Originally posted by: Sowmya_nathan
As per my analysis this conclusion of 1.1-2.0 TRP is completely WRONG.
2018
*TRPs above 2.0: 13/ 14 WEEKS it ran for 2018
2019
*TRPs above 2.0: 4 / 9 WEEKS
*TRPs above 2.0: 14/ 14 WEEKS it ran (Komo 1 Track)
*TRPs above 2.0: 5/ 20 WEEKS (Bajaj 1 Track) 2019
*TRPs above 2.0: 5/ 9 WEEKS (Memory Loss Track)
2020
*TRPs above 2.0: 4/ 12 WEEKS 2020
So out of total 78 weeks it hit 45 weeks (60%) TRP was 2.0+ and only for remaining 33 weeks(40%) it was 1.5-2.0. Guess what the record for 1.5-2.0 TRP is held by Bajaj track for straight 15 weeks!
Even within 1.5-2.0 it mostly hovered below 2.0 like 1.9/1.8/1.7 most of times.
It only hit 1.1-1.5 in Post Covid times in Jul onwards.
Not to bust this trp bubble but a 2.0 or + means nothing if the show is at rank 15, and 3/3 in terms of Slot lead. As far as I'm concerned, this show worked briefly in pulling numbers (that is top5/10/slot lead) during the anupre dhaaga marriaga vs komolika. That was the show's best phase in terms of all encompassing numbers. The show never did that good of a business again. Not previously, before the dhaaga marriage with the other 2/3 tracks. Not after it, with obviously Bajaj, XYZ, Viraj, Bridge and all. Which goes on to show, had the makers probably stuck with keeping anupre married, married and separated since that was their theme essentially, this would've worked (again speculating).
Also, I know a lot of people love the initial tracks of this show, but trust me when I say this, the entire PH/creative team was in panic because they were unable to bring in the numbers and there was constant meddling from the channel which was unhappy and very dictatorial post the NV track. Is show ke sabse meaty tracks didn't bring in numbers. And, so began the creative's fixation with Komolika and this show's downfall. 
My interest in this show is circumstantial at best, but as far as I can tell, the show picked up a major quarter of its audience in the post komolika anurag wedding and Prerna entering BB track. As far as I, the viewer, is concerned, this phase with its dramatic polygamous arcs and what not was definitely a far cry from the show's more subtle, softer, more logical tracks before and after(comparatively obviously). That means a different kind of audience obviously found this track interesting and jumped on the bandwagon. I think then to shift gears again in terms of both the feel of the show, the tracks, the mood and writing, it would've been impossible to hold onto the audience that was looking for more theatrics, expected anurag/prerna to stay married/etc.
KZK is a colossal mess. A concoction of bad writing, and reading its audience wrong. It should've catered to the audience that worked for it. The one that came with the dhaaga marriage track. I found vibes of that track in the initial memory loss track and in those terms that setting, that level of almost supernatural drama/the trio worked well for this show because that entire set up is the one to bring in the most watchers.
The show should've stuck to anupre as married this season. Marriage WITH separation is a concept that 90% itv shows churn out anyway. As is said and done, I don't think ANY character can be blamed to take this show down. This show wasn't spectacular. Not storywise and definitely not number wise. Bajaj did not bring a drastic change to the show either. It was already getting those same slots/ranks before the dhaaga marriage track, even worse at a lot of points. This show just didn't utilize its own winning formula and made a mess of everything.
Plus Bajaj1 and prerna hardly had any flying sindoor/suhaagan morchas of their own. There was no story there. No waters were tested. The comparisons are futile. The blaming is even more futile. Bajaj was never the lead of KZK, neither was he given that status/importance/symbolism. He was masala/and later backup.
Although with all said, done, and seen, he wasn't needed this season.
As an audience, I detest the entire dhaaga marriage track for my own reasons, but if this show had found a winning formula with that level of drama/genre/shenanigans then it should've stuck to it.
As my friend says, even a private arrangementesque kind of setting would've done wonders for the story. A married couple, completely estranged, living on two different continents and then coming face to face and fighting their hatred/bigotry/attraction whatever. Is show ki sirf iski writing leke dubi hai. That's it. 😆
Edited by FleetingWishes. - 4 years ago