Jodha Akbar 21-23: The heart prevails - Page 3

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sashashyam thumbnail
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Posted: 10 years ago
#21
My dear Donjas,

I had no idea you would like this post so much, and I am naturally very pleased about it.

I think that in the serial, Ekta tried to economise on battle scenes, so she did not show the actual battle between the Mughal forces and Bairam Khan's followers. I agree with you about the missing step, between the break between him and Jalal and his open rebellion. There would surely have been some attempt at negotiations, especially from Jalal's side. Moreover, in his face to face spat with Maham, Bairam Khan shows no inclination to abandon the post of Wazir--e-Aala. This was after the DEK scene with Jalal and Bairam Khan's raging in his hoojra to Salima Begum.

So it is not made clear when and how Bairam Khan switched to open rebellion. But that he u rebel is clear from the fact that he calls himself a baaghi. It is not just a case of Maham repeating like a parrot that he was one. So I suppose he had declared war on Jalal, but had changed his mind and repented of it.

What they have done is to replace the historical scene where, after Bairam Khan had been defeated, he was brought before Jalal in chains, and was forgiven and his honours restored to him, with this one in front of the Agra palace gates.

This natakiya rupantar, for once, works well!

Shyamala

Originally posted by: Donjas

I relished this post. It ranks among the best in the serial repeat phase.

My observations. The entire sequence from Jalal undecided about what to do about Bairam Khan, to his riding out of the fort in armor to confront his Khan Baba, was spectacular in acting, in direction and photography. That last scene of the episode is iconic, Jalal hugging Bairam Khan with the blue sky in the background. That image speaks to us in so many ways.

The actor playing Bairam Khan is so expressive, his interaction with Maham and Jalal have always been a treat to watch.

However, I disagree with your views on one issue. In this serial, it is not shown that Bairam Khan is on an open road to rebellion. He was defiant, sure and he disregarded an Emperor's Farman, again true but considering his position and his years of service, there was also no intermediate step by Jalal to open negotiations. Considering what happened in the Jalal Bairam clash in the Diwan e Khaas, there was one missing intermediate step. In that clash, Jalal had given a warning but it was not an immediate call for action. Similarly, after that clash Bairam said to his wife Salima, that Jalal would have to choose between him and Maham, meaning that he did not intend to rebel against Jalal as yet.

My take, the situation was not as bad, but Maham worked on it and made it appear bad. With no contradictory argument from Bairam Khan's side, it was Maham's view which slowly worked it's way into Jalal's mind.

I will comment later on more aspects of your wonderful post.

Donjas thumbnail
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Posted: 10 years ago
#22

Originally posted by: sashashyam

My dear Donjas,

I had no idea you would like this post so much, and I am naturally very pleased about it.

I think that in the serial, Ekta tried to economise on battle scenes, so she did not show the actual battle between the Mughal forces and Bairam Khan's followers. I agree with you about the missing step, between the break between him and Jalal and his open rebellion. There would surely have been some attempt at negotiations, especially from Jalal's side. Moreover, in his face to face spat with Maham, Bairam Khan shows no inclination to abandon the post of Wazir--e-Aala. This was after the DEK scene with Jalal and Bairam Khan's raging in his hoojra to Salima Begum.

So it is not made clear when and how Bairam Khan switched to open rebellion. But that he u rebel is clear from the fact that he calls himself a baaghi. It is not just a case of Maham repeating like a parrot that he was one. So I suppose he had declared war on Jalal, but had changed his mind and repented of it.

What they have done is to replace the historical scene where, after Bairam Khan had been defeated, he was brought before Jalal in chains, and was forgiven and his honours restored to him, with this one in front of the Agra palace gates.

This natakiya rupantar, for once, works well!

Shyamala


Thanks for your quick response. There are two ways of looking at it, one way is to assume that the CV's simply did not show the intermediate steps.

The second way is a bit more complex. First, I will discount Bairam Khan's "Baaghi" comments because of his "choose between me and Maham" comments a while later. Just like Jalal was conflicted, in this line of thinking Bairam was conflicted too. There was anger and defiance but there was hope for reconciliation too.

