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Posted: 17 years ago
#1

Music, the Ancestor of Medicine

By Mu Jie

The Epoch Times
Nov 26, 2007



Pleasant music works to cultivate one's temperament, to purify one's mind, and to deliver a sense of beauty. But has it ever occurred to you that the creation of music was originally intended as a medicine to cure?

The origin of music can be traced back to the creation of Chinese characters by Cangjie (2650 B.C.), a legendary figure in ancient China. The Chinese character "Yao," which means medicine, is derived from the character "Yue," which means music. The character Yao is composed of two parts: a radical, meaning grass or herb, and the character for music. In addition to carrying the meaning of medicine or cure, this character can stand for music itself, happiness, or enjoyment. Music is therefore the ancestor of medicine. Cangjie, according to one legend, created the Chinese character Yue based on an historic event, in which Huangdi (Yellow Emperor) defeated Chi You (war deity). In ancient China, soldiers commonly beat war drums on the battlefields to inspire their bravery and gain the advantage. After the fight between the Yellow Emperor and Chi You, the beating of the war drums knocked Chi You's soldiers unconscious. To cure the defeated soldiers, the merciful Yellow Emperor created a metal object in the shape of a bell, which is now called a musical instrument.

The middle of the bell-type metal was made of bronze, tied to silk strings on both its sides; the metal object was placed on a wooden frame to play. Based on a shape of seal characters, an ancient style of Chinese calligraphy, the middle part of the character Yue is "Bai," which means white and symbolizes metal—one of the five elements. The ancient Chinese believed that everything in the universe, including the human body and even sound, was composed of the five elements of metal, wood, water, fire and earth. Of the five elements, metal corresponds to the color white. Cangjie invented the character Yue based on this bell-type metal. For what purpose was the metal object created? It was used to evoke a spirit from the dead, or to call back the souls of Chi You's soldiers. According to legend, after the war, Chi You's soldiers were lying on the ground, stunned by the war drums. Once their souls were healed, the soldiers came back to life.

Music, therefore, was used for healing. Later, herbs were found to contain healing effects, and one radical was thus placed on top of "Yue" to become "Yao." As a result, the primary purpose of music in ancient China was to cure people of illness.

Researchers in the field of medicine have been conducting research into medical properties of music. While in his or her mother's womb, a baby can develop a reaction to music. Of the five human senses, human's ability to hear is the first one to "be enlightened." Unborn babies in their mothers' wombs can listen to the mothers' heartbeats, breathing, and talking. That's why modern parents give their babies prenatal education, such as exposing pregnant mothers to music. Clinically elegant and relaxing music helps reduce stress levels, ease breathing and nourish the organs.

One American scientist discovered that music is composed of waves of resonance, which can both influence one's feelings and resonate with the human body. Meanwhile, music contains a variety of rhythms, while our body movements tend to follow musical rhythms. In consequence, changes of musical rhythms work to accelerate and regulate our biorhythms. Hence, some capable doctors would carefully select music of various rhythms to cure patients of various symptoms.

Ancient music was classified into Qingyue and Yayue (elegant music), which served the purpose of purifying one's soul and mind. It was believed that good music had a beneficial effect on the human body. This was why ancient music was always of a slow tempo, for the purpose of letting people calm down. After listening to music, one is supposed to achieve spiritual tranquility instead of emotional excitement that seems to drive people out of their mind. Confucius once said that music should in fact be elegant. Even in 1950s, people who were fond of music tended to be more easygoing. But now things have changed. There is something in modern music that provokes one's demon nature. Some people even dance or twist their bodies crazily to the music, seemingly going wild or even lose consciousness with excitement. The demonic music can even cause people to display agitation, feel depressed or tend to lose their temper, which, in fact, brings great harm to health and achieves no healing effect.

The music in the Chinese New Year Spectacular showcased in recent years is bright, pure, elegant and melodious with a definite classical slant. Listeners have said it touches their hearts—perhaps because it engenders kind thoughts and respect for our higher selves. Many Spectacular performers have said that their practices are really a process of cultivating their hearts and minds. Positive feedback from audiences has been received—"After watching your performance, my illness is cured." Perhaps we should credit part of this miracle to music.

Click here to read the original article in Chinese

http://en.epochtimes.com/news/7-11-26/62314.html



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trishancku thumbnail
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Posted: 17 years ago
#2
Listen to some soothing music as you read the above article,
The Butterfly Lovers [Erhu Concerto] - Philharmonic of China

[YOUTUBE]http://www.youtube.com/watch?v=ihz1BU9_bRE[/YOUTUBE]
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Posted: 17 years ago
#3


Two-stringed Erhu Captivates All Who Hear It

By Pam McLennan
Epoch Times Ottawa Staff
Nov 11, 2007


One of the most popular traditional Chinese instruments, the erhu, is capable of conveying great tragedy. Whether the musical tempo is fast or slow, the erhu produces a melancholic sound that is hauntingly beautiful but ultimately sad.

