Peepli Live Movie Reviews - Page 4

Created

Last reply

Replies

54

Views

6.2k

Users

24

Likes

40

Frequent Posters

104869 thumbnail
Posted: 15 years ago
#31
Big B has got a fantastic way with words, even his diction in Hindi is remarkable.

That apart the movie has been getting positive reviews, i read a couple of reviews in the UK who have given its a big thubs up.

I'm hoping to watch the movie, one of my uncle is a farmer ( a mordern one albeit) and he said he is very excited about the movie.
104869 thumbnail
Posted: 15 years ago
#32

Movie review: 'Peepli Live,' a black comedy from India

http://www.latimes.com/entertainment/news/reviews/la-et-review-peepli-live-0813,0,6646950.story

The fact that a reported 182,000 farmers in India committed suicide from 1997 to 2007 (because of the country's agrarian downturn) wouldn't seem like the ideal springboard for movie. (UTV Motion Pictures)

By Gary Goldstein
la-et-review-peepli-live-0813

The fact that a reported 182,000 farmers in India committed suicide from 1997 to 2007 (because of the country's agrarian downturn) wouldn't seem like the ideal springboard for movie comedy. But the ambitious "Peepli Live" manages to mine substantial dark humor from this tragic situation while offering pointed — and sometimes poignant — social commentary in the process.

The film orbits around Natha (Omkar Das Manikpuri), an impoverished farmer from the Central Indian village of Peepli, who, after losing his land over an unpaid government loan, gets swept up in a national program that pays 100,000 rupees (around $2,000) to the families of farmers who commit suicide. Saddled with a shrewish wife, three needy kids, a bedridden witch of a mother and a contrary brother, a profitable death suddenly doesn't seem like the worst option. But when word of his potential suicide gets out, a media and political circus descends on tiny Peepli, with everyone swiftly exploiting the sensationalized event for personal or professional gain.

It's a tricky juggling act that, thanks to a crafty script by writer-director Anusha Rizvi, along with a colorful cast, succeeds more often than not. If there's any real shortcoming, it's the creation of Natha, who remains little more than a shaggy simpleton throughout, despite a predictable yet satisfying final twist.




"Peepli Live." MPAA Rating: Unrated. In Hindi and English with English subtitles. Running time: 1 hour, 45 minutes. In limited release.
104869 thumbnail
Posted: 15 years ago
#33
104869 thumbnail
Posted: 15 years ago
#34

Peepli Live: Brilliant, nuanced satire

http://blogs.reuters.com/indiamasala/2010/08/13/peepli-live-brilliant-nuanced-satire/

Aug 13, 2010 03:19 EDT
  • Facebook
  • Twitter
  • LinkedIn
  • Digg

Bollywood | comedy | farmer suicides | film | humour | Peepli Live

Peepli LiveThere are a lot of nuances in Anusha Rizvi's "Peepli Live" that you may not get at once. There will be a comment on the health system in villages or the lack of hygiene but they are so subtle that it may escape the notice of the less attentive viewer.

It will be your loss if you do miss out on these small details because this film thrives on subtlety — something we aren't too used to as viewers.

To be able to see the (dark) humour in a situation like farmer suicides without actually laughing at the issue is a tough act to pull off and fortunately for her and her audience, Rizvi does it with aplomb.

Omkar Das plays Natha, a down-on-his-luck farmer who can barely manage to feed his family, let alone save his ancestral property due to an upaid loan. When a local politician laughingly advises him to commit suicide so that he can claim compensation from the government, he grudgingly agrees. Egged on by his elder brother Budhia (Raghuveer Yadav), he makes his intentions public and is overheard by a local reporter.

Of course, what follows is nothing short of chaos. Natha's death becomes a spectacle that is covered incessantly by the blood-thirsty media, exploited by politicians and watched by the nation.

Rizvi makes a biting comment on the aggressive nature of reportage in the country, government apathy and red tape and of course the real issue at hand — farmer suicides.

The best part is, she makes all these points in the funniest way possible. You will find yourself laughing hard most of the time in the film, but there is a very serious thought there so don't forget to dwell on that as well. Shyam Benegal's "Well Done Abba" also tried a similar theme but this one is much more successful.

