Homecoming - Round Two!

without-fathom thumbnail
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Posted: 13 years ago
#1
Link to previous thread: https://www.indiaforums.com/forum/gulaal/1911240/a-clams-conflict-caps-pg-3-nur
For anyone who may have missed, Nur uploaded the caps earlier today on this previous thread (Pg3)

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Hello everyone!

Here goes the the third thread of this disrupted week. A third collection of brilliant scenes - pity we had to do these with so much breaking, but on alter thoughts, I also think we paid them due homage by keeping them up longer

Anyway - today's scenes are like the 'icing' on the cake that started baking from the day we started posting these threads, phew! Finally heart melting, heart warming, and a true sense homecoming for Kesar. Its such a natural thing for these two to slip from the high strung antipathy phase into this endearing camaraderie that they do here - Kesar unquestioning of why the wrath must take a back seat; Gulaal unquestioning of his abrupt change of heart. Wordlessly, seamlessly, they begin to pick up once again, from where they had been before the fateful evening that changed things for Kesar. Yes not a phase that lasts long enough - but while it does, and longer than the teasers until now, it gives us such a rosy glimpse of the heaven these two could share, once they clear the clouds! I shall never deny being the sadist who loves the angst and especially the phenomenal confrontations these two have through the duration of the show - but all that does make this sweet phase so much sweeter! So let's sit back enjoy the Sunday delight! ☺️

With - courtesy Maz - some real desert, aah!


(what perfect occasion to enjoy that cake with red roses of luvre! 😆 )

And here goes the 'movie' to accompany!

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[YOUTUBE]https://www.youtube.com/watch?v=Rm9uFri4YiA[/YOUTUBE]

[YOUTUBE]https://www.youtube.com/watch?v=UBbzoycovXU[/YOUTUBE]

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Just to let you guys know, I got lazy with clipping and actually added the latter segment in the second clip of Kesar with that man - I wont include it for written, and Nur can decide if she wants to cap anything there - but anyway its up for record, and gives a continuity. I might refer to it here and there, because it does hold some undertones of resolution to Kesar's dilemma.

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** reserved for written**

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xx
JZee
Edited by JZephyr - 13 years ago

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without-fathom thumbnail
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Posted: 13 years ago
#2
Okay - because I'm supaa dupaa late - here go pumpkin spice cookziee from Nur and my personal stock *ahem* to bribe you guys to still read what I'm going to go bak bak about 😆

In the name of coming soon Halloweens -

n for gooey-caramel icing lovers

How considerate am I when bribing?! 😆

Chalo, on to the bak bak...

So I'll do the major scene we have in bits and pieces, cause its LONG (5 batches of caps in proof) and every bit IMO needs dissecting. Now sit back with tea/coffee and cookies, and pado! 🤓

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So DOP starts by taking control. The way the scene kicks off with that shadow at the door, and then the zoom in capture of the room, made me initially think like it could have been one of those Kesar walks out on 'conscious' Gulaal, only to be adat se majbur later and come back check on her when she can't catch sadu being a softie! When the camera proceeds to zoom in on her sleeping person, and further his oh-so-vulnerable and guilt ridden expression, it almost confirms the idea of time having lapsed between before and now - but after taking a guilty moment's view of his beloved, he 'attempts' to pull off the indifferent knight in shinning armor. The moment he puts down that jar of water with sound enough is, like Maz said - the surprising revelation of a different mood.

