But what really got me were the references to their unceremonious beginnings. The first one being with Kumud fanning Saras in her sleep, so different from the first scene and yet at the same time alike. Both times, Kumud had been completely flustered at being so close to Saras. The difference this time though is that she now knows the man that she had been dreaming about for so many nights - her dabi-dabi feelings had blossomed into love.
The second reference I noticed was the way Kumud phrased her question. Kya tum meri aankhon mein wohi dekhte ho, jo mein dekhti hoon? These darned aankhein are what started this whole romance in the first place! I loved that Kumud still has that sketch of Saras, and that it is the first thing she looks at after the confession, a personification of her dreams. It seems that these 2 have finally come full circle with their love story - and now the real drama can begin.