This second way of thinking is much better presented by Myviewprem, as compared to my ramblings. When a child lives in the care of two parent figures who mean the world to him, if any of the parents leaves for a reason, it becomes easier for the remaining parent to poison the child's mind against that person. Here there is a clear break between Jalal and Bairam Khan. Maham makes use of the opportunity to make sure the break remains permanent. If Bairam Khan had not been sulking he could have countered this, but since he is away Jalal hears only Maham's words. In this way of thinking Jalal is justified to act against Bairam a Khan because he definitely did act against him, but there also a possibility of reconciliation if the lines of communication had not broken down.
sashashyam thumbnail
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Posted: 10 years ago
#23
No, no, Bairam Khan calls himself a baaghi when he is kneeling in front of Jalal. I am not referring to his earlier comment to his Thug No.1. So that means that in his own mind, and on the ground, he has openly revolted against Jalal.

The hopes for reconciliation would surely have been there earlier, and Bairam Khan is also shown as in no hurry to abandon his Wazir-e--Aala post, as he warns Maham. But these hopes must have been dashed at some point that we have not been shown. Perhaps Bairam Khan wanted Jalal to make the first move but Jalal, furious at the very insulting comments about his father made in the DEK by Bairam Khan, probably did not make that move.

Remember that the way Jalal reacted, convening that DEK meeting and at the meeting itself, had nothing to do with Maham bar the fact that she sent Takhatmal's soldier to Jalal. And he was really very, very angry. And at the end of that meeting it is Bairam Khan who mentions a jung, but as something he is sure Jalal will not envisage. It is then that Jalal uses the word baaghi.

Maham would of course have been working over time trying to alienate Jalal permanently from his Khan Baba, but she seems hardly sure of success, if we are to go by the scene of Jalal and his Teen Devian!

So to attribute Bairam Khan's volte face to his abandoning the fight because of what he perceives as Maham having all the cards, which is what Prem asserts, seems to me to be totally unjustified. I do not agree with that part of Prem's analysis and I shall be discussing that in my response to his post.I am rather tired now, but I shall do that tomorrow.

Shyamala

Originally posted by: Donjas


Thanks for your quick response. There are two ways of looking at it, one way is to assume that the CV's simply did not show the intermediate steps.

The second way is a bit more complex. First, I will discount Bairam Khan's "Baaghi" comments because of his "choose between me and Maham" comments a while later. Just like Jalal was conflicted, in this line of thinking Bairam was conflicted too. There was anger and defiance but there was hope for reconciliation too.

This second way of thinking is much better presented by Myviewprem, as compared to my ramblings. When a child lives in the care of two parent figures who mean the world to him, if any of the parents leaves for a reason, it becomes easier for the remaining parent to poison the child's mind against that person. Here there is a clear break between Jalal and Bairam Khan. Maham makes use of the opportunity to make sure the break remains permanent. If Bairam Khan had not been sulking he could have countered this, but since he is away Jalal hears only Maham's words. In this way of thinking Jalal is justified to act against Bairam a Khan because he definitely did act against him, but there also a possibility of reconciliation if the lines of communication had not broken down.


Originally posted by: sashashyam

My dear Donjas,

I had no idea you would like this post so much, and I am naturally very pleased about it.

I think that in the serial, Ekta tried to economise on battle scenes, so she did not show the actual battle between the Mughal forces and Bairam Khan's followers. I agree with you about the missing step, between the break between him and Jalal and his open rebellion. There would surely have been some attempt at negotiations, especially from Jalal's side. Moreover, in his face to face spat with Maham, Bairam Khan shows no inclination to abandon the post of Wazir--e-Aala. This was after the DEK scene with Jalal and Bairam Khan's raging in his hoojra to Salima Begum.

So it is not made clear when and how Bairam Khan switched to open rebellion. But that he u rebel is clear from the fact that he calls himself a baaghi. It is not just a case of Maham repeating like a parrot that he was one. So I suppose he had declared war on Jalal, but had changed his mind and repented of it.

