Blast from the past thread#2! Episode 31- page 128

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gurhan

@gurhan

Explorer

Posted: 12 years ago

#1291

yaar please some one tell me why we are not getting the videos of episode anymore . Please ans me. Thanks.

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bepatient

@bepatient

Dazzler

Posted: 12 years ago

#1292

Originally posted by: sohara
Episode-35
Fight between two egoistic Raizada. Nani's hate towards Lavanya pushed Arnav more towards her. Naniji is orthodox, conservative and very ethical. So obviously it wasn't easy for her to accept Lavanya, So the conflict between Nani and grandson was inevitable. But I loved how Anjali controlled the situation. She made Arnav agree not to leave the house and made Nani understand the situation. Poor Anjali, loved and trusted her traitor husband so much. But her two face snake hubby was busy to please Khushi shamelessly. Arnav is a different person when it comes to his DI..It was so sweet of him how he cared her during her fasting.

short and sweet is your review of the episode :))

Nani and Arnav both share the same hot blood ! That is the reason not one of them agreed to bow down before the other. But both are right in thier own places.

The pink lines are the essence of the episode. Naniji is orthodox , conservative and very ethical. True. She belongs to the conservative era and will not budge from her view. But at the same she is right as she is sticking to what she knows. But surely she is ethical. Will side the right always.

Arnav on the other hand is right too. He says his life, his decisions. He has made the Raizada empire and done well . And always stood by the right.

Anjali di is sweetly manipulative. She is the ladli and does get things done with a little bit of sulking and cajoling. And Arnav behaviour changes to a softer tone with di and later with khushi , the two people he loves more than himself :))

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bepatient

@bepatient

Dazzler

Posted: 12 years ago

#1293

Originally posted by: gurhan
yaar please some one tell me why we are not getting the videos of episode anymore . Please ans me. Thanks.

The latest episode being discussed is in sia's post in the link below

https://www.indiaforums.com/forum/iss-pyaar-ko-kya-naam-doon/3343739/blast-from-the-past-thread-2-episode-31-page-128

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bepatient

@bepatient

Dazzler

Posted: 12 years ago

#1294

Sorry the episode I wrote about was 36 and not 35 .. mistakewa :)

Originally posted by: ipkkndfan30
EDITED NOW episode is 36 and not 35 SORRY :)) -------> Episode 36:
Though ASR doesn't believe in rituals, he supports anyone who wants to believe them. The hand put forward by him to stop God's diya's flame from getting doused was an indication of that. Live and let live philosophy.
ASR way of making di realise that she is important and not less than anybody just because of a disability. ASR doing the job of a parent here. Though he is younger to di. He considers himself the big brother who will guard little sis till death.
" di, par apko muje ek vadha kijiye. aage se aap ye nahi kahengi ki aap lucky hai, kyonki jijaji aapke saath hai. aapse bohuth jyadha lucky jijaji hai, ki aap unki saath hai. "

IPK had special emphasis on sibling relationships. It wasn't just the lover's love that was the attraction in IPk, audience loved the siblings closeness.. di-arnav, payal-khushi, arnav-akash. 👏

...
" hey devi maiyya, ye har subha hame vo rakshas ka sapna kyo aatha hai " Khushi, eager to go to ASR's office. She is absolutely disappointed at being told that she has already given her resignation and needn't go. The sad bk ground music and khushi's sad toned self thought "ha ame ab vo Arnav Singh Raizada ki shakal dhekne ki koyi zaroorath nahi hai." 😭 showed the girl's state of mind. She is feeling for her rakshas. She felt bad at snapping at him the day before. She felt sad as she will now have no reason to meet him : ))) Mere isaabh se Khushi ki dhadkane abhi se tej hone lage hai !! :)) 😆

...
calendar ke photographs, ASR gets lost in khushi's photos. He is definitely attracted to her but she has also managed to make an entrance into his heart .. the guy is unable to accept the fact :)
Mighty ASR ko kisi ladki se farak nahi padtha ! lekin ye ladki koyi aam ladki thodi na hai !! Dheere dheere ASR ki dil me basjayegi !! His constant denial and irritation whenever khushi is mentioned.. his annoyance at not being able to forget her. Alls signs of love under construction :))

...
buaji to khushi.. " ye sabh thumare liye nahi hai aaj. tumari vrath hai aaj. samjo ! "
khushi to buaji.. " kya! hamne kudh se bina pooche vrath rakliya ? "
Loved this! Always was a treat to watch buaji's bindaas dialogues. A stern yet jovial big lady. Knows how to get things done, never frightened of her social status !! Her retorts to mami's taunts later on, proved that fact.

