Vulnerability of a marriage - Oct 20th - Page 6

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--Megha-- thumbnail
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Posted: 10 years ago
#51

Originally posted by: cocololo123

I have mixed views about this track and sometimes I am confused to what to think about it generally. I decided instead of putting in my input I am going to let the track play out. Now coming todays episode your post just said everything. I love the poetry that you chose because it is exactly Ishra's feelings today and the situation they are in. I know many people may not agree with me or hate me for this but Ishita has put more stakes into the marriage then Raman. I am not saying Raman hasn't done anything for the marriage he has but Ishita has put more into the relationship. This track to me is not about Raman's lack of trust in Ishita is more about his fears and insecurities and now he has to face them. This is the part that confuses me about I should feel about, Is the mani track necessary or not to help Raman's fears or insecurities. I think if the CVs handle the storyline and characterization properly and do not stretch the track then this could be one of the best tracks so far in YHM history because KP and DT are amazing in emotional scene. It is some of their best acting.

Sorry for the long trant! I love your posts they are so poetic and beautiful written. I would really love to read an OS, FF, SS from you if you ever chose to write on.😊



This is one of Best replies here, n exactly my thoughts Mani track cud have been handled in a better manner instead of OTT ness n without compromising Ishita's character in process then it would have been an amazing track n we could have related more to Raman's past healing process. 😆

Now it looks like Ishita is purposefully inflicting pain to Raman by opening up his past wounds n enjoying it too when she says m loving jealous Raman.
--Megha-- thumbnail
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Posted: 10 years ago
#52

Originally posted by: Eyes-Wide-Shut



Really? How is this Raman's fault and how will Raman be an insensitive jerk? I do not think Raman is being demonized and Ishita is being Mahan. This is as much Raman's fault as Ishita's fault for doing a poor job at defining her relationship with Mani, if anything Raman is only reacting to the situation he sees albeit clouded by his past.
And here is how I look at Raman being drunk, he used to do it when Shagun hurt him. Now Ishita has taken that spot in his life and he cares so much and is affected by her so much that he takes to drinking in despair. Ishita may react to him drinking in a manner that you or I won't like but that again is being done for drama and TRP.
I actually love drunk Raman, and this only proves how much he cares or dare I say 'loves' Ishita that he is drinking away his 'sorrows'




No matter what happens Its gonna b Raman's fault always. This is how TRP works Righteous female character forgiving erring Male character all the time.

We think they might show Ishita's flaws n her redemption but TRP audience would not like that. They need to paint the heroine as a saint, would audience ever like a character like Shagun? Nope she will always b a vamp. Its a very big gamble to show heroine erring n retrospecting n accepting her mistakes.
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Posted: 10 years ago
#53

Originally posted by: mnr123




No matter what happens Its gonna b Raman's fault always. This is how TRP works Righteous female character forgiving erring Male character all the time.

We think they might show Ishita's flaws n her redemption but TRP audience would not like that. They need to paint the heroine as a saint, would audience ever like a character like Shagun? Nope she will always b a vamp. Its a very big gamble to show heroine erring n retrospecting n accepting her mistakes.


Well then that's a stupid show and that's a very stupid audience. I still have hope that Ishita will be shown redeeming herself and making things right. Raman and Ishita both need to mend their ways. With all the inconsistencies in the show I am liking emotional scenes and that's my attraction to this show. I like it because Raman and Ishita are both flawed, and I like flawed.

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