Of the motley cast in the film, I have to say that this is one of the most well-cast films I have seen in a long time. From Natha's wife Dhaniya, his cranky old mother to the reporters who are covering the event, they are all perfect fits. You may never have heard of these actors, but they all put in a great ensemble performance.

If you do just one thing this weekend, watch this film.

104869 thumbnail
Posted: 15 years ago
#35

Peepli [Live]: Best film of the year!

http://movies.rediff.com/report/2010/aug/13/peepli-live-review.htm

Last updated on: August 13, 2010 12:55 IST
Tags: Anusha Rizvi, Hori Mahato, Omkar, Sukanya Verma, Malaika Shenoy

Sukanya Verma and Sudarshana Dwivedi review Peepli [Live].

Sukanya Verma: Oh my god, 2010 is turning out to be fabulous at the movies. Avatar, Ishqiya [ Images ], Inception, Udaan and now Peepli [Live]?

Sudarshana Dwivedi: I know! It was awaited like any other Aamir Khan [ Images ] movie even though he's only the producer.

SV: I can understand why it would need this intensity of promotion. In the past too, there's been no dearth of relevant films that sank in oblivion or created buzz only in festival circuits. Imagine if Muzzafar Ali's Gaman was made today and promoted under the marketing genius of Aamir, it would definitely be remembered for much more than Seene mein jalan.

SD: I agree. See, promotion does help but what works for Peepli [Live] is that it's a tale told with uncompromising conviction and commitment.

SV: What is it about this film that appealed most to you?

SD: They've portrayed harsh reality of farmer suicide without being melodramatic or condescending. The lot of the Indian farmer has not improved much since the days of Munshi Premchand's Godaan set in pre-Independence India [ Images ]. Actually, Natha (Omkar Das Manipuri) and Budhia (Raghubir Yadav) remind me of Hori Mahato.

SV: Hori Mahato?

SD: The hero of Godaan. In fact, there's a reference to him in the film; remember the malnourished farmer, also called Hori Mahato digging rough patches of earth to survive? Hori's plight hasn't changed even after more than six decades.

SV: Mm-hmm. As someone who belongs to a relatively contemporary, metropolitan-bred generation, I could relate to the unfortunate divide between the urban mind-set and rural set-up. There is an urgent need to bridge the gap. We cannot be India in halves; one has to have a better understanding of where the other is coming from. Peepli [Live] provides insightful subtext to the same. But there's never any attempt to provide answers.

SD: Answers? The bureaucracy has a Lal Bahadur, a Indra Vikas or a Annapurna. Or the 'Natha card' to deal with such inconvenient questions only, heh.

SV: Gosh, that scene and countless others -- the one about Saif Ali Khan's [ Images ] school crush or journalists scampering to capture footage of Nattha taking nature's call -- had me in splits. At the same time, it's terribly tragic too. For better or worse, satire seems to be the only approach to communicate the existing despair. Is it fair to treat the subject like a comedy?

SD: It is the comic treatment of a cruel situation that has made it so engrossing. The entire rigmarole of breaking news, TRPs, villager bytes and grass-root opportunism is both believable and hilarious. We, as a nation, lack the ability to laugh at ourselves. Peepli [Live] not only does so but does it with a healthy irreverence. Hope it gets appreciated.

SV: Fingers crossed. Speaking of breaking news, the role of press/electronic media in Peepli, though brings in the maximum laughs, is never really reduced to a contrived caricature. Rather director Anusha Rizvi [ Images ] depicts the all-too familiar rivalry between the vernacular (Nawazuddin Siddiqui) and English press (Malaika Shenoy) with delicious banter. She totally nails it.

SD: Right! There is never a dull moment. It gives the whole effort a healthy freshness. The fish bowl effect that you have while watching a village-based movie is totally absent here as I felt like a participant and not an observer of the unfolding drama. This I feel is Anusha's greatest strength.

SV: Reminds me of a line from the movie, "Maut ki aisi raunak humne pehle kabhi nahi dekhi."

SD: That's a good one. It's a compact script which has been executed with equal passion. There are no actors here only characters that all of us have seen or met at some point. I appreciate how Anusha has chosen unfamiliar faces with sound background in theatre.

