Manmarziyaan: BO and Movie Review Thread

Shaitan-Haiwan thumbnail
Anniversary 12 Thumbnail Visit Streak 180 0 Thumbnail + 6
Posted: 5 years ago

Manmarziyaan movie review: Abhishek, Taapsee and Vicky deliver solid performances in a film that tugs at your heart and leaves you emotional

Check out the review of Manmarziyaan before you make a dash for the tickets.

645SHARES

Ads by ZINC

Manmarziyaan is a love story directed by Anurag Kashyap. That is a reason alone to get really intrigued by the film because the filmmaker is known for his dark, grim gangster movies. Plus it has Vicky Kaushal, the talent everyone is talking about along with Abhishek Bachchan and Taapsee Pannu. Quite a formidable cast, we tell you. Does the film live up to the hype then? Read the review below to know that.

What s it about

Love knows no boundaries and parameters. It is also an emotion that is often the subject of narratives that are sometimes complex and wound and other times simple and linear. In Anurag Kashyap s long yet engaging Manmarziyaan, the protagonist girl is named Rumi, perhaps alluding the poet whose take on love and longing finds a place in the film's storyline. Rumi played by Taapse Pannu is a fiery dragon whose lust and love for Vicky (Vicky Kaushal) knows no boundaries. They are crazy for each other, can t keep their hands to themselves when they are in a room and their electric chemistry can cause explosions in a lab. But all that sizzle and sexual chemistry are not enough to sustain their love story. When Rumi decides to take the plunge and get married, Vicky develops cold feet and seeks the easier route out - no show! The third spoke in the wheel is Robbie (Abhishek Bachchan) Who is this exact opposite of the loud boisterous Vicky. He falls for Rumi in an arranged married setup but his affection for her is unplanned. A rebound relationship never works and we head into a second half where things get heated and serious. Emotions run high and the heart wants what it wants, Manmarziyaan deals with the notion that it s ok to be confused and it s alright to let the heart wander and flutter to the tune of its own pace. Does Rumi settle down with the more evolved and mature Robbie or does she go back to her unstable ex?(Also read: BL Predicts: Manmarziyaan to open with decent numbers despite 9 releases)

What s hot

Manmarziyaan is a performance heavy film. There is a lot that it offers its three characters to do in its limited framework. Anurag Kashyap excels in going beyond the stereotypes of a bound script and attempts to give precedence to moments over making technically superior frames (something he was obsessed with in the past). He lets Rumi and Vicky collide and burst into flames with their toxic love and then brings the headstrong yet emotional Robbie to try and put perspective on the situation. Taapse is a star and as Rumi she becomes a seductress trapping you into each and every scene with her craft. Everything from her diction to her body language in building Rumi is a result of immense hard work. Abhishek Bachchan makes a comeback in a role that seems close to his heart, playing an underdog comes easy to the actor, but as Robbie, he invests more than what the script requires and the rewards are rich! His scenes with Taapse showcase his sensitivity and vulnerability that makes his character real and lifelike. Vickey Kaushal yet again proved why he s becoming the king of versatility. Is there anything this boy can t do? He brings in the correct mix of sexy raw appeal and that angst of being in an incomplete love affair. He and Taapse are an incredible combo. The music of Manmarziyaan is more like a supporting actor and reflects the mood and state of minds of its characters. I loved the way the songs have been choreographed, especially the twin girls who have a cryptic presence through the film.

What s not

The real villain of the film is its unpardonable length. Anurag gets over indulgent and seems like an artist playing with a canvas so long that the paint takes forever to dry up. Despite the depth and complexity of its narrative, the film can do with some serious trimming in the second half. That climax also felt tiring and the conversations long drawn. I wish there were more dramatic scenes between Abhishek and Vicky to bring out the clash of their individual love stories with Taapsee. The change of heart of certain characters feels a bit forced at times, like a ploy to keep it dramatic. Less organic and more artificial.

What to do

Manmarziyaan is long but the reward its three leads - Abhishek, Taapsee and Vicky offer in terms of their performances, is worth the time. Like love, Manmarziyaan needs to be watched with your heart, the mind can take a short nap.

