*From To Sathish* - Thread 3 - Page 7

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satish_2025 thumbnail
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Posted: 10 years ago
#61

Collateral damage

Two nations go to war
Sometimes they are joined by many other who just want war
they fight,they kill,they maim,they rape and they loot
and they put it down to collateral damage
Generations have been lost and forgotten in these wars
and millions of lives,promises and souls have vanished as collateral
they were pledged for the war and they went into battle
and if they lost and were vanquished
lord have mercy for then those that left behind became collateral damage
women from the dead and lost soldiers families were raped and mutilated
and men and children were made slaves
Two people go to war
husband and wife and sometimes
they are joined in the battle by their families
war cries and abuses are hurled and smeared
and the children stand as collateral damage
the children stand with their innocence taken away
and the scenes of the battle between their parents
seed anger,vengeance and misplaced fury
thus are criminals born,thus is childhood lost
and thus is innocence raped and frozen
who sees,who notices these moments
who sings for them and what place will they have in the dust of history
war,war,what is it good for
be it among nations and be it among parents
be it among friends and be it among fiends

Collateral damage is damage to things that are incidental to the intended target. It is frequently used as a military term where non-combatants are accidentally or unintentionally killed or wounded and or non-combatant property damaged as result of the attack on legitimate military targets.

spain thumbnail
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Posted: 10 years ago
#62
I saw Maniratnam's "OK Kanmani" (O Kadhal Kanmani) this weekend...
and I guess I might be one of the few people who found the movie not ok...boring and could have even found a better title like "EK Kanmani" (i.e. "Enna Koduma Kanmani").
At its best, it was just about ok for me.
The lead characters are reminiscent of the breezy romance shared between Siddharth and Trisha in "Ayutha Ezhuthu"...
youthful charm, carefree hearts, intellectually smart and emotionally dumb.
Nithya Menon gave an above-average performance compared to the rest of the cast...
which is why people are saying she is the female version of Karthik's "Mouna Ragam" in this movie.
I found everyone else just ok, with decent performances.
The movie's highlight is PC Sreeram's cinematography...visually enchanting.
But it lacked emotional depth. Forget melodrama...there is really no drama at all.
The setting is that of a live-in relationship.
Man and woman under the same roof, sans matrimony...which is ok.
But I didn't see any depth in their relationship for them to carry it to the next level.
They decide because they don't want to part ways...it must be love, not lust.
They decide upon observing their elderly landlord being the sole carer and partner for his demented wife...let's get married, not just live-in.
I didn't really know what they wanted from each other...nor could I be bothered.
I walked out of the movie hall thinking..."Damn. I must be too old-fashioned for the liking of Maniratnam's "youthful generation."
The way I saw it, man and woman living under the same roof could not get as intimate and as good as it did in "Mouna Ragam".
There were poignant moments of man-woman relationship in that movie that still makes the heart flutter.
And amidst all that friction, it was Illaiyaraja's background music that was the voice for them.
The message was also beautifully told through that simple line
"Nanbargal pole vaazhvatharukku...maalaiyum melamum thevai enna?"
(Courtesy, lyrics of the pathos song "Mandram vantha thendralukku", which I thought was way ahead of its times, considering it was written nearly 30 years ago).
I have to admit that times are indeed changing...and movies like "OK Kanmani" would want society to enjoy the romance while reflecting on that change...
but I wonder how many people would watch the movie and say "That's cool, dude. Now give me back "Mouna Ragam."
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Posted: 10 years ago
#63
Hi spain,

Thank you for a nice review of ok kanmani.I am planning to go catch in the theater and maybe squeeze in kanchana muni 3 along with it.

Funnily enough,i have been going through some of the pics of the past two years and those which had decent reviews.I have gone through madras,pisasu and will be watching jigarthanda and kayal today.
although standards of acting and quality of direction has fallen,i am happy that new film makers are coming in with new ideas and am also happy that new actors are coming in.But the actors are like horses for courses and i doubt if any of them will last very long.

Some of my friends who read a few stories and those that i have posted on our forum told me to think more seriously in terms of direction and script writing.they said that the way i present the story,characters,the emotions they feel is more than enough for scenes and for good film scripts and i should pursue it with more passion.

I smiled and said okay and thought to myself as to why i write. i write for the sake of friendship and for the sake of love and simply because it is an outpouring of my soul.It is okay for a few of you to see who i am and experience my emotions but i doubt it if i will or want the larger public to be part of it.

