A.R.Rahman (Fan Club)-Part2 - Page 25

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dayita thumbnail
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Posted: 18 years ago
Musicians band together for earthquake charity single
7th November, 2005
Artists across the Asian music industry have joined hands for one of the largest collaborations of its kind, aimed at raising money for charities in South Asia.

AR Rahman and Mukhtar Sahota


Sneha Mistri

The project, which started off in January in response to the Tsunami in Asia, was given further impetus by the recent earthquake in Kashmir.

It has culminated in a CD due to be released next week titled 'We can Make it Better'.

A total of seventeen artists have come together for the single. The track is produced by Mukhtar Sahota, with string arrangements by AR Rahman.

Others artists include Sukhwinder Singh, Jaspinder Narula, Shaan, Hans Raj Hans, UK Apache, Am'nico, Dhami (Heera), Channi (Alaap), Djinn, Mistri, E=MC, Shahin Badar, Sumeet, Surinder Sandhu ( sarangi ), and Shahbaz Khan ( tabla ).

Mukhtar Sahota said: "The idea behind the track was to take a similar approach as to the Band Aid single but with Asian artists from around the world. Asian music is so diverse and I felt that if we can bring different music genres, from Eastern and Western continents together, we can make a difference and at the same time the recording could be a history in the making."

Money from the single will go to Save the Children in India and Islamic Relief.

Singer Sneha Mistri said: "After seeing the images on TV I just felt lost and helpless with all the suffering going on. So when I was approached to be part of this, I felt a sense of relief to be able to do something.

"I hope that we can make a difference, however small because we will always have more then those people directly affected in both tragedies."

The project is the result of a collaboration between InternalMusic, Streetlife productions and Realtone Records. The video for the single, featuring all the artists, was shot in 3 locations: the UK, India and Canada earlier this year and made over a 4 week period.

Organisers say all artists gave their time free of charge and the money raised will be donated to the charities excluding any distribution and retail costs that may apply.

The single is due for release on Friday 11th November from HMV and Asian music outlets.

Source: http://www.asiansinmedia.org/news/article.php/music/1163
dayita thumbnail
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Posted: 18 years ago
Pray for me, sings Rahman

By: Vickey Lalwani | September 21, 2005

Close on the heels of A R Rahman and Blaze's My Wish Comes True (touted as India's answer to Celine Dion's My Heart Will Go On), the duo have now rendered another English song together.

The song, titled Pray For Me Brother, is based on the theme of eradicating poverty. Rahman is also the international ambassador of the UN anti-
tuberculosis campaign, Stop TB.

Wake up, world

Speaking to hitList from Chennai, Rahman said, "The anthem isn't just music, but a wake-up call to end poverty." Says Blaze, who wrote the lyrics, "Rahman and I got along fabulously during the making of the Kisna song. Some time back, Rahman asked if I was interested in penning something for his anti-TB campaign.

There is some rap involved too, and I got quite charged and agreed. Actually, the millennium campaign covers a wide perspective of issues and poverty is one such issue. Besides, poverty is definitely one of the reasons for tuberculosis." Like most other songs, the tune was set first and the lyrics came later.

"It's an awareness anthem, which would inform people on how to make the world a better place. The main line in the song is "Are you searching for a reason?".

We want to tell people that they don't need a reason to be generous," pointed out Blaze, adding, "It's a pleasure to share the stage with Rahman. I do my role of rapping, especially during the chanting which happens in the second half."

Aussie wave

The duo has been taking the song on Rahman's world tour. They first kicked off in Delhi two weeks back, followed by Melbourne and Sydney.
"The reception in Australia was mind-blowing and the atmosphere, electrifying.

When the lights went off and we began, the crowd switched on their mobile phone lights and started waving in rhythm. Such a response enhances the mood and importantly, instantly tells you that you are on the right path."
"The song is growing day by day. Very soon, we should have it on the video," Blaze added.

The duo's next stop is Singapore, on September 24, where they will perform the song with Rahman's repertoire, followed by Bangalore on October 8.

Sorce: http://web.mid-day.com/hitlist/2005/september/119185.htm
dayita thumbnail
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Posted: 18 years ago

What we do: emergencies: Indian anti-poverty concert demands action from world leaders

Photo : Sumie Arima / ActionAid International


Kick-starting a week of GCAP 'Wake Up' events before White Band Day 2 this weekend, an anti-poverty concert was held in Delhi, India on September 3.

The concert was part of a two-day South Asian People's Summit Against Poverty (PSAP) on September 3-4

'Pray for me brother. Do you need a reason to be kind', sang Bollywood music star A.R. Rahman as he lent his support to the People's Concert against poverty, held on Saturday evening.

Rahman was joined by singer Kailash Kher, Indian Ocean and Envision in the special concert against poverty organised by GCAP, in collaboration with People's Summit against Poverty.