Apparently, Galool joins our surprised team - is woken from her only-begun-to-sink-back nap mode and then woken alert, at the sight of him. What does Kesar do - concentrates on pouring the water, like its rocket science for water to flow in a steady stream from jar to glass downwards gravity wise 😆 knowing she's nothing but staring at him. And proceeds to hand her 'the water' with a look that reads - haan bhai, main hi hun, koi bhoot ni 😆 Galool is not convinced. She stares at him, unblinking, like there will be a poof and he'll vanish. But seconds pass - and Gulaal's expression of incredulity, Kesar's so implied I'm cold and caring mask are such a funny sight, especially Galool 😆 She's like this far from pinching herself, or worse, pinching him - I'd have loved to watch his reaction to her pinch test 🤣
But somehow, it turns out, she does believe its him. I suppose the 'caring' Kesar in her imagination was not supposed to 'care' with so much 'attitude'?! 🤔 😆 She probably tells him apart as real from a ghost because he has that characteristic - helping cause I'm noble like that, and not cause I care look about him! How can Galool take a beating to attitude? She looks away, giving him her side, and as if to remind him that she was never the 'lesser' butthead tells him - tune kyun taqleef ki? Hah, Kesar! You thought she was going to be a ready take your help and ease your guilt and ego damsel second time?! Because, remember how readily she cast aside his frigid tantrums at the first instance of him offering her a helping hand in the aam bageecha? This is not the same thing, Gulaal makes it clear. Because in between that agreeable moment, and now, stands the high strung - isse main badlungi nahin, na hi mera pyaar - moment. Plus, let's admit, the Kesar who helped her then was definitely more showing of his humility. This one is still trying to be a jerk 😆 Lo phir, Gullu bhi to is Gullu for a reason na! 😎

Not like Kesar doesn't know. He says nothing in answer to the (very deserved if I may say) 'taqleef' retort Gulaal has tossed at him - because hello, kya bolega?!...i had to take taqleef, because i can't see you in taqleef like that...?! Yeh, right. Wisely, he keeps the answer to himself. Then Gulaal asks him to put it aside for later - and Kesar has his chance. His 'pi ley' tone - so perfectly done by NB, including the way he does his eye wriggle and sigh away exasperated - is such a sign of his frustration at being guilty and unrelenting at once. He's worried sick and refuses to 'show it' so he tries to cover his tracks by talking to her in that exasperated tone of an elder talking to a precocious 3 year old 😆

But who-oh hang on! Not like Gulaal is giving up anytime soon - you can wish Kesar! And so without playing Galool and beating around the bush, she pulls off a Kesar blunt classic - tu ye sab kyun kara hai? tujhe to meri koi parwaa nahin haina?! - Yes, the question that was hanging between his extended offering hand, and her resistance to accept this time - unlike the aam bageecha - was this. The reason he should help her, if he doesn't care. Rightly Gulaal wants to know - and not surprisingly Kesar has no answer to the question itself - or no answer he can give anyway - so what does he do?! Dhamkaoes Gullu - tu pi rahi hai ya main...?!😲 Like come ON! Help bhi karta hai, toh at gunpoint 🤣

And you know what I like so much about the next moment? As Gulaal turns to look at his 'dhamki' and Kesar sort of breathes heavy/impatient - is the emotion that Neil portrays so well here. Of still holding onto the meager effort of not projecting vulnerability, of still covering tracks of his 'concern' under the mask of impatience in getting it over with - he tries to put it out like he's getting mad at her stubborn hold up, but really, he's so troubled inside, a part of him so mad at his own self of the compulsion to hold back! And he extends the hand further towards her - so different from the anticipation and hesitance in the aam bageecha (yeh, I keep going back to compare because there's so much scope!) because Kesar was undeniably a whole lot less guilty in that moment than this - which makes him a whole lot more pretend-grouchy here. Plus, that came after the dream like sequence of watching Gulaal in a trance. This comes after an exhausting day of reading letters, asking kyun, getting no answers, and hating himself to want to hate her, hating himself to never manage it! The preceding mood in both cases sort of filters down to these residual ways of his 'offering' help. And of course, they both know - whether or not either or both deny - that Gulaal takes the water not in fear of his dhamki 😆 Not to miss the way he grabs the glass out of her hand to put it out of her reach. Almost gruffly - the kind of gruff one is, say, when one grudges and worries equally for a close one - and the 'gruff' is so contrasted by the almost soft way he puts the glass down on the bedside. A subtle but sure sign his 'attitude' is all for show - because if he really was oh so miffed and mad at her, the glass would be slammed down hard! But what I'm really thinking myself as he puts it away so out of her reach is how conveniently he assures making chance for himself to be of service again ☺️ 😆

