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CVs surprised me yet again even though I had seen the OLVđđđ
Neel using his innocent actions to tease Avni is my new favourite thing. First with getting the carrot scene in the kitchen, and now with lighting candles coz of the electricity. I wont be surprised if one day Neel actually tries to be romantic but Avni just thinks he's doing something simple and walks away disregarding it.đ¤Ł
At first I wasn't sure about the Raabta music choice but amidst the sequence I began to enjoy it. It showed the innocence and tenderness of both Avneil despite both of them having ulterior moments. I enjoyed both their reactions and facial expressions when the other made a move.đ
I was scared about the morning after but they manipulated the DDLJ classic scene to fit with their characters which I really appreciated. đ
Today's Ali and Avni hug looked strange to me. I mean, it fit in with the situation, it just looked awkward. But Neel was here yet again to keep Avni from getting in trouble or having her character questioned which was admirable.đł
The Dayawanti scene about anxiety, is a low move on Neel's behalf. Severe anxiety and panic attacks can lead a person to have a cardiac arrest. I know its a serial so they don't think or have to think about the logistics behind their moves but still.
Neel looked amazing in white ensemble and Avni looked amazing in the turquoise blue/gold saree. That whole scene was too cute too. And for a sec, Neel looked mesmerised. Bebe clearing her throat and telling our beautiful tillu that if he wants to romance with his wifey, he should have atleast closed the door first was too good𤣠Neel replying that he's married her, so he doesn't need to hide it gives me hope for the future
I personally don't understand why Neel and Avni have a problem with the sindoor. I mean, Neel actually believes in marriage so yea, I understand why he feels awkward. But Avni doesn't believe in the concept of marriage.
The precap...was interesting. Again, I worry about Ali. Not because of his actions, but his facial expressions.
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