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Originally posted by: shruthiravi
@selly Cinevistaas shows gives superb symbolisms, very well hidden. I had struggled to decode for EHT as one contrasted with other. Beauty was in retrospect everything matchedđ
@Arya that tide scene was a beauty. I simply loved it
Originally posted by: shruthiravi
@selly Cinevistaas shows gives superb symbolisms, very well hidden. I had struggled to decode for EHT as one contrasted with other. Beauty was in retrospect everything matchedđ
@Arya that tide scene was a beauty. I simply loved it
Originally posted by: shruthiravi
Today there were some solid Arya symbolisms. Also the fact that Arjun will not be in Maya's control.
First and the foremost when they took the car Maya was in driver's seat but Arjun sitting in the right meant he is sitting in deciding the direction of the drive.And as expected he rampages Maya's plan. First her schedule, then the island. He chooses the island.And I loved the dialogue. Who is the photographer. Do you know when do you look good. More than you the best photographer knows from which angle you will look good. More than the place you choose , he chooses the places which is going to give best results through the camera.What is seen with plain eyes and what is seen through the eyes of camera are different. So Arjun chooses the spot. And incidently they both are alone. Maya alone. Arjun alone.Arjun writes Maya's name along with his family as an extension of his family of mother and brother. They are part of him and she is that extended part. Saanjh is written seperately. That means he needs her, but then she is not part of him.Next was the high tide that meets from both ends erasing Saanjh. That scene I expected. I expected those tides to meet erasing Saanjh. Because they can meet in real sense only through Saanjh. When they meet she wont be seen, but without her that meet wont happen.