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Originally posted by: ChotaBheem
Some reviewers bashing it heavily as anti feminist and showing only male perspective 😆 😆
Star cast: Kartik Aaryan, Nushrat Bharucha, Sunny Singh, Sonalli Sehgall, Ishita Raj, Omkar Kapoor
Director: Luv Ranjan
Director Luv Ranjan's rom-com Pyaar Ka Punchanama which was released in 2011 succeeded in impressing the critics and also did a decent business at the box-office. The director is now back with the sequel of the film. So does the sequel meets up to the expectations in terms of humour as well as content?
Pyaar Ka Punchnama 2 (PKP 2) is not a sequel in true sense but the plot and concept is very similar to its earlier instalment. It's a story of three friends Gogo (Kartik Aryan), Chauka (Sunny Singh) and Thakur (Omkar Kapoor) who fall in love with three girls. What are the twist and turns in Gogo, Chauka and Thakur's life after the girls start taking advantage of their trust and love, turns out to be an interesting part of the story.
Coming up with sequels can sometimes be risky as it always gets matched up with the standards of earlier one. In the case of PKP 2, just like its earlier instalment the sequel too is full of laughter elements throughout the film. The funny dialogues and one-liners work in the favour of the film.
If you liked the prequel then you will definitely fall in love with the second part too as there are several scenes and situations in the film which many of us have either been through or have seen happening with somebody. Hence, the film will definitely connect to the youngsters.
Also Read: Chinar Daastaan-E-Ishq review
Performance wise, all the three guys and girls have performed well and they get equal screen space. The director has retained all the three actresses, Nushrat Bharucha, Sonalli Sehgall and Ishita Raj in the second instalment but the characters change and the way they manipulate their boyfriends too changes this time. There are several things which we guys want to know, like why does every girl has a male best friend despite having a boyfriend? There are several such situations in the film and it is better to witness them happening on-screen rather than describing it. Screenplay and dialogues by Rahul Mody, Tarun Jain and Luv Ranjan are funny and works in the favour of the film. But there are a few double meaning one-liners here and there and some stereotyping dialogues like Engineer's toh boring hi hote hai' which might hurt a few sentiments.
Musically, the film lacks foot tapping numbers which would have been another plus point in attracting the cine-goers. The background score is appropriate. In terms of production, this time the makers have spent lavishly on outdoor locations.
Performance wise, Kartik Aaryan excels. His seven minutes monologue about the behaviour of women once again turns out to be the highlight of the film for which he needs to be applauded. Besides him, debutants Sunny Singh and Omkar Kapoor too have performed well. Nushrat Bharucha, Sonalli Sehgall and Ishita Raj add glamour and they get equal screen space too.
Director Luv Ranjan succeeds in coming up with a sequel which entertains you from the beginning till end. He hits the right chord by bring a realistic approach in the romantic comedy.
All in all, I would say you should definitely not give a miss to this one. Watch it but not with your girlfriend!
Pyaar Ka Punchnama 2 repeats its history of pure fun and entertainment!
FilmyRating
Filmy Digest -> The first part of the movie was a sleeper hit, achieved unexpected success, so naturally now without a thought the second part will attract attention.
But the question here was whether it will recreate the fun of its prequel or not.
The answer is, it not only recreated but in fact doubled up the fun dose, its not funny, its funnier.
" Go for Pyaar Ka Punchnama 2' if you want ->
" Don't go for Pyaar Ka Punchnama 2' if you want ->
A still from "Pyar Ka Panchnama 2."
Posted: Friday, October 16, 2015 1:45 am | Updated: 5:02 am, Fri Oct 16, 2015.
R.M. Vijayakar, Special to India-West |
For the upwardly mobile GenY, this one's an "un-missable" rollercoaster of rollicking fun from beginning to end. The best part is that, apart from the few small and basic illogical points that we are meant to overlook, the treatment of the film, especially in terms of the lines spoken by the principal characters and their situations, are pretty realistic and thus relatable to the uber-cool, urban GenY that believes in hard work and harder partying.
Not only is this film one of the best in the zillion sequels Hindi cinema has seen but it positively corrects all the defects in the earlier film, released in 2011. That film was a fluke and a limited success, neither fully entertaining nor very palatable and somehow become a movie that connected with the youth, primarily of Northern India and Mumbai. In that sense, this one's poised to take on all levels of audiences within the youthful circles"and a sizable chunk of older viewers as well.
In that sense, this is a unique sequel that repeats its theme with different characters set in new settings, just like the "Golmaal" franchise, with four of the six actors repeated. The writing corrects the mediocre tone of the earlier one, and the director-co-writer Luv Ranjan keeps up with our more demanding times with a funny yet warm script that is entertaining from first frame to last. His direction (after another turnip called "Akaash Vani") is now assured, much more balanced in all aspects, and aspires to (and succeeds in reaching) a higher level of comedy and storytelling.
In short, this is not a sequel made for the heck of it (as in making money), but to genuinely entertain and leave a subtle message to the youth from the youth, even as it remains an account of the battle of the sexes and a dig at exploitative girlfriends!
