REBLAST 1 Episode 1 - 5 - Page 33 | Iss Pyaar Ko Kya Naam Doon

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indi52

@indi52

IF-Sizzlerz

+ 6

Posted: 8 years ago

#321

^^^

uff that gana, cin... too pretty and we have heard it before on blast and raved and ranted. thanks for bringing it here...

good to hear you have readymade film party, don't forget to take picnic basket full of khana and some sugarfree something in it, who knows arnow ji might drop in for a spot of hand holding. 😃
Edited by indi52 - 8 years ago

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DurgaS

@DurgaS

IF-Dazzler

+ 3

Posted: 8 years ago

#322

Hmm, since the 130s, 140s are being discussed here. Let me also post here my latest ones on these episodes. Before that here are the links of poems I already posted on #29.

Dard ki Doori (Episode 130)

https://www.indiaforums.com/forum/post/123661509

A happy sight but not ... (Episode 133)

https://www.indiaforums.com/forum/post/123843879

Edited by DurgaS - 8 years ago

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DurgaS

@DurgaS

IF-Dazzler

+ 3

Posted: 8 years ago

#323

Disclaimer: Please do not copy my work anywhere. If you do, please give credit.

Episode 141

Yun achanak ...

Yun achanak chali gayi

Dekar siskiyon ke nishaan

Aakhir baat kya ho gayi

Reh gaya main pareshaan

Khata kisse ho gayi?

Batado uska naam

Bhool na payega kabhi

Aisa karoon uska anjaam

Aur kisiki nahin fikar

Zubaan par sirf tumhara naam

Miljaaye tumhare khairiyat ki khabar

To meri bechaini ko mile aaram

Gayab aise ho gayi

Dhoondta bhi kahaan tumhein?

Aisa na karna dobara

Yun dard na dena mujhe

Translation:

Suddenly you left

Leaving behind marks of sobs

What could be the matter

I am left worried

Who made the mistake?

Tell me the name

Never would he forget

Would treat him in such a way

No one else I care about

Just your name I utter

If I get the news that you are fine

Then my restlessness will settle

You've disappeared like this

Where should I look for you?

Don't ever do it again

Don't give me such pain

DurgaS's Index

Edited by DurgaS - 8 years ago

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indi52

@indi52

IF-Sizzlerz

+ 6

Posted: 8 years ago

#324

durga,

enjoyed the poem... yun dard na dena mujhe... how we sense the ache of khadoos lg. will read the other two. glad you're writing your beautiful verse again. 👏 👏 😃

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DurgaS

@DurgaS

IF-Dazzler

+ 3

Posted: 8 years ago

#325

Originally posted by: indi52
durga,

enjoyed the poem... yun dard na dena mujhe... how we sense the ache of khadoos lg. will read the other two. glad you're writing your beautiful verse again. 👏 👏 😃

Me glad too. Thanks Indi. Oh the other two you've already read. But no harm in reading again. 😳 😆

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indi52

@indi52

IF-Sizzlerz

+ 6

Posted: 8 years ago

#326

episode 152

"khushi, stop it." what's that in his eyes again, though he is mad at her? and she so upset? almost on the verge of a tantrum... not really like her, i thought. a public display of ire, right in front of nk.

they are suddenly free. no commitment to another person, not engaged. free. free to perhaps admit to a heart ache, a faraq? free to say, ye mujhe kya ho raha hai? what's happening to me? or, humne ek ishara manga tha, devi maiyya, aur aapne itne saare de diye? i'd asked for one sign, dm, and you gave me so many?

that sudden lifting of restrictions, is that very thing the problem? too abrupt and unexpected maybe, leaving both feeling utterly defenceless? some instinct recognising this can get tricky. their defence mechanism completely charged, rushing forward to protect those vulnerable hearts... who knows.

he is being constantly nasty to her, right from who's invited you to the party... and she? i thought she really overstepped the mark, taking over and ruining his plans, imposing her ideas... again, a little hard, almost unthinking, not very khushi.

episode opens on a dark tense note... yet close and intimate. he has just hurt her, been as cutting as possible. but she is not allowed to leave alone at night. that same asr of diwali at one level.

a strange blown look in his eyes as he gazes after her. and a very unlike khushi anger and hurt in her voice. a conversation between them without words, tense communication. almost lover like, though neither is aware of it.

khushi stalks off alone.

