Blast from the Past Thread #12, pg 63, epi 139 - Page 13

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cinthiann1758 thumbnail
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Posted: 12 years ago

Originally posted by: BarunDiwani


AD, yaar what's to forgive?? this is great, all my fav guttery scenes. "jaadu hai" sounds much better on consumation scene that the other like we discussed 😆 Actually i think Durga or someone on here had suggested one of the verses of jaadu hai as official song for that scene, i agreed b/c it would bring Diwali night full circle. Anyway, still awesome for your first, loved it. I won't tell your mom :)


Absolutely beautiful! And I won't either (tell mom) lol
soni19sweet thumbnail
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Posted: 12 years ago

Originally posted by: supriya.arshi

A VM by Shy...its an emotional one!!!

If you love Khushi...emotionally...you'll love this...❤️


[YOUTUBE]http://www.youtube.com/watch?v=Jy5cExWxMhc[/YOUTUBE]



it is awesome
just loved it
my fav song on my forever jodi
thnks a lot
keep continuing and if can then send me also as pm
or i will spam 😛

indi52 thumbnail
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Posted: 12 years ago

Originally posted by: ArshiHamesha

@Blasters


I personally wanna thank you for your prayers and heartfelt words for supporting me al these two weeks almost.Way too hard for me all across.Too much indulgence at work,home and stress border.I just got my computer fixed today .will be joining you tonight.Just got back and couldn't resist open it and say hi to all of my friends .I know a lot is waiting to read and go through but It feels good to be back as I am home.

Once again THNAK YOU


hi arshi,

finally, a computer and some time, wonderful. welcome back. i also read your mother is better... very very happy to hear that. i have tonnes of reading and writing to do too, thanks to my almost 2-week break, let's dive in, what say.

yay, it's second anniv coming up... and i am still ooo dead at the thought of the boy.

Horizon thumbnail
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Posted: 12 years ago

Originally posted by: BarunDiwani


sorry to jump in Horizon but i also love this scene, truly one for the history books. Sanaya was brilliant! the dialogue tweaked perfectly to suit yet keep the resemblance to the epic scene from the movie...I agree Horizon it was great when Khushi looked throgh the windw and know it was him, you know the other khasiyat thing about this scene is that its the first time Arnav sees Khushi mehsoosing him...its amazing, the look on his face.
Thnka Kate for the sbs, bought back some good memories :)


Ami, Gladly jump in dear. Is there a way to hug a moment .. drink and swallow a feeling??... surrealism ...it is heavenly... yet times.. frustrating!!! Thats how I feel when I watch that scene!

He is watching her from a distance blabbering about him cutely ...he fluttered when she almost tripped from that table.. after all catching her is HIS duty/ right...and yes HE could see her "mehsooing" him...and she knew he was there for HER. That hide and seek.. that right mix of excitement and agitation! Missed talking to you guys about those epis!

Sanaya's versatility coming through that enactment and from that drunken state how she briskly she changes to soft and vulnerable when she feels him... treat to watch..
indi52 thumbnail
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Posted: 12 years ago
^^^ horizon, ami

i see discussions on a fave scene. bits of what you felt, in what i wrote about it i thought, so went and checked 72, and thought of reproducing a bit here. read if in the mood please. i am yet to write 75, good reminder. 😳


today it's soocide time. and to sweeten death, a pinch of mishri.
i hope dharmendra saw this scene. when sholay was released in the mid seventies, who'd have thought that in the second decade of 2000, more than 35 years later, it would have such resonance with the audience. veeru's "soocide soocide," and "buddi going jail, chakki peesing peesing," empty bottle in hand, atop a tank, drunk, slurring and so very cute became part of our language and shared memory. in it a lightness and froth the years never took away.

writers of ipk, clearly movie buffs, decided to resort to a classic cult scene to start off this super wacky week of ipk. great choice. and really, sanaya was a fabulous veeru. i just wish we had one of those ridiculous asides from the gaonwalo (jiji, buaji, shyam) that went "yeh soocide kya hota hai?" er, what's this soocide? sorry, if you've never seen sholay, the reference wouldn't make sense, but do see this video, might clarify what i mean.

