Mediocre films and the money they make - Page 2

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.khoobsurat. thumbnail
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Posted: 13 years ago
#11
Very interesting topic...thanks for sharing.

I think this is difficult to pick a side... they both made great points. But in my opinion, I rather make a good film like Kahani that I can be respected for as an actor being part of that film or as a director for making a good film. Even if ETT made more money than Kahani... if I was an actor or director I would choose to be part of a good film than a mediocre film.

Another interesting question I wanna ask this forum members is: Do Indian audience like mediocre films like ETT or do they go see this movie for Salman? Salman is the most popular actor in Bollywood. Maybe these movie goers don't care for the content of the movie... they go to see the movie for their fav hero.

For example... I might hate a film... but if Kareena is in it.. I will watch it... because no matter how bad the film is ( and trust me bebo has many bad films) she never fails to entertain me... at the end of the day... I think these movie goers in India just wanna see a movie that takes their stress away.. and Salman gives them that I think

PS am just assuming ETT is mediocre since Rajeev said it... I haven't seen the film yet but I have seen other Salman films and am not suprised it's being called mediocre
Edited by beboholic - 13 years ago
Enycedoll thumbnail
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Posted: 13 years ago
#12

Originally posted by: .tanya91.

If u ask me, the main reason of falling standard of Hindi films past especially past 2000 is majorly due to:

1. Corporate sector investments, that tackles movies not as piece of art, but as factory products

2. Gone are the days when individuals with extreme passion for true performing arts invested in films, which were their dream... money was not their priority.
Corporate sector turned films from artistic pieces to factory products, main focus is on packaging, smart publicity and earning money... unlike past when films used to took one to 3 years in making with original locations, heavy work on script and direction...nowadays every film is prepared within just a few months with main aim is to milk as much money as possible

3. MULTIPLEX culture is another culprit... in past films HAD to do jubilees to earn profits on single screens , and for that people needed to watch it again and again hence a QUALITY film was the ONLY option to make a film successful.
BUT due to multiplexes the WAY to earn money has changed... 200% increase in prints, multi shows make it an easier way for even a crap film to earn as much as possible just within a week and even in the starting weekend 3 days... if a crap film can sustain well for 2 weeks even it can be a BB or atleast a superhit due to huge prints and multiple shows which was not the case before and films HAD to sustain on cinemas for like 6 months (silver jubilee) to one year (golden to diamond jubilee) and for that they had to be really well made and of high standards of true artistic values.

so for me CORPORATE SECTOR INVESTMENTS and MULTIPLEXES are the main reasons of heavy downfall in Hindi cinema's quality.


Ur right. Its a mix of everything and not just the audiences. I recall bharat shah used to be one of the main investors in the industry
LifeOLicious thumbnail
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Posted: 13 years ago
#13
First, "give what people want" is a very "consumeristic" view. you are treating your movie audience as customers where your goal is to make profit- your goal is not even to entertain but to make profit! there is a difference! if you were making a movie to entertain, the movie will not necessarily be crappy! it will entertain because that was your intention- and most probably will also make money.

Instead what people do is this: x has a lot of fans so let's put her in an item song, y is loved by the masses let's get him, people love to see z's arms so let's make sure to show those, people love to see k in a bikini so make sure to put her in one...let's publicize the affair of the lead pair, let's hype the movie to death, let's release it on this day...ok now think of a story that fits all this...how about this? people will love this...blah blah blah! You see what I am saying. So if you just give what people want you are giving them crap- I would love to see Sonam & Deepika mud fighting for 2 hours! Give it to me! In fact I think that might be a blockbuster :P

Second, not all good films will make money...there are certain topics, certain styles that will never make as much money as an entertaining film. The problem is the way we value them- we value only the films that make money and completely ignore other films. Why can't we/media value films for their content and not for the money it earned? It is not necessary to de-value money spinners to value quality films! They can share the space!

