Blast from the Past Thread #16, pg 128, epi 180 - Page 33

Originally posted by: ArshiHamesha

Thnx wiwy...🤗

Thnx for all the hugs and claps and stars...I don't think I deserve that much.You are making me humble.🤗

I totally write here on our Thread,hardly put anything on IF main forum...If it's fine with everyone then I will do it...No problem.

Thnx ❤️

Originally posted by: indi52

teri meri meri teri prem kahani hai mushkil...
do lafzon mein yeh bayan na kar paye.

what if words were never needed... and wasn't it always a dance?

episode 170

exactly when did sensuous become sublime? or was it that from the very beginning, from the moment a beam of spotlight picked up a lithe man in blue black, standing still as though in prayer.

have seen this dance again and again... every time it has held me spell bound. a stylised version of the tango it seems to be. the body language is all about that gaze unflinching and a very close embrace. even when they are apart, the eyes never let the other go. locked in each others arms and gaze, they spin, twirl, rise and fall through space, outside time, an island in an unknowable world, that may be reached only with the emotion and what nurtures it... spirit.

his face was averted, still. a breeze lifted a few strands of hair, he seemed to be waiting for a sign. it came, she heard the unexpected applause and turned, the light shone on her startled eyes. the song with heart beats at its base entered in triumph... dhak dhak dhakdhak, under the hey hey i could hear the repeated pulse.. a throbbing in it. he turned his face toward her, what oh what was he saying with that expression, those glittering unmoving eyes. i had never seen that look before. quiet, dark, intense, concentrated, and completely giving.

his gaze seemed to travel the distance separating them and caught her in a warm embrace... i am here it said. it seemed to say more... there's nowhere else i'd rather be. i am here... hamesha. for you. teri meri meri teri.

why did i feel this? was this the intention of the director, the actor, or was i over reacting, as always a little goofy around barun's asr? but i knew it was really as i saw it.. as it felt.

arnav singh raizada could never stand by and watch while she was in trouble of any sort... unless of course he was creating it himself, because maybe his instincts always knew this girl with a funny plait was trouble in all caps.

the very first time they laid eyes on each other, there had been recognition of some kind. his arms had reached out instinctively to catch her, a stranger that night of sheesh mahal. and each time then onward, he'd been there to protect, to save, to hold, to never let her fall. he had let her drop below from his office one time though, but the conversation leading to that moment had a lot to do with it, and he had made sure she had a soft landing... not that that made it ok... but even the leaving of her hand was really in some ways an indication of this woman's power over him...

how we writhe and try to free ourselves when we first feel this power of another over us. as though it will swamp us, we'd submerge... die. the ego can't take it, it fights back... it needs to flee to a safe place, fearing a complete take over, quaking at the thought of being utterly vulnerable, helpless before another. we draw away instinctively, we defend with every weapon we have... indifference, anger, ridicule, outright offence. love is akin to hate comes into play and a million mills and boons get written... we laugh at these silly books, never realising it has a sound idea at its core.

the love that we so idealise and want, interestingly, when it comes, we are more often than not terrified of its grasp on us. our gut senses danger and hits out.

till we let down our guard, let it in and are willing to surrender to it.

completely.

and perhaps with that one act of submission we make the animal and present, spiritual... transcendent. the sensuous, sublime.

she would reach this point in a darkened farm house one night, alone with him. but he seemed to be doing so right now, in front of the whole world, on stage, under a spotlight. all he can see though is her... trouble in her eyes. and he is here in complete submission to a feeling.

so it seemed to me.

yes, his dil hadn't heard his dhak dhak, it was still to come and connect it to that "khushi" which rode his breath. and sure his dimag was struggling. but not his instinct, him amygdala, his gut... they knew what everything else would register a little later... like the streak of lightning that can be seen before the sound of thunder is heard.

this was the magnificent submission of arnav singh raizada to his love. that was all. this perhaps is what made a mere dance choreographed to a fairly filmi number into something beautiful, pristine. it is hard enough to take things to the sensuous pitch of the dance i saw again and again, and to watch an actor of the idiot box go all the way to pure spirit with it... ah no wonder i had to see it one more time.

she was puzzled at first, then came his gentle float toward her... i am not a lover of this oft used slomo device... but somehow in this context it felt right... suggested an almost ethereal part of him moving toward her.

months later, in captivity, when this same song would bring them together in a haunting reverie, we would see this expressed in the more conventional way. his subconscious, his essence, call it what you will would rise from his broken beaten body and look resplendent in billowing white as he walked toward her.

but tonight there's no need for any of that, all is in the stance of this man, that slight slouch somehow adding to the beauty of his posture, it's in his every move, his grace, his touch, his gaze and how she senses it and gives in.

trusting. believing. letting go on him. take me down. raise me up. i am yours. even if i don't know why. i am scared. i am perplexed. yet i know you are mine and i want to let go on you. only you. teri meri meri teri.

his gentle smile as he asks her, it's the last performance, won't you complete it. the gentleness on the second part of that statement has her looking at him in wonder. is this him? is this you? she's shaken. perhaps even more by the look in his eyes... she can see the adoration there. and she can't believe it, for has anyone adored her like that, in the pit of her stomach it seems to hit her.

he had to had to win. yet here he is, making her complete her performance. he wants to see her win. when we cross the final border, the last frontier of us, me, the self, and walk over it with no regrets... for the happiness of another. isn't that somewhere really truly love? selfless, because at that point you don't consider your feelings, that in their winning you'll feel a sense of victory... all you want to do is make the other one's moment perfect... that they may win. they may smile.

how sensuous and inviting is he as he walks past her and behind, but eyes locked on her, tied they are this moment on to each other.

and on the other side, as she stands somewhere between nonplussed and enthralled, he reaches to pick up her hand with sweetness.

and then a tug.

enter rhythm, tension, unseen but ever present tie never breaking, no matter what.

teri meri... she sees him singing as he pulls her into the first wild twirl. her hair steams out flying wanton. do they reflect the state of her heart her desire? she's shocked. what is he doing? surely not he? he gives her no chance to enter that emotion, instead, "do lafzon mein yeh..." and he falls away to one side taking her with him, it's a precipice, see, come with me... fall. his hands firm on her, she goes down looking into his eyes, trusting. just trusting him despite all.

that same gut feel... this man can be trusted... he will be there. his eyes stay riveted on her face, even in the silences, the pauses between moves... no pause in the feelings, in the wanting, the needing, the giving every bit of him.