[YOUTUBE]http://www.youtube.com/watch?v=RPDFfvAaLJw[/YOUTUBE]
credit: uploader

in the mean time, a man who tends to lose his head, but very often realises soon after that what he did was not right and sets out to correct his mistake, is out on the road, getting more and more worried. where is this girl? fikar not, asr. she is right on top of that table, planning your "jail jaaing." imprisonment. what she doesn't know, of course, is that the deed is already done, and your dil is settling only for life term, it's only your dimaag that struggles for freedom, it knows not why.

"
jiji nahin muskuraai... toh soocide!"

if jiji doesn't smile, she's going to "soocide" and for her "soocide" only one person will be to blame. you, sir. as she threatened calamity, and her dhanno (the ox, or was it cow?) bua and thakur snake walked into scene, but off camera, a car pulled up smoothly outside in the dark, to come and halt quietly by the gupta's little home. in complete counterpoint to the noise and jollity indoors, a silence, an intensity in this frame. a darkened glass rolled down, a still face turned in the direction of the light, saw the girl framed by the parallel window grills, a bit prison like they, and his eyes said things that no scriptwriter could have written down.


an ocean of yearning in just a second. flowed out and enveloped all. surprising perhaps even the owner of those brown orbs. little did he realise how extremely worried he was. or perhaps even ashamed at his behaviour.

"yeh jo asr hai na, woh bhagwaan mein vishwas nahin karte..." this aspect of asr, his not believing in god really troubles khushi. she genuinely does not get it. for her this is sacrosanct, how can anyone not be part of this idea? yet, interestingly, love will some day make her understand that too, just as it will make him accept that she is just perfect as she is, however different from him that may be.

"gussa toh aise karte hain jaise saans le rahe ho."
his anger is really an issue. repeatedly, in the early months this was hinted at. the whole thing is possibly related to his dad in some way too. however, at one point, the writers let this theme go without explanation. pity. right now, we see the return of his nostril flaring gussa. after the initial flooding of relief, again the temper, possibly a weapon to save him from all hurt.

"saza sunate hain...
arnav singh raizada, tu jail mein jaaing aur chakki peesing
tu khushi kumari gupta ko tadpaing aur chakki peesing
chakki peesing aur peesing aur... hic"

here's the sentence... arnav singh raizada, you going jail and mill grinding...
you making khushi kumari gupta unhappy and mill grinding...
mill grinding and mill grinding... hic

on that pretend hiccup rose the gust of wind. a turmoil, a return yearning filled her insides, her eyes looked around. is he here? is he here? two hearts had a conversation. the owners of the hearts never listened. maybe because the time was not yet right. maybe all love stories go this way, who knows. first an emotion finds itself under cover, outside the five senses, in some meeting of instincts, of hearts, then along the way we pick up the signals. this may sound a bit khushi ott, but if there were no mystery to the rise and claim of this feeling why would we waste centuries pondering it, writing and thinking and cogitating about it, and still remain pretty much mystified?


pyaar, love, the ultimate game centre really, completely ajeeb.

words from a very old hindi movie come to mind:
ajeeb dastaan hai yeh
kahan shuru, kahan khatam
yeh manzilen hain pyaar ki
na woh samajh sakein na hum


a strange tale is this
where does it start where it ends
what are these turns and passes
neither he understood nor i

a loose translation. the word love never figures, yet that's what it really is about.

the curtain flutters, an unguarded innocence in his eyes, the same wanting, camera closes in, i felt he wanted to come close and just inhale her air.

she sees jiji smiling. back to normal... "arree hasi toh fassi." you smile, you're trapped. how that came back to me in 75.
BarunDiwani thumbnail
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Posted: 12 years ago

Friendly Disclaimer: My words, thoughts ideas and edited pics are mine only, please do not copy. You are welcome to use it, but credit accordingly. Thank you!

Episode 125 : Anguish

Hard to describe all the heart wrenching feelings Khushi left in that big room with Arnav...i can only try to name a few...hurt, emptiness, helplessness, frustration all bundled up into a package of anger. He couldn't hide his feelings from her and she couldn't ignore. While everyone showered her with blessing and wishes on her new engagement, she had a hard time even faking that smile she's so good at. Even if she tried to smile about this relationship that means nothing to her, her heart is consumed with the pain of the angry man who couldn't complete an answer to her question about "farq"...once again the sweets left a bitter taste in the mouth of a girl with a sweet tooth, last time it was in celebration of his engagement announcement, this time it's in celebration for her so called engagement.