I feel terrible about vaishnavi even after ten years and add to that the burden of balaji who went away recently.I don't think i have ever mentioned this but i met vaishnavi in the hospital a few days before she took her own life.Ganga,muhurtham director asked me to go along with him and we went and spoke to her and i told her to look after herself.lot of rumors alluded as to why she was in the hospital but all that came to nought and just a few days later both me and ganga went to pay respects to her as she lay in the ice box.

When someone close to me takes their own life,it is as if i have failed them in some way and i tell myself that i should have been there and helped in some way.

Like i met vaishnavi a few days before she died,i spoke to balaji a few days before he died and the irony is not lost on me for it is unbearable.
I know that we don't have the answers for everyone's problems and for everyone's questions in their lives but the pain is real,isn't it.

You and many well wishers say it is okay,all this is part of life and yet i feel lost,terribly depressed and i sit and stare at the wall in a trance.

every death is a loss of breath
every hurt makes my soul swell and burst
every pain is a cross added on my shoulders
i am human,i am weak,i am lost
yet i feel like god,i want to love,i want to save,i want to protect
why but why i ask myself as you ask me
we are made from different moulds
and are cast in different ways
you worry about me,many worry about me
i worry about you and all that is gone
i ask,i worry and wonder about the difficult task
forty odd years and god knows how many more
how many more deaths,how much more of loss and hurt
how many more solitary walks
but it is better to be this,it is better to feel thus
than not feel at all
than not worry at all
than not care at all

iraval thandhavan ketkinraan adhai illaiyenraal avan
viduvaanaa?
uravaich cholli azhuvadhanaalae uyirai meendum
tharuvaanaa?
kookkuralaalae kidaikkaadhu - idhu
kortukkup ponaal jeyikkaadhu - andhak
kottaiyil nuzhaindhaal thirumbaadhu
ponaal pogattum poadaa...


