Indradhanush thumbnail
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Posted: 14 years ago
#1
Read this paper on IR and you would know why another IR won't be born in next 1000 years. His use of music is captivating but equally strong is his melody section.
Also his opinion on music proves that much of it is inborn/natural, you apply hard work and it withers away
[quote]No point in classifying music, says Ilayaraja NEW DELHI: Musician Ilayaraja does not believe in classifying music into folk, classical or western streams as many people do and says it all depends on the way people hear it. The 62-year-old musician, an alumnus of London's Trinity College of Music, says it is ridiculous to classify music into different streams as music everywhere is based on seven notes (sapta swaram). ''My perception is that there is no distinction in music as many people perceive. The difference lies in the way you hear the music,'' Ilayaraja said at a function organised by the Kerala Information Centre and various Kerala associations here on Friday. ''Your understanding of music depends on your capacity to perceive it,'' said the musician, who has scored music for over 750 films and performed in more than 20,000 concerts. ''Music is as vast as the sky, the oceans, the universe,'' the musician, who was the first Indian to compose a symphony, said adding, ''I am only an ant who could drink a cup (of music).'' Likening music to an ''elegant flight of a fowl, gentle flowing of a stream, the spread of a fragrance, a cool breeze,'' Ilayaraja said ''when you apply your mind, you lose the charm of music.''

''Music should come from the heart. It should happen. That should be automatic and if you labour on creating music, it will not have soul,'' he said.[/quote]

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Indradhanush thumbnail
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Posted: 14 years ago
#2
his use of 9th note or 7th over a chord while deleting another note is breathtaking and the effect he can generate!
.... lets look into the usage of 9th chords in Raaja's music… When I think about the significance that an extra note (swara) can bring when added to a particular root chord (to make it a special chord like a 7th or 9th) is unbelievable to notice. For one who understands how to do this, Music becomes a child's play and he / she can simply do whatever they feel like doing with swaras… Ilayaraaja is among those extremely gifted souls who can play with most weirdest combination of notes to produce a chord something like ' Fm 9th 7th' which can be otherwise seen only in the theory books of 'How to Play Guitar?' Yet he comes out phenomenally successful in his novel attempts!!! I'm not joking or exaggerating here. Believe me, He has used this chord in the prelude of the song Nee partha in 'Hey Ram'. The chord used in the prelude after the Piano solo is a Fm 9th 7th (which is Fm with G and D#. But C deleted from the chord. So its F+G+G#+D#). I wonder while composing, is there anyone else out there who can visualize at a meta level, i.e., in mind how does a Dm 9th would sound instead of a D minor.....



esseesse thumbnail
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Posted: 14 years ago
#3
i came to know him from his off beat music in the movie "hey ram", like the song -chahe pandit ho.

[YOUTUBE]http://www.youtube.com/watch?v=H110C1V6alY[/YOUTUBE]
esseesse thumbnail
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Posted: 14 years ago
#4

TRIVIA FROM WIKIPEDIA

Ilaiyaraaja (born Daniel Rajayya on 2 June 1943) is an Indian Tamil film composer, singer, and lyricist. He has composed over 4500 songs and provided film scores for more than 900 Indian films in various languages in a career spanning more than 30 years.He is usually referred to by the title Isaignani (literally meaning 'a man with great knowledge in music'), or as "The Maestro". He is based in Chennai, the centre of the Tamil film industry. He is a recipient of prestigious Padma Bhushan Award from the Government of India.

Ilaiyaraaja has been a prominent composer of film music in southern Indian cinema since the late 1970s. His works are mainly in Tamil and Telugu. His work integrated Tamil folk lyricism and introduced broader Western musical sensibilities into the South Indian musical mainstream. In his 35 year long career he has composed music for about 600 plus movies in Tamil and 250 plus movies in Telugu. He has thrice won the Indian National Film Award for best film scoring.

In the 2000s, he composed a range of non-film music, including religious and devotional songs, an oratorio, and world music. He is married to Jeeva, and the couple's two sons (Karthik Raja and Yuvan Shankar Raja) and daughter (Bhavatharini) are film composers and singers.
Edited by cosworthkid007 - 14 years ago
esseesse thumbnail
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Posted: 14 years ago
#5
In the 1970s in Chennai, Ilaiyaraaja played guitar in a band-for-hire, and worked as a session guitarist, keyboardist, organist for film music composers and directors such as Salil Chowdhury from West Bengal. After his hiring as the musical assistant to Kannada film composer G. K. Venkatesh, he worked on 200 film projects, mostly in the Kannada language. As G. K. Venkatesh's assistant, Ilaiyaraaja would orchestrate the melodic outlines developed by Venkatesh. During this period, Ilaiyaraaja also began writing his own scores. To hear his compositions, he would persuade Venkatesh's session musicians to play excerpts from his scores during their break times.Ilaiyaraaja would hire instruments from composer R. K. Shekhar, father of composer A. R. Rahman who later joined Ilaiyaraaja's orchestra as a keyboardist.
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Posted: 14 years ago
#6
In 1976, film producer Panchu Arunachalam commissioned him to compose the songs and film score for a Tamil-language film called Annakkili ('The Parrot'). For the soundtrack, Ilaiyaraaja applied the techniques of modern popular film music orchestration to Tamil folk poetry and folk song melodies, which created a fusion of Western and Tamil idioms. Ilaiyaraaja's use of Tamil music in his film scores injected new influence into the Indian film score milieu.By the mid-1980s Ilaiyaraaja was gaining increasing stature as a film composer and music director in the South Indian film industry.Besides Tamil, Telugu, Malayalam and Kannada films, he has scored music for Hindi (or Bollywood) film productions such as Sadma (1983), Mahadev (1989), Lajja (2001), Cheeni Kum (2007) and recently Paa (2009). He has worked with Indian poets and lyricists such as Gulzar, Kannadasan, Vairamuthu and T.S. Rangarajan (Vaali), and film directors such as Bharathi Raaja, K. Balachander, K. Vishwanath, Singeetham Srinivasa Rao, Balu Mahendra and Mani Ratnam. As of 2009, he scored for Malayalam movie, Pazhassiraja and the Tamil movie Jagan Mohini.
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Posted: 14 years ago
#7