Music in China, as old as the 5,000-year civilization itself, was intended not for entertainment but to purify one's thoughts. Traditional belief held that sound can influence and harmonize the universe. The sons of the nobility were required to study music as one of four compulsory subjects. Thus, anyone who performed music just for entertainment was held in very low esteem.

Into this culture came the erhu.

As traditional Chinese instruments go, the erhu is relatively young with a history of only 1,000 years. It was introduced to China by non-Han tribes along the northern border of China. The name literally means "two-stringed barbarian instrument," because of its ethnic minority beginnings. Peasants used it to play folk songs describing daily life such as fishing and herding.

With the passage of time, it became common for the erhu to be used in an ensemble or in the orchestra of a Beijing opera, but it wasn't respected enough to be played as a solo instrument.

The erhu has become one of the most popular and recognizable Chinese instruments, and many westerners became exposed to its charm with the first global tour of New Tang Dynasty Television's (NTDTV) Chinese New Year Spectacular in 2004.

In lavish performances, the Spectacular showcases authentic traditional Chinese culture through music and dance. The show played in 32 major cities around the world last year, and in 2008 will play in 50 cities, expecting to reach a total live audience of half a million.

The Spectacular shows have seen the popularity of the erhu grow widely, enchanting audiences with its mellow and expressive sound. Ms. Qi Xiaochun, a highly acclaimed erhu musician who performs solo erhu in the show, learned to play the instrument from her father while growing up in southern China.

"When I was six years old, my father began teaching me how to play the erhu, and he practiced with me every day. Living space was extremely limited, so to avoid bothering our neighbors, he took me to a nearby park to practice," she said.

The early days of Qi Xiaochun's training were rigorous. Her father instructed her outside throughout the year, during all weather. She says she used to think he was "the cruelest father in the world" until she began to understand his deep love for music and the "subdued passion" behind it.

"While practicing, we were often surrounded by crowds of people, watching, listening attentively to us for hours, nodding their heads, and tapping their feet to the beat. I now understand why my father took such great pains to train me as an erhu artist—he wanted me to inherit the heart and soul of Chinese arts and to use music to create hope, joy and inner strength for those aspiring to light and beauty despite adverse conditions. He was a great father."

Although the erhu is sometimes called the two-string violin, it is held vertically, not horizontally, on the lap of a seated player. It is made of dense wood, such as rosewood or ebony, and consists of a small sound box covered with snakeskin—traditionally python—and a long slim neck slightly curved at the end. Two steel strings have replaced the traditional silk strings. The bamboo and white horsehair bow is permanently placed between the two strings.

This little box has many unique qualities that make it a difficult instrument to master. There is no fingerboard for finding the right key, and the strings are pressed but shouldn't touch the neck. The sound is produced when the bow, rosined to increase friction, is passed between the strings causing the snakeskin to vibrate; both sides of the bow are used to produce the sound. The strings are so close that they are played as if one.

Originally used only for ensemble performances or in a traditional Chinese orchestra, it was elevated to a solo instrument by Liu Tianhua (1895-1932). Liu introduced new bowing and fingering methods as he had also mastered the techniques of Western violin playing. This, at a time when the erhu was still considered a folk instrument and not played by "serious" musicians. His most famous and now classic tune is entitled "The Second Spring Reflects the Moon."

Qi Xiaochun says ancient Chinese culture promoted harmony between heaven and earth and respect for life and nature—values that are reflected in the Spectacular. She says her work is a tribute to people in China who share similar passions as her father, and performing in the Spectacular helps fulfill her father's dream. "I am on the stage today because of my father's dedication to what he considered his mission in life: preserving the essence and beauty of traditional Chinese culture for the generations to come."

The Chinese New Year Spectacular will play at the National Arts Centre in Ottawa on January 13-14; in Montreal at the Place des Arts – Theatre Maisonneuve on January 15-17; in Toronto at the Sony Centre for the Performing Arts on January 18-20. The show will play in Calgary, Edmonton and Vancouver in the spring. For more information and to book tickets online: http://www.shows.ntdtv.com

http://en.epochtimes.com/news/7-11-11/61837.html



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Posted: 17 years ago
#4
Dada thanks for another great thread. Yes it sure works for my mind.!

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