Next comes the moment Nur likes to tag - don't try Kesar, you can't really hold back 😆 - It takes only some expressions of pain and exhaustion for Gulaal, and the momentary casting away of her gaze from Kesar, for him to relax out of the attention attitude and betray the real emotions instantly - his face screaming worry. The way his hand goes towards her, reluctantly but helpless of its own urge, then pulls back at the slightest raising of her eye, and springs right back to her forehead to check the temperature as her face contorts in pain again - is almost another sequence of the kind of moment he had outside her door - extending his hand to open it and walk in, then holding back and walking away only rush back in at the fateful sound of the crashing glass. This now, is just another instance, and same round of reactions. And yet another of Gulaal's reasonable questions - tu gaya ni sab ke saath - goes unanswered, for being yet another question that he has no convincing lie to ward off with. No reason good enough to tell her why he disobeyed MB's word, except if he was to name the real cause. The best part is, even as she asks him the question, Gulaal has the sound of at least part rhetoric. Like the answer is redundant anyway, between them.

And more rhetoric statements follow. Kesar feels and discovers her high fever, and when he asks her - tune vaid ki wo dawa ni khai na? - it just melts my heart to a gooey marshmellow, sigh! The way these two know and recognize these trivial traits about each other - to imagine this is the Kesar who bears so much grudge in his heart over her dubious intentions to have saved Dushyant, and just this second he knows without telling how typical of Gulaal it is to neglect her own health even in such suffering. If only he would sit down and ask himself how instinctive this statement was, how he spoke not in question but in reproachful rhetort - he would embark upon unraveling the mystery of his kyun! But naturally as ever, these two slip in and out of this so well known yet so alien ground between themselves! Gulaal doesn't answer him, no, actually shuts her eyes to not answer, nothing.

And then as he rummages through her drawers - another natural intimacy, the way these two just assume access (and remember this is the guy who told her aise duro ki cheezon ko haath nahin lagate ...😆 ) I love love love the expression on Gulaal's face. The tentative, studying look, undecided on what she should make of these actions and gestures, especially the concern that is evident whatever he tries to pretend! And when he asks her where the medicine is, Gulaal is actually quiet for a moment, looking at him - still attempting to make sense and come to a conclusion. Again, the interesting touch is Kesar holding her gauging eye - because even as he struggles to exercise caution in how much he lets her on, he's not going to let her brush this off. Neil's extra nuance of continuing to breathe in a difficult manner, continues to be reflective of the whole undertone of his worry vs his ego upholding, as emphasized by his stiff words. 👏

But again, as Gulaal gives in and tells him where, there is reason to believe she can tell this stiff apart from the usual frigid vibes he gives off. She's skeptical about the 'why now' of his concern, but not the concern itself! And how natural is it for these two, to be trusting like that? Even after showdowns like the one preceding this, where Kesar all but tells her she's just another nobody, or worse, an enemy, and that she should not mistake his gesture for concern! It stings her, and she hurts him back - but how beautiful is the irony of their bond? While in the usual world, trust is fragile, the easy component of a bond to shake and break - between GK, it is doubt and distrust that is so easy to sway! Their trust has stood not just the test of time, but even the brunt of their own, conscious wariness, and come through. The 'logical' distrust on the other hand finds itself challenged time and again instead!


The bit to follow is awe-freak-somely plain C.U.T.E. ☺️ How many people thought Kesar was going to rummage through the wardrobe and find something interesting? *raises hand* I did, but honestly, I didn't have the time to be disappointed by the 'cliche' not happening - haww, did I just say that?! - because Kesar is keeping up his patronizing the precocious 3 year old Galool mode 😆 additionally, even more gentle now, aww! And how cute is Gulaal?! 😆 The way she peeks at Kesar setting up her medicine and water, and then closes her eyes reminds you of a little kid pretending to be asleep or just throwing a tantrum to avoid that awful cough syrup 😆 I LOVE LOVE LOVE (yes in bold!) Kesar's uth jaaa! in reaction to her antics 😆 [OMG I FREAKING LOVE THIS scene ❤️] Add the little nuances to this, Kesar promptly fixing the pillow behind her, telling her to open her mouth and getting the meds in place - its patronizing and adorable all at once. Gulaal giving in partly sheepish, partly (I'm so telling you) pleased, and partly just the mildly grumpy sick kid - aah my endless love for these two crazy people!!! 😍 Amazing little bit - undertones, sheer luvre ☺️ I swear it takes a butt head and a half on the part of each of them to be so blind to facts and take some many more months before the akal knocking into their heads happens! 😆

And sigh - we're not even half way through the scene, look at my essay... *te he*


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ps: Nur, I left an extra jar on our workdesk for you, after yous long exhausting session with the 5 batches, and gharwalo ki reprimand for staying up late 😆 Now you have all the motivation in the world to do the new one qu-ee-ckie, when I post the thread later today!