Bitterness as it is, seems to have filled the air but only two people can taste it. Arnav, on his way to the only place he can run to with his excruciating pain, is in for more heartache when a ringtone bring his feel to a halt. He just knows its the other man's. even before he witnesses La teasing Khushi with her phone


"chamkili, you're so excited to talk to you future hubby!" More salt on his wounds by others who are ecstatic for Khushi. anger worsens, and he stands there staring her down with all the blame in his eyes for her. La runs up the stairs behind Arnav, and continues to tease Khushi. "Look ASR, Chamkili is so impatient, so cute na?" in all the teasing, La drops the phone, and with a quick reflex he catches it. Why does he catch it, why not just let it fall? The dramatic music and the killer look he gives her, UFF!


she knows trouble is brewing . The phone kept ringing with "shyaam" s name on it, the reality of it all sinks in paired with the very thought of Khushi acting impatient for another man, it eats him up inside. Jealousy at its best but also a great sense of betrayal even though he has no reason to feel betrayed. Interestingly she moves back leaving the phone in his hand, trying to make point i presume. Anjali snatches it away and he storms off, needing that garden, his mom even more.

Iss pyaar ko kya naam doon? He had been deeply hurt, and has no qualms about holding Khushi responsible, when her only crime was moving on after he shattered her heart because the farq was against his own set rules. He did what he thought was right for him, but never thought about the feelings he suppressed, and today he pays for it as they erupt without any sense of control from him. When the world pushed him, he pushed back, perhaps thats the only way he deals with pain. The only problem with pushing Khushi back is all that hurt comes back to him after circling her...nonetheless, it's all he knows to do, so he pushes and hurts with her.

In his garden where the ambiance is normally peaceful and serene while he tends to his precious plants, instead a massacre of those same plants with his hand, he kils even the most vibrant ones.


Once of the most heart wrenching scenes in the show. In his rage, once before after she had handed in her resignation, he had destroyed a plant he was so tenderly working on by just throwing it on the ground. Back then,, she hurt him with her words and didn't give him a chance to talk. Today pain is much worse and so is the damage. As he snips away, her words cut through him again "yeh hamaari sagaai ki angoothi hai" . and La's thoughts on "impatient chamkili" is killing him. He's taking his anger out on these plant, but why something he love so dearly? I feel the plants represent his beautiful strong feelings he had for her and, he's trying shred them away. Feelings he allowed to grow with his love and care in this very garden every night when he was alone and aloof lost in her thoughts. Sadly during the aimless cutting, his anguish deepens, the anger worsens and all the viewer can do is feel sorry for him. Appropriately, it's Khushi who intervenes.

"yeh aap kya kar rahe ha? aap jaante bhi hai ki aap phool kaat rahe ha?" "What are you doing? do you even know that you're cutting the flowers?"

...much later we learn about a lesson his mother thought him when he wanted to hurt the rose with thorns that hurts his mother. Today it's Khushi who confronts him about the flowers, but again such deep is his hurt, he does everything on impulse...thinking has gone out the door since she said those six words.

"Toh?" "So?"

"to aap saare phool kaat denge aur?" "So you'll cut all the flowers?"

"meh kya karta hoon, usse tumhe kya lena dena hai?...mein kuchh bhi karron usse tumhe kya faraq padat hai?"..." What's it to you what i do?... whatever i do, what difference does it make to you?"

Ahhh the pushing has begun, but behind it, can't we sense how badly he wants all of this to make a difference to her ? love the psychology the CVs have applied in each of his reactions and his dialogues. So real, isn't this how an person with anger issues, and the inability to express his true feelings behave with someone who hurt him?

"mein.." he tries to continue his anguish filled words but suddenly the deep gash within appears on the outside, on his palm. His injury also shows how in his pushing, he always ends up being hurt.

"Dekha chot lag gayee na aapko!""See you got hurt didn't you?" Khushi couldn't help reaching out for his hand, which he moves in spite to show her that she has also lost haq(rights) on him just like he lost haq on her.