Edited by s.satishkumar - 10 years ago
spain thumbnail
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Posted: 10 years ago
#64
Hi Satish,
Thanks for liking my review on "OK Kanmani"...hope you enjoy the movie more than I did.
I had more fun reading selfie reviews on this movie ever since Suhasini Maniratnam made her funny media statement that "only qualified people should write reviews for OK Kanmani."
Since then, social media has been bombarded with self-certified mockery reviews on this film...
I found their comments so amusing and more entertaining than the actual movie itself!
The movie is a popcorn romance film...
with it's cheesy share of dialogues like "Nee azhaga eruka nu ninaikala"...
situational comedy, AR Rahman's music, beautiful sets...
I guess everyone should enjoy it.
It lacked drama for me and I don't think I could watch it more than once.
"Jigarthanda" had a decent and different storyline...
I can't actually remember now, I saw it a while ago.
Bobby Simha got National Award for his performance in this movie...Siddharth is there too.
Siddharth is experimental and I guess he likes to work with new directors and newcomers.
I saw his "Ennakul Oruvan" movie recently, which is a remake of Kannada's "Lucia"...
I thought it was a good thriller like "Inception"...I couldn't have guessed the movie's climax.
But it was a bit slow at times.
I haven't watched Madras, Pisasu or Kayal...but I found "Anegan" boring.
I liked your review for "Anegan". It was really shocking to see Karthik in that movie, wasn't it?
He was the hot and handsome heart throb of the 80s and early 90s.
But such people will continue to enjoy their flamboyant lifestyle and laugh with pride...
there is just no stopping them.
I don't feel bad for Karthik at all...
but I was so sad to hear that a down-to-earth co-star like Murali had to pass away at the age of 46 due to a massive heart attack.
Even at the time of his unexpected demise, he looked like the 30+ evergreen hero.
During my college days, despite having popular heroes like Vijay, Ajith, Surya, Madhavan...
Murali held an extra soft corner spot in every college girl's heart.
They were so secretive about it...I bet even Murali would have blushed and fainted in shock!
The reason being I studied in a medical college in Coimbatore and no matter how different people's taste were...they agreed Murali's character in "Idhayam" was the epitome of unrequited love in a medical college campus setting.
He set the standard of sincere love so damn high for doctors...it was unbelievable!
I never knew his influence until I was a medical student myself and I saw how realistic his portrayal of love was in that movie.
Cotton saris and the little round pottu became (not the fashion) but the definition of a lady doctor when I studied (Reminiscent of Murali's popular song "Pottu vaitha oru vatta nila"...)
He was a very fine actor.
I hope his soul rests in peace and he continues to bless his talented son Atharvaa from up above.
Moving on...
yes, I think you should seriously consider direction and script writing for future prospects.
Your writing has soul in it...and let's face it, many movies lack soul these days.
Even a well-marketed movie like "OK Kanmani" had a few cute moments...few good songs...few cheesy dialogues...
but without a soul, it can all be easily be forgotten once the movie is over.
So yes, put the money where your talent lies...because not everyone has your gift for story-telling.
It can be a real treasure in the ever-changing world of business.
Plus...you can always ask us for feedback of your scripts!
But meanwhile, retain your soulful mini-stories and write them exclusively for us.
They are precious, fun and insightful to read.
Reading your chapter is like eating a chocolate chip cookie for me...small in size, delicious in taste.
But making a rich chocolate cake is not a bad ambition either.
Also a gentle reminder...please post chapter 28 soon!
About Vaishnavi's and Balaji's passing...
I know it is never okay to lose someone. It can never be okay too.
People say such words of comfort only because they feel just as helpless as you do!
And that is the plain truth.
Although we wish at times to be God and take control to help remove other's pain, no one can replace Him.
Doctors are not God. They come with expiry dates too.
Believe me, doctors carry a lot of guilt within themselves every single day after finishing their work.
They are trained to do their best...
and move on to the next victim, hoping it won't be as bad as the last one.
Can you imagine how depressing such a daily job is?
Death of someone you know can be a real hard blow and very painful to come to terms with.
In the aftermath of suicide, there is always a sense of guilt of how, why, ifs and buts.
I don't know what state of mind both Vaishnavi and Balaji were just days before their death...
but I don't think anyone saw it coming...except themselves.
The thought must have been roaming in their heads for a while before taking such a drastic step.
And such people should never have been left alone in a room to themselves.
If you think about a routine time of the day, the moment when all our emotions are put to sleep and yet the soul remains restless and the tears come pouring out...
it is almost always in the night, in the darkness of the bedroom, when it is assumed that you have fallen asleep.
It is the same pent-up emotions for both men and women and that is when the soul is most vulnerable and shaken.
Which is why I can't emphasise how important it is that married couples should not have the habit of sleeping in different bedrooms...no matter what the underlying issue maybe.
The other day, I told my husband I was not feeling well and went to bed early.
He said fine and I went to sleep. Soon after, he turned off the tv, turned off the lights and joined me.
He came to bed and I cried and cried in his arms while asleep in the dark.
I don't know why. I was fine throughout the day. But my heart felt so heavy and tired.
I remember his words "It's okay. Go to sleep. You will be fine tomorrow morning."
He didn't ask me what the problem was...nor was he interested.
The next day I woke up feeling lighter...and seeing the sun outside, I smiled.
"Feeling better?" he asked. Of course I was.
All of us go through such ups and downs all the time.
There are bad days, not-so-bad days, worse days and terrible days.
Having a good day feels like a blessing from up above.
We just need that calm reassurance from a loved one that we can survive the storm, no matter what.
Can you imagine what it would be like for someone who sleeps alone and cries every night when going to bed...
waking up, opening the bedroom door...only to give a formal smile and a formal greeting to one's spouse or to one's parents?
Such people can never be fully honest with their loved ones.
Such people will never show their painful tears in front of their family.
Their life becomes a mere act...their face becomes a mask without make-up.
And the saddest part is...their loved ones can never read the signs.
Strangely, people who commit suicide are known to or prefer to sleep alone too.
If I think about it, I feel really lost and terribly depressed at times.
But I have learnt to light a candle in my heart and keep my faith and that keeps me going.
Even in the dark...we are never alone.
It's paradoxical how universal the feeling of isolation is.
We've all been there.
It's like we're all feeling lonely together, yet how can that be?
The imperfect connections that grow when you're at your weakest are the ones you can call your family. And because of them, know that, no matter how you feel, you're never alone.
And trust me, Satish...you have a wonderful set of friends in this forum who are gently holding your hands in comfort as you pour out your soul here to us.
We are your little "invisible" family. And we are here for you in your moments of darkness.
You are never alone, my friend.
Family means you are never alone.
"I will love the light for it shows me the way, yet I will endure the darkness because it shows me the stars."
"Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go."
"How could I have been so ignorant? she thinks. So stupid, so unseeing, so given over to carelessness. But without such ignorance, such carelessness, how could we live? If you knew what was going to happen, if you knew everything that was going to happen next"if you knew in advance the consequences of your own actions"you'd be doomed. You'd be as ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to."
Edited by spain - 10 years ago
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Posted: 10 years ago
#65
Hi spain aka doctor,