Edited by JZephyr - 13 years ago
minizz thumbnail
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Posted: 13 years ago
#3
res .lovely scenes😃 wonderful cake😛

Jzee,thanks for this post and Nur looking forward to your caps...

The 1st scene

This scene gives me so much 'sukoon' each time I watch it.I think that's what this scene provides-the emotional contentment,not only to Kesar and Gulaal but also to us viewers who had been suffering for the past few weeks along with this cute but ziddi couple.

The scene starts with Kesar bringing water for Gulaal and instead of waking her up gently by calling her name, he puts down the jug with a bang-that was funny.He is softening his stance towards Gulaal but doesn't want her to know.the answer to this gesture from our other ziddi is also very cute.She is mildly surprised and then we see the emergence of sulky Gulaal,which is always a treat to watch.Kesar makes her drink the water by giving her a threat.Both are truly made for each other-no one else can suffer their 'nakhras'except each other.
When Gulaal closes her eyes that's when Kesar's true emotions show.He is concerned and pained to see her so weak .Still he tries to disguise his emotions when she looks at him. He looks away and stops himself from checking her for fever.But her feeble voice and pained expression makes him give up the pretense of indifferrence.This is the point when Gulaal's Kesar takes over leaving the rude and 'sadu'Kesar behind.and we can see a small smile on Gulaal's face when Kesar is searching for her medicine.They are so alike-small,simple gestures make them so happy.The next bit where Kesar is blaming Gulaal for her condition 'aa bail mujhe maar'is so true.This has always been Gulaal's problem and it will be in future too.So Kesar is the perfect life-partner for her cause he is used to it all and will be able to stop her from getting into impossible situations to a certain extent.He blames the family for leaving her alone and as usual Gulaal is defending them.It is so interesting that the same thing happens when the family comes to know the truth no one stands with her except Kesar.As Vasant rightly said with Kesar by her side she has never been lonely for even a second.Kesar also complains about Talli not being there to take care of Gulaal but I assure you Kesar,we had no complaints at all.The talli bits were very distracting in that episode.I know we were supposed to sympathise with her plight but all I could feel was irritation.Kesar is so cute taking care of Gulaal.I think this is the first time they were having a decent conversation without any hidden agendas and it was so easy for them to go back to that old routine.They were away from each other for 10 long years but still that bond could never be broken.I loved it.Gulaal is so happy to see her old companion back.She had missed him so much which can be heard in the poignant way she asks him'kahan tha tu ab tak?'Kesar innocently replies 'doston ke saath'and after that a beautiful silent conversation takes place with that soothing music in the background.Kesar expressing his 'haq' is so cute and very romantic.I love the whole scene with Kesar trying to make her stop talking and go to sleep and it's pure love that you see on his face when he is looking at her with that small smile.
When Kesar leaves the room we get to see the wide smile on Gulaal's face which is so special because the reason for this smile is Kesar.Kesar's little scene in the kitchen-very cute.and note the difference in Kesar's attitude from the first scene to here.the smile and taking her name softly to wake her up-nicely done.Kesar expressing his 'haq' once again through that 'pooch nahi raha bata raha hoon'dialogue.I loved it a lot.Gulaal rightly says that Kesar does seva'bilkul mann se' cause he does everything to make her comfortable and this can be seen in the last scene which is very very sweet.
Too much rambling.Hope I made sense...

2nd scene-will add it after some time.