"ek ladka aur ek laki ki yeh"... a quiet turn then she reaches behind him to hold closer and pull him to her as she bends backward... however mushkil, difficult, this tale, one thing is simple... he is there for her and she can go where she pleases, he'll get her back.

she's swinging all the way down to the floor almost and he picks her up, strong, graceful, no strain... flowing together, ocean and shore, now apart, now close, ever together.

a little calm and a sudden push in by him... "sara din beet jaaye"... i watched how close his face thrust toward hers, his lips on her flying hair... had i ever seen any man get that close to a woman? yeah lots of sex and mega kissing scenes in what we see... but this? this was sexuality of another sensibility altogether, uff the need in the thrust and swing toward her... and then the possessive lover's touch. i give in... won't you? aren't you mine? no permission asked, his brown large hand slides across her bare waist and covers her stomach, her navel and settles their with full right... a gesture so intimate i couldn't believe i was seeing it... the navel. at one end of the kundalini, isn't it? where desire sits coiled, and also transcendence? over that he makes his claim... and pines... "saari raat jagaaye"... makes me stay up the whole night, this not getting you, not having you. you... you are mine.

what would she do i wonder as his dark arm stretches against her gleaming pale ivory skin, and the green of her sari highlights the white of her bareness. desdemona, othello thinks a part of me. and then she lifts her hand and covers his, not to push him away, but to guide him and hold him there. there is ecstasy in this moment.

"bas khayal tumhara... lamha lamha tadpaya"... tadap, a seething suffering... it's there in his face as he yearns for this woman holding her hand gliding toward her, letting her sink into him. this was beautiful lovemaking going on in full view of astonished and entranced viewers. no shame, no demurring... teri meri prem kahani. a love story between two people who of course hated each other. she let her fingers linger over his cheek a moment after his hand had left, her body delighting to his rhythm his dance...

she looked on mesmerised... unprepared for this deluge of feelings, those coming from him and those rising in her.

i watched as his eyes never ever left her face... her. his hands held her close, there was no choreographer's teach in some things, the way his hand pulled her that extra bit in, or came up to support her even when it was not quite in frame... felt like this man really wanted to hold this woman. and he would always be there.

"yeh tadap keh rahi hai mit jaaye yeh faasle tere mere darmyaan jo hai saare"... the most beautiful plea, lifting her onto him, his face turned skyward, a top shot, his eyes closed, he circles as though in supplication to all up there... erase this distance, every bit of it, that is between us, that is what my suffering asks... let all the distance go.

many of my edits were made from an sbs segment shot during the actual shooting of these scenes. the expressions on barun's face... they make me believe such a love can exist. again, an apt interpretation of character. asr is a large bold character... his emotions are full, generous, mighty, they care not for limits, brimming over... hate, love, laughter, sadness, whatever. when he takes he will leave you bereft. when he gives he will hold nothing back. and tonight he is here to give her all of himself. his heart his soul laid bare before her. i belong to you... belong to me, he articulates with every move.

take me... do as you please with me, he seems to say. i wonder if she hears or is it all a bit too much for a girl herself in the throes of conflicting emotions. plus that physical molest by shyam. her hair flies, her eyes search and sometimes look down. shy? or maybe the passion in them embarrasses her. oh she wants him no doubt. yet... "ik duje se hue juda jab ik duje ke liye bane..." she walks away, and for an instant he thinks she's gone... yes that is the kahani of their lives. his hand lifts, his brow furrows, come back, his body seems to scream, i can't live without you. i can't breathe.

she is back and together they stand, staring into each others eyes... so close, so lost, a knowing there i glimpse... he's again still, her eyes seem to search... then a lovely pause in dance, a return to reality perhaps and disconnect. neither seems to know the way forward... for quite a while after the terrace they didn't, all of that perhaps in that almost casual instant...

but soon beautiful choreography comes in, they are floating away on the wings of a feeling... they align one behind the other, and in synchronised motion their arms do a graceful balletic wing like arc. swan lake... two beautiful swans, one dark but prince really, the other ethereal princess, gliding over a lake. the elegance of these moments... he reaches up at an off beat cue and clasps her hand, drawing it close... and leans forward just a slight bit to see her face. the movement continues without pause, his other hand supports her head as she falls backward again... and this time it is down down till she's almost on the floor and back they come up in a fluid wave. these are not trained dancers apparently and one of them is convinced he can't dance.

teri meri meri teri... the refrain fades as she walks away again. and when she turns, it is their song.

hey hey. hey hey hey hey.

the dance was designed in two parts it seemed. each with its story, its purpose, its essence.

if the first part aroused the senses to touch the spirit and spoke of a submission that left one breathless; while the thrilling lines and energies of two near perfect bodies hypnotized us and sent us on a spin to search our own souls... in the second, i heard their story from the day they met to this moment... and realised this was much much more than cool dance design wherein similar moves from their life were being matched or contrasted on this floor. i felt two things equally and both had tremendous significance.

but first the sequence:

hey hey... they are looking at each other, eyes deep in so many feelings... and she falls into his arms... their first very first meeting is here

on the floor, she walks toward him and he her...

while in another place he is walking away from her after tying that bandage and saying never ever would they meet again...

they meet at the centre.

he turns, she's standing with his key held out, he doesn't reach for her hand...

he stretches out and holds her hand and she twirls in. the lights are dim, there's a redness in the frame, her hair is auburn as it flies.

he whirls away with her in the rain of that torrential night, just focused on saving her from a car when it was he who'd inadvertently left her out there to get drenched.

she spins as he holds her hand high up, round and round she goes and her hair dances free, her bare white back light against his dark brownness, the red of the lights...( just for this portion he is in galaband again... what was it? a mistake? a little fey touch... what.)