Anshul aka Gogo (Kartik Aryan) falls for Ruchika aka Chikoo (Nushrat Bharucha) at a party, ditto Siddhartha aka Chauka (Sunny Singh) for Supriya (Sonnalli Seygal"in a double-bill this week with two releases having differently spelt numerological versions of her name!).
Tarun aka Thakur (Omkar Kapoor) who earns, we are told, three lakhs a month, falls for Kusum (Ishita Raj), who earns Rs. 50,000. These three male bosom buddies share a posh, high-rise apartment in Delhi, away from their parents. Ruchika lives with her friend and Kusum lives alone and is the boldest of the three girls.
The girls reciprocate the boys' advances and their love stories blossom on parallel tracks. But soon the deadlier of the human species show their fangs and talons and the boys get into retreat mode. However, there is a solution that seems to be fit in for all six"a short vacation to Krabi together. But can a man ever be safe from a girl? As things move from bad to worse, the three friends find individual ways to solve their problems.
The script keeps the momentum going, well-balanced between the three of them and their stories, all of which seem to find happiness, derail or hit bumpers simultaneously. The only place where Anshul has an edge is when he gets to mouth a 7-minute monologue (edited from a filmed 12 minute one!) about the woes of any young man vis-a-vis girlfriends, which is a highlight "item" in the second half.
And is there a happy ending for one, two or all? Ah, that depends on one's perspective! Suffice to say that this time, the culmination of the boys' stories is wholesome and gratifying and the post-climax funny indeed. Coming after a slice-of-life funny journey for all (we will not spoil the fun by giving out any details), it is the perfect icing on this spicy confection.
The cinematography, editing, locations and songs keep perfect pace with the script and dialogues, and "Paro" is the highlight of the music score. From the actors (all three heroines are repeated in the franchise apart from hero Kartik), everyone does well, but the acting honours go clearly (except for Kartik's superbly done monologue) to Sunny Singh with his expressive eyes and demeanor and the confident and charming Ishita Raj. Both these talents look destined for better things.
Kartik, Omkar and Sonalli score as well, and Nushrat has an author-backed character. The guy playing Chikoo's best friend Sunny (Manvir Singh) and the two girls who are her chums (Karishma Sharma and especially Rumana Mola as the bitchy Ruchi) are excellent in their limited cameos. The rest have nothing much to do. But had these six protagonists been weak, mediocre or worse, the film would have collapsed despite the great script and direction.
This one's a must-watch, and a welcome addition to the hits of the year. A personal opinion: if films like "ABCD2" can hit a century (100 crore domestic), this one does deserve much more.
Rating: ****
Panorama Studios and Viacom 18 Motion Pictures present
Produced by: Abhishek Pathak
Directed by: Luv Ranjan
Written by: Luv Ranjan, Rahul Mody and Tarun Jain
Music: Hitesh Sonik & Sharib-Toshi
Starring: Kartik Aryan, Nushrat Bharucha, Sonnalli Seygall, Ishita Raj, Sunny Singh, Omkar Kapoor, Sharat Saxena, Mona Ambegaonkar, Manvir Singh, Rumona Molla, Karishma Sharma & others.
1 ![]() Adding more fun, enjoyment, sassiness, to the 2011 sleeper hit that already enjoys a 'cult' status amongst its followers, Luv Ranjan's sequel to his enjoyable 'single' point agenda of misogamy, male anguish and relatable gender notions from the 'boys' angle is nonstop hilarious fun.
PYAAR KA PUNCHNAMA 2 navigates it's acutely hilarious sociology on love, ishq, or ladki ka dhokha wading through much improved punches that explain what separates cool cliques from wannabes. The writers Luv Ranjan, Rahul Mody &Tarun Jain successfully stay loyal to the genre, theme and remarkably persuade the audience to stay in this sataya hua mard camp of male victims for a change. As the odyssey of Kartik Aaryan's 'girl' discovery in that monologue (yes again without any complain) comes to force guaranteeing the conquer that connects the makers targeted demographic and perhaps beyond. Certainly falling in the list of smarter, better sequels like TANU WEDS MANU RETURNS, Luv Ranjan's PYAAR KA PUNCHNAMA 2 straightaway gets into the act right from the word go. Anshul/GoGo (Kartik Aaryan), Siddharth/Chauka (Sunny Singh Nijjar) and Tarun/Thakur (Omkar Kapoor) are set for a booze night in sadddi Dilli as the inseparable camaraderie between them is established. Girls enter. Anshul falls for Ruchika Khanna/ Cheeku (Nushrat Bharucha), Siddharth's head goes over his heels for the 'desi' punajbi kudi Supriya (Sonalli Sehgall) - the writers forgot to give her pet name, sorry. Tarun is bowled over by Kusum (Ishita Sharma). Divulging more details will act as spoilers. What we can say further is - as the three boys get duped in the name and game of love, we come across various hilarious and laugh out loud situations with smart punches like the parody on smoking warning done with 'heart' making the audience go in splits. A similar creativity was noticed in a forgotten movie by director Prakash Nambiar, THE PERFECT GIRL which came last month but with minimum or no effect. Here in PYAAR KA PUNCHNAMA 2, the parody on smoking is bang on. The writers introduce us to relatable and identifiable urban youths in Gogo, Thakur and Chauka who keep us entertained throughout. From the actors, Kartik Aaryan is clap worthy (lucky to get that monologue). Omkar Kapoor is quite good. Sunny Singh is pleasingly natural. From the female lot, Ishita Raj gets more meat in here role and she impresses. Sonalli Sehgall does better from what she has done earlier. Nushrat Bharucha gets a tailor made role. Technicalities are fine. On the flip side, music has nothing to hum about. A section of the audience may find the movie typecasting women as cheats and liars. The basic plotline is similar to the original. All said and done, PYAAR KA PUNCHNAMA 2 is a smartly done nonstop fun that assures satisfaction to its followers - today's teens and yesterday's teens. Go for it.