Thank you for those kind and comforting words.My writing comes in a flow and as the emotions run amok.the delay in chapter 28 is simply because i am frozen and have lost the train of thought.i started the chapter,wrote a few lines,pasted a quote and my mind ran away and my thoughts too.The chapters are all there and the stories are all there,just that they are jumbled up and need some streamlining.soon.be well.
ap.meena thumbnail
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Posted: 10 years ago
#66
Satish,
"war,war,what is it good for" 👏

That was good one...

I liked Madras movie, be ot for the performance or the screenplay or the songs..

I would watch kayal sooner... Yeah Satish, you try big screen direction or story-writer... If its not for you life's experience, it can be any imaginary story... or atleast something that you can share with the larger audience... It is about your way of describing the characters, the scenes, your script.. Characterization and script, screenplay are vital...

Spain,
Thanks for the review.. Hope to catch the movie soon... Im OK to watch Okk...

Yet to read your last post yet...
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Posted: 10 years ago
#67
koduthathai pidungiya kadavul oru periya pudungi



vazha udalai koduthu,vazhnthu paarka vazhkaiyum koduthu
anbai pera manathai koduthu,paarka kannai koduthu
sirikka idhazhai koduthu,suvaikka kaadhalum koduthu
thuyaram thaanga saaya thozhum koduthu
ennai padaithavan vazhnthu paarka sonaan

neeye theivam,neeye kadavul,naan nee petra selvam
endru anandhamaga vazha thodanginen
enna vinthai,koduthathellam pidungi
sonthasam thantha ellavatrayum eduthu kondu
thananthaniye vazhkai endra theruvil vittuvittan


kannai katti,kaiyai katti
kaalai katti,idhayathai thundai vetti
vazhnthu paar engiraan kadavul
idhuthaan anubhavam,idhuthaan naan
ippozhuthu ennai ninai,ennai vanangu
endru aasaiyudan azhaithaan

paarthen,yosanai seithen
paarthen,kovathil paarthen

nee yaar,naan yaar
en intha naadagam,en intha nadippu


paarthaan,kadavul ennai paarthaan
ithu unakku comedy time endraan




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Posted: 10 years ago
#68
Thank you meena,

I have actually been thinking of starting part two of the story what if and the stories of AASHRITHA and MANI.I will keep you posted about it and let my mind settle down and once everything falls into place,it will flow.
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Posted: 10 years ago
#69

Gulab Jamun - my sweetest little temptation

My eyes are blind-folded...in a world of darkness...
Not a single noise around me...only stoic silence.
I pay attention to the soft sound of a bowl laid gently in front of me...
accompanied by a little stainless steel spoon with a cup of tea.
"What could be in that bowl?" My mind starts to wander...
I really don't know...my eyes are blind-folded, don't you remember?
I decide to cheat and touch what's inside with my little fingers...
it's feels warm to touch...small in size...round in shape...
almost like a Ping-Pong ball...not really sure, I wish I could measure it with tape.
There is a fragrance of cardamom and roses in the air...
Oh, why can't I just remove the damn blindfolds, this just isn't fair!
After a long, tortuous wait..."Take a bite" I am finally told...
I feel for the stainless steel spoon on the table and take it in my hold.
I dip the spoon ever so gently into the rounded ball...
It feels so soft and forgiving...so spongy, so small.
The spoon scoops half a globe as it swims in an ocean of syrup..
The temptation is too high now...this is not the time to give up!
As I bring the spoon towards my mouth...
The intoxicating aroma of roses and cardamom increases in amount.
I place the object at the tip of my tongue...
It tastes of rich, warm, gooey, sweet, luscious...sigh...yum!
It melts in my mouth...as I melt in satisfaction...
I know the taste of gulab jamun...didn't I tell you, it is my sweetest temptation!
I remove the blindfolds and see my little world of happiness in front of me...
succulent tawny-coloured globes soaked wet in a sugar-syrupy sea.
After my first taste, the spoon gently cuts another one open...
I watch the golden elixir spill from the center and it feels like heaven.
Another soft bite, another sweet melt, another delicious taste...down it goes..
When I have you with me, my dear gulab jamun...where is the time for woes?
Gulab Jamun
Gulab Jamun
Edited by spain - 10 years ago
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Posted: 10 years ago
#70
Chapter 28


