Originally posted by: mahiaana
Well writer way of writing a character is definitely no 1 reason how audiences will feel.for that character.
But its not like we are blindly bashing meerab only. Even yesterday in thread 10 we were discussing how we are gonna hate or bash murtasim if he doubts her character after they consummate. How drastically his character would take a fall! If he does so! If its the character thing even after their consummation and murtu made meerab leave then usko bhi maafi na milega audiences se
But if its not that character thing. And its something else which gonna create a misunderstanding and meerab being meerab instead of trying to solve it, or give it a time see where things go choose the easy and dheet route which is leaving without telling anyone about her whereabouts! Which is in simple word hiding. That too with a child. Anyone would hate her. Do you think murtasim will let her leave with a baby? If he knew ? Or will let her leave in that house we saw in bts? Bacche ko chodo woh aise bhi usse waha na rehne dega. Murtasim hi kyu she got 2 fathers (rich ones ) ab woh mane aur na mane
( Also Yeh bhi ek point dekho. She was ready to leave the house with wakas in the morning. But jaise hi murtu ne rok liya ab in precap she's saying kyu jayegi...lagti kya hein woh unki 🙂 this is the reason i said usko bas ethics and morals woh hi acchi lagti hein jo uske liye positives ho or jo usse positive lagey. Baki duniya jaye bhaad mein )
woh dono kya reh e dete aise jagah? Woh bhi unke nati ke sath? Woh baccha meerab ka jitna hein murtasim ka bhi utna hi hoga. Kis haq se woh us bacche ki alishan jindegi chinegi ...alishan chodo usse khan khandan ka hone ka righs chinegi?? Just because woh dukhi hein, dard mein hein, gussa hein?
Can a mother really decide alone ? Socho agar yehi kaam ek baap kadta maa se bina puche baccha uthake farar ho jata. Chup jata? This is my only point here gussa/narazgi /dard ek jagah. Snatching away a kids right ....a parent's right is not acceptable in any way! Jana hein? Batake jaye that tumhara ek baccha hein. Dur rehna hein woh rahey bacche ko leke dur, but baap ko bhi bataye..milne de.
Agar 1 tarfa bacche ko leke decision lena itna hi asan or religiously/ethically asan and sahi hota to please search bd mein abhi bhi japaness mother - bangladeshi father ka case chal raha hein bacchon ko leke. Ek ne baccha apne pas leke agaya tha kisiko na bolke! But see ab case chal raha hein! Kon kise rakhega. Kon rakhega. Kiske pas rehna chahiye. Bacche kya chahte hein.
@ bold - Actually I don’t think it’s that. I think that for a woman with independent thought, she herself has to go through confusing and contradicting thoughts when the circumstances around her are more burdensome that what she is used to. At the same time, she is also a woman who has begun to feel for the man she is with, and yet she has been shunted. She has always had very little time to react because everyone around her reacts way too fast. People around her react on basis of their conditioning, she even if she wants to take a second is unable to react the way she wants. She is constantly marginalized not only because she is thinking different from others, but she is in minority,
Yaar I don’t want to comment on scenes that have not happened yet… but in my experience … end of the day the illogical twist of woman leaving and having child away is the old fashioned massy way writers approach how to portray a so called strong woman. I am sorry but it’s the classic agnipariksha, it’s what Ram did to Sita and this aspect to cultural storytelling is ingrained in many stories (I am purposely saying cultural and not religious)
Unfortunately we are unable to get out of that regressive clutches of storytelling. There have been wonderful books written ins very progressive way about this. There is a book called Liberation of Sita by Volga - you must check it out.
Anupamaa
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