Rating:3.5 out of 53.5 Star Rating
Edited by Shaitan-Haiwan - 5 years ago

Created

Last reply

Replies

33

Views

6802

Users

26

Likes

28

Frequent Posters

RITU.RUCH thumbnail
Group Promotion 1 Thumbnail
Posted: 5 years ago
Wow grt going vicky kaushal,u deserve all the praise
Posted: 5 years ago
Taapsee is best performer in this. she by far is most praised in every review. underrated. 👏
dumbchick thumbnail
Posted: 5 years ago
The promos show a Tanu Weds Manu repeat.
Sunshine75 thumbnail
Anniversary 18 Thumbnail Group Promotion 5 Thumbnail + 2
Posted: 5 years ago
Going this Friday. Cant wait
Dilwali89 thumbnail
Anniversary 15 Thumbnail Group Promotion 5 Thumbnail + 2
Posted: 5 years ago
I love Abhishek so going to see it on Sunday.
Dilwali89 thumbnail
Anniversary 15 Thumbnail Group Promotion 5 Thumbnail + 2
Posted: 5 years ago
http://www.koimoi.com/reviews/manmarziyaan-movie-review-quicker-vicky-kaushal-taapsee-pannu-are-electrifying-abhishek-bachchan-dazzles/

Manmarziyaan Movie Review Quicker: Vicky Kaushal plays the role of Vicky, a crazy music composer waiting for his first break. He loves Rumi (Taapsee Pannu), who gives him a day to bring his parents to her house in order to step up their relationship. Enters Robbie (Abhishek Bachchan), a perfect husband material, who's in India looking out for a bride.

The story of Manmarziyaan is set in Amritsar. He plays Robbie, a banker based in London who comes to his native place to get married to a girl who he later finds is in love with another man.

Manmarziyaan Movie Review Quicker: Vicky Kaushal & Taapsee Pannu Are ELECTRIFYING, Abhishek Bachchan Dazzles

Anurag Kashyap continues his edgy direction on this side of genre. This is his first attempt at exploring love in a more realistic way and he's doing very well at least till the first half. The confusion between Vicky and Rumi's character is written very well and dialogues like "If I can't marry you that doesn't mean I don't love you back up the strong screenplay.

The songs are amazingly placed and none of them feel like an obstruction. Vicky Kaushal is on another level here! He adapts every mannerism of his character with perfection. Taapsee Pannu is brave & beautiful! She's the perfect one to play Rumi and proves yet again why she's one amazing actress. Abhishek Bachchan underplays his role very beautifully and gives a very subtle performance.

Trending

Abhishek was asked how the film's story is different from the rest of the love stories one has seen in Bollywood over the years, Abhishek said: "While most of the time we make our love stories based on judgment, our writer Kanika Dhillon wrote a script which goes beyond that.

Manmarziyaan, featuring Taapsee Pannu and Vicky Kaushal along with Abhishek, is releasing on September 14. Stick to this space for full review!

gilmores thumbnail
Anniversary 18 Thumbnail Visit Streak 365 0 Thumbnail + 8
Posted: 5 years ago
The reviews are pretty good:

Manmarziyaan Movie Review: The Heart Knows

Anurag Kashyap's film, essentially a story about people who crush hearts instead of bodies, features terrific performances by Taapsee Pannu and Vicky Kaushal

 Rahul Review_Review_Manmarziyaan_Abhishek Bachchan_Taapsee Pannu_Vicky Kaushal_Anurag Kashyap

Director: Anurag Kashyap

Cast: Abhishek Bachchan, Taapsee Pannu, Vicky Kaushal

Manmarziyaan, as per its title, does as the heart pleases. Kanika Dhillon's script has a reckless individuality to it in which, unlike many of director Anurag Kashyap's previous undertakings, the world is a mere bystander. "What will people say? is a mythical question. Lovers elope, but return because they don't know whom they're running from. This is the kind of rebel-without-a-cause, selfish and inelegant blueprint of tier-2 love that the country's elders might gleefully cite as a cautionary tale': see, this is why you kids need us to control your choices.

The families recognise that it is futile to intervene. Friends indulge the whims of an imperfect storm. They all seem to have watched enough new-age Bollywood romances to know that the young lover's greatest conflict today is internal. Take away the villains, and there is no hero or heroine. With a girl named Rumi at the core of the triangle, it shouldn't be surprising that this battle is all music, all feeling. And so the others watch, disgusted and spellbound, as their entitled children evoke the inherent Tamasha of Rab Ne Bana Di Jodi in pursuit of cinematic togetherness.