La happens to walk in and sees the wound "Oh God!" she rushes towards him and orders for the first aid kit. "Thank God i got here" completely oblivious to the fact that his care taker was there right by his side. As La applies alcohol, "sss" he cries out in pain, Khushi jumps just wanting take it away. He is angry, but her concern for him doesn't go unnoticed from the corner of his eyes. She is about to leave but La calls her, "what are you doing there, come here help me!" Khushi hesitates but walk towards him as all she wants to do is help take care of him. La ask "hold ASR's hand"

and before she can finish he cuts in "Koi zarurat nahi hai (There is no need), i'll keep my hand steady" but La insists and he doesn't fight her any more...hmmm. I think he a part of him wants her touch just to feel alive and he can't deny the warmth and tenderness he got when she gently held his big manly hand with her tiny hands.


La asks him "You never react to anything, never get excited, in your eyes there is never fear, not happiness, only anger and lots of it..but ASR are you happy with me? with our relationship? are you excited about our life together?"

For the first time after he heard the dreadful news, he says something that seems well thought out...maybe her supporting hands under his wounded one calmed him down a little.

"aakhon mein dekh kar sab kuchh nahi jana sakta Lavany, agar koi cheez nazar nahi aah rahi hai, uska matlab yeh nahi ke woh hai nahi"

Translation: "You can't know everthing from looking into one's eyes Lavanya, if something is not showing doesn't mean it's not there

An answer with double meaning that for once clearly tells Khushi that just because he can't show his love, doesn't mean it's not there...Its the most of his feelings he could express and IMO he did his best. Khushi caught on to his powerful and profound confession, the proof is in her reaction to his blunt lie that followed

"Mein khush hoon"...i'm happy...you probably can't see but I'm REALLY happy," he elaborates. Khushi's heart breaks.


then he does the swallowing thing he often does as if gulping down his pain and slowly looks to her...to me, just this one look says everything that hidden behind all that "irrational" anger and the acting out..


That look is short lived because clueless La soon starts to tease Khushi about her upcoming "date"..." ASR pata hai? Chamkili is going on a date" [a side note: once again La's character is contradicted, She had seen Arnav has feeling for Khushi but here it's as if she never saw]

Khushi tries to deny the date for Arnav's sake, again another realistic depiction of how a girl in Khushi's shoes would act knowing that the man she loves is dying inside. Khushi excuses herself for the day but La leaves before she does. Arnav stops Khushi

"Ek minute Khushi...ajeeb baat hai na, jis din mere engagement announce hui, tum mujhe wish karna bhool gayee, aur ab tumhari engagment hui toh..."

Translation:"One minute Khushi, isn't it weird that the day my engagement was announced, you forgot to wish me..and now that you're engaged.."

hmmm why the sudden change from irrational to rational Mr.Raizada? Did he just realize that he had no right to act the way he did since she pulled her hand away from him and he learned the devastating news?

"Congratulation Khushi Kumaari Gupta" he continues with his back turned to her...his usual stand when he lies or says something he doesn't mean. She looks at the back of his head, knowing all that it took for him to say that.


"Tumhe tumhar-"...he is interrupted by Shyaam's phone call. Once again his instict is right. he looks at her as she picks up...

"ji Shyaamji" his name on her lips retracts any level headedness, rationality he had, back to anger and his arrogance. His keen eyes catch the sadness on her face, and decides to use that against her. he goes into ASR mode

"Kya hua, sab to tumhari shaad ki baat se itne khush lad rahe hai lekin tum? tumhe dekh to lag raha hai, ki tumhe abhi abhi pata chal hai ki ladka ameer nahi hai"

Translation: "What happened, everyone is so happy with you wedding, but you? seeing you, seems you just found out that the guy isn't rich"


The good old gold digger card, that's always worked like a charm as it does today. Obviously hurt, Khushi leaves without saying a word, how much strength it must take for her to walk out after hearing him talk like this, but she does, only because she knows where this is coming from and that behind the mean tough ASR, there is someone soft and helpless suffering in great agony.


Unbelievable tension created between two people, while keeping others oblivious to their aching hearts...only adds to the depth of their feelings...hats off CVs. The dialogues, the music, the direction and of course the acting all working together flawlessly to bring anguish literally to life. 124-126 are truly gems when it comes to transferring these feelings to the viewer. AMAZING!