What they have done is to replace the historical scene where, after Bairam Khan had been defeated, he was brought before Jalal in chains, and was forgiven and his honours restored to him, with this one in front of the Agra palace gates.

This natakiya rupantar, for once, works well!

Shyamala



Edited by sashashyam - 10 years ago
Donjas thumbnail
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Posted: 10 years ago
#24

Originally posted by: sashashyam

No, no, Bairam Khan calls himself a baaghi when he is kneeling in front of Jalal. I am not referring to his earlier comment to his Thug No.1. So that means that in his own mind, and on the ground, he has openly revolted against Jalal.

The hopes for reconciliation would surely have been there earlier, and Bairam Khan is also shown as in no hurry to abandon his Wazir-e--Aala post, as he warns Maham. But these hopes must have been dashed at some point that we have not been shown. Perhaps Bairam Khan wanted Jalal to make the first move but Jalal, furious at the very insulting comments about his father made in the DEK by Bairam Khan, probably did not make that move.

Remember that the way Jalal reacted, convening that DEK meeting and at the meeting itself, had nothing to do with Maham bar the fact that she sent Takhatmal's soldier to Jalal. And he was really very, very angry. And at the end of that meeting it is Bairam Khan who mentions a jung, but as something he is sure Jalal will not envisage. It is then that Jalal uses the word baaghi.

Maham would of course have been working over time trying to alienate Jalal permanently from his Khan Baba, but she seems hardly sure of success, if we are to go by the scene of Jalal and his Teen Devian!

So to attribute Bairam Khan's volte face to his abandoning the fight because of what he perceives as Maham having all the cards, which is what Prem asserts, seems to me to be totally unjustified. I do not agree with that part of Prem's analysis and I shall be discussing that in my response to his post.I am rather tired now, but I shall do that tomorrow.

Shyamala






You have made a very spirited defense of your viewpoint. I must say it has a lot of logic. That is the beauty of scenarios with incomplete information, one can interpret it in any manner one wishes. On the whole it is obvious to me that your viewpoint seems more plausible, but the other scenario cannot be ruled out also.

By the way, please don't respond to this particular post. It is not necessary. I made this post to express my pleasure at the large number of likes that your posts are getting. It shows that people still get enjoyment from watching the repeat run and reading your analysis.
Edited by Donjas - 10 years ago
Kalgi22 thumbnail
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Posted: 10 years ago
#25
Woah! Another amazing post... Taking a long breath after reading😆 Really I enjoyed reading.. Your love towards Ruqaiah 1 is very candid.. I too love her. A born queen by attitude ❤️ Hamida's Lectures and your doubt about Humayun death🤣 Hilarious😆

When one thinks about that, and then thinks about how Jalal then commissions a portrait of Jodha - showing an equal, if not higher recall function, for after all, he only saw her in snatches, whereas Ruqaiya has known him for years - one cannot help but feel sad for his sabse chaheti begum.
Excellent point!!!👏

The two of them circled that tree so many times that it seemed impossible for him not to hear the sound of her payals, or even to step on the end of her trailing odhni!🤣🤣🤣
Let's say a silent duet😆 When it comes to Jodha, Jalal loses all his senses 🤣

Thank you so much.. you've made my day😳😳
Edited by Kalgi22 - 10 years ago
Ash67 thumbnail
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Posted: 10 years ago
#26

Dear Shyamala aunty,

Thank you, for your very kind concern for my health in the earlier post. I hope you are as well as the length of the post seems to indicate but please do not stress yourself too much.

This one is simply amazing! Loved the title! Rather than try and play catch-up, I decided to seize the here and now 😃

But I do need to learn the ways the forum posts work! I could not post my original response one as it becomes too long with my comments. I did not like the idea of just keeping those paragraphs of your post that I have commented on. So just my comments, in no particular order.