"I'm fed up to the ears with old men dreaming up wars for young men to die in."? George S. McGovern

They march into battle,men of all shapes and sizes and they march rank and file .Fathers,uncles,sons,nephews,brothers and more and they march into battle to kill other fathers and brothers.They are led like sheep to the slaughter by their kings and generals and the poor souls are led in the name of king and country.They marched then and have been marching ever since.Hitler and stalin did not spare children,the old or the women and led them to war,to kill or be killed by their own people.In the name of all that is holy and folly and in the greed for more power,the poor souls march in light and dark,in heat and in cold and they are already dead from heartbreaks and in fear of the loved ones they have left behind.


"What difference does it make to the dead, the orphans and the homeless, whether the mad destruction is wrought under the name of totalitarianism or in the holy name of liberty or democracy? Mahatma Gandhi





The great debate and the questions of Kulashekara pandyan

"A Native American Elder once described his own inner struggles in this manner: "Inside of me there are two dogs. One of the dogs is mean and evil. The other dog is good. The mean dog fights the good dog all the time." When asked which dog wins, he reflected for a moment and replied, "The one I feed the most."

One moment,one single moment,one thought,one act of madness and the deed lays the seeds for more deeds,good or evil.

The general of the chola empire and emissary of Kulothunga cholan stood in peace and looked around the palace of the pandyan king Kulashekaran and bowing humbly paid his respects to the lord of the pandyan dynasty.Though the cholas had been ruling the pandyan dynasty and the chera dynasty,they had been kind and diplomatic with the kings under them and treated them with the respect they deserved.It had been understood that every three months and after every harvest the kings would pay taxes and send gold as homage to the their ruler.This had been going on for centuries and so the chola general stood before the king and said that he would stay in the capital for a few days and requested the taxes to be ready for collection on the eve of his departure.

After the chola general left,Kulashekaran requested everybody to leave the court but for a few important people and they were nikantan his minister and a few of his army generals and then he requested the presence of his wife and the queen, AMUDHAVALLI.

The queen,nikantan and the generals stood quietly before the king and waited for him to speak.

Kulashekaran slowly rose from his throne and looked at all of them and came down the few steps and stood before them.Placing his hands behind his back as if to hide the anger that his clenched fists conveyed he walked here and there and finally stood near the balcony which was covered with jasmine plants.Gently plucking a few of the tiny white flowers,he raised them and drank their fragrance and smiled sadly.Turning to all of them " before i say what is in my mind,i want to make one thing very clear.Until we finish discussing what i have in my mind and the doubts about it,i am neither king not judge.I want all of you to speak your minds frankly and without any inhibitions.I swear on the three eyed lord that what you say or what we discuss will not be held against you,now or forever and a long as i breathe."

The queen and the rest of them nodded their acceptances and kulashekaran thanked them and spoke his mind.

He turned and stared at his queen " my queen,my wife,my best friend,are you happy with how life is treating you right now ? "

Amudhavalli though taken aback with this sudden and slightly vague question nodded and replied that she was happy.

The king looked at her and shaking his head in denial and asked her what she was happy about and asked her to be specific.

Amudhavalli was a princess herself and now a queen and she was skilled in the art of administration and all the crafts that are required to be learnt by the royalty.Many a time,it had been she who had steered the king from conflict and had guided him through sticky matters of the state and though she knew why her husband was asking her these questions,now took it upon herself to clear his mind and put it to ease.

The queen looked at her king with immense love and care " my lord,my king i am happy because i have been blessed with an husband like you.A husband who is kind,gentle,caring and one who treats me with dignity and respect.I am happy because i have an husband who is a friend,my guide and at the same time respects me for being a woman and for thinking and behaving like a woman.I am happy because i am married to a man who is a great king and a wise ruler of his people.I am happy because my husband does not belittle me for not giving him a child and i respect him more for not taking another woman to get a child."

Amudhavalli looked at her husband " are these reasons enough or do you want more for then i can go and on."

Kulashekaran raised his hands in protest and laughed loudly and said " enough my queen,enough.Just hearing your words are like a blessing.Your sweet words are enough and i am so happy that i am ready to die now in your arms."

