Posted:
Hi blasters thanks for your comments on my analysis of episode 125-126
@ Indi
the five stages of encountering death and elizabeth kubler-ross. you taught me something new today, samin. thanks for that. i really enjoyed what you saw in these episodes, the classic stages of going through loss. there was a feeling of death in the air, of saansey ruk jana. very insightful take. 👏 👏 👏
and tum bin jaaoon kaha... my heartthrob actor and a beautiful song, loads of memories. thanks. Indi that is also one of my most favorite songs. I could never decide which part I loved the one sang by Rafi saheb or by Kishore Ji. However the lyrics and background score is also fabulous. I thinks this was a timeless love song. Whoever once fell in love must at least listen to this one and in bengali- Ei raat tomar amar and in English Hello is it me you are looking for
@ viv
I am glad I came across indi's comments for your take on 125 & 126. Wow such an insightful correlation of the epis to each successive stage of death! It gave me goosebumps. Loved the connecting dots in the acceptance part one of the most touching and beautifully created scenes. Hats off to the makers and hats off to you. Indeed this thread is an ocean of free creative literature as were crooner and redux.
You are very welcome viv and thanks for the nice words
@ Horizon
@ Indi
the five stages of encountering death and elizabeth kubler-ross. you taught me something new today, samin. thanks for that. i really enjoyed what you saw in these episodes, the classic stages of going through loss. there was a feeling of death in the air, of saansey ruk jana. very insightful take. 👏 👏 👏
and tum bin jaaoon kaha... my heartthrob actor and a beautiful song, loads of memories. thanks. Indi that is also one of my most favorite songs. I could never decide which part I loved the one sang by Rafi saheb or by Kishore Ji. However the lyrics and background score is also fabulous. I thinks this was a timeless love song. Whoever once fell in love must at least listen to this one and in bengali- Ei raat tomar amar and in English Hello is it me you are looking for
@ viv
I am glad I came across indi's comments for your take on 125 & 126. Wow such an insightful correlation of the epis to each successive stage of death! It gave me goosebumps. Loved the connecting dots in the acceptance part one of the most touching and beautifully created scenes. Hats off to the makers and hats off to you. Indeed this thread is an ocean of free creative literature as were crooner and redux.
You are very welcome viv and thanks for the nice words
@ Horizon
Samin: stupendous analysis! 👏👏
This week of episodes are the most depressing perhaps in the entire span. All the words spoken by ASR right from what he said to La after the cut to his palm "jo dikhtha nahin uska matlab ye nahin ki won hai nahin" were so very profound and were double edged. There was so much of depressed psychology involved, some times I almost wondered if these episodes were written by psychologists and psychiatrists as they were as intriguing. Kudos to IPK team and to you for highlighting Elizabeth Ross's analysis here!
Thanks Horizon and I thought I was the only one. I think those who wrote IPK had at least very solid medical knowledge.
@ Cynthia
Samin just loved how you wrote this piece just brilliant! BTW I took a class in my senior year in high school Thanatopsis:On Death and Dying by Dr. Elizabeth Kubler Ross best class I have ever taken and it has helped me in my own life experiences. You are welcome cynthia.I am not very good with psychiatrist stages but this one was really interesting and the fact is the stages can cycle along.
@ Supriya
samin...this is amazing points nd very well depicted scenes on Arshi ⭐️👏👏 Thanks Supriya
@Arshi
SAMIN HE WAS ANGRY WITH HIS MOTHER AS HE WAS CUTTING HIS FLOWER [MY POV] JUST LIKE A CHILD WHY IS SHE DOING TO HIM .HE JUST MADE UP WITH KHUSHI A NIGHT BEFORE UNDER THE STARS AND NOW THIS AND TOTALLY AGREED WITH YOU HE WAS DIVERTING HIS ATTENTION JUST LIKE HER BY KEEPING THEIR EGO GUARDS UPTHAT ONE SENTENCE IS ENOUGH FOR KHUSHI AND SHE GOT IT OR IN OTHER WORDS SHE KNOWS IT BUT DID U NOTICE HOW HE WAS MEASURING HER FADAK PADTA DURING La'S BANDAGING HIM ,HE HAS SOME KIND A RELIEF BY FINDING THIS AS THIS MATTERS TO HER ,HIS PROXIMITY WITH La DOES EFFECT HER AND HE CARRIES IT MORE SO HER OWN WORDS CAN EAT HER AND SHE CAN SNAP.BUT AS WE KNOW ASR AND RITUALS HAVE NO MEANING SO THAT RING AND La AS ALWAYS SAID IS JUST A DECOY TO REACH TO KHUSHI AND HE WILL SNAP OUT OF IT ONE DAY ,POOR LaO TRUE I WROTE THE SAME THOUGHT KHUSHI ALWAYS DISCONNECTS HERSELF WHEN SHE IS ANGRY JUST LIKE AFTER CONTRACT MARRIAGE SHE STOPS TALKING TO DM AS YOU SAID AND THAT WAS THE BIGGEST EXAMPLE AS DM IS NOT ONLY HER FRIEND BUT ALSO HER DRIVING FORCE FOR COURAGE.SHE ALSO TELLS MAHA DEV AAP DM KO MAT BATAYE GA...WHEN THEY ALL GO TO MANDIT WITH BUBBLY DURING KIDNAPPINGHER TRUTH IS A FACT OF LIFE AND HIS WAS JUST BLUFFING TO MAKE HIMSELF OK WITH THAT THOUGHT AND MORE YOU CAN SAY MAKE HER AGREE THAT IT DOES MATTER.
