Bollywood Hungama | Taran Adarsh
MURDER 3 is a thriller that offers thrills and chills aplenty. The beauty of the film lies in the fact that it's so damn unpredictable, so unforeseeable in its second hour. It's nothing like you've seen in a Hindi movie thus far. Also, it's a plot-driven movie, with Vishesh not borrowing anything from the previous two MURDERs. It goes without saying that MURDER 3 stands tall for its substance and most significantly, for the sparkling implementation of the written material [Mahesh Bhatt]. Like I pointed out earlier, Vishesh and the Sr. Bhatt metabolize the source completely to create a product that's nothing short of brilliant.
80
RECOMMENDED
The Times Of India | Madhureeta Mukherjee
With more mystery than grisly murders, debutant Vishesh Bhatt works around a story (a remake of a Spanish thriller) that's 'fleshy' enough (minus the sex and eroticism of a 'Murderesque' series) creating an eerie setting, with sombre moods and suspicious characters. He solely relies on the strength of the story without glossed-over effects and style, which is commendable. The first half ghost-walks into a comfort zone (with songs, romance et al); while the second half terrifyingly twists, with raging emotions and shuddering shock value
60
RECOMMENDED
Koimoi | Roshni Devi
Murder 3 is the official remake of the Colombian thriller, The Hidden Face. Arturo Infante and Hatem Khraiche's story gets just about satisfactory justice in the pens of Mahesh Bhatt and Amit Masurkar The script is quite good and will keep you on the edge of your seat. But the first half is rather slow. Also, the characters are not etched out well. The character of the cop-ex-boyfriend is an interesting addition but has not been used well. The part of the story of Roshni doubting Vikram should have been handled better.
50
AVERAGE MOVIE
Zeenews | Ananya Bhattacharya
What disappoints, however, is the raw direction. Vishesh Bhatt, the debut, hasn't done a brilliant job with the director's hat and there are scenes in the film which are downright funny, and unintentionally so. Nisha's screams at the drop of a hat, for example, tend to get on your nerves after a while. 'Murder 3' stands out in few moments; when Hydari breaks down in front of the mirror being a commendable one. The film picks up pace a little while before the intermission, and then keeps the viewer sort of hooked on to it. But there are no nail-biting, spine-chilling, throwing-you-off-your-seat stuff.
40
NOT RECOMMENDED
Sify | Sonia Chopra
Dark humour is not easy to execute, and here it flattens the tension a bit. Some scenes are well-executed, and the others fall flat. One reckons this could be Vishesh not being on very steady ground when it comes to the storytelling style. While at one end he yearns to break out of the Murder cliches, he's also over-cautious to not let go of the franchise's formula
60
RECOMMENDED
Rediff | Sukanya Verma
Subtlety is rarely favoured in our filmmaking where the emphasis is always on noise that lays out cues for fear and false alarms in place of sparking off anxiety through lingering pauses or prudently-timed bursts of sound and thunder. Even so, the curious twist in Andrs Baiz's creepy drama about the repercussions of guilt and doubt, save Murder 3 from being a complete misfire.
40
NOT RECOMMENDED
NDTVMovies | Saibal Chatterjee
Hooda may not yet possess the star power of an Emraan Hashmi – that is more a reflection on the Mumbai movie industry and the audience than on the actor himself – but is endowed with a smouldering screen presence that burns itself indelibly into the film's texture.
50
AVERAGE MOVIE
Indian Express | Shubhra Gupta
The Bhatts have always known how to do steam things up. And the 'Murder' franchise, like the more obviously-named 'Jism', has delivered the mix in strong doses : toned, gleaming bodies, full-blown adult passions, tangled bed-sheets, all wrapped up in a couple of sufi strains. This third 'Murder', an official remake of South American thriller 'The Hidden Face', has all the Vishesh ingredients, but they've been ordered clumsily : just one mildly spooky moment, and lines that are fall-down-funny, belying what's meant to be a tense build-up. Rao Hydari has shown spark in her earlier films ; here she is buried in bad-make and silliness. We are left to wonder exactly why Loren is in the film; at the very least, she needed a serious voice coach.
8