NUMMnesia Sufferers #8 *Strictly Invites Only* - Page 25

Originally posted by: ...Jes...

Originally posted by: -FreeLancer-

Yaa exactly, more than an MCP, he is a traditionalist..thats the way I see him..he doesnt have a problem with "womenkind"..hence he is not an MCP..and traditionalist because he does believe in NKK..which is perfectly fine..an Ambani or a Tata/ Birla will never marry a girl who is way below their standard and class..there are many reasons why that should not even happen..because it is humiliating for the girl herself..she will take time to imbibe the style of living and culture..and will get humiliated, just like Anika does by Pinky..see the problem is that movies glorify all this rich-poor lovestories..but nowhere does that happen..I have not seen any successful rich-poor lovestories..Raja Hindustani should an upper class girl getting married to a taxi driver and glorified it as well..but if that happens in real life..it is cringe worthy..we will scoff at that kind of marriage too..
Yes thank god u understand it.😃 - some shivikaians are on shivaay's side. some are against him hurting her with his NKK rant. but I haven't find anyone who seems to understand the very reality that it is common phenomena in any rich blood. Yes Cvs r capitalizing on it. but its not something new right? like please tell me if u ever haven't shoo away nay beggar let it be a kid? how many times u go and sit on street to eat with them? this is really easy to say such things for a fictional character and abuse him. but in general we all do it and I accept it. yes out of compassion,at times I show some love towards them but I haven't trun myself into them and neither I can always pamper them, there is a limit to it, and as a human I find it is fine. Even in animals there is class definitions. A lion and a rabbit cant be same if we talk of strength. why people are turning so transgressive in the modern era?😕 matlab yeh toh bachchon ko bhi pata hota hai..itni sociology toh sab ne padhi hai ke if all classes forget the class difference then there will be a society with no class at all, which means NO society at all honestly. 🥱 sirf ek frictional character ko bash karo aur khush raho, seriously. - YES, those bonkers movie which have no meaning at all😆😕 I am amzed at people's modernization, they still flatter those stupid concepts of KJo and bal bla where still not open to duscuss about any bold issues like ACTUAL women empowerment, LGBT empowerment, men education, women education.. yeh sab chod ke bas apne fabs ko bump me oil massage karo🥱 like I dont get it at all.. thing is they HATE Shivaay and ANika and will say anything for it.🥱

I dont like arm twisting and wall banging waley scenes too..I think women deserve respect..and that is why I could not stand Shivaay when he was misbehaving with Anika in the start..but now I realized, it was not about manhandling a woman or Anika..its about any person who is lower middle class - a girl/ boy whoever..he cannot relate to them..but then its true love that happened to a man who is very rigid about his notions and his world started revolving around Anika..he will not change his ideals for anyone else apart from Anika and Sahil either..because inspite of Anika's outward middle class harkatey, she has a certain class and strength that Shivaay adores and can relate to..

haha, I am never against men, but yes manhandling is not something I can stand..because if someone arm twists me..I am likely to do the same back to that person😆😈 I am ok with shouting, taunting, anger everything..but physically hurting is beyond my capacity of toleration😲

Dont u know?🥱 whole forum went frenzy when SSO forced her for marriage. and they abused him as a rapist, as a pyscho, an an abuser and what not. actually people r so fictional these days they dont seem to realize who are ACTUAL rapist. bas ek ladki ka hath pakad liya aur peeche pad jayo but the ones who r actual culprit unke bare mein bhul jao🥱 if u remember in Highway how they showed the truth. actually the rich uncle and fmaily mbers were the actual MCPs,even women too. but a rough tough man (who had his hands on the girl) was the genuine one and who showed her the beauty of life and how its a beautiful journey. u need to suffer,grow,love and see the beauties, experience them! ans YES he was a kidnapper.. toh kya? he actually kidnapped her, forcefully utha ke le geya, even tortured her by keeping her in dark, toh kya? it also gets washed when his genuine side was out in front of her, agar woh aisa na karta toh shayad woh aldki kabhi bhi apni past life se bahar nahi aa pati. same I feel about shivika marriage. Yes he forced it on her(but it cant be named rape at all) . yes when the marriage happened Anika was very sad and shattered, he behaved bad with her cause he thought she is a call girl and slept with his bestie. but then when Mus got cleared, since then he is by her side. and I m not syaing in future he will never hurt her, he is a human, he can do it. but though forceful, this marriage ultimately gave her a man,a protector, a family,a name- which she never had before. yes she forgot what he did to her, because what happened after that was more beautiful to remember, she got everything she ever dreamed. why she needs to remember those unpleasant things when she cealry understand her husband and why he did all that to her, she knows he was helpless due to his NKK believes and still she loves him. why she should be guilty? or even he should? some drastic things happen in our life and changes our life for good, why we need to hold onto bad things, and not chose to see beautiful sides of that? - am I wrong Hirwa?