he lets go of her hand in his office and she falls...

he holds her as she bends keeping her safe...

she's lying prone in his arms at the guest house, the night he'd called out her name that very first time, and felt a desire to touch... to stroke her innocent skin...

she spins away as he holds her hand above her head... a fairy tale like dance movement, the prince and his princess.

he twists her arm and drags her close to him, the day he was so angry for she'd said he was of loose character.

she pirouettes in the opposite direction...

and strands of delicate fairy lights are coming off a girl looking tremulous, a man feeling sensations he can't name.

he holds her hand and she looks at him...

and remembers how she'd needed him in that tense hospital that day, running to throw herself at him... he hadn't held her back.

but today, he is here, fall on me... i am here, i will be here always...

he bends her back...

and there he is holding her hand as she's about to fall in the temple. teej, when he'd quickened... galvanize... to save her, not asking himself why, just a compulsion... always... from the beginning.

he again lifts her up in this ballad like dance of theirs. she's feeling him, she's wanting him back in return, it perplexes her this emotion... but the gaze... what's in his eyes... she is held by it.

she turns and leans back onto him, her head against his shoulder, an embrace from behind, barriers are torn as they let the feeling encircle them, his arms tight around her, she holding on... eyes closed... here in your arms is peace. a moment holds still.

he opens his eyes, and again looks at her face. he wants to see her beauty, he wants to revel in her, he wants her to win... rabba ve...

she turns and looks again...

and between them a memory... her hand slips into his, the rings of diwali are here... chakravyuh... he's leading her out of it, holding her hand most tenderly...

he holds her hand and she falls back, knowing he won't let go... when she returns... she watches him intently and he's about to kiss her. it's the night that passion had flared uninvited and he'd had no idea what to do with it. how hard he'd fought... how much pain he'd had to give in order not to surrender. not to submit.

yet here he stands now. never flinching, never turning away... the dance comes to an end, and they stand entwined, immersed in feelings, no one said a word... yet...

then came the applause, and her walking toward it. while he stood there watching with a proud little almost smile, the eyes gleamed.

the two things this portion said to me: it was all along a dance really. their whole story, a dance of mating, and beyond that.

and with his actions he seemed to start communicating things he'd find words for much later... ranjha would tell heer, "jab jo bura kiya uska koi matlab nahin... iss pyaar mein sahi aur galat ka koi matlab nahin... bas ek cheez ka matlab hai... ki main.. hamesha.. hamesha... tumse..."

asr had started crossing the barriers he'd created, he was here to give in.

and had events not taken the turn they did... that is where he was inexorably headed...

this submission was perfectly placed in story. he had to feel this pull, this power and his need to capitulate. then recognise it with his mind and heart, be all ready to act consciously... only then would the terrace drive him to the point it did... and yet, he would never be able to let her go, hurt her beyond a point. because he was already surrendered to the one he would love, hamesha.

and as he'd drag her up the steps of the temple, as bells would swing freely and without a care like her hair does now, as lightning and thunder would rend the night, deafen the skies, their dance would continue.

teri meri meri teri prem kahani hai mushkil...

an underlying song through it all: i can't help falling in love with you... take my hand hand... take my whole life too, for i can't help falling in love with you...

Originally posted by: indi52

thanks, wiwy... 😳 🤗

thing is, even after writing for almost 7 hours, thinking rethinking editing, getting stressed out, don't think i've touched the real soul of it quite fully... one can also write much on the outer physical dimensions of it... the wonderful thing was every time i had a doubt i watched once more... of course thanks to sta plus and youtube it was impossible to find a really clear hd version... but even i low res the sheer ethereal feel stayed intact... and the burning sensuality at the same time. quite a naach and aftermath. thank you tonnes for what you say.

and arshi... pillleejh put it up on the forum if you want to... no need to seek consent... aap hi ka teri meri hai... 🤗

Originally posted by: cinthiann1758

1. Disclaimer: I would like to acknowledge that all my translations have been found on You Tube Videos translated by Alexa. All credit of translation and my interpretation of her work is acknowledged. All work I consider to be my own with the help of the translation. If work is used please credit. Thank you all for reading!

'

Episode 171

Everything has Changed

All it took was a dance, a rhythmic movement to a melodic song about love, for everything to change.

Some think Arnav's drink was laced with some alcohol or something, why else would he help the competition?

She doesn't even understand it and tries to tell her sister such but alas, it is not Payal who entered the dressing room but it was him, Arnav. He is leaning on the wall, looking all sexy and relaxed. As he walks over to her like a predator, he asks her why has she stopped if she doesn't care? He wants to know why is she so scared? He won't eat her up. He asks her why does she always step back and she says because he always comes forward. He also asks her if she will thank him for dancing with her although not to her tunes.

She thanks him and with authority over her he tells her to hurry up and come downstairs everyone is waiting for her. He goes to leave turns around walks towards her and removes her hair clip. Her hair cascades down her back. Now it is okay and btw this color looks nice on you. His attitude has changed and her heart is a flutter. Dhak, dhak. Oh what he does to her!

So much attention he pays to his Khushi. The performances are over When she enters the atmosphere has changed, rather light, fluttery, and a cosmic flirting is in the air. He motions to her that she has lost an earring. How did he notice this? and the results are in, the Gupta family has won by one point and Khushi receives the statue of Shiva. Arnav looks on , his eyes intensely aware of only her; he seems happy after all he helped her to win and they scored the perfect 10. She is aware of his gaze, she realizes what he has done for her. Everything has changed.

The evening is over. Buaji has had her revenge on Manorama with her blackened cheeks. Khushi has placed her winning trophy next to Devi Maiya and as she is reminiscing about her dance with Arnav. Her sister sees her in a trance and asks her, "What are you thinking?" Khushi's trance is interrupted and slightly embarrassed by being caught thinking of her intimate encounter with arnav she makes up something. She was thinking about the acceptance speech she should have said. She proceeds to act out her speech. Payal asks her when she is done what about Arnav? Khushi gets irritated and says why should she thank him she would have won the trophy are her own. He always interferes. She says she will bring the jalebi into the kitchen.