The scene before prison -

I think Jalal too knows his bachpan ki dost very well. In Jalal's hojra, Rukaiya's praise does not feel as if it is heartfelt! Her expressions are very telling!

In the prison scene -

Hamida banu -

Perhaps she, too, feels like the Rajput kings that Mughal Sultanat or rather Jalal still needs Bairam khan and is not yet capable of surviving without him? It takes a lot to make parents realise that their children have grown up. Or does she have an inkling of Maham's aspirations and is subtly trying to keep her in check or maintain the balance by keeping Bairam khan in the picture?

Just giving her the benefit of a doubt. I am sure she will prove me wrong with her next sermon😉😉

Your comment on Humayun's death had me in stitches! And now I wonder about Ekta's Jalal's death .. infection of the eardrums?

Rukaiya 1

Rukaiya 1 was certainly more subtle in showing her own and claiming Jalal's heartlessness! Or has she become heartless in her desire to win approval from Jalal who she thinks has no heart?

If we could ignore the change to Rukaiya 2(difficult but), could there be a little more to the reasons for siding with Maham that Rukaiya gives? Is she getting back at Hamida, with whom she seems to have no connection, for recognising and pointing out that there is no muhabbat between her and Jalal? that Jalal is lonely, though Hamida leaves it unsaid, in spite of Rukaiya's presence or the hold she claims on his jehen? Hamida's lack of political correctness and/or sensitivity in saying all that in Rukaiaya's and others' presence is unbelievable!

Jalal -

Aunty, I think the worry is not about not yet having a child but about the why, valid I suppose given the time he has had use of his bountiful harem. Destiny seems Hamida's relative.

L'affaire Bairam Khan

Bairam Khan's meltdown and acceptance of his gustakhi seems rather sudden. They should have shown the transition or given at least a voice over. Or have I missed something?

Is Bairam Khan killed by an old enemy on the way to Mecca? Having caught up on the earlier episodes en masse, I had for some reason thought that Maham / Adham had a hand in Bairam khan's death. And that had added a lot (for me) to the final confrontation between Jalal -Maham as I could not imagine Jalal's pain on realising the extent of Maham's vileness, when she is ranting about what Jalal did to Bairam khan. Was I wrong then?

I love the way you describe Bairam khan's "epiphany" but I don't think he (reel or real) was so noble. He did want to control both Jalal and what happened in the sultant even if he did not want the takht per se.

If he did suddenly (why and how?) realise that his earlier actions were damaging to Mughal sultanat, whyever does he not stay on? For surely he realises that his absence would weaken Jalal / Sultant or worse, would be perceived to do so?

Maham Anga -

What you say about Rukaiya a little later is true also about Maham for whom, of course, it is harder than for Rukaiya as she is no royal-born and has the class barrier to cross. It is depressing that in those times even such a strong and able woman could think of fulfilling her ambitions only through a man, whether Jalal or her own son. It is another matter that Jalal is progressive or kaccha enough to give her her wish and more!

Maham Anga-Ruqaiya 2:

Both seem to go by the maxim that an enemy's enemy is to be considered an ally!

Last Scene

Rukaiya -

In the last scene, is it also the hurt that he does not love her'; that she/ what she feels for him does not fit his definition of love and is not enough for him? For she must realise that deep down he believes in mohobbat for him to be so bitter in claiming what it does to a human being? It is agony to have to wish for something more from a relationship that means so much to you and not get it, but to realise that the one you expect it from feels the same need and you do not fulfil that need - that must be hell! Probably what Jalal too feels later (the unforgettable post-Sujamal discovery scene and your Shakespearean heights post)!

Requiem for Ruqaiya 1-

What to say of your take on Rukaiya 1? You have so wonderfully captured her essence and her nuances. Especially in the paragraph "Perhaps, more than overconfidence, it is her determination not to be seen as weak in front of Jalal that leads her to make him wait for her, and to ignore him at times, just to prove to herself, and to him, that he is not the center of her universe, as he is for everyone else. Her problem of course is that he is the centre of her universe, and she is always afraid, in her heart of hearts, that she will, one fine day, be supplanted by the mother of his heir." Hats off to you Aunty!