Having said all that, Mr Aamir Khan has managed to break this conflict! I think his movies are enjoyable and they are money spinners. They are not super quality films in terms of art but they are entertaining but not crappy/mindless!
Edited by LifeOLicious - 13 years ago
gilmores thumbnail
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Posted: 13 years ago
#14
Thanks for the replies everybody :) It was really interesting to read everyone's responses! I will reply more in detail tomorrow with fursat. 😆
Enycedoll thumbnail
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Posted: 13 years ago
#15

Originally posted by: chocolover89

Thanks for the replies everybody :) It was really interesting to read everyone's responses! I will reply more in detail tomorrow with fursat. 😆


It was a rather interesting topic, and ur approach to it was genius (no fights, yay!)
TheRager thumbnail
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Posted: 13 years ago
#16
IMO people who lack creativity and guts make excuses like "I am giving the public what they want to see". I am not surprised to see Sneha argue in favor of mediocrity as she belongs to the TV industry. But lets not forget mediocrity sells only for a limited time. After a point it becomes irrelevant. For instance Govinda did plenty of mediocre films with David Dhawan in his heydays. They used to sell like hot cakes. Today both David and Govinda are irrelevant. No one wants to work with them. There is nothing completely wrong in doing more of what's working for you but you should also take care to give the public something new each other.
Btw in this interview of Vidhu Vinod Chopra he has summed up the whole thing well.
"

But if you talk of that, the obvious answer a filmmaker will give you is ki dhanda hai, paisa toh chahiye...
Dhande ka bhi to dharam imaan hona chahiye na yaar! Humne "3 Idiots" mein bahut business kiya, toh dhanda to achha hua. "Ferrari Ki Sawaari" bhi aap likh ke le lo, bahut achha dhanda karegi. Lekin dhanda ka usool hona chahiye. Maine "Parinda" mein dialogue likha thaa, Nana Patekar bolta hai, 'yeh dhanda hai, Kishan, aur har dhande ka usool hota hai'.

We change lives. So many people are impacted by cinema. With "Munna Bhai", with "3 Idiots", with every film we've done, we've touched lives. That is the job of a filmmaker. And a filmmaker has a social responsibility, and he can't escape it, just the way you have a social responsibility if you are a journalist, and you can't escape that - whether or not you print this. We all create realities and impressions.

I have not made the third "Munna Bhai" because I am not happy with the script. While I know that even if I make absolute rubbish, I will make 200 crores in the first three days. By the time you all realise on Monday that I have really made a bad film, I have collected the money and gone home. But I won't. Because these are the things that annoy me. The thinking that till yesterday I am a third-rate filmmaker but today my film has done 100 crores, so I'm acceptable!"

pathaka thumbnail
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Posted: 13 years ago
#17
isnt the definition of "quality" itself subjective?

One man's quality is another man's trash...so Rowdy rathore might be trash acc to some people, but it isnt trash acc to all those repeat audience who went in for the film to make that amt of money...

it all boils down to taste eventually, therz always people who will love and hate a film...if the former number outweighs the latter, then its a hit...

As for filmmakers looking at it from a consumerism POV, so are the audience right...? every bad review always has this phrase abt "money/time being wasted" and every good review says "paisa vasool"...so the audience themselves consider films to be a "product" that is supposed to deliver for the money they paid for it...

apart from the critics, none of the general audience come out of the theatre and say "oh the film wasnt too nice, but i liked the cinematography and the screenplay technique...and the sound engineering"...they say "picture acchi hai..." or "picture bakwaas hai"...

most of them watch films in their spare time, or as a recreational activity, and the one time they do that, they wanna have fun...if a filmmaker's gonna get over-indulgent with showing off his art, they r gonna trash it...the common man dosent have the time or patience to appreciate the "Art" in filmmaking when he has a million other things going on in his life (unless they are a filmmaking student, or a film journo or someone really interested in filmmaking)...the first n foremost thing they look for is the fact tht the movie is engrossing n entertaining and that their hard earned money is well spent...

i wouldnt necessarily look at "giving wht the audience want" as a bad thing...it is like telling the people "we know wht u paid for, so here u go..enjoy"

thts being honest...and honest crappy cinema >>>> pretentiously artistic cinema...

EG: id take a dabangg over saawariya any day...






Edited by pathaka - 13 years ago
Enycedoll thumbnail
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Posted: 13 years ago
#18

Originally posted by: pathaka

isnt the definition of "quality" itself subjective?


One man's quality is another man's trash...so Rowdy rathore might be trash acc to some people, but it isnt trash acc to all those repeat audience who went in for the film to make that amt of money...

it all boils down to taste eventually, therz always people who will love and hate a film...if the former number outweighs the latter, then its a hit...