Going through the snaps for this epi, i can't get over how incredibly sad Arnav is through out this whole episode.

DROOL CORNER!!!!!!!!!!!!!!!(this has to be the saddes DC😭)


awww, his face when she gets a call❤️



Edited by BarunDiwani - 12 years ago
BarunDiwani thumbnail
12th Anniversary Thumbnail Dazzler Thumbnail + 4
Posted: 12 years ago

Originally posted by: Horizon


Ami, Gladly jump in dear. Is there a way to hug a moment .. drink and swallow a feeling??... surrealism ...it is heavenly... yet times.. frustrating!!! Thats how I feel when I watch that scene!

He is watching her from a distance blabbering about him cutely ...he fluttered when she almost tripped from that table.. after all catching her is HIS duty/ right...and yes HE could see her "mehsooing" him...and she knew he was there for HER. That hide and seek.. that right mix of excitement and agitation! Missed talking to you guys about those epis!

Sanaya's versatility coming through that enactment and from that drunken state how she briskly she changes to soft and vulnerable when she feels him... treat to watch..


ohhh if you ever figure out how to hug a moment, do let me know...there are a bunch i want to be huging this lovely awsome. lovely reading your thoughts about this amazing scene. just love the words you used! its very evident this on is close to your heart. I agree, it has to be one of Sanaya's best scene...she always thrives in the comedy but you're right, it wasn't just comedy, she had to switch to this other side to her fairly at the drop of a hat and does it flawlessly.
BarunDiwani thumbnail
12th Anniversary Thumbnail Dazzler Thumbnail + 4
Posted: 12 years ago

Originally posted by: indi52

^^^ horizon, ami

i see discussions on a fave scene. bits of what you felt, in what i wrote about it i thought, so went and checked 72, and thought of reproducing a bit here. read if in the mood please. i am yet to write 75, good reminder. 😳


today it's soocide time. and to sweeten death, a pinch of mishri.
i hope dharmendra saw this scene. when sholay was released in the mid seventies, who'd have thought that in the second decade of 2000, more than 35 years later, it would have such resonance with the audience. veeru's "soocide soocide," and "buddi going jail, chakki peesing peesing," empty bottle in hand, atop a tank, drunk, slurring and so very cute became part of our language and shared memory. in it a lightness and froth the years never took away.

writers of ipk, clearly movie buffs, decided to resort to a classic cult scene to start off this super wacky week of ipk. great choice. and really, sanaya was a fabulous veeru. i just wish we had one of those ridiculous asides from the gaonwalo (jiji, buaji, shyam) that went "yeh soocide kya hota hai?" er, what's this soocide? sorry, if you've never seen sholay, the reference wouldn't make sense, but do see this video, might clarify what i mean.

[YOUTUBE]http://www.youtube.com/watch?v=RPDFfvAaLJw[/YOUTUBE]
credit: uploader

in the mean time, a man who tends to lose his head, but very often realises soon after that what he did was not right and sets out to correct his mistake, is out on the road, getting more and more worried. where is this girl? fikar not, asr. she is right on top of that table, planning your "jail jaaing." imprisonment. what she doesn't know, of course, is that the deed is already done, and your dil is settling only for life term, it's only your dimaag that struggles for freedom, it knows not why.

"
jiji nahin muskuraai... toh soocide!"

if jiji doesn't smile, she's going to "soocide" and for her "soocide" only one person will be to blame. you, sir. as she threatened calamity, and her dhanno (the ox, or was it cow?) bua and thakur snake walked into scene, but off camera, a car pulled up smoothly outside in the dark, to come and halt quietly by the gupta's little home. in complete counterpoint to the noise and jollity indoors, a silence, an intensity in this frame. a darkened glass rolled down, a still face turned in the direction of the light, saw the girl framed by the parallel window grills, a bit prison like they, and his eyes said things that no scriptwriter could have written down.


an ocean of yearning in just a second. flowed out and enveloped all. surprising perhaps even the owner of those brown orbs. little did he realise how extremely worried he was. or perhaps even ashamed at his behaviour.

"yeh jo asr hai na, woh bhagwaan mein vishwas nahin karte..." this aspect of asr, his not believing in god really troubles khushi. she genuinely does not get it. for her this is sacrosanct, how can anyone not be part of this idea? yet, interestingly, love will some day make her understand that too, just as it will make him accept that she is just perfect as she is, however different from him that may be.