The old shoe love'! -

The phrase is lovely. But, I feel, the problem with the old shoe is that sometimes the comfort is only out of habit and if it does not or never did fit well it keeps hurting in the same place and causes a nasoor! On the other hand, to mix the metaphors completely, one does manage to jump the broken step of the staircase of the building one has grown up in, and to reach the desired floor!

Rajat's Jalal -

The look in Jalal's eyes as he holds her hand and kisses it! Incredible how Rajat manages to convey the difference between this feeling and love when Jalal finds it.

Jalal's ego -

"With those few for whom he cares, he has no ego." - The more he cares, the lesser the ego... So for whom he cares the most... CVs will soon master these inverse proportions too well 😉

That's all for today!

Warmest Regards

Ashwinee

Edited by Ash67 - 10 years ago
Deepasub thumbnail
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Posted: 10 years ago
#27
👏 What a spell blindingly fantastic assessment Aunty!
Feel I just had a sumptuous meal.




As mentioned to you eaflier, I love to read long commentaries.
Jalal Bairam khan confrontation was the coming of age celebration on one angle and letting go of the kid he groomed on the other.
The rest of the drama was needed as a prelude and epilogue to the seemingly amazing plot.

Another thing I totally didn't get is what was MM Hamidhaji was doing looking depressed as u mentioned. For God sake she was the mother of the emperor. Surely there could have been better NR n better lines construed for her. A tall personality with short lines n thoughts.

Will come back ...with more tomorrow. Need to digest the big meal.

😉


Shah67 thumbnail
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Posted: 10 years ago
#28
This is like Burger king's double whopper for me. First, Aunty's excellent analysis on this group of episodes followed by Ashwinee's(Ash67) superb take.

Ashwinee has managed to say everything I wanted to in a very eloquent and concise manner.


Devki

Edited by devkidmd - 10 years ago
Sabdabhala thumbnail
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Posted: 10 years ago
#29


ANOTHER GREAT POST, AUNTY.

I APOLOGIZE FOR THE DELAY IN RESPONSE. ACTUALLY MY SON SEEMS TO HAVE BECOME A LIFE MEMBER OF " MATHS IS A VAMPIRE" CLIB AND HENCE WE SPENT THE LAST COUPLE OF DAYS DOING " RIDIKKULOUS" TO THE VAMPIRE, WITH THE HOPE THAT IT TURNS I TO SOMETHING FUNNY 😉 ALAS, NO SUCH LUCK. BUT THE BATTLE WITH THE VAMPIRE IS TODAY, AND SO I AM BACK


YOUR POST IS AS PERFECT AS IT ALWAYS IS. I REALLY HAVE NOTHING MUCH TO ADD TO IT


JUST A FEW MINOR POINTS -


IN THAT WONDERFUL HAMAM SCENE BETWEEN JALAL AND RUKKAIAH, WHY WERE THE JODHA IN PAALKI SCENE AND PAAYAL SCENE? I THOUGHT IT SORT OF TOOK AWAY FROM THAT MOST BEAUTIFUL SCENE


WHY DOES JALAL STATE WITH SUCH VEHEMENCE THAT HE DOES NOT LOVE RUKKAIAH? IT IS THE CLOSEST RELATIONSHIP THAT HE HAS WITH A WOMAN CLOSE TO HIS AGE, THEN WHY AND WHERE FROM DOES HE GET SUCH IMMENSE CLARITY THAT WHAT HE SHARES WITH HER IS NOT LOVE

SOMEHOW I FELT A LITTLE SAD WITH HIS CONFESSION


WHILE DOING THE POOJA IN THE RIVER WHY DO JODHA'S BROTHERS WEAR THE POONAL OR JANEYU?