Still smiling the king turned to his trusted aide and minister, nikantan and posed the same question to him.

Nikantan closed his eyes and whispered " thiruchitramabalam " and he ralised why his king was posing these questions.

" My king,my general,my father and my mother.I am happy because i am living in the same time as you are.I am happy because i am breathing the same air as you are.I am happy because my wife pavalam and my child thenmozhi are protected by you and live under you grace.I am happy because though you do not need to hear or understand my words,you still do so and agree when you are wrong.I am happy because i serve a king who puts his people and kingdom before himself."

Kulashekaran " my queen,my minister and both are saying the same thing and repeating each other and i guess there is nothing i can do about it or expect any different from my generals.so why don't one of you ask me the same question i am asking you and think and ponder about my answer which i will give you."


The queen amudhavalli was about to say something and paused and glanced at nikantan and hinted to him to go ahead and pose the question to the king.

" My king,before i ask you if you are happy with the way things are,i want to tell you a story.The story is of an old man who accidentally fell into the river rapids
leading to a high and dangerous waterfall. Onlookers feared for his life. Miraculously, he came out alive and unharmed downstream at the bottom of
the falls. People asked him how he managed to survive. "I accommodated myself to the water, not the water to me. Without thinking, I allowed myself
to be shaped by it. Plunging into the swirl, I came out with the swirl. This is how I survived."
Sometimes we go through life wanting the world and other people to accommodate to us. When they don't, we get rigid and defensive, thereby getting us in trouble and making the situation a lot worse for ourselves."


Kulashekaran raised his hands and loudly praised nikantan and then removed the thick gold chain which lay on his chest and presented it to him.

" This is why you are my minister and this is why i always listen to you and your thoughts before i do something or say something.But i have an idea on how to be happy and i will announce it tomorrow in the court to the chola general. Now i request all of you to leave to be on my own for i have some thinking to do."


The next day dawned and the chola general stood before the pandya king and waited for the goods and gold to be handed to him.

Kulashekaran stood up " general,go back to your king and tell him that i have refused to pay the taxes and will never pay them as long as there is breath in my body.If he so desires then tell him i will wait for him in the coronation hall of my ancestors so he can punish me for refusing to pay taxes.You can leave now."

The chola general was just an emissary and bowing to the king left silently for it was not up to him to say or do anything without the permission of his king Kulothunga cholan.

There was pin drop silence in the court of kulashekaran pandyan and for everybody assembled there,the silence was similar to the calm before a storm.They knew that the chola emperor was not going to let this lie and there would be swift and brutal retaliation.But in every soul the worry was for their king and his well being and not for themselves or their loved ones.

The king looked at all of them " i cannot be your king anymore.i cannot rule as a slave for i have to be thus,i would rather be a slave in the chola kingdom while rotting in their prison.i cannot be a slave or a vassal anymore as i breathe the air of the pandya kingdom.I will go wait for kulothunga cholan in the coronation hall and let him decide what to do with my life and whom to nominate as your new king."


The tiny form of thenmozhi quivered in anger and tears flowed from her almond shaped eyes.She could not bear to see her king and her godfather walk thus in shame and her lips mumbled revenge on the chola dynasty for bringing down a great man to his knees.


Far away in the east azhagan felt his body tremble and his soul hurt as he felt the sadness that filled thenmozhi's soul and he turned and faced the west in anger and roared in pain at the sky.Dark clouds gathered over the land of the pandyas and the seeds of the ruin of chola dynasty were sown as the souls of thenmozhi and azhagan met in the air that moved over madurai.

The lights moved in the forest and the forms that waited in the darkness feared for the safety of their child and the future of their race.They whispered and appanar iyya nodded and said he would begin azhagan's training soon and turn him into the deadly force that he was destined to become.


On bended knee is no way to be free
Lifting up an empty cup, I ask silently
That all my destinations will accept the one that's me
So I can breathe

Everyone I come across in cages they bought
They think of me and my wandering but I'm never what they thought
Got my indignation but I'm pure in all my thoughts
I'm alive

Wind in my hair I feel part of everywhere
Underneath my being is a road that disappeared
Late at night I hear the trees they're singing with the dead
Overhead

Eddie vedder " guaranteed "

"Everything is a slave of something else: Clouds, of the winds; men, of the desires; universe, of the chaos; shadows, of the light." Mehmet Murat ildan

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