That is what is special with IPK. The characters were not just Arnav and khushi. There were memorable special characters like mamiji, buaji, NK whose one liners have made a place in people's heart.
...

A special mention to Sana Khan who potrayed La's character. I loved la's self motivating convo.
" ok la, tum jo kar rahi ho, ASR ke liye kar rahi ho. Aur ye vrath tho sirf dieting ki jaise hi hogi. ye dhin butter ki thara smoothly nikal jayega. butter? oh no! khane ke bhare math soch, lav. dress! dress ke bhare me socho.. nani ko impress karna padega. kya pehanu..yes! tomato red.. tomato ye vrath tho muje maarhi daalega !!!! "

SK fit La's role to the 'T'. Her accent, her look, her background of modelling etc., added positively to la's character. I don't know why.. I never hated La.. even though she was bound to come in between Arnav and Khushi !!!

...

Shyam sneaking in to get his mobile.. he he he tough life man !! ... double life jeena chahthe ho tho, ye sab jelna padega bituwa :)))
Questions: Did buaji show a hint of doubt about shyam's character ?
Why does Shyam call Anjali ' Rani sahibha"? I never got this solved !! Is he trying to act as if he is giving her a lot of importance ? I always felt it was too formal a way of addressing someone whom you supposedly love !

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Crazy4IPK

@Crazy4IPK

Sparkler

+ 5

Posted: 12 years ago

#1295

Episode-36

It's all about Teez preparation. Buaji was so funny throughout. I don't know why she liked Shyam so much! She was literally pushing Shyam and Khushi to like each other.Disgusting!

Khushi is still in her laad Governor's Khayal. She forgot that she quitted her job. Actually she was missing Arnav.

Arnav was again lost in Khushi's thought while watching her photograph in the calender. Arnav was so mesmerized by Khushi's beauty that couldn't take his eyes off from Khushi's pic. Anjali almost caught him red handed. But as usual he was in the denial mood. This man could hide his feelings and emotions so smartly. Anjali was giving Nan's references. I wish Nani saw him watching Khushi's pic. She would definitely be happy. Coz she used to love Khushi from their first meeting.

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indi52

@indi52

Stunner

+ 6

Posted: 12 years ago

#1296

Originally posted by: sohara
Episode-35
Fight between two egoistic Raizada. Nani's hate towards Lavanya pushed Arnav more towards her. Naniji is orthodox, conservative and very ethical. So obviously it wasn't easy for her to accept Lavanya, So the conflict between Nani and grandson was inevitable. But I loved how Anjali controlled the situation. She made Arnav agree not to leave the house and made Nani understand the situation. Poor Anjali, loved and trusted her traitor husband so much. But her two face snake hubby was busy to please Khushi shamelessly. Arnav is a different person when it comes to his DI..It was so sweet of him how he cared her during her fasting.

hi sohara,

lovely point about anjali. she was so together in certain ways, loved her fam deeply, and they loved her right back. she couldn't handle too much discord, but still she would do what it takes to bring things to a good place. and she often managed to. and on the other side, that blind love of hers for husband. makes her so interesting. wish they'd stayed with this core character and not made her weird as they went along.

asr called her "pagal di aur samajhdar patni" or something to that effect a couple of episodes back. i think the adjectives need to be flipped (no doubt the writers knew this and had a little fun with us). samajhdar di. pagal patni.

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Katelyn

@Katelyn

Rocker

+ 7

Ocean of Happiness

Posted: 12 years ago

#1297

I can't wait to watch Episode 37 (07/25/2011) on Monday!

IPK Promos for this week to share with you!!

July 11th 2011 - Anjali Ki Soutan

[YOUTUBE]http://www.youtube.com/watch?v=wYWrK-vjyOM[/YOUTUBE]

Direct link: http://www.youtube.com/watch?v=wYWrK-vjyOM

July 25th 2011

[YOUTUBE]http://www.youtube.com/watch?v=CDGaGjX7hBI[/YOUTUBE]

Direct link: http://www.youtube.com/watch?v=CDGaGjX7hBI

Credit to uploaders

Edited by Katelyn - 12 years ago

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..Anita..

@..Anita..