She takes the trophy instead of jalebi and while looking at the trophy thanks Arnav for helping. She says this with such a sincerity and before long her heart... dhak dhak. He moves her so.

Shyam releases the scorpion and his plan backfires and lands on him! Arnav puts Di in his room and insists the next ritual will be at their house. No exceptions!

Everything has changed.

Originally posted by: ..Anita..

Episode 165

Bua ji gives the gift to Shyam reluctantly and he is like thanks a lot for this gift. The Guptas Acknowledgement without letting their distaste of the man visible and they ignored him. Bua ji proceeded giving the gifts to rest of the Raizada (I know Arnav was not there at the scene but what did they give him and he did not leave the house with a gift either). good point Anita. I hope it's not a fire extinguisher. 😆 Mami sees her gift, which is a jewelry set, and she said that the gift they gave is so light that it will fit in her handbag and everyone around there feels bad and gives each other awkward looks (seriously they should just duct tape her mouth when she is out, she says things that you shouldn't say, she has no manners despite being a high status bahu that she brags about).she is very uncivilized. I also wonder why the Raizadas don't restrain her for being so mean. Nani makes the environment light by saying that she liked the sari that was gifted and she thanks the Guptas. A smile on the Guptas reappeared after Mami ji's comment (these poor (not talking about their status) people worked so hard to give those gifts and thought so much on what to give them but one comment by Hello Hi Bye Bye just spoiled everything). very good thought Anita. Anjali also says thank you for her gift and Mami ji sees the Pooja thali in Anjali's hand and she makes the fun by saying they have a lot of plates at the RM. Bua ji replies her back and says it is a pooja thali with DM's blessings and Anjali tells Mami to stop kidding awkwardly (poor girl is in an awkward situation, she cannot be rude to her Mami because well she is her Mami. Also she feels bad that the Guptas are being insulted for a thoughtful gift...she does not know what to do or say without hurting their feelings) and she likes the thali. (I would like to say that I really like the expressions Shashi was making...I know he cannot talk or move but you can truly see the sadness on his face).

Anjali is a sweet girl. Poor she, didn't get her deserving happiness in life.

In the Kitchen, Khushi tells Arnav that money can't buy everything like dancing and for that you need talent (that is a good point but he could hire dancers and make them play their other cousins/ distant relatives but that is cheating...Arnav would never do that). He asks her if she loses then what she will do and she says she will do whatever he says. Arnav tells her that she will repent for this decision and Khushi being the stubborn girl she is says that she has given her words. Arnav says that he will talk only when she will lose the competition. He asks her again if she will do anything and she says that she will. Khushi asks if he loses then what will he do. He says that he never loses as he makes his own destiny. She says that Arnav has a big ego (well duh you are the one who experiences that the most...why is she surprised). Khushi taunts him about him seeing her at midnight when he said that he won't, about him saying that he will fire her and still he hired her, and uninviting her for his party when it became entertaining when she came. Khushi sarcastically compliments him on the good job he is doing by writing his destiny. Aranav says he will do whatever she says if he loses. Arnav puts his hand out and said it's a deal. Khushi seems hesitant to shake his hand but she does.

credit to the maker

Then you hear Nani scream MANORAMA!!! (a little too late for that...she already said a lot of mean stuff). ArShi quickly leaves the kitchen to see what is going on.

Mami asks Anjali to show her the thaal. Mami said that it looks familiar and then she says that she gave the exact one to HP for some holiday. ArShi now come to the living room. The Gupta's feel very humiliated (I feel bad for them, Mami is just fretting because they got more importance and respect than she has ever gotten. Like I said before you have to earn respect and not demand it by belittling other people or reminding people of your status). 👏 Nani tells her to stop (Why bother, Mami never listens to her MIL unless she is threatened with something). Akash can't see Payal sad and takes the thaali from his mom. He tells mami ji that it's the best gift for Anjali since she does poojas and she will definitely do pooja with this thaal from now on and Shyam adds that Anjali will welcome Payal with this thaal only(Well at the moment Akash is keeping the promise he made to Payal, that he made in New Year's. As for Shyam, he is trying hard again to make it in the Guptas good book to get Khushi). good observation. i liked Akash here. But I hated Shyam even more for his shenanigan. Anjali says that she likes the thaali very much. Akash points out that the thaali has a sterling ceritfication and Arnav adds that the company is known to make superior quality silver. Snake is staring at Khushi (such a creeper). The Raizadas get up to leave and Payal takes their blessings. They leave and Payal waves bye to Akash shyly (these two are getting married in a few days and there are still stuck in school kid romance phase, learn from your siblings). I guess school kids are much more bolder than them. Khushi tells Aranv that they will meet tomorrow. Game, Set, Match. (i noticed mama ji was not there...i might have not noticed him but i am pretty sure he was not there...he was suppose to leave with them but i guess he had some work to do)

good observation Anta. Mamaji vanishes a lot.😆

Khushi and Payal are looking at the gifts the Raizadas brought and Payal is said that the gifts are very expensive and in return they gave cheap gifts (gifts given with love are not cheap gifts). I also think so.Then Khushi tells her not to look at the bad things look but at the good things: Like how Akash supported her by not insulting his mom. Then Payal tells her not only Akash but Arnav also helped. Khushi tells her not to compare him with Akash because Arnav just talked about the company as if he is planning to take Mami ji to the company (Khushi is thankful to him deep down for saying that the company is well known, but right now the competition is on her mind).
Khushi says that she has to call Sarita and Preeto for preparation. Khushi tells Payal to sleep early because the sangeet competition is tomorrow and Payal asks if she is okay and she tells her not to take this winning thing so seriously. Payal jokingly said that she is taking this so seriously that her losing is some sort of punishment. Khushi says to herself if she loses then it will be worst punishment for her.

Shyam enters the RM with a container in his hand. He asks HP where Anjali is and he tells him that she is there in the hall then he looks at the container with wrong intentions (what does Shyam have up his sleeve?? How is he planning to kill his RS).