lol Dangal kahan se aaya beech mai🤔 there is no correlation at all..😕 lol werent they the same people who hate Anika since the start and called her obnoxious, make up ki dukaan, desperate for attention, mannerless, talentless xyz...😕 they should be the last people to worry about Anika😆
well they are so educated for my taste😆 - the way they bashed SSO for arm twisting Anika, there was a post on Om too for arm twisting Svet. but they gave him a clear check saying she is a villain and she deserves it.😆 then made a post on Om saying he is not a MCP, why we shld give pass to a bad woman. why none talks when a man hits a man? like kuch bhi😆 so I realized they r really new to this world and one by one exploring categories.😆 and the Dangal thing I saw it in one reply ke if women think they r soft so soft,delicate then they should watch movies like dangal where women do the tough act. like totally distracting d actual issue and turning it into a BM😆

and the saddest part they say about Shivaay is he likes to torture/manhandle innocent girls.. like he is a psycho like some serial killer show where he is ona hunt to capture girls and fulfil his dirty pleasure like kuch bhi🥱 show me one girl other than ANika? even Tia ke sath bhi he is so polite. and mujhe ek baat nahi samjah aati,pati patni ke personal equations bhi hote hai, they can fight, beat each other, have moments..why they r so concerned about Anika? yaar thoda toh bade ho jao.. 🥱

Originally posted by: -FreeLancer-

Le Jesswa before reading your post above on MCP, I ended up writing the same thing in another one lol!😆

I dont think even Kashaf hated men..neither was she a feminist..infact she was absolutely NOT a feminist..she wanted someone who could protect her, provide her security..that is why Zaroon's chai ka cup girna wala moment touched her..more than his words..he displayed via his actions that he was her "protector" in that sense..and would never let any exterior force hurt her..

she despised her father for what he did to his mother..otherwise she did respect men who respected her back..like Sir Abrar.

the reason why she behaved badly with Zaroon was her defense mechanism, because deep down she was attracted to him..and her being her..could not believe she was falling for Z😆

One of the biggest highlights of ZGH remains that conversation that Z-K have on a man and woman's place in her household..one big reason why I wanted someone like Z in my life too..if u notice, Z, Talaal, SSO, Wali, all are arrogant, and extremely protective of their family and all of them strong personalities..who like to have a say in the matters and exert their position too..

Its necessary that a man takes responsibility of his house..I abs cannot stand the concept of house husband or a puppy who is just a JKR..its annoying to me..because as u said, its against the nature..

ok the negatives are that a woman has to massage that kind of man's ego at times..but then who said that a relationship has to be 100% perfect..there will be some ups and downs..and that is what makes life interesting

now dont u think this wiser me is totally ready for MARRIAGE!😆

Pink Flamingos is a 1972 American transgressive black comedy crime film directed, written, produced, filmed, and edited by John Waters.^[2] It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977).^[2] The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, "the filthiest person alive". While living in a trailer with Edie (Edith Massey) and Crackers (Danny Mills)"her mother and son respectively"and companion Cotton (Mary Vivian Pearce), Divine is confronted by the Marbles (David Lochary and Mink Stole), a couple of criminals envious of her reputation. The characters engage in several grotesque, bizarre and explicitly crude situations.

