Originally posted by: sashashyam
You know, Meghana, it is not quite so bad as it looks, and our medieval Rhett is not going to become the Manav of Jodha Akbar. Let me give you my take on this and see if you agree with it, even partially. And forget the incurable romantics in the forum.
Methinks the real key to Jalal's behaviour with Jodha - during the tent squabble, after the snake episode,and at the dargah - lies in his perception of their shared sense of being rootless and not belonging anywhere, and having no one who really cares for them, that he describes the other day, ostensibly to Mahaam, but really to himself and perhaps to an invisible Jodha.
Because of this feeling of kinship, and because he thinks he can understand her hidden desperation that surfaces in illogical and immature reactions, like an obstreperous child having a tantrum and drumming its heels on the floor, he goes the extra mile, not to be provoked into retaliating in kind, and being accommodating with her.
That is why, as I hope to bring out in my post on yesterday's episode as and when I get that done, he lets Jodha down so gently after the snake episode, helping her recover from her acute embarassment by turning it into a joke. The sarcasm is there, but it is not bitter, for all that he does show how much her accusations hurt him - kitna kuch suna diya.. roz roz marte hain..
She is not of the same mettle. I would have been pleased and impressed if she had immediately apologised, without any holding back, for her folly. But she lacks the grace and the sensitivity to do that. She is preachy and self-important, and the Mohan episode should hit her hard where it counts, or so one hopes. But despite all this, he has succeeded in making her feel guilty and ashamed of herself.
To revert, that is also why he guides he so gently in the mazhar, explains, with a little pause while he searches his memory for the right word, that what he is asking her to eat is the prasad. It is why he prays for her wish to come true and tells her so. It is his territory, he belongs there, but for her it is strange and he wants to make sure that she is comfortable.
He also wants her to feel comfortable with him. You know, while it might seem that the reason for his making her accompany him on the hunt is to get back at her by scaring her and harassing her, is, I think it is more of what I noted above, trying to get her used to being with him,even if she cribs and nags at him non stop.That he why he teases her to talk with him, so that interactions between them become commonplace, and do not seem strange and awkward. When it gets to be too much, he shushes her abruptly.
In fact, as you yourself have noted, the whole build up to the shikar is vintage Jalal, but without any hostility as of old.
It is not love. It is more that she is a challenge of the kind he has not faced till now. He tackles it the way his Khan Baba has taught him. When a straight on attack does not work,then you adopt salami tactics, fine slice by fine slice.
In the process, he will find that she has, with all her follies, her pigheadedness, her self-righteous bhashanbaazi, insinuated herself into his being, so much so that she becomes indispensable to his comfort.
Jodha is a very warmhearted and good girl, but she is opinionated, unyielding in her prejudices, and with no understanding of anything beyond her Amer. It is like a frog in a well. She has no idea of the complexities of an empire, and worse, has no desire to learn either. She has been spoilt by her whole family and told constantly that she can do no wrong, and here in Agra, Hamida spoils her even worse. No wonder she is the way she is.
It would do her a lot of good to fall helplessly in love, and have to try and win over the object of her affections. I hope this happens, in the sense that she discovers she is in love with him before he discovers that he is in love with her. It is not impossible, for he will interpret his soft corner for her as due to the kinship of ek hi kashti mein sawaar hone ki. Let us see!
Finally, his stopping Jodha from donating her jewellery and giving his, right down to the shahi pagdi, had nothing to do with his wanting to please Jodha. He was being the Shahenshah, which is something that pervades every cell of his being at all times, and a Shahenshah has to make these grand gestures, and make them exclusively. He asserts his pet prejudice that his begum should not strip herself of her jewels, and shooes Jodha off abruptly without a word of explanation, but he gives that explanation to the fakir.
This fetches him the unexpected bonus of warm praise from the guardian of the dargah at Ajmer Sharif, for having come so humbly, like a common man, without his shahi pagdi!
As for the sufi scene, they copy the film assiduously, so it is no use complaining about it!😉 At least it was very brief, and the still beatific look on Jalal's face was very expressive.
Shyamala
24