Omkara's music rocks

Okay friends those who listened the music.. post your comments😊😊😊

Omkara's music rocks

Sukanya Verma | July 12, 2006 18:38 IST

Chath par aakar gid baithe
Aur parnalon se khoon bahe
Kaun gira hai? Kaun kata hai?
Kismah dum hai? Kaun kahe?
Chakke chut gaye dushman ke
Omkara...
Dharti maange chutkara
Omkara...

Intense and profound are the keywords of filmmaker and composer Vishal Bharadwaj's latest offering, as his fascination with The Bard continues.

His earlier Maqbool was an adaptation of William Shakespeare's Macbeth. His newest, Omkara, is inspired from Othello.

Scheduled for a July 28 release, Omkara features an impressive line up of actors like Ajay Devgan, Saif Ali Khan, Viveik Oberoi, Kareena Kapoor, Bipasha Basu, Konkana Sen and Naseeruddin Shah.

Set against the rural heartland of Uttar Pradesh, Omkara's soundtrack reflects this flavour fittingly.

What makes the soundtrack of Omkara unique is that every song is a story or emotion, not a mere filler or excuse for running across mustard fields.

Sukhwinder Singh dramatically introduces you to the dread and glory of 'sabse bade ladiya' (the greatest warrior) Omkara with such magnificence that you cannot help but fall hook, line and sinker for the thumping grandeur of this performance. You tend to play the song over and over again before moving onto the next track.

Even as you recover from the repeat value of the title track, the music director thrusts you with the velvety and mellifluous O saathi re. Sung by Bharadwaj himself along with Shreya Ghosal, this romantic duet does justice to Gulzar's poetry.

Trust the veteran lyricist to turn coarse into earthy. Beedi is a case in point. His colourful lyrics -- kitni sardi hai kisika lihaal layile, jaa padosi ke chulhe ki aag layile -- engross you with their uninhibited, rustic mischief. Coupled with Vishal's flamboyance and Sunidhi Chauhan and Sukhwinder Singh's fiery rendition, Beedi lights the fire good and proper.

It is always a pleasure to notice Suresh Wadkar's name on the album back cover. The songster justifies his presence in the wake-up lullaby, Jag ja. Layered with tender flute, subtle piano and dreamy verse, Jag ja has the air of untainted innocence and loving indulgence.

Simmering and gaudy, Namak is Rekha Bharadwaj's teasing ode to love. Based on classical music, although a tad overdone in arrangement, this raunchy song is too loud for its own good.

Rahat Fateh Ali Khan waxes eloquent on deception through the metaphor of a woman's eyes. A smouldering creation, Naina articulates the theme of Omkara €" jealousy and suspicion.

Burning heartache is echoed through the gloomy and forlorn Laakad. Rekha Bharadwaj is excellent again.

The album concludes on an expectedly dark note with the instrumental The tragedy of Omkara. Grim and intimidating, Bharadwaj sets the tone for a catastrophic finale.

To put it plainly, Omkara rocks!

Source : http://ia.rediff.com/movies/2006/jul/12omkara.htm?q=mbp& file=.htm

thanx Kavi i liked the songs they are good especially title song omkara 👏

thanx would luv to hear and see it!

His earlier two films may not have been major money-spinners but they were both critically acclaimed and loved by the select who few watched them. We are talking about 'Makdee' and 'Maqbool', both directed by Vishal Bhardwaj, who started his career as a composer and is now leading from the front by taking over directorial reins as well. Now he returns with 'Omkara' that is being promoted in a fantastic manner by its makers. Produced by Kumar Mangat, the film stars Ajay Devgan, Saif Ali Khan, Viveik Oberoi, Kareena Kapoor, Bipasha Basu, Konkona Sen Sharma and Naseeruddin Shah with music by Bhardwaj himself and lyrics by Gulzar.

When a team like this comes together for a film adaptation of Shakespeare's Othello, there are good expectations of a 'different' score. It may not necessarily boast of a chartbuster appeal but a new experience is something that one looks forward to! After listening to the album, one concludes that the experience is new but not that would be everyone's cup of tea!

Rustic to the core, title song 'Omkara' is sung by Sukhwinder Singh in a way as if he in a state of intoxication. And doesn't the style simply suit the proceedings? One is literally carried to the heartland of India in a way the song has been structured, be it the lyrics, tune or the rendition. A kind of track that would be noticed more for its rhythm rather than its content since it requires a few hearings to actually comprehend what the song is all about, it's a catchy number that sets the path for the rest of the album to follow.