"nannav, what happened?" straight forward nk talk.

asr looked ready to explode... this time nk went rushing to take khushi home. had he not, i am sure a furious man would have yanked her into his suv and deposited her in front of bua ji's home with enough and more heartless words as his parting gift. man is a creature of habit and the girl knows many of them by now...

as he has just told us, "main aisa hi hoon" he says terrible things and then when he realises he feels really bad.

at home, nani sits in her bedroom, her den as it were... it's a fairly quirky space come to think of it, that work table of hers with all sorts of things on it. today two pickle jars very prominent, i wonder why. lakshmi sits on her lap getting petted... i wonder if goats are managed easily, jayashree t must have had an interesting time getting to know lakshmi. there was a curiously genuine tenderness she expressed toward her pet, never felt false or forced or funny... it might have, but you sensed nani truly loved and respected her four legged lakshmi. four arms, four legs, what difference, lakshmi is lakshmi.

nani and anjali speak of the party.. then khushi's broken engagement. a conversation is overheard by a passing young man.

"nani, khushi ji ka rishta toot gaya!" anjali sounds completely frazzled, almost close to tears. she hates discord in relationships and a breaking of alliance sets up all sorts of feelings in her, possibly because of her own experiences... i liked the way character was held onto and dialogue went beyond just taking story forward.

he has just snapped at her about her broken engagement.

khushi has not let her sadness come in the way of other's happiness, says nani. la had done the same i think, another most interesting character, that no one could relegate to airhead gold digger.

"khushi bitiya apan umar ki ladkiyon se kayi zyada samajhdar hai..." khushi is much wiser than girls of her age, nani is most touched by her gesture.

though i am aware of what is being done here, it's to get asr feeling like a heel, wanting to apologise, maybe even touch his real feelings for her for an instant... nani's acting always convinced me... she made me feel all this was happening, real... not just screenplay and script.

"hum umeed karat hai khushi bitiya ka dukh ab kuch kam howat hai," i hope khushi's sadness is now abating. of course, he instantly recalls her tear streaked face and knows who caused that.

a guy staring at a closed door with a restless look, a deep frown deepening, a feeling rising... pace pace. no words, not much variation in action, and again barun sobti tells a whole love story in a few moments, with refined expressions and powerful body language

on the other side, the crying girl pauses for a moment on the verandah, she has processed her thoughts, that streak of doing for others has kicked in. she has decided "koi kuch bhi kahe, hum kissike baat ko dil pe nahin lenge..." she won't let anyone's words burden her heart. that valiant upbeat khushi thing was always good to see... the attitude of this girl made her truly lovely.

here the "kissike baat" man is pacing dammit though, not quite aware how much "dil pe" he takes everything. she was upset, she left with nk, it's been a while, nk isn't back. is she okay? is she still upset? where is she? you can feel him going slightly crazy with that worry.

"yeh hui na baat..." exclaims her friend named after the lord... and we are told the choreographer is to come the next morning.

but before that, a nice unchoreographed move with gritted teeth, and whispered angry, "where the hell have you been, nk!"

and then at nk's smitten look and talk of "apni tarikh", the incensed asr. kya hua!... nk exclaims. really, he needs that defence of his.

"answer the goddamn phone next time, right!"

nk is totally mystified by this behaviour.

with morning, came a brighter lighter mood. nani was sure manorama had run away because she is scared of the choreographer.

the girls arrived, nk assured them the choreographer had passed away when what he meant was, everything is organised.

and there was a meeting at the doorway... there are always these meetings at entrances, and they take us further and further into love. asr had a remorseful air about him, a little vulnerable he looked, khushi was taken aback, but then when he said, maybe, shayad... he shouldn't have said what he did, her hackles rose instantly.

shayad?

she glared at him and stalked off.

leaving him standing there... alone.

uh huh. not good. asr does not like that at all. does khushi know this? of course, she does. is she playing a game? no... she is very angry with him... and she has the right to show it. her huq. with the whole world khushi is accommodating, thinking of their happiness first. only with this man.

is this a sign of something?

the very strict dance teacher arrives. madhushala... tala... bala ji. madhu. honey. named after one of the most beautiful cine stars ever, with her extra long false eyelashes and super short fuse, she is a quickly and pretty deftly sketched character. i liked the writer's insight about that shaky insecurity of people in this line of business where one minute you're king, next pauper.

"koi toh hai jo yahan gum hai..."

someone is missing, she said, though all were there, including the coyly smiling couple to be married.

clap of hands and "lo aa gaya!" like magic asr appeared, of course glued to his phone... then that cute nod, distant but not disrespectful, at her. he had requested di not to call the lady, but di wanted the best for her cousin's wedding.

what came after that was possibly a little prank by the writers. the entire sangeet sequence... teri meri... was hinted at. somebody was missing, then someone appeared like magic, now what does that remind me of...