Shot on a budget of only $10,000, Pink Flamingos is an example of Waters' style of low-budget filmmaking inspired by New York underground filmmakers like Kenneth Anger, Andy Warhol, and brothers Mike and George Kuchar.^[3] Stylistically, it mixes "exaggerated seaport ballroom drag-show pageantry and anctics" with "classic '50s rock-and-roll kitsch classics."^[3] Waters' idiosyncratic style"also characterized by its "homemade Technicolor" look, the result of high amounts of indoor paint and make-up"was dubbed the "Baltimore aesthetic" by art students at Providence, and has been described as "early gay agitprop filmmaking."^[3] Waters' rough editing added "random Joel-Peter Witkin-esque scratches and Stan Brakhage-moth-wing-like dust marks" to the film, apart from sound delays between shots.^[3]

Displaying the tagline "An exercise in poor taste", Pink Flamingos is notorious for its "outrageousness", nudity, profanity, and "pursuit of frivolity, scatology, sensationology [sic] and skewed epistemology."^[3] As it features a "number of increasingly revolting scenes" that centre on exhibitionism, voyeurism, sodomy, masturbation, gluttony, vomiting, rape, incest, murder and cannibalism, the film is considered a preliminary exponent of abject art.^[4] Like the underground films from which Waters drew inspiration, which provided a source of community for pre-Stonewall queer people, the film has been widely celebrated by the LGBT community.^[5] This, coupled with its unanimous popularity among queer theorists, has led to the film being considered "the most important queer film of all time."^[6] Pink Flamingos is also considered an important precursor of punk culture.^[7][8]

^{-------- Should I show u the plot?😆}

Originally posted by: ...Jes...

^🤗

Hirwa,I need help🤣 I need suggestion! 😆 can you please tell me should I go for this movie?😛 I mean do u think I can bear it ?😕 I am trying hard to go and watch it..but I'm getting really uncomfortable🤣 but at the times, i wanna watch it somewhere

+++++++++++++++++++++

Pink Flamingos is a 1972 American transgressive black comedy crime film directed, written, produced, filmed, and edited by John Waters.^[2] It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977).^[2] The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, "the filthiest person alive". While living in a trailer with Edie (Edith Massey) and Crackers (Danny Mills)"her mother and son respectively"and companion Cotton (Mary Vivian Pearce), Divine is confronted by the Marbles (David Lochary and Mink Stole), a couple of criminals envious of her reputation. The characters engage in several grotesque, bizarre and explicitly crude situations.

Shot on a budget of only $10,000, Pink Flamingos is an example of Waters' style of low-budget filmmaking inspired by New York underground filmmakers like Kenneth Anger, Andy Warhol, and brothers Mike and George Kuchar.^[3] Stylistically, it mixes "exaggerated seaport ballroom drag-show pageantry and anctics" with "classic '50s rock-and-roll kitsch classics."^[3] Waters' idiosyncratic style"also characterized by its "homemade Technicolor" look, the result of high amounts of indoor paint and make-up"was dubbed the "Baltimore aesthetic" by art students at Providence, and has been described as "early gay agitprop filmmaking."^[3] Waters' rough editing added "random Joel-Peter Witkin-esque scratches and Stan Brakhage-moth-wing-like dust marks" to the film, apart from sound delays between shots.^[3]

Displaying the tagline "An exercise in poor taste", Pink Flamingos is notorious for its "outrageousness", nudity, profanity, and "pursuit of frivolity, scatology, sensationology [sic] and skewed epistemology."^[3] As it features a "number of increasingly revolting scenes" that centre on exhibitionism, voyeurism, sodomy, masturbation, gluttony, vomiting, rape, incest, murder and cannibalism, the film is considered a preliminary exponent of abject art.^[4] Like the underground films from which Waters drew inspiration, which provided a source of community for pre-Stonewall queer people, the film has been widely celebrated by the LGBT community.^[5] This, coupled with its unanimous popularity among queer theorists, has led to the film being considered "the most important queer film of all time."^[6] Pink Flamingos is also considered an important precursor of punk culture.^[7][8]

^{-------- Should I show u the plot?😆}