Love love love this song and movie .Thnx for sharing
Thanks Horizon and I thought I was the only one. I think those who wrote IPK had at least very solid medical knowledge.
@ Cynthia
Samin just loved how you wrote this piece just brilliant! BTW I took a class in my senior year in high school Thanatopsis:On Death and Dying by Dr. Elizabeth Kubler Ross best class I have ever taken and it has helped me in my own life experiences. You are welcome cynthia.I am not very good with psychiatrist stages but this one was really interesting and the fact is the stages can cycle along.
@ Supriya
samin...this is amazing points nd very well depicted scenes on Arshi ⭐️👏👏 Thanks Supriya
@Arshi
SAMIN HE WAS ANGRY WITH HIS MOTHER AS HE WAS CUTTING HIS FLOWER [MY POV] JUST LIKE A CHILD WHY IS SHE DOING TO HIM .HE JUST MADE UP WITH KHUSHI A NIGHT BEFORE UNDER THE STARS AND NOW THIS AND TOTALLY AGREED WITH YOU HE WAS DIVERTING HIS ATTENTION JUST LIKE HER BY KEEPING THEIR EGO GUARDS UPTHAT ONE SENTENCE IS ENOUGH FOR KHUSHI AND SHE GOT IT OR IN OTHER WORDS SHE KNOWS IT BUT DID U NOTICE HOW HE WAS MEASURING HER FADAK PADTA DURING La'S BANDAGING HIM ,HE HAS SOME KIND A RELIEF BY FINDING THIS AS THIS MATTERS TO HER ,HIS PROXIMITY WITH La DOES EFFECT HER AND HE CARRIES IT MORE SO HER OWN WORDS CAN EAT HER AND SHE CAN SNAP.BUT AS WE KNOW ASR AND RITUALS HAVE NO MEANING SO THAT RING AND La AS ALWAYS SAID IS JUST A DECOY TO REACH TO KHUSHI AND HE WILL SNAP OUT OF IT ONE DAY ,POOR LaO TRUE I WROTE THE SAME THOUGHT KHUSHI ALWAYS DISCONNECTS HERSELF WHEN SHE IS ANGRY JUST LIKE AFTER CONTRACT MARRIAGE SHE STOPS TALKING TO DM AS YOU SAID AND THAT WAS THE BIGGEST EXAMPLE AS DM IS NOT ONLY HER FRIEND BUT ALSO HER DRIVING FORCE FOR COURAGE.SHE ALSO TELLS MAHA DEV AAP DM KO MAT BATAYE GA...WHEN THEY ALL GO TO MANDIT WITH BUBBLY DURING KIDNAPPINGHER TRUTH IS A FACT OF LIFE AND HIS WAS JUST BLUFFING TO MAKE HIMSELF OK WITH THAT THOUGHT AND MORE YOU CAN SAY MAKE HER AGREE THAT IT DOES MATTER.
SHE ALWAYS A FILMY AND DREAMY BUT WHEN COMES TO FACE THE REALITY SHE IS STRONGER THAN ANYONE BUT SHE UNINTENTIONALLY HAS SET HIM AS HER PRINCE CHARMING AND WANTS HIM TO BE NICE JUST LIKE IN HER DREAM SHE WANTS HIM TO GIVE HER RESPECT AND HONOR BACK WHILE FANTASIZING THE PEARL NECKLACE AND HE KNEW TELEPATHICALLY AND HE RETURNED HER WHICH HE TOOK FROM SHEESH MAHAL
SHE NEVER THOUGHT OF ANY ONE ELSE EXCEPT HIM AND WHEN HE LEFT HER SHE WAS DEVASTATED AS "AAPKE JANE
KEH BAAD AAPUQA TO DO" SHE WAS PLUNGING HERSELF INTO THIS AND SHE DID DIVE IN TO SAVE HIM AS SHE TELLS SHYAM"HUM NE YEH SAB ARNAJI KEH LIYEH KIYA ..JIN SE HUM BOHAT PAYAR KARTE HAIN'BOTH JUST RAMBLING HERE TO TEST EACYES HER FIRST REALIZATION BUT HE IS THE ONE WHO PUT HER THERE BY SHOVING HER ASIDE ANNOUNCING HIS WEDDING WITH La."shaadi kar rahe hain"samin⭐️⭐️👏 brilliant post .so many angles to see these things and their pain.My comments are in red Thanks for your comments and yes as I said this is one of my most favorite songs. The movie had very melodious songs.
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