There Raizada boys comes down the stairs looking hot, dashing, and cute (each words describes on of the Raizada boys).👍🏼

credit to the maker

Anjali (i will rant about her hair in the episode 166, it always bothered me) true, her regular hair style is much better. The spiral didn't suit her. says that they are looking so smart (Koi Nazaar Na Lage). Mami says that soon her only son will be soon leaving her (well they will still live in the same house, it's not like she will not see him...but I get her feelings) and Nani says that she now knows her pain as she snatched her son from her. Mami ji was like what??? And said some other stuff too. ArAsh (that was the top choice for combining Arnav and Akash) and NK come down and nani showers her love on them. Anjali seess shayam coming and she asks him to join them and he makes some excuse of drinking water and she asks him what he is holding and he tells her it's some sweet that a client gave him and he goes to the kitchen to work on his evil plan. After he leaves Anjali does the aarti of Akash.

Shyam puts a scorpion (shouldn't there be some regulation of getting a poisonous creature) in the mithaai box. He said that he will take her upstairs (literally and figuratively). Mami is crying (it is not like her son is leaving her but she will lose the power she had on her son) and Anjali tells her that they will have so much fun during the sangeet and Shyam hears this from so far way and says that if someone dies there can't be a wedding and he keeps that box down the table (you know someone is going to tamper with that, he should have kept it in a safer place). I also found it dumb. why the smart cookie Shyam put the scorpion in the kitchen, where they are having a party in the house. It was really silly. NK comes and tells him that everyone is calling him for the photo session. The family is lined up for the picture and Shyam is looking at the direction of the kitchen to make sure that the box is till there. Anjali see this and tell him to smile for the picture. Arnav is not smilling and Anjali tells him at least smile for the picture. Anjali says Papud Ka Tukda, Jab Dekho Urkha Hai (I probably just butchered that spelling) and he smiles!!!!!!! Raizadas have photo session while the servant is organizing things and finds that box Shyam messed with and takes it from there (Shyam will freak out for sure).

After photo session, Arnav tells NK that they Have to, Have to win at any cost. NK is like okay, kind of confused by this sudden change in Arnav. ANjali comes there and teases him that he is saying this just because Khushi agreed to the sangeet and Anjali teases him more and he gets irritated and leave. Anjali jokingly tells Nk that they have to, have to, have to win. (Anjali likes this change in Arnav, even she knows he does whatever Khushi says but Arnav is too stubborn to realize this).

Shyam is trying to find the mithai box with the scorpion but cannot find it. He asks HP where it is. But HP said that he was taking the pictures so he does not know. Shyam is tense. Someone comes and taps him on the shoulder, obviously Anjali. Will Shyam's plan fail????

Originally posted by: sohara

indi, I read it thrice, but still I couldn't high lighted any lines. cause the whole take was breath taking.

ArshiH's analysis made me spell bound and your analysis made me dead.

i can see how deeply you perceived Arnav and Khushi's epic ter meri moments.

It is your deep insight that made you expressed every single moments so articulately.

As you said it was more sensuous than any intimate love making scene. Truly nobody can match Barun and Sanaya's sizzling chemistry. Like the song I have to say for them

"ek dooje se hue juda, jab ek dooje ke liye bane."

Gosh, my heart longs to see them together again. they may also don't know how perfect they look with each other.

Originally posted by: sohara

Episode-170

Khushi's partner Sarita didn't show up. Obviously she is in tizzy. She fell in the quagmire of the situation. She is convulsing if she loses what the laad governor will make her to do. Payal is trying sarita's number, but she is unavailable. Arnav is also tensed to see her pensive state. He was desperate to defeat her, but he also can't see her to lose. Pyaar jo karta hai, bohot sara. Anjali doesn't want to wait any longer. Her devil pati 😡suggests Khushi to choose a partner from her enemy side. Gosh, did he think that Khushi would choose him! 😡 Khushi perturbs to hear his words. It must be pierced her like a nail. She recollects how he manhandled her a while ago. Both of the families are panicked for Khushi. Anjali goes to her and asks her does she want to wait. Arnav also can't see his girl in a impasse situation. Nk is feeling sorry for her as well.

"it seems like she won't be able to complete her performance today."

Nk's words embroil Arnav more. When NK turned his head to talk to him, Arnav is nowhere to be seen

Khushi is upset still standing on the dark stage. Suddenly the light spots on her, and another spot light on a silhouetted figure who is standing a little far from here. Everybody get flabbergasted to see the other person on the stage. It's Arnav. Khushi's countenance reflects the maelstrom of conflicting emotions and perplexity relentlessly beleaguering her heart and mind. There is eerie of silence everywhere, but the air speaks volume of emotions. Arnav speaks to her acquiescently

"tumhara akhiri performance hai Khushi pura nahi karogi?"

(your last performance Khushi, won't you complete it?

Did he just surrender to her? did he just want to say by his assenting words that when you are in trouble, no matter what I'm with you. Arnav literally came out from his confinement, like the spring bulbs what remain dormant deep inside the frozen earth for an endless winter. 👏 👏 👏 👏 👏The dark winter of his life is gradually evanescing and the incandescent sunshine is welcoming him. and the sunshine is no other but Khushi. She gazes up at him with her inside melting at his words and a mlange of confused, chaotic thoughts are running through her mind. He wants to ensconce her from all the harm, he wants to stand by her side to cross all the hurdles, he wants to vicissitude her fortune forever. His first feelings of love for a girl, what he wanted to buried inside vehemently are now spurting out without any hindrance

The crowd cheers them with clap and their families all are stupefied to see him on the stage.

And the music starts to play.

Teri meri, meri teri prem kahani hai mushkil

Do lafzon mein yeh bayaan na ho paaye

Ik ladka, ik ladki ki yeh kahani hai nayi
Do lafzon mein yeh bayaan na ho paaye

Yours and mine,mine and yours love story is difficult

It cannot be described in two words
This is a new story of a boy and a girl
It cannot be described in two words.