RUKKAIAH 2 WAS SO DRASTICALLY DIFFERENT IT ALMOST FELT LIKE CVS HAD WRITTEN ANOTHER CHARACTER. HE WAS UNNECESSARILY RUDE TO JODHA. AND WHY DID RUKKAIAH SAY SHE IS MALLIKA E HIND 😆. ITS ACTALLY FUNNY WHEN JODHA SAYS - YE ZAMEEN UPAR WALE KI HAI - I MEAN REALLY??? 😆


AND YES THE JALAL - BAIRAM KHAN SCENE WAS JUST TOO SUPERB. AND YOUR DESCRIPTION IS SO COMPLETELY APT. AND MAHAM, WHAT CAN I SAY, WALLAH!!


FOR ALL THAT KHAN BABA DID FOR JALAL, HIS MINOR TRESPASSES AND LACK OF THE ABILITY TO ACKNOWLEDGE THAT TIME HAD COME FOR HIS PROTEGE TO TAKE OVER, COST HIM DEAR, AND ALSO COST JALAL DEAR


IT IS A QUESTION TO PONDER OVER THAT IF BAIRAM KHAN HAD DEFEATED MAHAM AT THIS STAGE, WHAT WOULD HAVE BECOME OF JALAL AND THE MUGHAL SULTANATE
Coolpree thumbnail
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Posted: 10 years ago
#30
Hello Shyamala, I hope this font is better😉
This post of yours had me amazed! First the emotions conveyed in the Jalal Bairam Khan Final scene and then the rest of the post which had me in splits 😆
For your take on Bairam Khan/ Jalal scene: I read the lines below several times unable to believe how beautifully you have expressed yourself

" Jalal and Bairam Khan in a tight embrace, silhouetted against the sky. It warmed my heart as nothing else in all these nearly 5 weeks of Jodha Akbar, for in one fell sweep, it blew away the miasma of siyasat, of power gained and power lost, of cynical games played with the lives of others. All of that will undoubtedly return, and in force, but for this one brief moment, the air was pure and fresh, and the heart prevailed"
Who writes like this anymore Shyamala? You belong in a writers guild my dear.

You have described the Bairam Khan epiphany well but I could not muster any sympathy for Bairam Khan and really cannot see from what angle he was being loyal to the Sultanate in the Takathmal murder. That murder scene turned my stomach. If what Farida did was a state crime punishable by death then surely what Bairam Khan did was beyond the pale and amounted to treason. The implications of this murder could be very significant. Imagine how this would make the Shehanshah of the Mighty Mughals look in front of the Rajput kings he was trying to subdue and engage. It was as if the Emperor was not a man of his word and worse was a coward who struck from the back ( strictly against the Rajvanshi code of warfare). I think Jalal was being rather lenient with Bairam Khan. No matter the epiphany of Bairam khan he should have been brought and sentenced in the DEK... and yes more than Farida, I do think he was more deserving of the death penalty.

Now for the funny parts: uff your take on Hamida and her " Saridon ad expression" and then Humayun/Hamida love reference had me in splits 😆

The Two portraits of Jodha 😕...I chuckled over your bad attack of mumps description. But the Shamsheer wielding tigress portrait was even funnier. Poor Jodha Begum😲!!

The Piece de resistance was the Question of the day: A pertinent one but " yeh hindi TV serial hai...thoda latitude to dena padega bhai 😃" Nimbus 2000, really Shyamala😛. As a fellow Harry potter fan, I remember all too well the inglorious end to the Nimbus 2000. So I could not shake off the visions of Rajkumari Jodha coming hurtling down from this infamous broomstick into the jungle ( and onto the deer) while the glorious Nimbus 2000 goes crashing into Ruqaiyya and meeting its rather inglorious end!!😆

very enjoyable post...thank you

PS. this is in response to your previous post: you embarrass me by apologizing about the Lucretia Borgia issue and I can never accuse you of any intellectual dishonesty dear. Both women were notorious for their cruelty and your comparison of Maham to them was not careless at all. I am in awe of how well read you are and have to admit that some of the works you mentioned I have not personally read. Loved your take on Catharine de Medicis and agree with you in toto.

Edited by Coolpree - 10 years ago

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