is the director leaving again? - Page 9

Originally posted by: Sunaina7

this is equally true

hyderabad sequence had ample screen space for leads , their meaningful conversation and they trying to understand each other.

I don't know what happened afterwards. Did their writing team changed completely after that ?? Anybody knows 😒

It's because they showed Mandaar being negative too early in the show and they rushed the confession. There is a love story at the heart of this show, how can you mess up the most important points?

Originally posted by: inlieu

Which garden romance?

Sai said Anuj was his favorite director, right? I guess he's the one who directed the den scene between R and M?

Garden romance I mean the scene where pallavi tricks sulochana in the parlour and goes to meet raghav in the garden type area where she tells him about aai and devyani murder.

Anuj shukla co directed that scene as his bts with Sai was there. That's why I said

Originally posted by: Sunaina7

Garden romance I mean the scene where pallavi tricks sulochana in the parlour and goes to meet raghav in the garden type area where she tells him about aai and devyani murder.

Anuj shukla co directed that scene as his bts with Sai was there. That's why I said

Oh you mean that 70s slow-mo run and hug that was so poorly executed? LOL

Sicku cooking pasta 🤣

Originally posted by: inlieu

Oh you mean that 70s slow-mo run and hug that was so poorly executed? LOL

most of the social media liked that scene 😅😅😅

the show tag got very much active that day when episode aired. Even the ones who left the show watched that scene

our fd likes these type of masala scenes 🤣

Originally posted by: Sunaina7

most of the social media liked that scene 😅😅😅

the show tag got very much active that day when episode aired. Even the ones who left the show watched that scene

our fd likes these type of masala scenes 🤣

It was so pathetic, even the EK and GK shows don't do that.

I have to give GK one thing, though. Even if the stories are terrible, they know how to shoot romantic scenes well no matter how corny they are. Execution tends to be top-notch. My recent favorite was IPZN. They did a fine job there!

Originally posted by: inlieu

It was so pathetic, even the EK and GK shows don't do that.

I have to give GK one thing, though. Even if the stories are terrible, they know how to shoot romantic scenes well no matter how corny they are. Execution tends to be top-notch. My recent favorite was IPZN. They did a fine job there!

As someone who watched IPZN and also watches MHRW, this is an interesting comment!

I'd say most of the IPZN romantic scenes till episode 60 (Mehndi, Haldi, Pool scene at resort) were excellently shot because Lalit Mohan (the guy behind IPKKND) was at the helm. They then changed directors and the editing after the leap, and the new team, try as hard as they did, weren't quite able to match Lalit's brilliance.

Originally posted by: aekiel

As someone who watched IPZN and also watches MHRW, this is an interesting comment!

I'd say most of the IPZN romantic scenes till episode 60 (Mehndi, Haldi, Pool scene at resort) were excellently shot because Lalit Mohan (the guy behind IPKKND) was at the helm. They then changed directors and the editing after the leap, and the new team, try as hard as they did, weren't quite able to match Lalit's brilliance.

Even the worst executed scenes are far better than what we've been getting in MHRW. And is no one bothered about that black spec on the screen that shows up most of the time? Why don't they fix it?

Originally posted by: inlieu

It's not the director's fault if the script is messed up. He wasn't with the team in Hyderabad, yet we got some of the best episodes then because the writing was so good!

The director they had before left so they hd the assistants for a while and then jaffar sir joined them.

Originally posted by: aekiel

As someone who watched IPZN and also watches MHRW, this is an interesting comment!

I'd say most of the IPZN romantic scenes till episode 60 (Mehndi, Haldi, Pool scene at resort) were excellently shot because Lalit Mohan (the guy behind IPKKND) was at the helm. They then changed directors and the editing after the leap, and the new team, try as hard as they did, weren't quite able to match Lalit's brilliance.