Misery Loves Company - Page 5

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thedramaqueen thumbnail
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Posted: 8 years ago
#41

Originally posted by: Samanalyse


I think you might have misunderstood my use of misery in this context. I was referring mostly to the Indian audience, reflected in characters like Neha and GKB, who would much more easily relate to Sona, Dev, and the Boses, if they had the tools to construct their own happiness. Unfortunately, instead, they nurse resentment towards those like Sona who are brave enough to proactively pursue what they want from life. It's not hard to see how for someone with that perspective, Sona appears arrogant and presumptuous, questioning the world order they don't know it is possible to change. Sona is not miserable, and has the audacity to ask for what she wants and for a wide swathe of people, who were raised in the conventional school of thinking, espoused by Ishwari, that makes this show very uninteresting.

I understand that you are referring to the misery of people who relate to Neha and GKB. I however still believe Neha, GKB, Vicky or Boses are all background. The story is still about Dev, Sona and how Ishwari changes as a mother in law while Dev & sona battle the challenges of life with their love


I know I sound relentlessly optimistic, but that's not it exactly. When I started watching this show, I promised myself I would be honest with myself about when I stopped enjoying it (which has been a problem for me in the past 😛), but that moment never came. In the past, I have stopped watching shows but stuck to the forum; this is the first time I find myself withdrawing from the forum because I am enjoying the show!

Its funny you say that you sound relentlessly optimistic coz I for one am the same. I only started watching the show around Neha's wedding/family photo phase and actually got hooked more after breakup. I loved the pain of the separation phase and Shaheer, Erica and Supriya aced it. I watched the old episodes online much later to understand the depth of pain of the actors. So I am even more optimistic of the post marriage track because the actual story only started after their wedding

thedramaqueen thumbnail
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Posted: 8 years ago
#42
@LiveLife321 I agree 100% .

Pre accident's tashan, pre confession's coveted love, post confession romance and break up were not very difficult to deliver yet they were done beautifully. I think the strength was in Dutta's writing and also the show was fresh and we hadnt had our bar set so high.

Separation track was through and through Shaheer's acting. He totally aced it.

Post wedding is when the real story starts. Waiting for things to unfold because perhaps post marriage is where I am in life myself and can relate to so much that is happening around them. However, as soon as patch up time comes things go pear-shaped

Siya-Ram thumbnail
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Posted: 8 years ago
#43
Reserved
Seems too long but really interesting 😆
Edited by Cluny13 - 8 years ago
Samanalyse thumbnail
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Posted: 8 years ago
#44

Originally posted by: Shaavi


Awesome awesome analysis...👏 👏 👏. Take a bow. I feel the same that a persons professional emotions are very different than personal emotions. I also feel very happy to be a viewer of this show and see all these different shades of love...

When it comes to professional relationships, it is give and take and things end there. For Ex -- when his employees came in the middle of night to donate blood, he booked a 3 day vacation package for them as thanks and it is done.

But in personal relations it does not work that way. You are expected to remember that "ehsaan" forever when some one does even a small thing. Like mamaaji giving shelter to Ishwari at his home for a week, so now Dev is supposed to let them live at his house forever cause the debt is never paid.


Thank you so much! I have really been enjoying your analyses on the forum as well; it's really nice to have people who see the show and characters in much the same way I do!

And I completely agree with your assessment of personal and professional relationships; the examples you gave are spot on! The whole point of professionalism is to maintain relationships that are about give and take, without bringing emotions into them. That is the exact opposite of what is required with personal relationships, where one can't help but get entangled in the complexities of the heart. It doesn't come as a surprise to me that Dev is only good at one sort of relationship, and when he tries to apply its rules to the other sort, fails miserably!
Samanalyse thumbnail
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Posted: 8 years ago
#45

Originally posted by: gemini54

Sam great post as always touching upon a different nuance. Here is my take it is slightly different from yours

A TV show has many genres comedy, drama, soap , reality etc. When we mark a TV show as belonging to genres of Romance, Drama etc the audience expectation is that is what will be portrayed.

