facts abt the SRGMP singers - Page 4

another thing... do u thing paresh's bheege hooth tere and na tum jana is better than the original?

ya, not bheege hont tere, but na tum jaano na hum
was completely better than the original..

and radhika, i think no one else comes to this topic..
plz ask ur frnds to come and post their views..

Originally posted by: mp_142

u mean ur ears right not eyes😉

Means all the world best Musical Mastros have only ears-no eyes????

Poor PPL...when they are seeing DEBO is far better than VINIT .

No choice left for them except:-

By hook or crook-trying to prove DEBO down

what do u all think of vinit's aashique banaya aapne
and sharib's aashique banaya aapne?

sharib sang it well.. but, vinit did it better
during the kolkatta program...

wat do u all want to say abt it?

in UK we r behind... so i havent sn the kolkatta program yet... but i remember when sharib sang it n i was impressed wid it. i think i preferred sharibs to vinit... but then again i havent sn the kolkatta so cant really say yet.

Regarding analysis of ans24us1 ????????

Your analysis is not UNBIASED. Vineet mada a bad job of Parda hai parda hai. He conveiniently avoided the high pitched alaap at the end of this qawwali. The alaps, murki's and nakhra's are the high lights of any qawwali. Remove these and the qawwali falls flat. That is why Only Rafi and Mannadey could sing qawwali's. In Veer zaara they had to call Ahmad and Mohammad Hussain. and see the result. This became a master piece. Why did they not give this number to either Sonu or Roopkumar Rathod who sang other songs of this film?. Earlier Vineet did a bad job of Nain lad jai hai to manwa ma kasak hui bekari. Again same thing this folk number has a high pitched alaap at the end which Vineet conveniently avoided because he is week in high pitch.

All these singers Vineet, Debu have limited range and tremondous competition from Sonu and other singers and only time will tell how they will shape up. Hema has a heavy southern accent which prevented the other singers from the south to be successful in Hindi films. Other wise stalwarts like Yesudas, SPB and others could have made it real big in Bombay. Singing is not only about a good voice, pronounciation, stressing the wright words in lyrics play a big role in making a song better from good. unfortunately not all music directors of today are capable of training their singers in this area.

Nihira is good but too shrill Himani is different and will have limited options. Other singers if given a chance could make a name is Paresh, Sharib and the one artist, I cant remeber his name but came on crutches.(Sir, I sincerly appologise for not remebering your name) This guy must be given enough chances to be able support himself financially. The film industry has the abilty to do it. Infact they must support all good artists who have any kind of physical disabiltiy.