Next to come is 'O Saathi Re' that could have been the title song of the film if 'Omkara' wouldn't have been the chosen one out of 'Omkara', 'O Saathi Re' and 'Issak'. The song has a distinct Vishal Bhardwaj touch; the kind that was so impressive in 'Maachis' and to some extent even his lesser heard score in 'Betaabi'. The track exudes the feeling of intimacy and deep love. Gulzar's lyrics have the master's stamp all over it as this 'raaga' based number is sung with perfection in low pitch by Shreya Ghoshal and Vishal Bhardwaj, who does a rather impressive job in his new role as a singer. The song may not be one of the best bets for the masses to hum around but is a must listen for those looking for class. Also, expect this 'difficult-to-sing' number to be attempted by upcoming singers in talent hunt shows!

After an introduction number followed by a romantic number comes an item song that truly belongs to UP/Bihar/MP! If 'Main Aayi Hoon UP Bihaar Lootne' [Shool] resulted in Shilpa Shetty being most in-demand for gyrating to an item song, as far as a mainstream actress was concerned, watch out for Bipasha Basu in 'Beedi' that is as rustic-n-earthy as it gets! Bipasha, who has most of her item songs/dance numbers boasting of up-market setting, is a revelation here, as she looks completely 'desi' and 'at-home' while doing her 'jhatak-matak' act. A complete team work with Sunidhi Chauhan leading the front and Sukhwinder Singh, Nachiketa Chakravorty and Clinton Cerejo supporting her in the act, the overall effect of the song also gets enhanced with effective camerawork and the kind of choreography that completely justifies the small town setting in the cow-belt! A sure fire hit that is going to garner whistles-n-claps at single screen theatres, it has been beamed on the satellite channels at just the right time as the film's music album release!

Suresh Wadkar, who is one of the favorites of Vishal Bhardwaj since the time the composer entered the Bollywood musical scene, sings a solo 'Jag Ja Ri Gudia'. A serene number, it can be compared to A.R.Rehman style of music in the way it moves at a slow pace and maintains a consistent rhythm throughout. For a common man, it is quite difficult to comprehend the situation and relevance of the number without seeing it on screen, courtesy Gulzar's poetry! A track that doesn't have much for masses to look forward to!

Sounding like a 'mujra', 'Namak' could also have been the title song of the film, in accordance to the reason as stated above, since the song goes as 'Namak Issak Ka'! Rekha Bhardwaj sings this track that is based on Indian classical music and has an old-world feel to it. It would be interesting to see how this song, which is the lengthiest of the album, is choreographed and presented in the narrative! Rakesh Pandit provides support to Rekha in this yet another rustic number that has a situational feel to it. An average track that doesn't have much repeat value to it!

Rahat Fateh Ali Khan, who rose to fame in India with 'Mann Ki Lagan' [Paap] and 'Jiya Dhadak Dhadak' [Kalyug] arrives with a solo 'Naina Thag Lenge' that is quite an impressive piece of composition. Yes, the song again has a classical feel to it but there is something about this slow paced number that makes one go for the repeat button. The song may not have much for those who have now been used to compositions by Himesh Reshammiya, Pritam and the likes but for those looking for some variety and a thoughtful yet romantic number, 'Naina' is the one for you.

Mood of the album remains same with the arrival of 'Lakkad Jal Ke Koyla Hoye Jaaye'. A song about heartbreak by Rekha Bhardwaj, it is yet another 'raaga' based number that would be appreciated most by those who understand Indian classical music. Set in a manner that would suit a dark lonely night, its sound should create an impact in the narrative but isn't of the kind that would make masses play on the album on and on.

The album concludes with 'The Tragedy Of Omkara', something that is apt for the movie that has a tragic end. A one and a half minute musical piece with a chorus in the background, it gathers momentum towards the end after a slow beginning and reminds of the instrumental track of 'Saam Daam Dand Bhed' [Sarkar].

'Omkara' is an album for those who are simply tired of anything Bollywood and just wish to hear a new sound with distinct classical shades. In fact for such an audience, a number like 'Beedi' would be a complete no-no as it comes close to being commercial. But for those who like to listen to music that has some commercial elements to it, there are only 2-3 numbers that would come close. While the movie seems sure to take a bumper opening, the same cannot be said about the music of 'Omkara' that would be primarily endorsed by the section of audience that has classical inclinations.

Yeah I liked the Titale song too...

Looking forward to watch the movie.. I like Ajay Devgan as actor...

Rustic flair in 'Omkara' score

Tuesday, July 11, 2006

Source: IANS
Image Source: IndiaFM

Album: "Omkara"; Music Director: Vishal Bhardwaj; Lyrics: Gulzar; Music Label: Eros

Vishal Bhardwaj, whose earlier compositions in films like "Satya", "Maachis" and "Maqbool" received critical acclaim, mixes rustic elegance with classical forms to come up with another commendable score in "Omkara", an adaptation of Shakespeare's "Othello".