"jis adaa se aap ne apna sir hilaya. wahi adaa zara naach ke maidan mein toh dikhaiya," the style with which you nodded, show us that in the dance arena, urged madhubala ji. oh, so she had noticed the nod, the "adaa".

classic kkg reaction at that, eyes rounded. asr, laad governor... dancing!!!

and the look exchanged between nani and anjali, really a feeling of family begins to grow and makes one want to giggle. even though he is the handsomest tycoon and angry at that.

aap ko pata hai main dance nahin karoonga... you know i won't dance, he says.

she will make him dance this time she replies.

long cool asr look.

she avers the main couple will come and "pyaar ka jahsan poora manayga" will celebrate love completely.

yeah at the sangeet, there was pyaar ka jashan poora manana... only the couple wasn't the one shyly holding hands here.

even as asr cracked up at the melodrama, the hints came fast and filmi, there will be song, there may be rain, may be fire... and one part of this can be the bride's sis, the other the groom's brother.

"hai na kahani ka the end?" isn't that the end of the story... or maybe the beginning...

both asr and khushi are shocked. he refuses to dance with her, a pugnacious won't dance with her he shoots off. she is irritated. he thrusts nk forward as the "replacement". i wonder if they were already considering a scenario where nk would be be the replacement bridegroom.

he hadn't bargained for one thing though.

put your hand on her waist... madhu called out to nk.

"sorted" he'd muttered as he'd turned and left thinking everything was under control, his of course...

but the ears heard, the head had to begin to turn.

he hadn't thought it through, had he? another man would touch her... intimately... if she were to dance with him.

interestingly both at the top of episode and at the bottom, he moved toward khushi even though he was raging and seething, almost as if he had no choice, he was compelled to move in her direction. her power over him had grown and he felt a possessiveness toward her which even he wasn't fully aware of yet.

he turned and looked at her, again a million unsaid things in his eyes. he didn't see her discomfort at having a man come that close to her.

a few beautiful telling moments in an episode getting into the story of a wedding. makers are concentrating on trp spike. a lot of cheesy fun coming our way.

in stark contrast to that, a real man and woman and their attraction. a man feeling the pull of this unclear but undeniable emotion. a girl not being able to hold onto her equanimity... pyaar has its own jashan, sometimes visible in a simple pacing or a pausing before the door.

Edited by indi52 - 8 years ago

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kizh72

@kizh72

Goldie

Posted: 8 years ago

#327

Indi di,

143, 144, 145, 146, 149, 150, 151!😆

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indi52

@indi52

IF-Sizzlerz

+ 6

Posted: 8 years ago

#328

^^^

hee hee, those are done... in combined ones, but i might return again later 😆 addiction, ever heard of? me in a race against myself to fill in blanks. there are so many. and that means i get to see, again and again, all these deadlies. top of serial, 3 to 10, i must rewrite... aaah jalebi jalebi hot and sweet they be.

so badly missing my beautiful show. here are two dukh bhari edits. ha.

Edited by indi52 - 8 years ago

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Katelyn

@Katelyn

IF-Rockerz

+ 6

Ocean of Happiness

Posted: 8 years ago

#329

I made these for a contest.

Edited by Katelyn - 8 years ago

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indi52

@indi52

IF-Sizzlerz

+ 6

Posted: 8 years ago

#330

episode 153

in which bua ji met nand kissore. the lady who had hollered the opening words of ipk and invoked the creator of all games, especially that of love... the young son of nand, she finally had a wonderful high impact meeting with the lord of her mind, over the phone, or rather, phonewa. perplexed was the mighty lady by the choice of "darshan" ground by the lord, though unable to contain her elation... he had met her mother on the terrace, but now he also appeared on the phone it seemed. ah well, such is the leela of nand kishore.

i heard about that meeting on the terrace and my mind flew to the terrace where a terrible illusion had gripped a man's imagination, got imprinted on his mind. were the writers already dragging our attention to the "chhat"? telling us there was more to happen there, not just the revelation of a man named after krishna.

krishna again everywhere and in this episode, the new entrant named after him is called by two other names and mistaken for the real deal too. i wondered if i was trapped in illusion imagining this connecetion. but could all those allusions to nand kishore be just coincidence? the driver, the washerman, the young new friend of the heroine, the villain, the uncle (as in mama ji), the servant (hari prakash or light of krishna), i am sure there were more, and of course, the call of the ultimate gopika, bua ji... all were named after the one with 108 names, our krishna. the writer might have done it in jest, or to layer the tale... either way, worked for me.