"gussa toh aise karte hain jaise saans le rahe ho."
his anger is really an issue. repeatedly, in the early months this was hinted at. the whole thing is possibly related to his dad in some way too. however, at one point, the writers let this theme go without explanation. pity. right now, we see the return of his nostril flaring gussa. after the initial flooding of relief, again the temper, possibly a weapon to save him from all hurt.

"saza sunate hain...
arnav singh raizada, tu jail mein jaaing aur chakki peesing
tu khushi kumari gupta ko tadpaing aur chakki peesing
chakki peesing aur peesing aur... hic"

here's the sentence... arnav singh raizada, you going jail and mill grinding...
you making khushi kumari gupta unhappy and mill grinding...
mill grinding and mill grinding... hic

on that pretend hiccup rose the gust of wind. a turmoil, a return yearning filled her insides, her eyes looked around. is he here? is he here? two hearts had a conversation. the owners of the hearts never listened. maybe because the time was not yet right. maybe all love stories go this way, who knows. first an emotion finds itself under cover, outside the five senses, in some meeting of instincts, of hearts, then along the way we pick up the signals. this may sound a bit khushi ott, but if there were no mystery to the rise and claim of this feeling why would we waste centuries pondering it, writing and thinking and cogitating about it, and still remain pretty much mystified?


pyaar, love, the ultimate game centre really, completely ajeeb.

words from a very old hindi movie come to mind:
ajeeb dastaan hai yeh
kahan shuru, kahan khatam
yeh manzilen hain pyaar ki
na woh samajh sakein na hum


a strange tale is this
where does it start where it ends
what are these turns and passes
neither he understood nor i

a loose translation. the word love never figures, yet that's what it really is about.

the curtain flutters, an unguarded innocence in his eyes, the same wanting, camera closes in, i felt he wanted to come close and just inhale her air.

she sees jiji smiling. back to normal... "arree hasi toh fassi." you smile, you're trapped. how that came back to me in 75.


Indi!!! 🤗 thanks for this. just read and its still amazing. you description of that mehsoos feeling is breathtaking. and i really do wish Dharmendra saw this scene!! also good reminder about Arnav's gussa supposed to be on his dad...they reallly got away from it didn't they? wonder why, it was a good thought. could it be b/c they wanna show how much he is not like his dad??? don't know...these IPK CVs i tell you! thanks again for "relive"
Horizon thumbnail
12th Anniversary Thumbnail Visit Streak 90 Thumbnail + 2
Posted: 12 years ago
^^^ horizon, ami

i see discussions on a fave scene. bits of what you felt, in what i wrote about it i thought, so went and checked 72, and thought of reproducing a bit here. read if in the mood please. i am yet to write 75, good reminder. 😳


today it's soocide time. and to sweeten death, a pinch of mishri.
i hope dharmendra saw this scene. when sholay was released in the mid seventies, who'd have thought that in the second decade of 2000, more than 35 years later, it would have such resonance with the audience. veeru's "soocide soocide," and "buddi going jail, chakki peesing peesing," empty bottle in hand, atop a tank, drunk, slurring and so very cute became part of our language and shared memory. in it a lightness and froth the years never took away.

writers of ipk, clearly movie buffs, decided to resort to a classic cult scene to start off this super wacky week of ipk. great choice. and really, sanaya was a fabulous veeru. i just wish we had one of those ridiculous asides from the gaonwalo (jiji, buaji, shyam) that went "yeh soocide kya hota hai?" er, what's this soocide? sorry, if you've never seen sholay, the reference wouldn't make sense, but do see this video, might clarify what i mean.

[YOUTUBE]http://www.youtube.com/watch?v=RPDFfvAaLJw[/YOUTUBE]
credit: uploader

in the mean time, a man who tends to lose his head, but very often realises soon after that what he did was not right and sets out to correct his mistake, is out on the road, getting more and more worried. where is this girl? fikar not, asr. she is right on top of that table, planning your "jail jaaing." imprisonment. what she doesn't know, of course, is that the deed is already done, and your dil is settling only for life term, it's only your dimaag that struggles for freedom, it knows not why.