SV: Seconded. I mean, Farrukh Zaffer as Natha's venom-spewing mom is a firebrand. I'd love to see more of her. Others like Raghuvir Yadav, Malaika, Nawazuddin, Shalini Vatsa, Vishal Sharma and Sitaram Panchal are equally credible. Moreover, isn't Omkar as Natha simply wow? Notice how he doesn't have too many lines? It's either his constantly puzzled gawk or bobbling body language at work. At times, he reminds of a wide-eyed E.T. trying to escape an army of hounding government
agents.

SD: Ooookay.

SV: No, seriously. The only discordant note, I thought is the casting of Naseeruddin Shah [ Images ]. He appears too refined, too cocksure and too star-like in a crowd of uncorrupted artistry.

SD: I do not agree that Naseer is a misfit. He brings just the right shade of polished cunning to his Salim Kidwai. In fact, the casting is so perfect that you can see many known faces of politics and media through these unknown faces.

SV: I am with you on that. For all its engaging wit, every scene and close-up is a compelling study or an untold story. Bottom-line: Peepli [Live] is a well-researched, brilliantly-written and effectively documented creation that hasn't negotiated its wry vision for big screen. I'd go to the extent of saying it's the best Hindi film I've seen this year. And I honestly don't think whatever is left of 2010 could offer anything better to contest that.

SD: Touche. That will be four stars and an appeal for tax-free.

Rediff Rating:

MalahFirangi thumbnail
19th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 15 years ago
#36
As per star news film got some place 92 and some place 100% opening.
pooja_l thumbnail
18th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 15 years ago
#37
i m sure that this movie will not only be well received by the urban audiences but also by the rural audiences coz this is a movie about rural india

hats off to aamir for believing in such script, hope to watch it asap

i m really looking forward to watch nattha and specially amma, coz she is the most funny character in promos 😆
friends_rock thumbnail
18th Anniversary Thumbnail Sparkler Thumbnail + 2
Posted: 15 years ago
#38
coming from brand aamir
will def watch this movie :D
ladygaga thumbnail
15th Anniversary Thumbnail Dazzler Thumbnail
Posted: 15 years ago
#39

Review: 'Peepli Live'

G. Allen Johnson, Chronicle Staff Writer

San Francisco Chronicle August 13, 2010 04:00 AM Copyright San Francisco Chronicle. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Friday, August 13, 2010

Print E-mail
del.icio.us
Digg
Technorati
Reddit
LinkedIn
Facebook
Slashdot
Fark
Newsvine
Google Bookmarks
Twitter
Share
Comments (0)
Georgia (default)
Verdana
Times New Roman
Arial
Font | Size:
4
3
0

Peepli Live

ALERT VIEWER Indian satire. Directed by Anusha Rizvi. In Hindi and English with English subtitles. (Not rated. 106 minutes. At Bay Area theaters.)

Nine Winds

Omkar Das Manikpuri (left) plays Natha and Raghubir Yadav is his brother in "Peepli Live."

According to Indian government statistics, some 200,000 farmers committed suicide in a decadelong period (1997-2007), as India undergoes a long and painful shift from an agrarian to an industrialized, urban-centered society. Poverty, the reason for most of the suicides, is an epidemic, and the government began compensating families of suicide victims $2,000 - a relatively hefty sum - for each suicide.

So suddenly we have a situation where, if you're a farmer, you might be worth more to your family dead than alive.

That is the issue satirically examined by former journalist Anusha Rizvi in her feature debut, "Peepli Live," in which a farmer, Natha (Omkar Das Manikpuri) threatens to commit suicide and becomes a pawn of politicians running for re-election and a media frenzy eager for a ratings bonanza.

The film, produced by Bollywood megastar Aamir Khan (who does not act in the film), gets a small U.S. release on the same day - today - it opens in India. In January, it became the first film from India to be invited to play at the Sundance Film Festival.

The concept of a country bumpkin becoming a national story and manipulated by politicians and media is a tradition in Hollywood films that includes "Meet John Doe," "Ace in the Hole," "A Face in the Crowd" and, most recently, Kevin Costner in "Swing Vote." So though "Peepli Live" might seem fresh and current to Indian cinemagoers, it can't escape a certain predictability to Westerners.

I liked "Peepli Live," which is colorful and at times quite lively, but I wish it were funnier and its satirical edge a bit sharper. It also takes too long to kick into high gear; the media frenzy doesn't begin until some 40 minutes into the movie, and when it does, Rizvi has so many characters to juggle she gets bogged down directing traffic. She also, like the media and politicians she satirizes, loses focus on Natha as a human being.