The scene starts with Gulaal looking at Kesar lovingly(platonic of course).The wide smile is still intact on her face.As soon as we see Gulaal doing puja with her hair open,we expect Kesar to go into his lover boy mode and he doesn't disappoint us at all.The scene is lovely with Gulaal chanting the Gayatri mantra and Kesar looking at her with love and his gaze is quite intense here.I love the next scene a lot.It has such a couple vibe to it.Kesar reading the newspaper and Gulaal getting him chai(no, not doodh-by the way the argument between chai and doodh never ended,did it?)They were totally acting like a husband and wife and they were not even aware of it.I loved the doodh-chai conversation a lot.The ease with which they go back to talking to each other,joking and smiling is so amazing.Who would guess that there was so much hurt and anger going back and forth between the two.That's what is so unique about this couple.They know everthing-both good and bad about each other and are always ready to forgive and forget each other's mistakes even though they take their own sweet time about it.Kesar is still very aware of Gulaal's touch and he is loving the attention she is showering upon him.Actually both want the same thing.Gulaal also loved the attention she got from him but she doesn't express it openly and later shuns it completely terming it as'paap'whereas Kesar is more open in expressing his wish for her attention.They can make each other so happy with these small but significant gestures.sweet scene.
looking forward to the discussions...

Edited by minizz - 13 years ago
AreYaar thumbnail
Posted: 13 years ago
#4
*reserved*

Ahhh how I LOVE LOVE LOVE this scene...it's a very rare side we saw of Kesar in those days and to a new viewer like me at that point, I was just so touched by the deep connect b/w GK this scene showed so beautifully ...Hope I can get CAPS in earlier this time and I wanna make stuff on this scene too *happy sigh*

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*Edit:

Caps batch 1:

There is such brilliant back and forth of wills in the first bit...absolutely LOVE it when both these stubborn souls dig in and refuse to give an inch😆

Look at Kesar...what a difficult situation he's in...he can't see her in this situation...has to do something...yet still he's trying to do it in a bossy no-nonsense way😆







Absolutely LOVE the angle from which this entire portion was shot...the DOP is a magician as always...I'm amazed at the angles these ppl think of and always shoot them SO beautifully...


LOVE the grouchy Gulaal in this bit😆..."Tune kyun TAKLEEF ki?...Main KHUD le leti" 😆







"Gulaal tu peeti hai ki main"...LOLL I can't help but think of the "varna KYA" confrontation...lolll...too bad Gulaal could never ask him that in this bit😆...all she could do was look at him in surprise and give in😆




And look at him again battling himself and trying to look away😆


Then turning back the very next second to take the glass from her so she doesn't have to struggle with putting it back...Oh Kesar😆



She looks sooo weak and vulnerable here...and obviously Kesar can't help himself then either...have to say Manasi did this bit so genuinely...you feel like she's actually ill






He tries to hold back but seeing her in so much pain, he gives in as always





"Tune dawaai nahin khai na?"🤣 He knows her SO well😆...



I loved the angle from which all this was shot...Manasi's expressions in the background are superb...those big eyes are so beautifully expressive



"Gulaal dawaai kahaan hai?" He's so got your number, Galool😛😆



Edited by nureat01 - 13 years ago
Maz. thumbnail
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Posted: 13 years ago
#5
I agree JZ. the angst is the major attraction in the GK story, but when we do get such compassionate scenes..it's amazing as well..brings in another dimension..

Scene 1...

I absolutely loveee EVERY SINGLE detail in this scene. It's adorable how they want to maintain that I-do-not-want-talk-to-you attitude and Kesar has the upper-hand here because Gulaal is sick and not really in a position to be arguing much but still at first she's all 'you don't have to take the kasht for me' He is a little hesitant at first ..but all it takes is for Kesar to find out that she is running a fever and boom he's into full on protective caretaker Kesuda mode who finds the meds, feeds it to her, and then even yells at her for being so careless. It's wonderful to watch him like this, the over-pouring of concern for her ...something we all would do for a loved one..if they are sick you would take care of them at the same time scold them for allowing themselves to get so sick...daant de de ke you give the dawai as well..😆

The small smiles from Gulaal..so lovely..she's wondering look mera Kesar he says he doesn't care but does the complete opposite of that..and also probably thinking ki he's all grown up and is looking after me now...there is soo much affection and love shining in her eyes when she asks him Kahan tha tu ab tak?...the joy in realizing that her Kesar is back in full form..that alone was her enough to help her recover from the illness.

Love how he replies to that saying chup chap aankein band kar ke todhi der ke liye let nahin sakti..hehe...too sweet and he gives that very angelic smile..if only she wasn't sick she would have jumped out from the bed and done a little jig 😆 I like how when he covers her eyes with his hands in that motion of closing her eyes...she does close it but the smile is intact..like she's playing along with what he asks of her...too cute.