Here the story from what was shown was about insecurity of a mother and how two individuals balance it out.

We have maybe two kinds of audience ( maybe more but for this discussion purposes). One who relates to the happenings on the show because it strikes a personal chord with them or a different audience who view it to see if it aligns to their modern thinking.

I know you spoke about Intentional Fallacy but in my opinion intentional fallacy does not have much role to play here because from what I have understood about intentional fallacy it is about there being an different concept then what is being written meaning open to interpretations so to speak. Here the medium is visual and just like we react to violence, shown or romance shown on big screens we react to what is shown on this screen and cannot delve too much into what we think the intention was, though some of us do delve deeper into what was shown after the fact but for the most part we react to what is shown pleasant or unpleasant.

so in essence it is more reactive more than intuitive which when we read a book it can be intuitive too an that is why when we read a book and watch a movie made or the movie we feel a disconnect ( at least I do) And that is why I think some of us feel strongly in the portrayal of Sona, Dev , Easwari or Neha because it is a visual presentation and Visual perception is the ability to interpret the surrounding environment by processing information that is contained in visible light.

Again this is just my opinion


Thanks!

I guess it depends if you consider this a literary work, which I do. When I analyse it, I am doing so much as I would a passage from Shakespeare or any novel, applying the same tools I would there. On one level, you observe what the story is saying literally, and then you start to unpack all of the things it might be saying between the lines, with reference to the historical context and the larger narrative. Here is where the question of interpretation, intention, and response come into play. I disagree that we can't delve into our own thoughts because the medium is visual... I think that just adds a different dimension, because along with words now you have intonation, facial expression, and body language to add to the analysis.

I am not totally clear what you mean in the distinction between reactive and intuituve, but I think that the visual medium is merely different from the written one, not more or less open to in-depth exploration and analysis. That's why you might feel a disconnect seeing something presented in the visual medium that you first saw in the written. On the other hand, if the visual representation is faithful to the image you had from the written, you might connect very deeply (this has happened to me personally only once, with the BBC adaptation of Pride and Prejudice, with Colin Firth and Jennifer Ehle).

With this show, the promos were so provocative that a lot of people came up on the spot with ideas of how the show should/would progress. When the show deviated from their imagined trajectory, it caused a lot of dissatisfaction. But the thing is, we have no idea if what we imagined was ever what the CVs intended, and this is their story to tell. So as long as I find it enjoyable, I am open to their vision.
gemini54 thumbnail
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Posted: 8 years ago
#46
Sam thanks for responding but I think you missed my point where I said that you first react than may delve deeper to what was shown
For example I watched the movie no country for old men yesterday did not like it , did not understand the purpose but after thinking about it and discussing about it understood the concept. That is what I was trying to point out.
Probably each one of us view or reacrt to what was shown differently based on our expectations .

QUOTE=Samanalyse]

Originally posted by: gemini54

Sam great post as always touching upon a different nuance. Here is my take it is slightly different from yours

A TV show has many genres comedy, drama, soap , reality etc. When we mark a TV show as belonging to genres of Romance, Drama etc the audience expectation is that is what will be portrayed.

Here the story from what was shown was about insecurity of a mother and how two individuals balance it out.

We have maybe two kinds of audience ( maybe more but for this discussion purposes). One who relates to the happenings on the show because it strikes a personal chord with them or a different audience who view it to see if it aligns to their modern thinking.

I know you spoke about Intentional Fallacy but in my opinion intentional fallacy does not have much role to play here because from what I have understood about intentional fallacy it is about there being an different concept then what is being written meaning open to interpretations so to speak. Here the medium is visual and just like we react to violence, shown or romance shown on big screens we react to what is shown on this screen and cannot delve too much into what we think the intention was, though some of us do delve deeper into what was shown after the fact but for the most part we react to what is shown pleasant or unpleasant.

so in essence it is more reactive more than intuitive which when we read a book it can be intuitive too an that is why when we read a book and watch a movie made or the movie we feel a disconnect ( at least I do) And that is why I think some of us feel strongly in the portrayal of Sona, Dev , Easwari or Neha because it is a visual presentation and Visual perception is the ability to interpret the surrounding environment by processing information that is contained in visible light.