Still, there's pleasure to be had in Manikpuri's performance and that of Raghubir Yadav, who plays Natha's hapless brother, as well as beautiful Malaika Shenoy as a career-minded TV reporter who stokes the story.

E-mail G. Allen Johnson at ajohnson@sfchronicle.com.



ladygaga thumbnail
15th Anniversary Thumbnail Dazzler Thumbnail
Posted: 15 years ago
#40
New York Times
Movie Review

Peepli Live

UTV Motion Pictures

Omkur Das Manikpuri in "Peepli Live."

A Sendup of India Politics and News

By RACHEL SALTZ
Published: August 12, 2010
  • Facebook
  • Sign In to E-Mail Print
  • Reprints
  • ShareClose
    • Linkedin
    • Digg
    • Mixx
    • MySpace
    • Yahoo! Buzz
    • Permalink

What do you if you're a debt-ridden farmer about to lose your land? If you're the brothers Naatha (Omkar Das Manikpuri) and Budhia (Raghubir Yadav), you opt to take a politician's advice: one of you — Budhia chooses Naatha — will commit suicide, thus guaranteeing your family a government subsidy.

That's the premise of "Peepli Live," a fitfully amusing Indian comedy that touches on a hot-button topic — the country's rash of farmer suicides — as it skewers a hidebound bureaucracy (no one can figure out a way to get money to the brothers that doesn't involve one of them offing himself) and the predatory news organizations that swoop into the village of Peepli to capture Naatha's death live.

The writer-director Anusha Rizvi, making her feature debut, shoots her story efficiently and with visual panache, but after a compelling setup her script runs out of juice. She gives the newscasters — modern city folk with practiced off-and-on empathy and inane, if occasionally hilarious, ideas about rural life — center stage, though they're her least interesting satiric target. (They're also probably what she knows best. She worked for four years at the Indian news channel NDTV.)

"Peepli" has no stars, though it was produced by one: Aamir Khan, who took it to Sundance last winter. Still, Mr. Manikpuri and Mr. Yadav ably fill that void as Naatha and Budhia. They're the poker-faced centers of a swirling storm that Ms. Rizvi lets wash over them a little too thoroughly.

PEEPLI LIVE

Opens on Friday in New York, Los Angeles, Boston, Chicago and San Francisco.

Written and directed by Anusha Rizvi; director of photography, Shanker Raman; edited by Hemanti Sarkar; score by Mathias Duplessy, songs by Indian Ocean; production designer, Suman Roy Mahapatra; costumes by Maxima Basu; produced by Aamir Khan and Kiran Rao; released by UTV Motion Pictures. In English and Hindi, with English subtitles. Running time: 1 hour 46 minutes. This film is not rated.

WITH: Omkar Das Manikpuri (Natha), Raghubir Yadav (Budhia), Nawazuddin Siddiqui (Rakesh), Shalini Vatsa (Daniya), Farrukh Jaffer (Amma) and Malaika Shenoy (Nandita).

Related Topics

Bollywood thumbnail

Posted by: oyebollywood · 2 months ago

https://x.com/vivekagnihotri/status/1946940660067803443...

https://x.com/vivekagnihotri/status/1946940660067803443
Expand ▼
Bollywood thumbnail

Posted by: oyebollywood · 1 months ago

https://x.com/UmairSandu/status/1962932305451716881

https://x.com/UmairSandu/status/1962932305451716881
Expand ▼
Bollywood thumbnail

Posted by: oyebollywood · 1 months ago

https://www.indiaforums.com/article/inspector-zende-review-a-retro-chase-filled-with-comedy-chaos-and-manoj-bajpayees-quirks_226785

Expand ▼
Bollywood thumbnail

Posted by: oyebollywood · 1 months ago

Has any one seen this movie...

Expand ▼
Bollywood thumbnail

Posted by: Maroonporsche · 1 months ago

https://x.com/umairsandu/status/1954950592771895651?s=46 Tis is review thread ?

https://x.com/umairsandu/status/1954950592771895651?s=46
Expand ▼
Top

Stay Connected with IndiaForums!

Be the first to know about the latest news, updates, and exclusive content.

Add to Home Screen!

Install this web app on your iPhone for the best experience. It's easy, just tap and then "Add to Home Screen".