Our strings cross and separate then come back - Page 5

Originally posted by: Dragonfly88

Thanks! Yeah a third person is surely trying to hurt them because I don't think parents will try to hurt their children. Through the third person a lot of secrets will come out now. Good thinking about the mobile phone, I had forgotten Adi still has that one. It is strange that anjana is not worried about it anymore ..

Originally posted by: nayantara.

What a wonderful piece of writing.So impressed with your interpretation.It is amazing how some of you read the symbols and explain them so beautifully and clearly.
To begin with AdiYa marriage was so different from any other on Indian television. I was a tad disappointed with the previous day's entertainment quotient before the ceremony itself but looking back in hindsight I can see that too was an attempt to make the AdiYa union totally hatke. Zoya wanted a grand wedding and did not get it with Yash who besides not giving her the big fat wedding of her dreams kept her hidden from his family & friends in far away Mussoorie (could never understand that) Aditya makes up for that in his own way helped by his childhood friend...what if family was missing ...what are friends for Vatsal says. Preceding the rituals Zoya gets her desire for the big fat Indian wedding fulfilled. Bepannah remains true to spirit ...a show markedly different from the normal fare.
The funfare over,the rituals take over and here too Bepannah was refreshingly different. Starting from the bride & groom's attire that were so regal yet simple, to the entire ceremony ...there was such a unique flavour in the entire proceedings. Loved the way Aditya holds out his hand for her to join him after he makes his initial offering invoking the God's. The looks exchanged were mesmerising indeed. The entire proceedings that followed were ethereal ...nothing like this has been shown on our television screens till now. Throughout the tender, loving eye contact between the two was so moving often reducing us too to tears as well ...not just the two of them Zoya's tears and not to miss Aditya expressing his emotions with a subtle swallow of his Adam's apple. These are two brilliant actors who are on top of their trade. The CVs and director are super and they are so lucky to have the two of them translate their thoughts on screen so expertly.
Last but not the least are the saat vachans initiated by Zoya and concluded by Aditya to seal their eternal togetherness. Much has already been written to describe the vachans so I will not repeat but suffice to say that these vows are a precursor to the future tracks of Bepanah.
Wait with bated breath for the story to unfold. I know tonight is the SR but for me the physical is not of such great importance as the subtle nuances projected by brilliant scripting such as the vows. Look forward to a lot more of such high powered creativity by the scriptwriters, the expert direction and of course the interpretation on screen by two of the best actors in the field. Have not seen such a potent combination ever before on ITV.

Originally posted by: Dragonfly88

Thank you for reading and adding your beautiful detailed interpretation to it. Yes Zoya always had dreamt for a tam jham wedding as she had said to arshad once. Aditya fulfilled her dream which yash couldn't. About the SR part, actually even I am not more excited about the main part of it but what leads to it. Like Harshad had said in his IV that what leads to a physical scene is more impactful than the scene itself.

Originally posted by: shruthiravi

@nayana even I am not a big fan of physical aspect of love story unless I can connect to the scene and yes the scene preceding to it matters. What leads to the intimacy. Also I love it when intimacy is portrayed aesthically. I love Mani Ratnam for that. His Alaipauthey where both the songs snehithane and kadal sadugu were quite intimate but aestically shown.

Another one in the category is Ashutosh Gowarikar's Jodha Akbar where they show " In Lamhon ke daman mein"

This one also " bahon ki darmiyan " of khamoshi.

Originally posted by: shruthiravi

@nayana even I am not a big fan of physical aspect of love story unless I can connect to the scene and yes the scene preceding to it matters. What leads to the intimacy. Also I love it when intimacy is portrayed aesthically. I love Mani Ratnam for that. His Alaipauthey where both the songs snehithane and kadal sadugu were quite intimate but aestically shown.

Another one in the category is Ashutosh Gowarikar's Jodha Akbar where they show " In Lamhon ke daman mein"

This one also " bahon ki darmiyan " of khamoshi.

Originally posted by: shruthiravi

@nayana even I am not a big fan of physical aspect of love story unless I can connect to the scene and yes the scene preceding to it matters. What leads to the intimacy. Also I love it when intimacy is portrayed aesthically. I love Mani Ratnam for that. His Alaipauthey where both the songs snehithane and kadal sadugu were quite intimate but aestically shown.

Another one in the category is Ashutosh Gowarikar's Jodha Akbar where they show " In Lamhon ke daman mein"

This one also " bahon ki darmiyan " of khamoshi.

Originally posted by: shruthiravi

@nayana we can't discuss issues related ek soap making in bp forum as a separate post. Mods might even close it. What people need to understand is that makers are giving us a story with commercial elements intact. We can't expect them to let go of all commercial elements. After all they too need to make money. What hurts me is when people say bp is another saas bahu. See I am fine with saas bahu as long as it is the need of the story. Marriage and a woman relation with her husband family and a man's relation with his wife family is part of our culture. How do people expect makers to move away from such relations. This is television and not movie or web series where bold themes can be shown.