So how has the beti emerged as a favourite in a space hitherto dominated by kitchen politics Producer Sunjoy Wadhwa of Balika Vadhu says,One has to grow beyond saas-bahu relationships in TV shows.Though the focus is now on daughters,its high time we showed different emotional aspects of human beings in our shows.
In urban India,as young independent women emerge as key decision makers when it comes to career and marriage,even producers seem keen to give them more prominence in their dramas.A lot of the female protagonists in Hindi soaps are financially stable and take responsibility of their h o m e s and audiences connect to them instantly.May be thats why these shows work, says Nikita Sharma whos essaying the role of a single working woman in Do Dil... Ek Jaan.
Hindi soaps are often a reflection of urban Indian society and showmakers insist that most characters are planned out on the drawing board keeping the audiences choice in mind.Producer Hemal Thakkar of Mrs.Pammi Pyarelal says,There is a huge connect with daughters who are the pillar of the family and take on a prominent role in their families.Its said when you want a good wife,look for a girl who is a good daughter.
A huge chunk of tellys prime time viewership comprises of the 16-25 age group,and having a young woman protagonist ensures the shows immediate connect to the younger audience.Smriti Kalra of V Suvreen Guggal says,Saas-bahu shows are done to death and offer nothing new in terms of content.With the viewership of soaps growing younger,theres a demand for younger women protagonists.
For Hindi GECs though,striking an emotional connect with the target audience is the icing on the cake,if a young spirited female protagonist has the ability to rake in the numbers,then more power to them!
amrita.mulchandani@
timesgroup.com