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Just a thought...someone from the house is definitely involved with this stalker for him to have access to the house whenever he wants to come & do creepy stuff so could Mala be THAT person. Maybe Laila has been used as a pawn by her & Tejawat to get her in the haveli ? Just a thought
Originally posted by: LadyLaLa
Hey Napster 🤗nice analysis...👏
I am in favour of a threat to Paro's life than all the other plausible paths that the writers could take
the last thing I want to see is Rudra suspecting Paro to be two timing him thus concluding once again that beautiful women are never to be trusted... If that is what happens we would have come a full circle.. I hope CVs don't take this damned route..
what I also don't want to see is the hackneyed theme of a jealousy plot.. Both Paro and Rudra are way past that stage .. they have built a relationship of trus so hopefully the writers won't take
Originally posted by: napstermonster
Babyji:You need to do us a favor, quit your job right now, move to India ( if you are not there already) and apply for the position of head CV--because you have a twisted mind, and what you suggest here would be INCREDIBLE. If double-crossing Thakurain (who is even more ruthless than Thakur) turns out to be Mala's role, Sadiya should be on her knees thanking the Acting gods for the part of a lifetime. Sadly, she is too milquetoast and mild to be able to carry off the deception and the underlying rotten-core this twist would entail. I cannot help salivating at this idea, though---this would make for the most fantastic twisted thrilling serial move EVER.I could go further-- I would actually say, if the CVs wrote Mala this way, it would even help explain away how wooden Sadiya has been in her emotional scenes. I found her dialogue delivery whiny and self-pitying when she is talking about Dilsher's abuse. That was a powerful scene, the setting was perfect. She should have been angry, poignant, even quietly suffering. But in the end, her tears irritated me, and the acting was not charged enough to be a thirteen year long tale of quite awful physical and emotional abuse.
But by now, I am no longer blaming the CVs who actually have written a very nuanced, grey shaded character with lots of scope for Malas role. I think that it is the actress's failing to connect sufficiently with her character. This is not the CV's writing of her. By giving her the Thakur as a man she was already having an affair with BEFORE she left the Haveli--and not a man she ran into later, the CVs have given Mala a very interesting moral layers. The choices Mala has made are realistic, not sati-savitri, and must be challenging to act out.
Think of what Ananya (Mohini) could have done with this dual nature of Mala --and how Sadiya is failing. Mala is already grey, because she had at least an emotional affair with her Thakur poet, if not a physical one until she got thrown out of the Haveli. She did, after all run off to be with him. He didnt find her on the streets, to bring home to his Haveli. It gives Mala layers, and a strong character. That character is completely absent--and Mala is a role which in my opinion Sadiya just does not do justice to.Also, what lost me was her reaction on the phone with Rudra, when she snatches the phone away from Dilsher to convey the acid throwing news. It was like she was asking Rudra to pick up some milk on his way back from the BSD, as it was very urgent for her to make some kheer ASAP. The panic, the fear or the rage at her daughter Paro being savaged--just NOT there. And contrasted with Asish's powerhouse performance from that phone call till the end of the scene, Mala came off as indifferent to Paro's suffering, the danger, or her son's manic reaction to his wife's pain.If they explained that by making her (as you say)-- truly, hideously, awesomely evil--I would LOVE that. But they wont, you know. Paro would look like a fool, Rudra would never recover from this betrayal. And Sadiya simply cant act this out for us. Kaash!!
Originally posted by: napstermonster
Babyji:You need to do us a favor, quit your job right now, move to India ( if you are not there already) and apply for the position of head CV--because you have a twisted mind, and what you suggest here would be INCREDIBLE. If double-crossing Thakurain (who is even more ruthless than Thakur) turns out to be Mala's role, Sadiya should be on her knees thanking the Acting gods for the part of a lifetime. Sadly, she is too milquetoast and mild to be able to carry off the deception and the underlying rotten-core this twist would entail. I cannot help salivating at this idea, though---this would make for the most fantastic twisted thrilling serial move EVER.I could go further-- I would actually say, if the CVs wrote Mala this way, it would even help explain away how wooden Sadiya has been in her emotional scenes. I found her dialogue delivery whiny and self-pitying when she is talking about Dilsher's abuse. That was a powerful scene, the setting was perfect. She should have been angry, poignant, even quietly suffering. But in the end, her tears irritated me, and the acting was not charged enough to be a thirteen year long tale of quite awful physical and emotional abuse.
But by now, I am no longer blaming the CVs who actually have written a very nuanced, grey shaded character with lots of scope for Malas role. I think that it is the actress's failing to connect sufficiently with her character. This is not the CV's writing of her. By giving her the Thakur as a man she was already having an affair with BEFORE she left the Haveli--and not a man she ran into later, the CVs have given Mala a very interesting moral layers. The choices Mala has made are realistic, not sati-savitri, and must be challenging to act out.
Think of what Ananya (Mohini) could have done with this dual nature of Mala --and how Sadiya is failing. Mala is already grey, because she had at least an emotional affair with her Thakur poet, if not a physical one until she got thrown out of the Haveli. She did, after all run off to be with him. He didnt find her on the streets, to bring home to his Haveli. It gives Mala layers, and a strong character. That character is completely absent--and Mala is a role which in my opinion Sadiya just does not do justice to.Also, what lost me was her reaction on the phone with Rudra, when she snatches the phone away from Dilsher to convey the acid throwing news. It was like she was asking Rudra to pick up some milk on his way back from the BSD, as it was very urgent for her to make some kheer ASAP. The panic, the fear or the rage at her daughter Paro being savaged--just NOT there. And contrasted with Asish's powerhouse performance from that phone call till the end of the scene, Mala came off as indifferent to Paro's suffering, the danger, or her son's manic reaction to his wife's pain.If they explained that by making her (as you say)-- truly, hideously, awesomely evil--I would LOVE that. But they wont, you know. Paro would look like a fool, Rudra would never recover from this betrayal. And Sadiya simply cant act this out for us. Kaash!!
Originally posted by: aruni50218
You know i was fantasizing about this plot a while back, partly inspired by your Jansheem Khan too... A BSD officer, a major or may be higher ranker, who already has a rivalry with Rudra and corrupt. He enters Tejawat's case, steals the case from Rudra (he actually can do this, as Rudra has not made much progress, he has run into many problems about handling the case and principal 2 witnesses are related to him). This guy helps Tejju, and after seeing Paro, wants her too.
Hope this track goes on these lines...