And that is not the end of his sevagiri for her for the night..he actually makes an effort in the kitchen to get garam dhoodh, makes sure she drinks it up, then proceeds to even massage her feet right? There is such peace and serenity while he watches her sleep...never would you think that this guy has so much inner turmoil happening...in this instance, watching her at peace brings him peace.
Like you mentioned in the previous threads..they rub off on each other...that is so true..every time.

He ends up falling asleep by her side..full marks to Kesar for his sevagiri for the night! Kismet wale ko hi aise chahane wale milte hain...hehe..


Scene 2

Yes the parallel to their last confession scene very much here! hehe.. kesar wakes up to find an empty bed and goes in search of Gulaal...who seems fit as a fiddle, completely energized to being the new day..doing her pooja...while Kesar finds her, to him his day has a wonderful start a radiant Gulaal reciting the prayers, his darshan at the start of the day is perfect.

And then the chai-doodh eternal debate..lol...and and and Kesar gives a huge battisi smile to her! how awesome was that?!..that was the first time he smiles so khul ke in front of her if I'm right.

She has accepted that he has grown up and she won't force her opinions on him..really Gulaal? what about the impending Talli se shaadi that gives the bechara a mini-heart attack?..LOL

She also tells him that he does the seva bilkul mann se...yeh toh hona hi hai Gulaal afterall seva kiski kar raha tha...the one and only woman who took over his heart long ago itself. And a cute little pat on the head..hehe..


minizz thumbnail
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Posted: 13 years ago
#6
@Maz -lovely analysis.I never noticed that parallel with the last confession scene,it's so similar na...😳 about Gulaal doing a jig if she wasn't sick,I am very sure that she was performing garba in her mind😆.loved your comments.As you said each and every detail in this scene is so beautiful...
Maz. thumbnail
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Posted: 13 years ago
#7

Originally posted by: minizz

@Maz -lovely analysis.I never noticed that parallel with the last confession scene,it's so similar na...😳 about Gulaal doing a jig if she wasn't sick,I am very sure that she was performing garba in her mind😆.loved your comments.As you said each and every detail in this scene is so beautiful...



Hehe yea garba for sure!

Nice take on the scenes mini...I agree how they so easily slip in and out of either being at loggerheads with each other or suddenly continue where they left off a decade ago..it's wonderful to watch.
AreYaar thumbnail
Posted: 13 years ago
#8
Caps updated in first post...

Batch 2:





One second he's all brusque..."chal uth jaa dawaai khaani hai"...next second he is moving forward to help her with the pillow...lol


I love the looks exchanged here...lol




Then he has to take out his frustration about her being left alone in this condition...LOL...loved his ranting in this bit...






"Unka jaana zaroori tha, Kesar"


Kesar's like , 'don't give me that, Galool"😆



Two minutes later he's in soft mode again putting those cold cloths on her forehead...love the graph of this scene.




This is one of my fav. bits in this scene...the way he takes the water from the bowl and just softly sprinkles it along her forehead...so sweetly and simply shown




Edited by nureat01 - 13 years ago
AreYaar thumbnail
Posted: 13 years ago
#9
Batch 3:

"Ab tu chup chaap apni aankhein band karke so jaa"😆




He was actually patting her head here...awww



Obviously Gulaal never listens :P




I love that you can see the shine of joy in her eyes even from this non-closeup shot...her happiness at having her Kesar back like this




"Kahaan tha tu ab tak, Kesar?"



The meaningful smile to drive the point home...she is sooo beautiful in this bit...and it's such a WONDERFULLY touching moment of communication...I think this is the point I absolutely fell in love with them







"Tune suna nahin maine kya kaha?"😆...adorable bit


I vote for this as the CUTEST MINNIE yet!




AreYaar thumbnail
Posted: 13 years ago
#10
Batch 4:






I love the way this smile blooms...who can help but fall in love with her?















And just check out her smile when she sees him walk out for a bit...this here show all the joy in her at this point...aww Gulaal



Kesar's first adventure with the chulha😆...training for future bragging about how he can do everything😆


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