Impact and musical style

Ilaiyaraaja was one of the early Indian film composers to use Western classical music harmonies and string arrangements in Indian film music. This allowed him to craft a rich tapestry of sounds for films, and his themes and background score gained notice and appreciation amongst Indian film audiences.The range of expressive possibilities in Indian film music was broadened by Ilaiyaraaja's methodical approach to arranging, recording technique, and his drawing of ideas from a diversity of musical styles.

According to musicologist P. Greene, Ilaiyaraaja's "deep understanding of so many different styles of music allowed him to create syncretic pieces of music combining very different musical idioms in unified, coherent musical statements". Ilaiyaraaja has composed Indian film songs that amalgamated elements of genres such as Afro-tribal, bossa nova, dance music (e.g., disco), doo-wop, flamenco,acoustic guitar-propelled Western folk, funk, Indian classical. Indian folk/traditional, jazz, march, pathos,pop, psychedelia, and rock and roll.

By virtue of this variety and his interfusion of Western, Indian folk and Carnatic elements, Ilaiyaraaja's compositions appeal to the Indian rural dweller for its rhythmic folk qualities, the Indian classical music enthusiast for the employment of Carnatic ragams, and the urbanite for its modern, Western-music sound.

Although Ilaiyaraaja uses a range of complex compositional techniques, he often sketches out the basic melodic ideas for films in a very spontaneous fashion. The Indian filmmaker Mani Ratnam illustrates:

Ilayaraja would look at the [film] scene once, and immediately start giving notes to his assistants, as a bunch of musicians, hovering around him, would collect the notes [(musical parts)] for their instrument[s] and go to their places... A [film] director can be taken by surprise at the speed of events.

Edited by cosworthkid007 - 14 years ago
esseesse thumbnail
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Posted: 14 years ago
#8

Notable works

Ilaiyaraaja's composition Rakkama Kaiya Thattu from the movie Thalapathi (1991) was amongst the songs listed in a BBC World Top Ten music poll. He composed the music for Nayakan (1987), an Indian film ranked by TIME Magazine as one of the all-time 100 best movies,a number of India's official entries to the Oscars, such as Anjali (1990) and Hey Ram (2000), and for Indian art films such as Adoor Gopalakrishnan's FIPRESCI Prize-winning Nizhalkkuthu ('The Dance of Shadows') (2002). Ilaiyaraaja has composed music for events such as the 1996 Miss World beauty pageant that was held in Bangalore, India, and for a documentary called India 24 Hours (1996). The pop/hip-hop band Black Eyed Peas sampled an Ilaiyaraaja composition called "Unakkum Ennakum", from the film Sri Raghavendra (1985), for their tune "The Elephunk Theme" from their breakout album, Elephunk (2003). The alternative artist M.I.A. sampled his composition "Kaatukuyilu, " from the film Thalapathi (1991) for her song "Bamboo Banga" on the album Kala (2007).

His music compositions for the Hindi movie "Paa" (Dec 3rd 2009) has won critical acclaim in several media reviews.

esseesse thumbnail
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Posted: 14 years ago
#9

Awards and honours

Ilaiyaraaja has won the National Film Award for Best Music Direction for the Tamil film Sindhu Bhairavi (1986) and the Telugu films Rudraveena (1989) and Saagara Sangamam (1984). He won the Gold Remi Award for Best Music Score jointly with film composer M. S. Viswanathan at the WorldFest-Houston Film Festival for the film Vishwa Thulasi (2005).

He was conferred the title Isaignani ('savant of music') in 1988 by Tamil Nadu Chief Minister M. Karunanidhi in a grand public function held in karaikudi and received the Kalaimamani Award, an annual award for excellence in the field of arts from the Government of the State of Tamil Nadu, India. He also received State Government Awards from the governments of Kerala (1995), Andhra Pradesh and Madhya Pradesh (The Lata Mangeshkar Award) (1998) for excellence in music. In 2010, he was awarded the Padma Bhushan, India's third highest civilian honour.

He was awarded honorary doctorates by Annamalai University, Tamil Nadu, India (Degree of Doctor of Letter (Honoris causa)) (March 1994), the World University Round Table, Arizona, U.S.A. (Cultural Doctorate in Philosophy of Music) (April 1994), and Madurai Kamaraj University, Tamil Nadu (Degree of Doctor of Letters) (1996). He received an Award of Appreciation from the Foundation and Federation of Tamil Sangams of North America (1994), and later that year was presented with an honorary citizenship and key to the Teaneck township by Mr. John Abraham, Mayor of Teaneck, New Jersey, U.S.A.

Indradhanush thumbnail
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Posted: 14 years ago
#10
Any guitarist around would understand how he plays with bass lines while playing with the chord progression all the time
[YOUTUBE]http://www.youtube.com/watch?v=MP4Px2O6rTc[/YOUTUBE]

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