Also Read: Manmarziyaan Writer Kanika Dhillon On The Perks Of Working With Anurag Kashyap

They watch as Rumi (Taapsee Pannu) and Vicky (Vicky Kaushal) love, leave, love, leave and drag visiting NRI Robbie (Abhishek Bachchan) into their volatile tsunami of small-town obsession. They wait as she makes up her mind, makes mistakes, changes tracks and turns the town upside down in search of her own happily ever after. Her irrationality everyone's irrationality in here drives the film's priorities. Kashyap's trademark obsession with the unpredictability and eccentricities of human nature traits that seem indulgent in concise thrillers work better within the structure of messy love stories. If there's one emotion that cannot be explained, criticized or appropriated, it's desire.

Even 155 minutes of characters making dubious decisions might not need the kind of reasoning a gangster or killer merits. Manmarziyaan might therefore, on the surface, look different from the rest of his filmography trust me, this is no "rom-com but it is essentially a story about people infected with love: that is, unhinged people who crush hearts instead of bodies. Low-functioning psychopaths, if you may. When the film's many songs keep dotting their highs and lows, it may appear excessive and distracting to us. But to them, it's the soundtrack of their minds that determine their tone of thinking. It's this self-inflicted drama they thrive on. It's their unreasonableness that makes Manmarziyaan a worthy example of method moviemaking a style in which we are meant to sense the choppy undercurrents of love rather than see them. A style in which love is a time, rather than a person.

Taapsee Pannu, at times, may act like she is forcing her physicality onto a scene, but her contradictions blend in with Vicky Kaushal's remarkable sense of reacting

The reason I mention Tamasha and Rab Ne is not so much the plot (or Amritsar as the setting) as it is Manmarziyaan's examination of middle-class duality. In Kashyap's hands, this is more of a theme than a narrative device. Rumi blows hot and cold; her rage is awful, her spirit, infectious. Rumi and Vicky sway between passionate and spiteful within the same moment. She insults him to improve him. Rumi is an orphan, but also the star of the extended household. Vicky loves her, but doesn't want to marry her. They look toxic to us, but appear pure to each other. They're everything or nothing. Vicky is a DJ who remixes music, Robbie a banker who calculates risks. Robbie is the saint to Vicky's whirling dervish the Surinder Sahni to his Raj Malhotra, the Ved to his wonky Don. A honeymoon happens in Kashmir, the ultimate land of dualisms. The double-ness even manifests itself visually twin sisters in identical outfits are seen dancing in the many of the songs' backgrounds, twin brothers are seen drinking kahwa in Kashmir's valley.

Ironically, we sense it in the performances too. Taapsee Pannu and Vicky Kaushal are terrific in roles that could have easily turned one-note. Pannu, at times, may act like she is forcing her physicality onto a scene, but her contradictions blend in with Kaushal's remarkable sense of reacting. Notice him when he isn't speaking, when he is listening or is at the receiving end of her many outbursts his face is a story of adult reluctance shacked within the confines of man-child attachment.

Also Read: Every Anurag Kashyap Film, Ranked

But it's Abhishek Bachchan's Robbie that is by far Manmarziyaan's most interesting character. He isn't your usual third wheel'; there are shades of grey lodged deep within his magnanimous ("Ramji, she calls him) personality. Here is a man who agrees to marry a girl for all her manic-pixie clichs ex hockey player, firebrand, drifter, orphan despite knowing that she isn't over Vicky. He is conditioned to be measured and strategic. In an Aditya-Chopra-ish touch, he even turns a blind eye to her transgressions so that she comes to value his calm over Vicky's hot-headedness. But there's more to his self-sabotaging aura he wants to feel something, anything, after being dormant for so long. This tortured complexity seems to be missing in the grand men of his spiritual lineage (Ajay Devgn in Hum Dil De Chuke Sanam, R. Madhavan in Tanu Weds Manu). 

Unfortunately, one can't say the same about Bachchan's performance. He is simply adequate, and struggles with these hidden nuances of his character. His demeanor makes it appear like he is participating in a social experiment amused, more than intrigued, by Rumi's existence. Fascinated, more than envious, by Vicky's extremes. The film has been marketed by highlighting his two-year sabbatical from acting, and it very much looks like he has returned to a competitive setup in which he is slightly out of depth. There's a stillness to his face that sort of defeats the charm of Manmarziyaan's moodiness. Of its Patiala pegs, paneer pakoras and post-coital cigarettes.