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Let's start by setting the record straight: misogyny is not the problem here.
Sure, misogyny is certainly a giant (and growing) problem, but the beliefs of the filmmaker should never get in the way of an appreciation of their film. Luv Ranjan, going by the first Pyaar Ka Punchnamaand this sequel, may well be a man who has lost all faith in the fairer sex (or, indeed, in their fairness), but the only question that must be asked of Pyaar Ka Punchnama 2 is simply whether it is funny enough.
No, no it isn't.
Watching Pyaar Ka Punchnama 2 is like watching an online Indian comedy sketch. It contains some genuine belly laughs, significant stereotyping and much generalisation, and some original insightful zingers. This would all be perfectly great were it not for its feature-length running time. (Imagine TVF's sketch with the father asking for Twitter advicelasting more than two hours.)
The idea is that men are doormats and women wreck their lives. This is not in itself a premise we haven't laughed at before, in sharper sitcoms or better-written films, but Ranjan's commitment to his cause is alarmingly militant. In what is scripted almost like a work of cautionary propaganda, all the men are superlatively sterling, and all the women plain evil. The jokes aren't bad per se but the fact that they all seem to be heading toward this demented kind of lecturing, well, robs them of any good humour. More than laughing I felt instead like stepping away, slowly.
It starts off with three boys " relatively well-to-do man-children living together in the kind of mancave that has a motorcycle as an accessory " meeting their three girls. These encounters range from sweet to utterly tasteless but there is something refreshing (and, to me, surprising) about how all these boys and girls look at dating and courtship as a sport built on awareness. A boy tosses a line, a girl lobs it back, and the fact that they're hooking up is already a given. Who has time for even verbal foreplay anymore? All you need, the film explains, is confidence.
There are a couple of decent gags here. Sunny Singh, the most endearing performer in the film, a gullible but sincere computer engineer, meets his girl at a wedding. She starts off calling him "Siddharth Bhaiya" but bites her tongue at the "bhaiya" later on when he's driving her home, and Singh's quiet jubilation at this, um, bhaiyalessness is almost Thackeray-like. Later the boys reference the ultimate male-bonding film,the genius that is Chashm-e-Buddoor, by appropriating the line "muh kadwa kar le" but using it for beer, not cigarettes, and Singh describes a girl's name as so sweet as if sung by LataJi.
The girls get a couple of stray laughs, with one girl who works at a BPO constantly stung and correcting anyone who uses the words "call-centre", and another girl in shorts " Nushrat Bharucha, who takes on her hammy role with genuine, almost infectious enthusiasm " who feigns enthusiasm for a cricket match a couple of times before she stops pretending that it's more interesting than her Whatsapp.
Yet, despite a few good gags, these are not characters but merely types, all of whom are sacrificed at the altar of Ranjan's Jugheaded belief system. One of the boys who was so confident he picked up a girl by asking her to tattoo his name on her hand lest she forget it, himself forgets all this confidence as he turns, overnight, into a slave. As do the other boys. Meanwhile, just in case we haven't noticed, the soundtrack starts telling us that they literally have become dogs.'
Okay then.
This is not a bad filmper se, but a genuinely misguided one. The first film had three grown men reduced to snivelling, sobbing losers by the end, but it did show some crackling camaraderie between its leads. This time the men don't cry but emerge even more pathetic, chained to a trio of witches who seem to have enchanted them while never giving them an ounce of happiness.
And forget about hurting our sentiments, this juvenile single-minded immaturity hurts the comedy. It hurts the writing. It hurts the characters. It hurts the film. As for Mr Ranjan, I'm hoping the film's climax was merely a feeble joke and not an indicator that he idolises Norman Bates.
Rating: 2 stars
https://x.com/UmairSandu/status/1962932305451716881
https://x.com/vivekagnihotri/status/1946940660067803443...
https://www.indiaforums.com/article/inspector-zende-review-a-retro-chase-filled-with-comedy-chaos-and-manoj-bajpayees-quirks_226785
Has any one seen this movie...
https://x.com/umairsandu/status/1954950592771895651?s=46 Tis is review thread ?
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