to be honest, the episode felt very mid weekish, a bit dull and as if midway to something. i was particularly flummoxed by the desultory almost dismal choice of music for the dance practice. it droned and it kept our emotions and involvement at its own bland level. everyone held hands with partners and danced away while madhu ji, who is supposed to be very strict, beamed.

of course when the teacher told "cartoon" (today krishna would get two, no three, more names) to look into his partner's eyes, there was further fury on a face that had turned at talk of nk putting his hand on kkg's kamar/waist. now at all the talk of look at her with emotion, with "pyaar", he can't take it any more, he leaves. khushi turns her head, intensely aware of the man at the back.

during the break, akash and payal continued to sway away even without music. everyone noticed it and made silly jokes, so very typical wedding that. their "kaamistry" was mentioned, again it felt like a little joke from writers, a replacement as it were, since viewers and forum were always on about asr khushi, barun sanaya chemistry.

shyam played a pointless red carnations game, an elaborate idea, alas khushi was not impressed.

at gupta house, bua ji pulled out a lehenga with a very large waist and lamented the days when she in that would make her husband swoon "behonsh".

"aisa lagat hai, garima, jaise kauno aur janam ki baat howe... ab toh koi poochta hi nahi hai..." seems, garima, that was another life, no one asks after me any more. i felt bad for bua ji. inside that not too small nor too young woman lurked a romantic heart and a desire to be touched by love again maybe? and why not? she was lonely, widowed, childless, alone in a huge city and by nature slightly flaky and dramatic, surely she had a right to her romantic yearnings if any...

she decided khushi should wear the shadi ka joda for payal's wedding. another hint in bua ji's mouth about what's to come on the night of that wedding.

soon after that, still quite touched by the talk of her salad days, the definitely not salad eating bua ji called her niece.

nk picked up the phone and said, "hello!"

"hai re nand kissore!" called out bua ji.

and the roller coaster ride of mistaken identities got going...

wonderfully written dialogues, funny, witty, strangely poignant at times...
bua ji and nk had their first chat. writers took this relationship to a loopy rib tickling place over time, there was something tender amid the raucous about the whole imbroglio... nk believing bua ji was after him, and bua ji with her kind, garrulous auntyish love for the sweet babua.

"hum hai nandkissore!" i am nand kishore.

bua ji went into a trance practically.

"nand kissore! humre nand kissore..." nand kishore, oh my nand kishore. how a relationship starts who knows.

karan goddwani and abha parmar were absolutely fabulous and suddenly music was on cue. lots of shankh and bansoori, conch and flute.

when khushi broke her illusion, the lady was irritated and told her to take back the five rupees she'd asked to be offered. the sense of play ran freely through the episode.

kkg was getting everyone on the floor and ran right up to asr beaming. he made a nasty face, mockingly said, "kitni baar bolna padega ki tumhare saath dance nahin karna hai..." how many times do i have to say, i won't dance with you.

she said, same here.

he waved her away with a go dance with nk, he's my replacement.

madam was mad at him. sanka rose.

"chhotey!" she yelled and started a whole game of love, giving krishna name number 110 and 111: chhotey, arnav ji. after all sakshat nand kishore was the "replacement" of the only laad governor.

asr watched angrily as she bestowed smiles on nk and said things to provoke the one who can't be replaced. and again i thought, was nk supposed to be the replacement bridegroom and did channel force the wedding of asr kkg, because nk did disappear soon after that as though his work was done, part over.

"bala, yeh ladki nahin, pataka hai pataka," bala, this ain't no girl, this be fire cracker, said madhbala ji.

bala... balaji, an incarnation of lord krishna.

and was "pataka" yet another hint hint wink wink?

"arnav ji! aap ko koi kaam theek se nahin aata kya!" arnav ji, khushi called sternly to nk, you can't do anything properly.

"hume toh lagta hai iss naam ke log koi bhi kaam theek se nahin kar sakte hain..." i feel people of this name, can't do anything properly, she provoked. asr always had a thing about his name...

"na naach sakte hain na ga sakte hain na hasaan..." they can't dance, they can't make people laugh...

he walked furiously right into them as she almost fell while twirling, but he held her firm, making sure she didn't collapse. it was all a bit contrived, but that "kaamistry" did its thing. hey hey... rabba vey trilled in, all felt right with the world.

little eye movements. how brown are those eyes. a hand gripped a shoulder as we have seen before, her face held a bemused look. no one can replace this man, nor this woman... hai re nand kissore.

Edited by indi52 - 8 years ago

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REBLAST 1 Episode 1 - 5 - Page 33

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