Ik dooje se hue judaa, jab ik dooje ke liye bane

Tumse dil jo lagaya, toh jahaan maine paaya
Kabhi socha na tha yun, meelon door hoga saaya
Kyun khuda tune mujhe aisa khwaab dikhaya
Jab haqeeqat mein usse todna tha

When I gave my heart to you,I conquered a place
Which I never thought I would,because it was at a distance of many miles
Oh God why did you show me such dreams?
When in fact it was to be broken?

Ik dooje se hue judaa, jab ik dooje ke liye bane
Teri meri baaton ka har lamha sab se rangjaana
Do lafzon mein yeh bayaan na ho paaye
Har ehsaas mein tu hai, har ik yaad mein tera afsaana
Do lafzon mein yeh bayaan na ho paaye

In one second we both were together,though it was meant only for one second

Every second of our conversation was the most colorful of all
It cannot be described in two words
In every feeling you are there,in every memory I desire for you
It cannot be described in two words

Saara din bit jaaye, saari raat jagaaye
Bas khayal tumhara, lamha lamha tadpaaye
Yeh tadap keh rahi hai mit jaaye faasle
Yeh tere mere darmeyaan hai jo saare

Every day has gone by,every night spent awake
Because of my care for you,every second I am suffering
I am suffering,let the distance
And all the other things standing between us vanish

Ik dooje se hue judaa jab ik dooje ke liye bane
Teri meri baaton ka har lamha sab se anjaana
Do lafzon mein yeh bayaan na ho paaye
Har ehsaas mein tu hai har ik yaad mein tera afsaana
Do lafzon mein yeh bayaan na ho paaye

In one second we both were together,though it was meant only for one second
Every second of our conversation made me unaware of the surroundings
It cannot be described in two words
In every feeling you are there,in every memory I desire for you
It cannot be described in two words

The whole crowd watches the sizzling sexy dance performance of Arnav and Khushi. Didn't the song just made for them? It is song from a movie of salman and Kareena. But for teri meri, Salman-Kareena don't even exist for me. This song belongs to Arnav and Khushi.only, bas. it was not just a simple dance, but the journey so far from shesh mahal till today.

credit goes to

http://lyricstranslate.com/en/teri-meri-rahat-fateh-ali-khan-shreya-ghosha-yours-and-minemine-and-yours-love-story-difficult.html#aR2Xha7A2w3klXli.99

A microcosm of emotions and sensation inhabited by just the two of them, causing her heart to lurch at the sheer enormity of his passion. He lifts her as she is weightless, he cares her as he longed for this moment, he touches her sensitive parts of her body as if she belongs to him. he glides her down horizontally with the ground, but never let her fall. He swirls her vehemently, but catches her even with a strong grip. He sways with her rhythmically like ocean's wave. isn't Arnav the ocean and Khushi is the happy waves! They implicate with each other as if there is nobody around, they just want to cease the surreal moment. Her long silky strands caress his face tenderly. Her lithesome body just wants to mold itself according to his wish. Their fervent passion literally ignites the stage. He feels exhilarated with the cascade of emotions pumping through him while being aware of her touch as a gentle calmness seeps into his heart.

For a moment time ceases to exist as they stood there, as if nothing else can intrude. Her mind is whirling with ambiguity. Hey hey , rabba vey replaces teri meri. The repercussion takes them to their first encounter in the sheesh mahal, where she fall into his arm, unofficially entered his life. Since the day he knowingly and unknowingly saved her, protected her, muffled her.. The roller coaster ride started from that day. God also spun a fine web to unite this star crossed lovers.

All their moments with each other reverberate in their mind like a slide show. They met for the second time in the darga. He saved her in the guesthouse, she fainted and he picked her up in his arm; he got mesmerized by the ethereal beauty on that day. He picked her in his arm again when she fainted on the teez day. He was always there for her. so when today she went to a little far in ambiguity, he pulls her back in his embrace to assure her, don't dare to leave me, you are mine and I'll always be with you.

They remember how passionately he extricated her from the entangled fairy lights.

She ran to his arms to find solace after her babuji's heart attack. She tried to tell him long before that you are mine, plz hold me in your arms, I need you. He couldn't give her the comfort that day, but he wants to assure her today that I'm here for you when you are distressed.

They remembered how they were besotted by each other's charm on the diwali night. How Arnav lost his control and attempted to kiss her. he denied his feelings that day, but today in front of the whole world he wants to accept his feelings without any demur.

They recollect how he made her fall from the upstairs. But at the same time he saved her umpteenth time. Even when he used to hate her after the terrace incident he always stood by her side. Cause by that time though the trust was haywire but the strong love was already there.

They promised not to see each other after their symbolic engagement on the mandir. But they couldn't stay away from each other. they had to lost in their heart.

Deluge of memory engulfs them. All the clandestine significant moments between them are coming to their mind one after another. they became completely lost in each other. Arnav can't take his eyes off from her, as if nobody exists only him and she.

Apparently this is the epic episode of IPK. The whole world were swooned by Arnav and Khushi's smoldering chemistry, their mind boggling sensuous dance number on the song teri meri. I'm pretty sure Arshi gave more hype to the song teri meri. Or am I talking like a prejudice, as an Arshian my though always leads me to Arnav and Khushi.

Khushi is the one who first breaks the trance. She wafts away her gaze from him and sees the reaction of the crowd. All of the Raizadas and Guptas eyes are popping out, they still are flummoxed. I'm dancing in rapture to see Shyam's reaction. He is snorting in anger. What a big slap he got on his face! He is a smart fellow, must guessed that Khushi belongs to his saale sahaab.

There is an awkward silence everywhere. Nobody can't get out of their baffled state. Nani breaks the silence with a huge clap. And the rest of the crowd follows her gradually. Anajli is so astounded that tells NK to pinch her. She can't believe that it's real. Nani also is in shock. Akash says her that it can't be his bhai. it must be someone else. Nk says he was about to go, but didn't notice when Nanav came on the stage. Bua is enamored.

"yeh Gupta family phiree isceme chalai kya, bade ke sath chote free."

(this Gupta family are scheming to give the younger free with the elder.)