As for filmmakers looking at it from a consumerism POV, so are the audience right...? every bad review always has this phrase abt "money/time being wasted" and every good review says "paisa vasool"...so the audience themselves consider films to be a "product" that is supposed to deliver for the money they paid for it...

apart from the critics, none of the general audience come out of the theatre and say "oh the film wasnt too nice, but i liked the cinematography and the screenplay technique...and the sound engineering"...they say "picture acchi hai..." or "picture bakwaas hai"...

most of them watch films in their spare time, or as a recreational activity, and the one time they do that, they wanna have fun...if a filmmaker's gonna get over-indulgent with showing off his art, they r gonna trash it...the common man dosent have the time or patience to appreciate the "Art" in filmmaking when he has a million other things going on in his life (unless they are a filmmaking student, or a film journo or someone really interested in filmmaking)...the first n foremost thing they look for is the fact tht the movie is engrossing n entertaining and that their hard earned money is well spent...

i wouldnt necessarily look at "giving wht the audience want" as a bad thing...it is like telling the people "we know wht u paid for, so here u go..enjoy"

thts being honest...and honest crappy cinema >>>> pretentiously artistic cinema...

EG: id take a dabangg over saawariya any day...







Mostly i agree with ur saying, it has been, and still is, my stance.

But Who makes art movies these days? And no one really wants to see them. I wouldnt classify a 3 idiots, or munnabhaii or even ghajani as art films (didnt like ghajani much). They were engrossing and entertaining without being meaningless. There was a sound script with exceptional performances, which is why theyre remembered even now. Thats all we, the minority that we may be, ask for. A decent movie with a good script and decent performances. But the focus from that has shifted drastically...its all about roping in the flavor of the season with comedy or action.
pathaka thumbnail
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Posted: 13 years ago
#19

Originally posted by: Enycedoll


Mostly i agree with ur saying, it has been, and still is, my stance.

But Who makes art movies these days? And no one really wants to see them. I wouldnt classify a 3 idiots, or munnabhaii or even ghajani as art films (didnt like ghajani much). They were engrossing and entertaining without being meaningless. There was a sound script with exceptional performances, which is why theyre remembered even now. Thats all we, the minority that we may be, ask for. A decent movie with a good script and decent performances. But the focus from that has shifted drastically...its all about roping in the flavor of the season with comedy or action.


yes on tht account i agree...

see therz 2 kinds of successful filmmakers:

1. Ones who say lets give the audience wht they want...creativity or no creativity. (Sajid khan, Prabhu deva etc)
2. Lets make wht we want, but make it in a way that the majority can appreciate/enjoy and if tht means taking some minor creative liberties, thts fine (Raju hirani, A.R.Murgadoss etc)

so films like 3 idiots, Munnabhai, rang de, taare zameen par etc were essentially stories which were creative, however, the way they were told is people pleasing...so all the above films have either dramatization (even melodrama), bit of stereotypes, hit songs, front bencher dialogues (balaatkaar chamatkaar, munna and circuit convos) etc...

and in tht aspect, yes i do agree we need more of such movies which are creative and innovative and still cater to the majority...

but art films in the above post, i meant indulgent films like saat khoon maaf, saawariya, or GoW...

Edited by pathaka - 13 years ago
Chippeshwini thumbnail
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Posted: 13 years ago
#20
^ It's a little unfair, in my opinion, to call those sorts of movies "indulgent"...

yeah, they really may not be able to click with the audience, but can't filmmakers have the right to make films that they wish to make?
I mean, all they're honestly doing is creating stuff they consider art, and trying to display it to the public. I doubt the makers of GOW, or even Dhobi Ghat, really wanted to make profits and be able to be loved by one and all...

it's like books. Some books are made for the general, while some are made for "connoisseurs" of specific genres. Stephanie Meyer nd Meg Cabot were probably plotting to win the hearts of every tween alive, and they very well knew that whatever they wrote, it catered their audience to the tee. But would the same be said about Khushwant Singh? The fairly contro. stuff he features in his novels, I can't imagine him thinking "aw yeah, people are gonna love and accept this in a jiffy"

And tbf, people who DO make movies for the public, like Prabhu Deva, Aneez Baazmi etcetc.. can't their cinema be called indulgent as well? They're indulgent in everything they believe will win profits. They're indulgent on masala.. but they have a right to make their movies whichever way they want.

So why only single out people like Anurag, SLB etcetc?
It's another thing, however, if tehy make tall ugly claims like "this will change the face of cinema" or something like that
Edited by liverach - 13 years ago

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