"The anthem 'Pray for..' is based on the theme of eradicating poverty and is very close to my heart," said Rahman, who performed his new anti-poverty song for the first time.

"There is a need to remind people from time to time that we should make our lives meaningful by extending support to such noble causes. I feel great to be associated with such causes," said Kher Kailash who sang his hit from the Bollywood film, 'Mangal Pandey'.

And Indian Ocean stole the show with their songs "Are ruk ja re bande.." and "Kasi Hile Patna hile.."

Throughout the concert speakers representing diverse groups, both from the Indian campaign and from GCAP globally, took to the stage.

Amitabh Behar and Shefali, spoke on the Indian campaign and the reality of poverty in India. While Minar p***le, GCAP Co-chair, gave an overview of GCAP globally.

At the end of the show John Samuel, ActionAid's international director for Asia, tied a White Band to Rahman's wrist and both called for an end to poverty.

The concert was timed to boost the GCAP campaign, ahead of globally planned actions next week just prior to the UN World Summit.

"The aim of the concert was to generate support among the masses. Such events will raise awareness amongst people and draw the attention of the government to poverty," said Indu Prakash Singh, National Campaign Co-ordinator for Action Aid.

Like the Live8 concerts in July, the aim of the event was not to raise funds, but to create awareness about widespread poverty in India and across the world, Singh said.

Meanwhile, Rahman, invited media to a press conference in a Delhi slum where reporters were surrounded by people who live on a daily basis with extreme poverty and suffering.

To echo the words of Rahman, the concert certainly helped to add Indian voices to the widespread international call to end poverty.

The People's Summit Against Poverty

The concert was held as part of the South Asian People's Summit Against Poverty from 3 rd – 4 th of September, in Delhi.

Launched by former prime minister V.P. Singh, well over 10,000 people attended, eager to discuss India's progress on the Millennium Development Goals, ahead of next week's UN Summit.

Other speakers included, A.B Bardhan, Secretary of the Communist Party of India and Dr. Sayeeda Hameed, a member of the Indian government Planning Commission – the department responsible for the implementation of the MDGs in India.

The Summit also marked the release of the Indian Citizen's Report on MDGs, which evaluated the Indian Government's progress on the MDGs and the national expression of these in the National Development Goals.

On the 3 rd a massive rally was held with over 12,000 people marching throughout the streets of Delhi.

dayita thumbnail
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Posted: 18 years ago

Birmingham Dreams

Conference of the Words, a Sufi tale of self-discovery, is A. R. Rahman's next project. Its orchestral version will be premiered in Birmingham, reveals the musician in a chat with DEEPA GANESH


Waiting for A. R. Rahman — in a long queue of eager-beaver journos, aspiring singers, hopeful producers and directors, friends and fans — is a test of patience. "Each of you gets five minutes," came a voice, which carried with it an air of overwhelming generosity.