I's certainly the prediction of the future. Mami is a bit uncouth and big mouth, but doesn't she perceive more than the other Raizadas. She is a smart cookie for sure. It was Lavnaya who realized Arnav's attraction for Khushi first. she was the one who came to know that Arnav was in love with Khushi. And mami is the second one who noticed it. Mami is incredulous that the gupta family must be conspiring to make Khushi to get married with Arnav. She mutters hello hi, and mama completes, mami should bid bye bye.

Arnav and Khushi both get down from the stage and slowly walk towards their family. Nani gives them a standing ovation. Arnav follows Khushi as if he is still in the enthrallment of his beloved Khushi. Khushi hugs payal. Payal says her that Arnav took sarita's place at the right time and danced with her. khushi looks at Arnav in satiation. The look of pleasure on her face makes his eyes soften with tenderness. In reply he gives her a sweet sexy smirk.

Khushi still seems delirious; she needs some isolation to control her feelings now. She runs back to the dressing room and closes the door. Her heart starts to pound in a crazy rhythm. She recollects how Arnav danced with her, intimately touched her sensitive parts. Her dhadhak becomes erratic. She presses a hand against her bosom where her heart is hammering away against her ribcage.

credit goes to tumblr

Arnav strides across the room, avoiding everybody and stands leaning on a pillar. Doesn't he looking devastatingly sexy standing in that style. The whole Raizada clan moves towards him and shower him with plenty of questions.

"what"

Anjali retorts back "what nahi, what the, that's what I want to ask. What was that."

Nani assents anjali. He replies, there is nothing much to say. Akash reminds him that he didn't even wanted to dance. He means he even doesn't dance. Mami also is ambiguous, why Arnav bitwa danced with the dushman party.
"tum dushman party ki sath danace karke hum logo ko hello hi se bye bye kar diye."

Anjali sarcastically jibing him that he wanted to win the competition at any cost. Nk is also saying that he made everything go in vain.

"how many times you said that we have to win. How much money you spent on me to teach me dance. But at the last moment you danced with Khushiji."

It's not palpable to Anjali that the person who has not dance since last 15 years, how cum this impossible happened? Arnav now is bound to open his mouth.

"so, what's the big deal. Her partner didn't show up and I danced with her, simple."

He tries to prevaricate the truth. But his answer seems couldn't impress his family. They frown at him.

"aise bhi, har cheez har jeet ke liye nahi hote."

( Or moreover everything shouldn't happen with winning or losing.)

He leaves made everybody baffled.

"what happened to our chotey. He always considers everything by winning or losing. But all of a sudden."

Anjali gets incredulous at his waywardness.

Pause: your chotey fall in love with Khushi, that is what happened with him. you should realize it long before dumb lady.😆

Shyam is flagrant. Nk comes there to add fuel in the fire. He asks him, what is the point of this competition, where nannav himself danced with Khushiji. Now who won? Lakrewale or lakriwale? But he is happy that it happened. He always wanted Khushi to win. Shyam is fuming at NK's words. NK starts to praise Khushi's beauty,

"Khushiji is so nice, isn't she? I mean her face, her eyes, her hair, her soft hands, everything, so nice."

He seems so enamored by her beauty. He continues,
"and when she dances, aisa lagta he ke duniya jai jhar mein."

pause: Mind what are you saying NK. If Nannav hears it, you will be dead for sure.😆

He tells Shyam that one thing they should agree that Nannav and Khushi were looking so good together. Shyam can't bear this any more; he screams at NK to keep quiet. Nk gets flummoxed at his behavior. Shyam huddles away from him.

Anjali calls Shyam. She sarcastically asks him why he keeps vanishing like Khushi. Did he see Khushi?. He gets more annoyed at her query. He answers no and leaves in haste. Anjali gets ambiguous at his preposterous behavior.

Anajli comes to amma and asks her where is Khushi. amma says her that payal went to look for her. But payal also didn't find her anywhere. Amma tells her to check the room where she changed her dress. Aranv hears it from behind, must be thinking to meet her.

Khushi is taking off her jewelry thinking of her laad governor. Payal's knock made her come back from her trance. Payal asks her why she came here without telling anybody. Khushi is stammering. Payal senses that something is wrong. She asks her whether she is alright or not. Khushi replies that she is fine and coming back after changing. Payal tells her to come back soon.

Khushi ties her hair with a casual bun and takes her cloth to change. Again somebody knocks the door. Khushi thinks it's Payal again. She gets a bit annoyed and opens the door without looking back. She is still in consternation.

"I don't know how it happened. I wouldn't expect that the laad Governor would dance with me like this. What does he think of himself? It doesn't affect me. May be it."

She turns and see laad governor is standing there leaning on the door, contemplating her keenly. Gosh he knows how to make a girl's heart beat haywire.

[YOUTUBE]http://www.youtube.com/watch?feature=player_detailpage&v=4o0L3JFyqSk[/YOUTUBE]

credit goes to Zoha

Originally posted by: ..Anita..

Episode 166

Shyam is panicking looking for his mithai box and he asks HP that where is the mithai box and he tells him he was taking the pictures so he doesn't know. Anjali (okay she has pretty hair why would she curl her hair like that and that too just the front portion of her hair. If her whole hair was curled it would be so pretty and a better effect to her overall look) comes and taps him on his shoulder and she asks him to come as they are going to host today's show. Shyam was thinking of excuses not to do the hosting because he needs to look for the mithai box. She is adamant for him come and she thinks he is nervous and said that he is like a kid who is about to perform. Anjali pulls Shyam along with her while Shyam is still anxious about the mithai box (seriously is he planning that the scorpion venom will go into the sweets or when RS puts her hand in the box it will bite her, or just give her a heart attack by seeing the scorpion. His plan is a little unclear. With all the scheming he does out loud you think he would have mentioned it.)😆

anita you gotta valid point. It was really so strange why he put the scorpion in the mithai box, where there are plenty of similar looking boxes there. how cum sly Shyam became so dumb!

The Gupta family enters the party and Payal (okay out of everyone's look he looks the best...just comparing to Anjali at the moment, I could do without the rhinestones in the hair) seeks the blessings from Mama ji and Nani. Arnav is looking out for Khushi and NK comes looking for Khushi as well. Arnav sees NK and asks who he is looking for...NK not being shy about his feeling and interest in Khushi, says Khushi. NK asks him same question and Arnav turns his head the other way ignoring that question (accept it you love to see khushi...him ignoring the question makes it obvious).