Maybe, on some twisted level, his limitations suit Manmarziyaan's playful penchant for contrasts. You'd rather have a kind-looking actor overplay a version of himself rather than explosive actors underplaying the notion of madness. Either way, trust the refined man's eyes to light up when he notices an alert that reads: "Rumi has sent you a friend request. How's that for duality?

Rating:   
https://www.filmcompanion.in/manmarziyaan-review-anurag-kashyap-abhishek-bachchan-vicky-kaushal-taapsee-pannu-rahul-desai
------

Amod Mehra @MehraAmod 
More

As usual Vicky and Taapsee are brilliant.. But you have to see #Manmarziyaan to witness the birth of a sensitive actor.. What a brilliant mature performance by Abhishek Bachchan !! Finally Anurag Kashyap proves that he has a heart too !! 3 & half Stars.


Akshaye RathiVerified account @akshayerathi 
More

Life can surprise you! @anuragkashyap72 was about to give up on cinema & switch to being a full-time content creator for OTT platforms...and now, he's releasing what would probably be his biggest theatrical success! Get set for the magic of #Manmarziyaan! In cinemas tomorrow!


taapsee pannuVerified account @taapsee 
More

Early reviews, heartwarming messages and some rather humbling phone calls makes us believe that we will hop on to this 15 hour flight from Toronto to Mumbai with a big smile because I am sure there is something beautiful waiting for us by the time we land :)


Ankur PathakVerified account @aktalkies 
More

Anurag Kashyap's #Manmarziyaan is his most layered, emotionally complex film. It will make you ache, slowly rip you apart, and then leave you nourished with its lived-in wisdom. It also has an outrageously brilliant performance by Vicky Kaushal.


Manmarziyaan review: Anurag Kashyap forfeits his signature edginess to shape a tender love triangle

Devansh Sharma

Sep,13 2018 08:20:36 IST

Comment 
0
 
  Tweet 

Anurag Kashyap's latest offering Manmarziyaan is tailored to make its leading lady shine. Vicky Kaushal's quirky Vicky and Abhishek Bachchan's conventional Robbie are given plenty moments, but Manmarziyaanis a Taapsee Pannu show, through and through.

Vicky Kaushal, Taapsee Pannu and Abhishek Bachchan in Manmarziyaan. Image via YouTube

Taapsee plays Rumi, a polar opposite to the philosopher and thinker, since she is as fickle-minded as this film's narrative, shaped by both Kashyap and writer Kanika Dhillon.

Rumi is an Amritsar-based hockey merchandise store owner, madly and unapologetically in love with Vicky, a wannabe DJ. However, as she veers towards the prospect of arranged marriage in search of a more responsible partner, she makes London-returned banker Robbie fall for her. And so ensues a love triangle between three lost souls who subconsciously rediscover themselves.

Manmarziyaan will be a watershed film for Taapsee as it offers her a career-best performance. Despite recently appearing in Anubhav Sinha's courtroom drama Mulk, Shaad Ali's sports film Soorma and Tigmanshu Dhulia's ZEE5 romantic comedy Baarish Aur Chowmein within the span of two months, Taapsee shows no signs of slowing down. She takes on the character of a new age Punjabi kudi with panache and a swagger that seems inbuilt, and never thrust upon. She carries off messy-tied-up hair and plain T-shirts with a sense of ownership and lends a dash of realism to her portrayal.

Vicky comes close to stealing the show; his body language and confidence is spot on as he displays the coolth of a small town DJ with as much effortlessness as he exposes his character's vulnerability, one that stems more from his fear of commitment than a lack of strength.

Abhishek Bachchan returns to what he does best play the good boy. It's a progression from his simpleton act in Sooraj Barajtya's 2003 film Main Prem Ki Diwani Hoon and an adorable husband in Karan Johar's 2006 drama Kabhi Alvida Naa Kehna. He has oodles of charm to offer but given that Manmarziyaan is being touted as his reinvention, he underperforms to a large extent. He is the weakest of the supremely talented lot though he is cast to a fault.

With Manmarziyaan, Anurag flirts with a script that is not written by him in its majority. Thus, the signature edginess, that could have made the two lead male characters more delectable, is missing here. But he makes up for it by giving an alternative treatment to the saturated romance genre.