Again this is just my opinion


Thanks!

I guess it depends if you consider this a literary work, which I do. When I analyse it, I am doing so much as I would a passage from Shakespeare or any novel, applying the same tools I would there. On one level, you observe what the story is saying literally, and then you start to unpack all of the things it might be saying between the lines, with reference to the historical context and the larger narrative. Here is where the question of interpretation, intention, and response come into play. I disagree that we can't delve into our own thoughts because the medium is visual... I think that just adds a different dimension, because along with words now you have intonation, facial expression, and body language to add to the analysis.

I am not totally clear what you mean in the distinction between reactive and intuituve, but I think that the visual medium is merely different from the written one, not more or less open to in-depth exploration and analysis. That's why you might feel a disconnect seeing something presented in the visual medium that you first saw in the written. On the other hand, if the visual representation is faithful to the image you had from the written, you might connect very deeply (this has happened to me personally only once, with the BBC adaptation of Pride and Prejudice, with Colin Firth and Jennifer Ehle).

With this show, the promos were so provocative that a lot of people came up on the spot with ideas of how the show should/would progress. When the show deviated from their imagined trajectory, it caused a lot of dissatisfaction. But the thing is, we have no idea if what we imagined was ever what the CVs intended, and this is their story to tell. So as long as I find it enjoyable, I am open to their vision.
Edited by gemini54 - 8 years ago
Samanalyse thumbnail
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Posted: 8 years ago
#47

Originally posted by: Push-pull

And that's why we are still running such soaps decade after decade.. we are too empathizing and emotional towards such things and such people.. Not wanting to call a spade a spade... And trying to reason it out and justify their behaviors..


I have serious concerns with this phrase, "calling a spade a spade" because it is all so relative. What looks like a spade to you may look like a seat to someone else. What if they are only seeing half the picture, and argue that it is a shovel? If we can see it as a spade, are convinced that we are right in doing so, and completely dismiss anyone who has a different perception, then we are only locking ourselves out of discussion and developing a superiority complex. We may feel we are better than those who subscribe to the usual desi soaps, but what do we know of their hardships and experiences? I am only suggesting that we keep a mind open to learning and listening.

I also don't agree with your definition of empathy. Empathy doesn't mean you justify someone's behaviour in order that they don't face the consequences. It means you understand that the motivations behind certain actions, however wrong they may be, are complex. If someone does something wrong, it's easy to say that it's wrong and punish them which is totally necessary, but is only half of a long-term solution. In addition, you also have to find out why they went wrong so you can prevent them, or other people from going down the same path in the future.

It's the same with medicine. You may cure or ignore the symotoms, but you can only get long-term relief when you deal with the root cause.
Samanalyse thumbnail
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Posted: 8 years ago
#48

Originally posted by: OmNaMaSteOm

I am so glad to see your post!!!

Thankyou for your analysis. I will not say whether I agree or disagree with what you say. It got me thinking...😛

When you post some points are cleared some still remain may be because you and me have different perspectives of thinking.
I was on the verge of completely quitting on the show in the sense not even visiting the forum anymore for their reaction until I read your analysis - which gave me hope that may be I can see an episode worth watching in my standards in few months.

I have observed all your posts and I would like to add is you may find yourself constantly defending yourself but that is not the case, from my perspective I think you are opening a different thought process each time you post. During the marriage and post marriage the show stopped making sense to me, your analysis helped me alot. I would say not just me many more on this forum. Specially the post on how Sonakshi needs to be the best in everything which she used to be before that genuinely helped me understand Sonakshi sudden "seheminess".

To get into any discussion one needs to understand what is going on in the show, if majority are not comprehending - your posts are slowly bringing them to that level. "Defending" your POV is sort of solving our confusions and motivating us to watch the show.

