays - that is what is commercially viable, and that is what fetches the sponsors and producers good money. But then who will bring forward problems which are really forcing life and death situations on many?
The mainstream media and their biases aside, there is another crucial issue. We are 1.2 billion people and the fact that must not be ruled out is that the national media is a very segregated sector when compared to the population.
Can we really expect a sector that is time-bound, that has over a 100 news items to cover - to really look into all of our country's social issues? Not quite. And even when these cases do come in the newspapers and on TV channels, we don't pay attention. So how do we fill the gap? Where are we failing?
As Aamir said at the end of the show, the media, the government and the judiciary will keep doing their job. But the real will to make change happen lies in our hands. And as I see it, the lack of will goes back to the time we are born. From the moment we enter school to the time we get our first jobs - we are only taught what we need to know to become a better worker.
The moral value system and the fact that there is a life beyond the mundane wants is missing. The fact that our education and upbringing does not lay enough emphasis on how we can better the country and contribute to its development matters a lot. The reality that we see after watching Aamir's show needs to be told to us in our early years - and that in an enriching yet fun way.
Our ideologies are formed from the time our learning process starts - and that's when we need to be hit. I remember having a half-hour class for moral science in school. That was almost like a free period for all of us, even the teachers, and was held only on Fridays. I hear they removed that class too. Shame!
Aamir's show is an indication that a star studded show can be started without frills and that there is more to media than what we see. The turn this show takes would be an interesting watch, but one thing is for certain - for 24 hours, I saw a different flow of emotions on my Facebook news feed, in my twitter stream and over text messages.
I got calls by people who wanted me to see the show because Aamir was talking about a crucial issue. I read tons of articles, and saw healthy and enriching discussions at 9pm on most of the news channels - and these were both about his show, and the issue of female foeticide. For 24 hours, I saw a ray of hope. I saw citizens who wanted to be aware and needed an outlet.
Will Aamir's show bridge this gap that has been there for decades? None of us can answer this question other than all of us.
by Shiv Visvanathan May 7, 2012
Aamir Khan is an actor forever reinventing himself. He loves India and yet is deeply concerned with the tensions and divides that haunt it. Satyamev Jayate is his discovery of India as a civilization, a nation and as a civil society.
There is something of the NCERT text book about the show. Like a true patriot, Aamir begins by asking if Gandhi, Bose or Patel were to return today, what would we tell them? It is an old fashioned question which he answers through a set of social dramas. His first report is on foeticide. Foeticide along with incest is a part of India's secret history. If Partition was the silent holocaust, foeticide is our silent genocide — having eliminated over a million bodies in the past few years.
Khan's strategy makes him the most exciting sociologist on the horizon. When star power focuses on scandal, it can grow from a spectacle to a movement. What all of us know still shocks us when presented starkly but subtly. There is no rhetoric in the presentation.
The format is simple, and the script combines interrogation and listening. It states a problem and follows the ritual of problem solving. The entire kaleidoscope of pain, horror, resistance, investigation, protest is caught in a set of poignant vignettes.
Aamir Khan shows his viewers that foeticide cannot take place without the doctor and the lawyer as accomplices.
Ordinary people are the storytellers, housewives in particular. A housewife is an incarnation of the Indian obsession with the mother. The mother as Durga or Kali is all powerful, but the vulnerability of the mother comes with the dispensability of the housewife. As a child bearer, she is a form of bonded labor, condemned to bring forth only male children.
Bearing a girl child is a form of guilt, a stigma. Khan explains – almost pedagogically — that it is the man's sperm that determines the gender of the child and yet in India it is woman who is blamed for it. The womb becomes a microcosm of hell as the woman is forced to abort again and again like an insane reproductive machine. She is beaten and tortured for carrying a female foetus.
This conspiracy of violence is twofold. At the level of the household, the husband and the mother in law become the coercive machines. But as Aamir Khan shows his viewers, such murder cannot take place without the doctor and the lawyer as accomplices. The innocuous "check up" becomes the site for murder. Doctors provide a double offering: The sonogram and the abortion become twin rituals.
The women "drop" baby after baby as in an Indian version of a Greek Tragedy. The narrative reaches a intensity when a doctor as housewife is asked to abort her twins.
At this moment, Khan breaks another stereotype. He asks people on the street: who would do something so repugnant? Middle class responses create their own folk sociology. For them, such an event can only happen among the poor, the rural, the illiterate. The middle class sees itself as an Immaculate Conception. It cannot see the genocide at its own core attributing it to the other, a lesser self created to absolve it of its own violence.
In the example of the women doctor forced to abort, her husband is an orthopedic surgeon, her father in law, a professor of history at Delhi University, her mother in law a vice principal of a school in Rohtak. One suddenly realises it is the very people who buy Boost, fight cavities, use Godrej dyes, drive Nanos, and love Glucon D who practice foeticide. Foeticide is the other side of a middle class in love with commodities.
The inevitable question is, what can we do about all this and who is doing it? Is society only a mute or indifferent spectator? Khan points to the work of two journalists in Rajasthan who exposed the foeticide racket only to discover that what doctors abort, the lawyers seek to abort further. Law itself becomes a violation as its labyrinthine ways prevent the conviction of anyone. Not one licence is cancelled. A judge in one case even reprimands a lawyer for pursuing justice.
Foeticide becomes an organised crime in India.
Khan confronts the audience by saying it is we who have to fight. A TV show can becomes the basis of a movement. One has to wait to see this happen. Meanwhile the show goes on. It is a good social science class, wonderfully presented. The only question one asks is this. Thousands have known and lived the ugly truth. Does it need star value to tweak our conscience? Is the show mere catharsis or the beginning of reform? Only time will tell.
Shiv Visvanathan is a social science nomad.
Source - http://www.firstpost.com/bollywood/satyamev-jayate-mere-spectacle-or-a-new-movement-300850.html