What does one ask in five minutes to someone who redefined Indian film music and the world's perception of it? That too to a man who has such a huge body of work to his credit and seems so frightfully reticent? But the mild-mannered Rahman allayed all apprehensions and graciously said even after my five minutes were up: "Go on." In fact, he even offered me a second chance — a precious 10 minutes! A trailblazer Rahman is truly amazing for the manner in which he stormed into the Indian film music scene even before establishing his regional credentials. With his debut film Roja in 1991, he became a national phenomenon, bagging the Rajkamal for it. Rahman acknowledged that it was all part of a conscious design. "I wasn't too happy with the I-don't-want-to-listen-to-it attitude of our youngsters towards film music. Why can't we get our guys to listen to our own music rather than to Michael Jackson? I didn't want us to lose the market to the West. The music had to be cool, it had to be rooted, and yet had to branch out. It was like the wild imagination of a child... but it worked... It did travel beyond Chennai and attract people," explained the gifted composer. Having a studio of his own has helped him in a big way. He has had the freedom of working on his tunes day and night, for days, months and years (he worked almost for a year on the Rangeela song and worked for a good six months on Roja 's "Tamizha Tamizha"), until he was fully satisfied with it. " I have rubbed many a producer the wrong way by disturbing the schedule, but it has paid off." In the case of his blockbuster album Vande Mataram too, he was fully aware of what he was doing. If it changed the image of India from a peace-loving country to a nuclear powerhouse, it was intended. Rahman and his friend Bharat Bala conceived it as a flag-waving, jingoistic declaration, a mantra of every kid in the country. "It had to be unlike the one that has been played on the radio for years. I wanted a sound that would connect me with people and capture a collective energy." But going by Rahman's style, which has a visual texture to it, his version of "Vande Mataram" doesn't capture the celebration of Indian landscape in Bankim Chandra's poem. "It wasn't intended that way," came the concise reply. With Vande Mataram, Rahman, who gave Indian music a global feel, also re-asserted himself as a gizmo freak. (In fact, he is said to spend most of his money on acquiring new electronic gadgets.) Not that he has made only foot-tapping numbers; he did classical pieces such as "Kanna mucchi yenada" in Natakurinji for Kandukondein Kandukondein and he did sweeping melodies like "Uyire" for Bombay along with songs like "Rukkumani" and "Mukkala Muqabala". "Somehow, people just put all my melodies on the backburner and remembered me for only rhythm-driven songs. But things have changed since Lagaan . They have woken up to the other aspects in me." Rahman remembered how on his way to Gulbarga from Hyderabad, he was playing a soft song and the car driver threatened to fall asleep if he didn't play a fast one. But during one of his trips to Germany, an admirer came up to him to say how much he liked the songs in Zubeidaa , a film that failed at the box-office. "I take all criticism objectively and believe in elevating the tastes of the listener," he maintained. Back to roots Nevertheless, to the layman, Rahman has always been someone with a strong Western orientation, unlike Ilaiyaraja who with all his veneration for Baroque music, has strong Oriental roots. The manner in which Ilaiyaraja rendered Tyagaraja's krithi "Tulasidala" in a western idiom and his current orchestral work Thiruvasagam stands testimony. Rahman too is working on a project called Conference of the Words , a book based on a Sufi tale of self-discovery. This will be turned into an orchestral work and premiered in Birmingham. And like his true self, "I'm going to take a very long time on this." Despite confessions such as "I feel abnormal when I talk", Rahman loves to connect with people, of course, in a different medium. Talk of the Airtel ad, tell him it was quintessential Rahman with a good balance of melody and rhythm, and he will tell you that after a two-year stay in London for the Broadway production Bombay Dreams (he accepts that it got "bad reviews"), "there was this desperate need to reconnect. And that's why I agreed to star in it too." Rahman has broken several moulds in his career spanning 15 years. He tried to break away from the predictable, unthinking perfection of film music by using raw, untamed voices and bringing in an element of dissonance, even while he made film music hot and happening. But over the years, with every new composer wanting to be a Rahman, he has become a clich. "I think it is important for a composer to have his own identity. I only hope things will change," he said.

Right now, what is he up to? Rahman is working on Shekar Kapur's film Buddha .

Source: The Hindu - Article

dayita thumbnail
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Posted: 18 years ago
Hey Doly!So you are the MOW of SRK Fan Club this week...right?Congratulations!!May I go there and ask you questions???😉
Sudha_rn thumbnail
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Posted: 18 years ago

Originally posted by: dayita

Hey Sudha! Congrats Jan....Well I should not miss the chance to irritate you..What may I ask you!!Okay..Think if you have been sentenced in an island for one year..not a single person there to talk with..and you can take only 6 tracks of Rahmanji with you..one to be listened for each season..which tracks will you take with you and why?


thank you so much Dayita!!😊
ok, here is the answer for your question:

1. Grishma(Summer) - Saanwariya Saanwariya ( Swades )
2. Varsha(Rains) - Dil hi bechain ve, Taal se Taal mila ( Taal )
3. Sharad(Autumn) - Tu bin bataye ( Rang De Basanti )
4. Hemanta(Early Winter) - Ae ajnabi tu bhi kabhi aawaaz de (Dil Se)
5. Shishira(Late Winter) - Yeh Haseen Waadiyaan ( Roja )
6. Vasanta (Spring) - Hum hain iss pal yahaan (Kisna )

😳😳

Jaseeka thumbnail
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Posted: 18 years ago
Hey guys.Nice Siggy di. 😃

Okay sudha one othe Question:

What will you tell ARR if you will meet him ever?? 😊
dayita thumbnail
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Posted: 18 years ago

Originally posted by: Sudha_rn


thank you so much Dayita!!😊
ok, here is the answer for your question:

1. Grishma(Summer) - Saanwariya Saanwariya ( Swades )
2. Varsha(Rains) - Dil hi bechain ve, Taal se Taal mila ( Taal )
3. Sharad(Autumn) - Tu bin bataye ( Rang De Basanti )
4. Hemanta(Early Winter) - Ae ajnabi tu bhi kabhi aawaaz de (Dil Se)
5. Shishira(Late Winter) - Yeh Haseen Waadiyaan ( Roja )
6. Vasanta (Spring) - Hum hain iss pal yahaan (Kisna )

😳😳

Wao!Sudha👏👏👏

dayita thumbnail
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Posted: 18 years ago

Originally posted by: Jaseeka

Hey guys.Nice Siggy di. 😃 Thanks Geeta sis..its the 3rd siggy that i have made.

Okay sudha one othe Question:

What will you tell ARR if you will meet him ever?? 😊

Jaseeka thumbnail
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Posted: 18 years ago
👏👏👏So you made this!! Cool!!👏

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