Sparkler

+ 2

Posted: 12 years ago

#1298

I cannot air til the promo episode

I really

Ike the song at the end of the promo...I wish they released that version of the song...I fell in love with it during the initial promos

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indi52

@indi52

Stunner

+ 6

Posted: 12 years ago

#1299

episode 35

"nani...
main kissike saath zabardasti nahin kar raha,
main sirf itna kah raha hoon
ki apni zindagi mujhe apni tareeke se jeene ka haq hai...
kyonki main kissike jeene ka tareeke par kabhi ungli nahin uthata...
jab aap sab woh kar sakte hain, jo aapka man karta hai...
toh main kyon nahin?"

"everything can be taken from a man but one thing; the last of the human freedom - to choose one's attitude in any given set of circumstances, to choose one's own way."
~~~ victor frankl, man's search for meaning ~~~

this is the one thing, arnav singh raizada does ask for himself, the right to live his life his own way. everything that was his right by birth has been messed with. a father who didn't do "sahi" and all its consequences. asr never shirked, never shied away. he did everything he could by his di, nani, family, everything for them. nothing asked for in return, but this one thing.

but nani, out of that love of hers, his caretaker and guardian since he was 14, was not ready to give in. she had sensed that her chhotey hadn't chosen the right girl, and she was going to get her way, get him away from her, for his own good. haven't we all hear this story many times before, in our very homes? this too is love. just that it doesn't see that it is time to let go. later he will say, "maaf kijiyega naani, par aap bhi bhool rahin hain, ki jinki zindagi ke faisle aap kar rahi hain, woh bade ho gaye hain." in our culture, elders are always accorded a special respect by virtue of their age. he doesn't defy that, but he points out that there's a basic fallacy in the approach nani has taken: she hasn't understood that those whose lives she wants to make better and as their elder took decisions on all these years, are now grown adults. capable of taking their own decisions.

beautiful, classic counterpoint. a wonderfully crafted scene that left me breathless, from the point that he hears nani has refused food and enters her room. first a tentative, "nani?!" then sitting by the matriarch whom he too loves completely, "nani, aap theek toh hain?" akash joins him with "dadi, kya hua, aap khane pe aa jaiya," and a scene of family ties, bonds, concerns expressed through body language; grandsons leaning on either side, grand daughter, daughter in law, son, all arrayed around. everybody gives a damn for this elder. she is special to them. and as we watch we can't help but notice, how much asr gets from her. at times mirrors of each other, in their stubbornness, their turn of phrase, and their ability for big love and deep conscience.

when she says she isn't eating. the grandson is perturbed, trying to cajole, "nani, yeh kaisi zid hai?" but nani is not to be coaxed, and a battle of words ensue. slowly the temperature rises, the pressure thickens.

everything takes a turn for calamity on nani's "aap wahi kar rahe hain jo aapke pita kiye rahe hain." being compared to his father in any way is intolerable to asr. he can't take it. still he tries: don't bring him into this, thsi is about me. no, avers nani, this is not you, this is your father's blood talking. that does it.

when nani, not realising where asr's feelings are spiraling to, continues: he did as he pleased and his mistakes ruined our home, i won't let this happen again in this home. a suffocated feel in his expression, a lethal coldness. and the words, "toh theek hai... main hi iss ghar se chala jata hoon... aap se door... iss ghar se door... sab se door," he'll punish himself and go away from his family if that's what will solve the issue, but he will not compromise on the primes of living his life his own way.

with her wisdom nani might have checked the damage and turned the tide, but this was not to be. she pushed on. next button. so, where will you go leaving us, to that lavanya kassyap? he had probably never thought that, why probably, certainly,. thsi whole, okay i'll leave home so taht we can all live in peace came as a reaction to escalating pressure. when nani said this, he was too far gone... his anger wanted release. he said, yes i will go to her. "haan ussike paas jaaonga..." with more emphasis, "wahin rahoonga..." and the final hit, "uske saath."

the whole world stopped breathing. including me.

(the word "usske saath," brought memories of 1 august 2012. he's telling khushi, all she has to do is come back to him... mere saath, mere paas. somethig terribly sensual in the way he says "paas, " "saath," possession, ownership, belonging in there)

you couldn't blame anyone and you couldn't stop the mayhem. this and the following two sequences on the subject were some of the best in ipk. the level of acting by all was commendable. di, worried, perplexed, desperately looking for a solution, shocked at what's transpiring. nani, absolutely in character, her anger ricocheting off surfaces, glittering. asr, unable to stop himself from picking that anger up and reflecting it amplified, getting deeper into a terrible moment. notice how he turns away on those final words. so characteristic. can't be cruel looking into the eyes of those he loves. they need to be shut out. the man who looks you in the eyes and speaks, when he turns away, he knows he is saying something he really shouldn't. but his nature won't let him stop.