Kashyap works in tandem with all the key departments of the film. The biggest shoutout must go to the music composer Amit Trivedi, who has already taken the nation by storm through tracks like Daryaa' and F for Fyaar'. With the aid of lyricist Shelle, Trivedi inserts just the ideal stretch of all his songs at various junctures of the film. This adds tremendous value to a narrative already made enriched by tight editing (particularly in the first part; editor Aarti Bajaj goes lax in the second half) and Sylvester Fonseca's zestful cinematography.

Production designer Meghna Gandhi and costume designer Prashant Sawant add colour to frames that oscillate between the Golden Temple and graffiti on the walls of Amritsar's abandoned lanes.

Thematically, the film touches upon a larger point of duality, symbolically conveying the idiom, "All matches are made in heaven. For every pyaar, there is fyaar; for every instance of responsibility, there is a moment of abandon.

During the second half, one may feel that the director is also in two minds about taking his narrative forward. But if you align this confusion to the leading lady's conflicted state of mind, you might come closer to decoding Kashyap's magic one that transports the audience into the riddled minds of his flawed characters.

(Note: This is a first-impression analysis of Manmarziyaan. Stay tuned for Anna Vetticad's movie review of the film. )

https://www.firstpost.com/entertainment/manmarziyaan-review-anurag-kashyap-forfeits-his-signature-edginess-to-shape-a-tender-love-triangle-5174241.html

you2 thumbnail
Anniversary 16 Thumbnail Visit Streak 365 0 Thumbnail + 6
Posted: 5 years ago

Manmarziyaan Movie Review - Are these actors for real?

Sep 13, 2018, 07:10 IST | Mayank Shekhar


The relentless drama that follows, by the minute, in the lives of the volatile lead couple (Vicky Kaushal, Taapsee Pannu) in unhinged love, will make you feel thoroughly relieved about your own staid existence though.
The  film starts off with a full-length song, or music video, if you may, with a pair of twins (a random motif that appears throughout), cracking it with their dance moves, setting the tone for what's supposed to be a musical, after all. The relentless drama that follows, by the minute, in the lives of the volatile lead couple (Vicky Kaushal, Taapsee Pannu) in unhinged love, will make you feel thoroughly relieved about your own staid existence though.

This is still the most sunshine, Imtiaz Ali film that Anurag Kashyap, from the heart of darkness, is ever likely to make. And it's not that Kashyap currently scripting a career that easily places him among the finest Indian filmmakers ever hasn't dealt with romance before.

THis last film itself, Mukkabaaz (2017), was originally written as a boxing movie, that he then brilliantly turned into a love story. And how can you forget the stellar Dev.D (2009) a Trainspotting type adaptation of Devdas, the most filmed Indian romance ever? Manmarziyaan is about two guys, and a girl, where none can seemingly have each other. Could you see it as an inversion of Devdas as well then? Long shot; maybe (hard to say).

At the core of this film though is that (Hum Dil Chuke Sanam, Rab Ne Bana Di Jodi) clich about why/how women inevitably fall for the uber-cool, 'bad boy' meaning someone who's not, typically speaking, the sorted, sober 'husband material'. Which, by the way, is also the film's apt English title.

Striikingly competent, Amritsar-born Kanika Dhillon has written this script, fully soaked in Amritsari ghee, traversing its mohallas and gullies, as it explores the world of the confused young while parents progressively have less influence over their children finding life partners. Tinder perhaps works better for a perfect match. And young-blood infatuation (like love) has its own paagalpan, madness; even if it is relatively short-lived certainly long enough to last the duration of this movie.

To give you a gist: Kaushal plays the 'bad boy', a lukkha, local DJ. Bachchan is the patient, well-meaning, good boy London banker. Pannu (on a roll, lately) is their object of affection. There's no better way to describe her feisty character than, as Bachchan puts it in the film: "Atom bomb" explosive that's really what her stunning, viscerally moving performance feels like.

Every second, she grabs you by the collar to look at her. And look at her some more. This is just as true for Kaushal (Sanju, Raazi, Lust Stories, Love Per Square Foot). Like this film, he seems to have completely owned this year as well.

Edited by you2 - 5 years ago
Serendipity.. thumbnail
Anniversary 14 Thumbnail Group Promotion 6 Thumbnail + 2
Posted: 5 years ago
Vicky !!! I'm so happy he's getting such rave reviews. What a year he's had. He better get all the awards next year!!