@suseesuez and @leavesandwaves
I have no issues with the writers depicting Raman's cognitively dissonant reaction to the entire situation. Hota hai. People feel guilty about doing something wrong or letting something wrong happen when they know what the right thing to do was. People realise deep down that what they are saying is hurtful. But still they continue their behaviour and don't acknowledge their mistakes. And because they feel uncomfortable in accepting the wrong they are doing they try to shift the blame to the other party. They try to make it someone else's fault. It's not like we haven't seen Raman do this time and time and time again. Both pre-marriage and post-marriage there have been countless incidents where Ishita has acted correctly and called Raman out on his mistakes but he either refuses to accept his mistake, or scoffs and rebuffs her fairly correct observations by trivialising them as "muft ka gyaan" or "bhaashanbaazi" etc. because he doesn't want to do the necessary self-reflection. Nevertheless with Ishita influence he has had moments of realising he needs to stop some of his behaviour but it's like an uphill battle. Every. single. decent manner of behavior has to be re-taught to this embittered man.
We expect this kind of crappy behaviour from him because his family has in the past not really tried to point his galtiyaan out to him. Ever since the Shagun fiasco he's grown bitter and messed up and instead of telling him sternly to shake out of his downwards spiral his mother has mollycoddled him because as she recently said in Simmi's case as well "mujhse apne bacche ka dukh dekha nahin jaata". Basically it looks to me like Mrs Bhalla needs or wants to always "pity pamper" one or the other of her kids. Sometimes it's Raman, other times it is Romi, and now she's got Simmi to heave and sigh over. It's her parenting style but it does none of her children any favours.
The fact that there's so much complexity to these characters is great. If Raman wasn't this terribly complicated character there won't be any drama or story. BUT, and here's my main issue, there has to be a counterpoint!!! There has to someone calling such behaviour out. And there has been. At least in Raman's case Ishita has thus far served the purpose of the conscience (I have a problem with the heroines always serving this role in serials but that discussion is for another day).
But in this SO CRUCIAL molestation track... why ...WHY has the writing choice been to give implicit
samarthan to Raman's angsty patriarchal dilemma and the ehsaan he did by siding one way rather than the other. It shouldn't have been left on that note. He shouldn't have had the last word because actually he is wrong on that count. Having no one respond to his completely unacceptable statements and tone of voice is a disappointing culmination of the track. The Iyers had good cause to reply back but for whatever reason the valid counter arguments they could have made were not presented to us... I felt this resulted in an incomplete dramatic conflict.
To give an idea of what I mean let me quote from this site (http://www.vcu.edu/arts/playwriting/conflict.html):
Killers of Dramatic Conflict
Dramatic conflict in plays happens between characters and it's in that dynamic where things can go wrong, draining the sources of conflict.
1. Characters agreeing about everything. In this case, they may have a warm and cozy life together, but we won't be interested.
2. Characters turning-the-other-cheek. In real life, that's a great way to reduce conflict, but that's exactly what you don't want to have happen in the theatre.
3. Characters speaking all their subtext. Spoken subtext drains the conflict between characters and inhibits character development. That's how you can end up with an argument instead of real dramatic conflict (see Chapter 15 on Subtext).
#2 is what has happened in YHM. The Iyers basically turned the other cheek. The narrative used the molestation track to have Raman play the flawed hero and to turn Simmi into the resident misguided vamp and in the process the show completely side-lined Ishita and her family's very real cause for concern.
Even if they didn't want the Iyer vs Bhalla conflict to come to a head right now in the story line and they didn't want to have some separation track that's fine. But at least don't NOT address the issue at all. Don't just ignore the wrong and hateful and completely disgusting viewpoints the hero and other characters are putting forward. Have someone say something at least!
I can not believe this show has suddenly gone into cute nok-jhok mode for Ishita and Raman. I can not believe that Ishita had no worries, no fears, no dilemma about her personal safety and future personal treatment in the Bhalla house when she returns. I cannot believe that Raman got his chance to blather on about his angst and Ishita did not get 5 min to talk about how bad she felt about being disbelieved. I cannot believe that despite everything she is mouthing lines like "I acknowledge that all this did happen because of me" to Simmi. What the heck!!! It's like the show's paani pheroed on their own good intentions. What a waste and a disappointment.
Edited by parul2999 - 11 years ago
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