in his room, as he packs, a sudden stillness. he hears his nani accusing him of being like his father. unbearable. and after days, his dreaded memory flashes. his sister, he, a gunshot, a trapped scream "ma." he will not live where he is compared to the man he will have no part of.

before the mirror he stands looking at himself, questioning, looking for resolve. nani and he were like reflections of each other just a while ago. now he faces himself. no, he is not like hsi dad. a decision is taken, his movements quicken, he turns, reaches his wardrobe, swiftly packs, picks up his bag, and out. he is leaving.

a riveting scene. barun sobti said more in this dense scene minus a single dialogue, than all the words he said this episode. packed with nuance, body virtually speaking, conveying all his feelings; as he looked immersed in thoughts while packing and then pulled himself upright hearing nani's words, that jerky, focussed way in which he packed, that waiting to get a hold of himself before his own reflection... who would have thought this was just a performance, and he but an actor of asr. this man was asr. i was rapt as i watched him. brilliant is the only word that seemed to fit.

an important episode,here we heard asr spell out his philosophy of life really, vis a vis others. respect for others way of life and respect for his. that's all. level, undemanding, fair. there was also a cry many of us have felt in us as we became adults and those who cared for us couldn't see it: i am grown up now, old enough to make my own mistakes.

there was also a shade of the individualist sixties' rebel. deep, emotional, intense, and willing to take action if his way is not respected.

so many shades in just this situation. i have to say there was something utterly sexy in the way his concern changed to assertion, then anger, losing control, resolving to stay with his decision, packing and leaving in that energetic, young turk way.

but di was at the gate. and when her voice hardened chhotey had to listen.

this is the woman around whom his place of hope and happiness is built. she is indeed his world. otherwise it is bleak inside, hurt, crying. he has hardened to withstand that. his laughter is in her smile. he will do whatever it takes to guard her against harm. protect her happiness. the agnostic shoots out his hand to keep her diya from blowing out. he insists that she have juice, because he's done research on teej and knows this is allowed. research? as he did later on every ritual he didn't believe in but was important to the love of his life. and insisted things be done the right way. strangely cute is our mr arnav singh raizada.

no wonder someone is not happy after raving at him. and around her hovers the the man who is in reality the "galat" man, who says, god has given us eyes in front so we can look ahead, but something tells you he isn't free of the past. in whose, "asal baat toh yehi hai... zindagi mein jo bhi karo... apne hisaab se karo. apne marzi se jeeo aur hamesha apni dil ki suno," somehow doesn't sit right. sounds platitudinous, perhaps even selfish. his phone games continue, as does his bid to get close to khushi.

two young men speak of the right to live life one's own way. how different their paths to this right. the themes of sahi and galat, exploration continues.

when i see this man, many thoughts and references come. today, frank sinatra's unforgettable "my way" and my favourite robert frost poem, the road not taken:

two roads diverged in a yellow wood,
and sorry i could not travel both
and be one traveler, long i stood
and looked down one as far as i could
to where it bent in the undergrowth;

then took the other, as just as fair,
and having perhaps the better claim,
because it was grassy and wanted wear;
though as for that the passing there
had worn them really about the same,

and both that morning equally lay
in leaves no step had trodden black.
oh, i kept the first for another day!
yet knowing how way leads on to way,
i doubted if i should ever come back.

i shall be telling this with a sigh
somewhere ages and ages hence:
two roads diverged in a wood, and i'
i took the one less traveled by,
and that has made all the difference.

Edited by indi52 - 12 years ago

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indi52

@indi52

Stunner

+ 6

Posted: 12 years ago

#1300

Originally posted by: Katelyn

I can't wait to watch Episode 37 (07/25/2011) on Monday!

IPK Promos for this week to share with you!!

July 11th 2011 - Anjali Ki Soutan

[YOUTUBE]http://www.youtube.com/watch?v=wYWrK-vjyOM[/YOUTUBE]

Direct link: http://www.youtube.com/watch?v=wYWrK-vjyOM

July 25th 2011

[YOUTUBE]http://www.youtube.com/watch?v=CDGaGjX7hBI[/YOUTUBE]

Direct link: http://www.youtube.com/watch?v=CDGaGjX7hBI

Credit to uploaders

katelyn,
thanks so much for these. makes the watching again experience even more real. 👍🏼

i never knew these promos existed. looking forward to teej.

there's much excitement re teri-meri week. are we planning anything?

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Blast from the past thread#2! Episode 31- page 128 - Page 130

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