This specific post and the various replies it received are so variant and each post got me thinking - I would really thankyou for that.

Specially : Malvika07, minnie2308,
dsr11 (your post has also asked all the right questions and confused me whether the show should have been aired or not)
Like the Udta Punjab example Samanalyse gave

Like LiveLife321 spoke of exceution I agree to that, then read your reply to it - so I will hold my comment on it for later
thedramaqueen - (I called them sehemi sonakshi, darpok Dev and Insecure Ishwari) 👍🏼

Page 3 post 5 - about Mamiji and Vicky now that perspective is something I never thought of, thankyou for bringing that up.

Even after reading all your replies 2 times I still dont agree with Dev's characterization analysis.

So please keep posting - dont get disheartened dont withdraw from the forum. There are members like me who need your posts to comprehend the show better - who grasps better while reading discussion like this thread.

Reading what the show is doing is much easier to do and relate to than watching it at the moment 😃 thanks to the post marriage character reactions.


Thank you so much for this reply! It means a lot to me that I can share my love for this show, and the beauty I see in it, with others who may not see the same things. But the fact of the matter is that making a post like this can be quite exhausting because I want so badly to respond to everyone and give as in-depth answers about my views as possible. That's why I was saying I do it only when I have some time and mental fortitude on my side. 😛

You summed up the kind of discussion I would love to have more of in your first para. I like discussions where it's not necessarily about agreeing or disagreeing (whether we do or not), but about thinking through things together. Rather than staking a claim about how a character should act and judging them based on that, why don't we try to understand how they do act with an open mind? Our expectations may come from embedded ideas that the show is in fact trying to challenge and make us think about. If we are not open to that, we lose out on what the show might have to offer.

Thanks for your comments on all the discussions! It's awesome that you went through all of them with so much consideration! It's totally fine that you don't see Dev the way I do -- this is after all a piece of art that is open to interpretation!
Samanalyse thumbnail
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Posted: 8 years ago
#49

Originally posted by: krystle123

brilliant and indepth analaysis...👏👏👏


Thank you! 😃
Samanalyse thumbnail
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Posted: 8 years ago
#50

Originally posted by: supercool3

I've been a silent reader of your posts, but today I just had to comment.

Thank you so much for coming out of the woodwork to reply to this! 😃

I really like the way you view things beyond what's there on the surface, and give it a completely different perspective 👏

I think, even despite this track, the show has opened a lot of discussion towards how DILs are treated, how sons behave post marriages, and how in-laws react to the changes that are happening. The mixed reviews, and even the extreme responses on both sides of the spectrum are a sign that the show is successful in accomplishing its purpose - that is making the audience think beyond the structures and frameworks we are so comfortable within. And this doesn't just relate to the patriarchal structure that the writers are working around. This even includes ideas and notions that we may assume to be "correct" , which don't necessarily fit into that patriarchal view.
I completely agree with you. In some ways, the extreme reactions are actually symptomatic of discomfort in seeing something that doesn't conform to their expectations. We are used to being given stories that clearly demarcate themselves as comedies, tragedies, and romances. A lot of viewers, especially on seeing the promos, figured this show as a romance with Ishwari as the obstacle. But the irritation began when it became clear that Ishwari was not just an obstacle to overcome, but a full protagonist in her own right. So it's not just about overcoming the obstacle, it's about people negotiating relationships with one another.

Our moral compasses, as you mentioned, make us super judgmental about the way the characters behave and at times even confuses us as well. Unfortunately it really isn't as simple as black and white. I myself have felt completely perplexed at times wondering why some characters behave the way they do. In fact, I most of the time find my thoughts and reactions to align with that of Sona's (the privileged minority as you put it 😆). At the same time, I can completely imagine an older relative in my family itself who would beg to differ from my perspective and may sympathize more with Ishwari. Does that mean either of us are wrong? Definitely not. We have different experiences and just need to find a way to bridge the gap.
Absolutely! Thanks for understanding my intention with this post so well. When I mentioned empathy, it was all about finding that bridge. I really believe that in order to move forward, we have to understand what held, or is still holding, parts of our society back. No person or family is an island, and until society as a whole progresses, the individual's progress is always limited.