"
jiji nahin muskuraai... toh soocide!"

if jiji doesn't smile, she's going to "soocide" and for her "soocide" only one person will be to blame. you, sir. as she threatened calamity, and her dhanno (the ox, or was it cow?) bua and thakur snake walked into scene, but off camera, a car pulled up smoothly outside in the dark, to come and halt quietly by the gupta's little home. in complete counterpoint to the noise and jollity indoors, a silence, an intensity in this frame. a darkened glass rolled down, a still face turned in the direction of the light, saw the girl framed by the parallel window grills, a bit prison like they, and his eyes said things that no scriptwriter could have written down.


an ocean of yearning in just a second. flowed out and enveloped all. surprising perhaps even the owner of those brown orbs. little did he realise how extremely worried he was. or perhaps even ashamed at his behaviour.

"yeh jo asr hai na, woh bhagwaan mein vishwas nahin karte..." this aspect of asr, his not believing in god really troubles khushi. she genuinely does not get it. for her this is sacrosanct, how can anyone not be part of this idea? yet, interestingly, love will some day make her understand that too, just as it will make him accept that she is just perfect as she is, however different from him that may be.

"gussa toh aise karte hain jaise saans le rahe ho."
his anger is really an issue. repeatedly, in the early months this was hinted at. the whole thing is possibly related to his dad in some way too. however, at one point, the writers let this theme go without explanation. pity. right now, we see the return of his nostril flaring gussa. after the initial flooding of relief, again the temper, possibly a weapon to save him from all hurt.

"saza sunate hain...
arnav singh raizada, tu jail mein jaaing aur chakki peesing
tu khushi kumari gupta ko tadpaing aur chakki peesing
chakki peesing aur peesing aur... hic"

here's the sentence... arnav singh raizada, you going jail and mill grinding...
you making khushi kumari gupta unhappy and mill grinding...
mill grinding and mill grinding... hic

on that pretend hiccup rose the gust of wind. a turmoil, a return yearning filled her insides, her eyes looked around. is he here? is he here? two hearts had a conversation. the owners of the hearts never listened. maybe because the time was not yet right. maybe all love stories go this way, who knows. first an emotion finds itself under cover, outside the five senses, in some meeting of instincts, of hearts, then along the way we pick up the signals. this may sound a bit khushi ott, but if there were no mystery to the rise and claim of this feeling why would we waste centuries pondering it, writing and thinking and cogitating about it, and still remain pretty much mystified?


pyaar, love, the ultimate game centre really, completely ajeeb.

words from a very old hindi movie come to mind:
ajeeb dastaan hai yeh
kahan shuru, kahan khatam
yeh manzilen hain pyaar ki
na woh samajh sakein na hum


a strange tale is this
where does it start where it ends
what are these turns and passes
neither he understood nor i

a loose translation. the word love never figures, yet that's what it really is about.

the curtain flutters, an unguarded innocence in his eyes, the same wanting, camera closes in, i felt he wanted to come close and just inhale her air.

she sees jiji smiling. back to normal... "arree hasi toh fassi." you smile, you're trapped. how that came back to me in 75.
[/QUOTE


Thanks much for sharing it here again indi for that I missed it that time. All those red bold makes me realize... like one Rafi, Sonu Nigam, Talat Mohd's voice, indi's description of my fav scene... is what fulfills my yearning to hug this moment and swallow this feeling. Thanks much my friend! Yes, that child innocence/yearning in his eyes/ face was unmistakable...endearing!

And, isn't IPK and Arshi our iconic "Sholay" literally, figuratively!
indi52 thumbnail
13th Anniversary Thumbnail Stunner Thumbnail + 6
Posted: 12 years ago
horizon, thanks for liking those words, and so happy you felta funny satisfaction reading the. aren't they our sholay? what a thought. thanks for that 🤗 a thought i want to hold close.

ami, you read again, thanks so much. that was the beginning of their ajeeb thingie... remember her miushri and jooise plan the next day, then shyam's neckalace game, la's lakshmi losing, the tea story, and then at last that lopsided smile in your hassa toh phassa collage. the music on that smile plays in my heart every time i recall it... not exaggerating or acting corny, it really does. i have not yet written about it... tomorrow.

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