Payal eyes are looking for someone (Akash) but she cannot find him and then she sees Mami. She goes up to Mami ji and is about to say Namaste. Mami sees her and ignores and pretends to talk to someone showing that she does not want to talk to her (this lady is too much; her jealousy is clouding her judgment). her act, is so weird, not appropriate for her age at all.Akash comes in front of her and by isharas tell her that she is looking awesome and Anjali sees them and isharas that Akash is looking okay but Payal is looking awesome. She leaves the love birds alone.

Bua ji enters and is dragging some box with a rope attached to it and Khushi is pushing it from behind. Mami feels embarrassed and turns around. then Khushi gets up from pushing the box and NK sees her and in excitement calls her name and then she immediately goes down to push the box again and Arnav shots up and is like Where...NK is like over there and points... Arnav is unable to see her and tells NK that to stop day dreaming. Arnav adds that it seems that Khushi is scared and will not come. Khushi with her bionic ear hears this and says that she doesn't get scared. Khushi tells Bua ji to go and she will handle the box. NK asks if she needs help and Khushi said no. Arnav comes and said he will call HP to do this and Khushi says that she doesn't want to take help from the enemy (if it was me I would be like YES...that box is heavy, just assuming). NK says that he will take it and Khushi tries to say no but eventurally relents. Arnav in the background is made that she took NK's help but not his. NK tries to pull the box but is not able to. He asks if he packed all the dancers in the box. Khushi says that she will show them on the stage. (Okay rant time on Khushi's hair...what is that hair style...she could have put more of her bangs to make that so called poof...she only pulled back a portion of her bangs...she has so much left on the side of her face. The maang tikka just looks off with that hair style...I don't know why but every time I think of that hairstyle I get mad, Khushi could have done better...a better hairstyle could have added to the glamour quotient to her simple lengha).

Khushi says she is only going to win and NK is over there drooling over her says of course Khushi ji and Arnav glares at him (like shut up what are you saying, can't give the opponent confidence or a hint that we suck). NK says the Lakrewale will win and ArShi corrects him and says that ladkewale. Arnav and Khushi look at each other awkwardly and NK was like yeah that. Khushi says that they will hold more weight and NK says that bua is also dancing and Arnav says that only after the dance performances they will know the truth (this boy is just oozing confidence...how sexy). NK agrees and says that they have not seen her practicing. Arnav asks if she remembers the bet and she says yes she remembers and she asks he remember her shart and he says yes

Khushi and NK are pushing the box and they got tired and NK says that he will call HP. Khushi left the box unattended as well (why do people do that in dramas...keep your stuff safely with you so no one can take it or look at it).

Mami is showing her jewelry off and she sees Bua ji there and walks up to her. She says that she is here and that to empty handed and Bua ji says yes but she is here with lots of love in her heart and that is like bringing a gift. Bua ji walks off and Mami walks away from there and collides with the box and Bua ji appears and tells her to be careful otherwise she will turn into khoon bhari taang (nice one) and mami replies her back that her talks are more hurtful coming from the Aunt of khoon bhari taang. Mami is checking out the box and Bua ji tells her not to look in it because it is her secret weapon against her leaving a curious Mami behind. Bua ji goes from there and Mami comes back to see what's in the box and Bua ji comes back and closes the box and stops mami from opening it. HP comes and tells Bua ji that they have emptied the room and they will keep the box there (I must admit HP is super strong if he can be the only one who can lift that box himself when the other's required two people).😆

Arnav is on phone (this is not time for a business call...this is a family function) and he sees Khushi standing alone and he drools at her. NK comes up to her with two glasses of juice (how sweet) and says break the leg khushi. Khushi is shocked and she asks why he wants to break her leg. NK says that he was just saying good luck to her because they say that where he is from. Khushi wishes his legs break too. They say cheers pretty much and Arnav is just buring with jealousy.😆

Anjali comes to Arnav asking if he has seen Shyam (ah ha his disappearing act already started). He says that he will find the Shyam but for now she needs to go on stage. Arnav find the Shyam in the kitchen who is looking for the mithai box. Arnav tells him to come to the stage because the program is starting and Shyam tells him that he is coming soon.

Anjali and Shyam are hosting the sangeet and they tells us that they thought they were the best couple ever but after seeing PayAsh they were proven wrong (yeah there is a difference between fake love one sided love and real love. Shyam is still looking for the mithai box. Anjali announces the dance competition. Arnav and Khushi pass the look to each other saying It's On.

credit to the maker

Shyam introduces the judges (that guy judge looks familiar...I forgot where else I saw him in the show).

Nani is dancing and NK are dancing to Bichoo Bichoo by Asha Bhosle from the move Chamatkar (apparently this is an SRK movie).

credit to the maker

Khushi is dancing and enjoying the perfmance, when bua ji reminds her that this is a competition. Khushi gets nervous to see this perfect dance and Arnav is smilling like I am so winning. Khushi notice him staring and hides her nervousness.

credit to the maker

During this perfectly placed song Shyam is still finding the mithai box with his bichoo and Anjali finds her man and takes him back to the stage as the performance is almost done.

Bua ji is nervous to see Nani dance (yeah I would me too) and she says that she can't dance after seeing that performance and Khushi says that they can't run leaving the stage behind and tells her it's the question of their pride and they have to dance. Bua ji is like she can't do this and she is getting cold (more like cold feet) and Khushi says that she will not be cold once she is dancing and asks if she has any other problems? Bua says of they will lose and Arnav with his bionic ear Smiles at their despair and looks at Khushi victoriously.

credit to the maker

Will Bua ji be able to dance?? Can the Guptas top the Raizadas performance???

Link to the original Bichoo Bichoo song

[YOUTUBE]http://www.youtube.com/watch?v=s-DLj-dLscs[/YOUTUBE]

http://www.youtube.com/watch?v=s-DLj-dLscs