I can understand why a nationalistic movie like Dhurandhar would work in India right now. It’s kind of similar to the wave of nationalistic films that came out in the U.S. after 9/11. It's just cultural timing. Historically, nationalistic films often age like milk.
The audience is people with an in-group bias, whether we like it or not; that’s the default psychological setting for most people unless they consciously work to move beyond it. The good news is that we can.
It's kind of funny director who mostly sticks to one genre suddenly gets hailed as a genius. I literally saw someone on Twitter comparing him to Martin Scorsese, like, seriously. Scorsese has worked across so many different genres - dark comedy, period romance, fantasy adventure, psychological thriller, sports biography, historical religious drama, documentaries, and gangster crime. Comparing that kind of range, theme and storytelling to a director who’s mainly doing one lane just gives me second-hand embarrassment.
Edited by radix - 2 hours ago
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