Satyanashing: Where Art Thou Paro? - Page 11

Originally posted by: Vistaa

All the exposition about the characters has been shown through their interactions with other characters. This technique works for Rudr, Dilsher, Mohini and others because they have a backstory and history with each other that the audience can use to fill in the gaps. Paro has very recent, very short history with either Rudr or Dilsher...that is why her scenes with either of them or indeed Mohini do not go the distance...that is why it becomes important for the writers to include her solitary scenes that allude to her past...she has to be thinking about her loved ones, has to be worried about them. It is not as if a button has been switched off and now she exists only in relation to what is going on in their lives.

Originally posted by: stg1

i was slightly worried when sanaya said early on that her character wasn't set and would change as and when needed, and am really hoping this is just a glitch and they'll let paro be what she was last friday - determined, stoic, braver, ready to face whatever comes next. but this ph is known to change major storylines according to trp needs and i'm kind of maybe wondering if that may possibly be the case? really hope not, they have a wealth of valid reasons for the two protagonists to be if not adversarial at least aloof and cold to each other and they should use them!

Originally posted by: ttt1

great post !!!

i couldnt agree more

paro is rudra's last witness , with whose help he can prove that the baratis were armed... agreed , but isnt he relaying too much on luck , i dont see him even trying to talk to her about what happened or try and understand what she know

paro's nature is not to rebel in the obvious filmi way... agreed , but does that mean she will start cooking for him and clean his room , isnt she here to prove he is wrong

as far as i understand paro has no confusion on rudra being a murderer , confusion is only for rudra about how much she knows

i felt i was watching another show , seemed like she was unhappy being there more unsettled and confused , but hatred was completely missing so was the determination that we saw last week

if cvs have any doubts on how to portray hatred on screen they can refer to a certain chap in a certain other show , he displayed hatred for 10/15/105/10005 days clinging on a very small MU unable to forgive inspite of wanting to 😊

and jamba your take 5 is hilarious 😃

Originally posted by: -Jamba-

Shurukiya stg1, and bitiya-with-too-many-t's 😉

Originally posted by: Vistaa

All the exposition about the characters has been shown through their interactions with other characters. This technique works for Rudr, Dilsher, Mohini and others because they have a backstory and history with each other that the audience can use to fill in the gaps. Paro has very recent, very short history with either Rudr or Dilsher...that is why her scenes with either of them or indeed Mohini do not go the distance...that is why it becomes important for the writers to include her solitary scenes that allude to her past...she has to be thinking about her loved ones, has to be worried about them. It is not as if a button has been switched off and now she exists only in relation to what is going on in their lives.