If we have the idea of an ideal mother in the back of our minds, then Ishwari will come out very short, but if we try to challenge that embedded idea, what if mothers aren't innately selfless and kind? Then we begin to open our minds to new possibilities.

^ I really like what you wrote here. When we think of a mother, we think of them as someone who represents God. I mean, isn't that what we are taught as a kid? That mata, pita and guru are the gods that live on earth with us? Hence in our minds, we find it hard to digest at times that a mother can be selfish at times. In a way we are a bit like Dev here. We don't want to find faults in the idea of a Mother 😆.
YES! A thousand times yes! 😆 This show is doing the unthinkable by showing a mother in an unflattering light. It's exposing the ugly side-effects of the kind of mother-child relationship we tend to idealise. Ishwari herself is so caught up in this image of the ideal mother that she is, ironically, willing to put her own kids' happines on the line to maintain it. Some like to see Ishwari as evil because they still view her as the obstacle; I like to see her as a product of the time and society she was raised in, someone who did everything she thought she was supposed to, only to find the rules had changed by the time she got to the finish line!

If you think about it, our culture has brainwashed us with this ideal mother concept for so many years now. The completely selfless and devoted mother (Mother India, mere pas ma hai!, Rakhee in Karan Arjun, Jaya Bachchan in K3G) is an omnipresent trope that we take so much for granted, it blinds us to the humanity and fallibility of mothers. Especially when they are widows, they are depicted as having no desires beyond their children's well-being, and no purpose other than to raise them. What makes Ishwari so fascinating is her conflict between her natural desires as a human woman, and the pressing need to live up to this societal expectation. It's the conflict that drives her entire plot.

As for Neha and Radharani, they aren't inherently bad people. Yes, at times their actions come across as being annoying and interfering. But I don't think Neha finds much happiness with her behaviour right now, at least not subconsciously. She somewhere does want to see Sona succeed in bringing the changes. As for Radharani, the fact that she was the first to treat Sona's wounds when she burnt herself on the firecrackers gives me hope that there's a lot more to her than what we see daily.
Neha has always been my favourite character because she is so raw. Anything she feels, she wears on her sleeve, and I think it's no different with her resentment of Sona. She is jealous and feels keenly the perceived injustice of Sona's happiness. I have a feeling that she would be much more receptive to Sona if the latter were to open up about her dissatisfactions (maybe not in the house at first, but at work or some neutral topic).

We saw when Ishwari was moving the swing that there was the briefest moment of kinship when Neha saw Sona as one of the downtrodden under Dev and Ishwari's reign, but it quickly subsided when Sona took the high road. Again she reached out when Sona looked disturbed in Friday's episode, but Ayan came and stole the moment (and how!). In order for Neha to open up to her, I think Sona has to do her share of opening up as well. She can't always come off as the wise, all-knowing one because that grates on people, especially those with inferiority complexes like Neha.

Friendships are formed based on moments of shared vulnerability, something that poor Sona has always struggled with (as evidenced by her lack of friends outside family growing up). That, to me, is her journey on the show.

I initially thought that its the execution of all these ideas at once that is causing a disconnect these days. But then I read one of your replies, where you said that the episodes just don't have a tangible goal in mind hence we feel it's going nowhere. I guess it is true that on TV we look for issues to be sorted out one after another, whereas in real life we don't get that same opportunity. There will always be some issues that require immediate attention, while others would continue to linger in the background. So thanks for giving me another perspective on that as well 😆
Happy I did! 😃 The way they are dealing with issues on this show kind of reminds me of the south Indian "mega-serials" where they have like 15 plots running at the same time. In a daily format, it gives them more flexibility with scheduling, and I think mirrors reality much better. Again, the track by track, step by step structure would make sense if this was a traditional romance with Ishwari as the obstacle, but why not open our minds to the possibility that it is not?



Edited by Samanalyse - 8 years ago

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