The composer, who falls under the parallel-genre of Indian musicians, is nearly successful in bringing out the rural element in the film's score, without compromising on melody.

The film is set in the rural heartland of Uttar Pradesh. In the opening title track, "Omkara", Sukhvinder Singh of "Chaiyya chaiyya" fame is able to do justice to the rhythmic swaying number with his voice.

"O saathi re" is a romantic number and is sung beautifully by Shreya Ghoshal and Vishal himself.

The next song is the item number "Beedi". Sunidhi Chauhan, Sukhvinder, Nachiketa Chakravorty and Clinton Cerejo have lent their voice in this number that reminds one of the "UP Bihar lootne" number in "Shool". Bipasha Basu does the Shilpa Shetty act by swaying to the gyrating beats of "Beedi".

"Jag ja", the next song, is a lullaby sung by Suresh Wadkar.

Then we have another peppy, rustic number "Namak". Sung by Rekha Bhardwaj and Rakesh Pandit, one gets the feeling that Vishal is perhaps trying a "Kajra re" with this mujra-qawwali.

The standout number of this album is undoubtedly "Naina thag lenge". Rahat Fateh Ali Khan, of "Lagi man ki lagan" and "Jiya dhadak dhadak" fame, sings this soothing number to perfection with his unusual flair. Vishal makes good use of the sitar in "Naina..."

"Lakkad" is a classical-based song by Rekha, but it has hardly any unique elements for it to qualify as a great number.

The last piece is the instrumental "The tragedy of Omkara", very appropriate with the film's tragic end.

http://content.msn.co.in/Entertainment/Bollywood/Entertainme ntIANS_110706_1322.htm

Yeah it is nice ,liked it. 😊

Thanks 👏 👏

Wow I am getting so many people who like Ajay......

But I am the number one fan of Ajay..... 😛

Rustic flair in 'Omkara' score
Tuesday, 11 July 2006 |

"Classical music buffs and those looking for something new after getting tired of Himesh Reshamiyya's nasal renditions can find some hope in 'Omkara'. Gulzar's lyrics are excellent as usual, though the slow love numbers deserve special mention."


By Zafri Mudasser Nofil

Album: 'Omkara'; Music Director: Vishal Bhardwaj; Lyrics: Gulzar; Music Label: Eros

Vishal Bhardwaj, whose earlier compositions in films like 'Satya', 'Maachis' and 'Maqbool' received critical acclaim, mixes rustic elegance with classical forms to come up with another commendable score in 'Omkara', an adaptation of Shakespeare's 'Othello'.

The composer, who falls under the parallel-genre of Indian musicians, is nearly successful in bringing out the rural element in the film's score, without compromising on melody.

The film is set in the rural heartland of Uttar Pradesh. In the opening title track, 'Omkara', Sukhvinder Singh of 'Chaiyya chaiyya' fame is able to do justice to the rhythmic swaying number with his voice.

'O saathi re' is a romantic number and is sung beautifully by Shreya Ghoshal and Vishal himself.

The next song is the item number 'Beedi'. Sunidhi Chauhan, Sukhvinder, Nachiketa Chakravorty and Clinton Cerejo have lent their voice in this number that reminds one of the 'UP Bihar lootne' number in 'Shool'. Bipasha Basu does the Shilpa Shetty act by swaying to the gyrating beats of 'Beedi'.

'Jag ja', the next song, is a lullaby sung by Suresh Wadkar.

Then we have another peppy, rustic number 'Namak'. Sung by Rekha Bhardwaj and Rakesh Pandit, one gets the feeling that Vishal is perhaps trying a 'Kajra re' with this mujra-qawwali.

The standout number of this album is undoubtedly 'Naina thag lenge'. Rahat Fateh Ali Khan, of 'Lagi man ki lagan' and 'Jiya dhadak dhadak' fame, sings this soothing number to perfection with his unusual flair. Vishal makes good use of the sitar in 'Naina...'

'Lakkad' is a classical-based song by Rekha, but it has hardly any unique elements for it to qualify as a great number.

The last piece is the instrumental 'The tragedy of Omkara', very appropriate with the film's tragic end.

Classical music buffs and those looking for something new after getting tired of Himesh Reshamiyya's nasal renditions can find some hope in 'Omkara'. Gulzar's lyrics are excellent as usual, though the slow love numbers deserve special mention.

Not a 'must buy' album, but certainly a 'worth buying' one.