Symbolism of yesterday episode - Page 2

Originally posted by: pomegranate

Why are we so worried about that? from day one, it was given that this track will come up eventually. yes CV's are hinting towards that but this track is bound to come up regardless of the last few episodes. the particular plotline is not even here yet but we spend more time discussing it.

agree

What the harm in discussing

Hopefully it will end differently

Where Raman will stop her

If something like this happens, I strongly feel that Raman will not leave Isitha. Even his children goes to Shagun at any case in future, Raman will be there for Ishita - Yeh hai Mohabbatein.

Originally posted by: --mancityfan--

If you guys ask me there was pretty dangerous symbolism in yesterday episode

There was a scene in song sequence where ishita is sitting on dressing table while Shagun is shown on the mirror

She put Shagun on the bed

That indicates she will give her place and life ie Raman and Ruhi to Shagun for larger good is so that adi can stay with his family Raman Shagun and Ruhi

This twist is inevitable. But, since Raman and Ishita are not together yet, I am sure that it will play out differently. In near future, Ishita might feel like an odd person out with Shagun and Adi ready to come back to Raman, Mihir turning out to be Shagun's brother and Raman still 'in love' with Shagun (perhaps this is the reason why Ishita's misconception was not cleared even after the accident track?). So, she might feel extremely insecure, or even unwanted. From the looks of it, Param will make sure that she loses her ground at Bhalla house as well.May be this is the time when Raman will step forward and proclaim his love for Ishita?

I don't think so ishita will give up on raman and ruhi. Before taking any big decision she must consult with raman and later take decision instead of thinking thay raman will be happy with Shagun adi and ruhi. If she still will leave raman than I don't want raman to stop her and don't want him to go back to shagun also. If his both wife ex and current wife don't have his value on their life so better be single

Originally posted by: redwine1

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Its a very interesting look at that image .. but i looked at this with another lens .. the lens of the distance that still needs to be covered between the leads .. for that ultimate I LOVE U ...</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Personally i don't believe in symobolisms .. coz the writer who decides what happens in the serial never does visit the set .. this is a creative interpretation of the director ..</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">But having said that .. lets look at this shot ..</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Ishita is sitting on a stool .. while there is a image of Shagun in the mirror ..</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Ishita on a stool .. thats the camera focus ... Shagun's image is there ... but the most important thing is .. THERE IS NO RAMAN IN THIS SHOT >> NOT IN THE ROOM NOT IN THE PICTURE AT ALL ...</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Ishita is moved slightly away from the mirror .. not facing the mirror directly where there is an image of Shagun's ... right ??</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">My interpretation of this shot ...</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Shagun is the image ... she is the PAST ... but since Ishita is facing slightly away from the mirror she is still not able to completely come to TERMS WITH THE PAST .. which has SHAGUN ... hence her belief that raman loves Shagun still ...</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">Raman not being in this frame ... Raman has DEALT with his past .. aka his dialog .. its taken me 6 years to get this woman out of my house & heart ... BUT SINCE ISHITA never pays attention to what Raman is saying .. she is facing away from the mirror .. the day she focusses on Raman's words .. she would be facing the mirror .. & there she would be able to see that SHAGUN is an image .." a parchhai ".. .a PAST ... where she needs to firmly stay ...</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">This is as i have said time & again .. the Romance track .. or the title track of YEH HAI MOHABBATEIN ... for these 2 to travel the distance they need to cover the spectre of the past ... a past which is a shadow .. a past which is a blurred image on the mirror .. but that can be obliterated only when one faces the past ... & when they actually talk to each other ...</font>

<font face="Georgia, Times New Roman, Times, serif" size="3" color="#0000ff">DHANASHREE .. this ones for u ...😳</font>

This is perhaps most astonishing pieces of writing I have seen here

You have described it perfectly

And you have completely different perspective to the narrative

And it makes sense

Very well put

Originally posted by: redwine1

Its a very interesting look at that image .. but i looked at this with another lens .. the lens of the distance that still needs to be covered between the leads .. for that ultimate I LOVE U ...

Personally i don't believe in symobolisms .. coz the writer who decides what happens in the serial never does visit the set .. this is a creative interpretation of the director ..

But having said that .. lets look at this shot ..

Ishita is sitting on a stool .. while there is a image of Shagun in the mirror ..

Ishita on a stool .. thats the camera focus ... Shagun's image is there ... but the most important thing is .. THERE IS NO RAMAN IN THIS SHOT >> NOT IN THE ROOM NOT IN THE PICTURE AT ALL ...

Ishita is moved slightly away from the mirror .. not facing the mirror directly where there is an image of Shagun's ... right ??

My interpretation of this shot ...

Shagun is the image ... she is the PAST ... but since Ishita is facing slightly away from the mirror she is still not able to completely come to TERMS WITH THE PAST .. which has SHAGUN ... hence her belief that raman loves Shagun still ...

Raman not being in this frame ... Raman has DEALT with his past .. aka his dialog .. its taken me 6 years to get this woman out of my house & heart ... BUT SINCE ISHITA never pays attention to what Raman is saying .. she is facing away from the mirror .. the day she focusses on Raman's words .. she would be facing the mirror .. & there she would be able to see that SHAGUN is an image .." a parchhai ".. .a PAST ... where she needs to firmly stay ...

This is as i have said time & again .. the Romance track .. or the title track of YEH HAI MOHABBATEIN ... for these 2 to travel the distance they need to cover the spectre of the past ... a past which is a shadow .. a past which is a blurred image on the mirror .. but that can be obliterated only when one faces the past ... & when they actually talk to each other ...

DHANASHREE .. this ones for u ... 😳

Originally posted by: Guguminti

OMG !! Wonderful interpretation of the scene. Yeah she is an image they didn't show her sleeping in the bed and Ishu is stool sitting amne samne, It was an image and Ishu is the present.😳😳

i just dont hv words for ur thoghts..ruby 👏 👏

Originally posted by: Lata_ishra

even if she gives up raman and ruhi to shagun and adi but raman wont do that even for adi i have a strong feeling about even initially he accepts just like accident track but by end of the day he will come back to ishu...

that is a good point

Redwine1