Dear Shyamala aunty,
Thank you, for your very kind concern for my health in the earlier post. I hope you are as well as the length of the post seems to indicate but please do not stress yourself too much.
This one is simply amazing! Loved the title! Rather than try and play catch-up, I decided to seize the here and now 😃
But I do need to learn the ways the forum posts work! I could not post my original response one as it becomes too long with my comments. I did not like the idea of just keeping those paragraphs of your post that I have commented on. So just my comments, in no particular order.
The scene before prison -
I think Jalal too knows his bachpan ki dost very well. In Jalal's hojra, Rukaiya's praise does not feel as if it is heartfelt! Her expressions are very telling!
In the prison scene -
Hamida banu -
Perhaps she, too, feels like the Rajput kings that Mughal Sultanat or rather Jalal still needs Bairam khan and is not yet capable of surviving without him? It takes a lot to make parents realise that their children have grown up. Or does she have an inkling of Maham's aspirations and is subtly trying to keep her in check or maintain the balance by keeping Bairam khan in the picture?
Just giving her the benefit of a doubt. I am sure she will prove me wrong with her next sermon😉😉
Your comment on Humayun's death had me in stitches! And now I wonder about Ekta's Jalal's death .. infection of the eardrums?
Rukaiya 1
Rukaiya 1 was certainly more subtle in showing her own and claiming Jalal's heartlessness! Or has she become heartless in her desire to win approval from Jalal who she thinks has no heart?
If we could ignore the change to Rukaiya 2(difficult but), could there be a little more to the reasons for siding with Maham that Rukaiya gives? Is she getting back at Hamida, with whom she seems to have no connection, for recognising and pointing out that there is no muhabbat between her and Jalal? that Jalal is lonely, though Hamida leaves it unsaid, in spite of Rukaiya's presence or the hold she claims on his jehen? Hamida's lack of political correctness and/or sensitivity in saying all that in Rukaiaya's and others' presence is unbelievable!
Jalal -
Aunty, I think the worry is not about not yet having a child but about the why, valid I suppose given the time he has had use of his bountiful harem. Destiny seems Hamida's relative.
L'affaire Bairam Khan
Bairam Khan's meltdown and acceptance of his gustakhi seems rather sudden. They should have shown the transition or given at least a voice over. Or have I missed something?
Is Bairam Khan killed by an old enemy on the way to Mecca? Having caught up on the earlier episodes en masse, I had for some reason thought that Maham / Adham had a hand in Bairam khan's death. And that had added a lot (for me) to the final confrontation between Jalal -Maham as I could not imagine Jalal's pain on realising the extent of Maham's vileness, when she is ranting about what Jalal did to Bairam khan. Was I wrong then?
I love the way you describe Bairam khan's "epiphany" but I don't think he (reel or real) was so noble. He did want to control both Jalal and what happened in the sultant even if he did not want the takht per se.
If he did suddenly (why and how?) realise that his earlier actions were damaging to Mughal sultanat, whyever does he not stay on? For surely he realises that his absence would weaken Jalal / Sultant or worse, would be perceived to do so?
Maham Anga -
What you say about Rukaiya a little later is true also about Maham for whom, of course, it is harder than for Rukaiya as she is no royal-born and has the class barrier to cross. It is depressing that in those times even such a strong and able woman could think of fulfilling her ambitions only through a man, whether Jalal or her own son. It is another matter that Jalal is progressive or kaccha enough to give her her wish and more!
Maham Anga-Ruqaiya 2:
Both seem to go by the maxim that an enemy's enemy is to be considered an ally!
Last Scene
Rukaiya -
In the last scene, is it also the hurt that he does not love her'; that she/ what she feels for him does not fit his definition of love and is not enough for him? For she must realise that deep down he believes in mohobbat for him to be so bitter in claiming what it does to a human being? It is agony to have to wish for something more from a relationship that means so much to you and not get it, but to realise that the one you expect it from feels the same need and you do not fulfil that need - that must be hell! Probably what Jalal too feels later (the unforgettable post-Sujamal discovery scene and your Shakespearean heights post)!
Requiem for Ruqaiya 1-
What to say of your take on Rukaiya 1? You have so wonderfully captured her essence and her nuances. Especially in the paragraph "Perhaps, more than overconfidence, it is her determination not to be seen as weak in front of Jalal that leads her to make him wait for her, and to ignore him at times, just to prove to herself, and to him, that he is not the center of her universe, as he is for everyone else. Her problem of course is that he is the centre of her universe, and she is always afraid, in her heart of hearts, that she will, one fine day, be supplanted by the mother of his heir." Hats off to you Aunty!
The old shoe love'! -
The phrase is lovely. But, I feel, the problem with the old shoe is that sometimes the comfort is only out of habit and if it does not or never did fit well it keeps hurting in the same place and causes a nasoor! On the other hand, to mix the metaphors completely, one does manage to jump the broken step of the staircase of the building one has grown up in, and to reach the desired floor!
Rajat's Jalal -
The look in Jalal's eyes as he holds her hand and kisses it! Incredible how Rajat manages to convey the difference between this feeling and love when Jalal finds it.
Jalal's ego -
"With those few for whom he cares, he has no ego." - The more he cares, the lesser the ego... So for whom he cares the most... CVs will soon master these inverse proportions too well 😉
That's all for today!
Warmest Regards
Ashwinee
367