By Satyajit - Eye TV India Bureau
Juke Box
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The religious sanctity of God Almighty "Allah" is worshipped in divinely refined vocals of Adnan Sami in the soundtrack "Allah Hu". Nusrat Bad's words are enriched with ambience and sung in soft and tender pitch by Adnan Sami. Aadesh Srivastav's music amalgamates the tender voice of Adnan Sami with equally impressive lyrics in this soundtrack. The number symbolizes the presence and dominance of Islam and is well suited as situational soundtrack choreographed in the Gulf .
The mood from the theme track and religiously oriented soundtracks shifts to the conventional Bollywood "naach-gaana" in "Meri Bechanniya". Shaan and Alka Yagnik sing this "run of the mill" with boring and outdated lyrics. Aadesh Srivastav's music is unimpressive and fails to ignite any fire in this loosely conceived number. Ordinary vocals, predictable lyrics and stale musical arrangements speak for this below average soundtrack.
The heart felt and remorseful sentiments of leaving motherland and living in foreign land gets enlightened in this thematically inclined soundtrack "Pyar Bhara Khat". Abhijit's soulful solo vocals express this emotional soundtrack with utmost honesty. "Pyar Bhara Khat Hai Jisme Ghar Ki Khushboo Hai" sketches out the nostalgic moments of the long lost motherland and love for the near and dear ones. Besides, it epitomizes the liabilities, miseries, hardships and responsibilities of the leading character depicted through the lyrics of the soundtrack. It evokes empathy and compassion but Nusrat Badr's lyrics aren't that penetrating as "Chitti Aayi Hai" (Mahesh Bhatt's 'Naam') or "Sandeshe Aate Hai" (J.P Dutta's 'Border'). It might appeal to the niche audiences for its meaningful essence but it could have been better. Aadesh Srivastav's music is well coordinated with the situation and coagulates appreciably with the Abhijit voice.
"Habibi Habibi" is traditional Arabic fun "n" frolic soundtrack in the voices of Aadesh Srivastav and Alisha Chinai. The singer (Alisha Chinai) who created a sensation with the biggest hit of the year "Kajra Re" ('Bunty Aur Babli') sounds ordinary this time. Aadesh Srivastav's unimpressive and mediocre vocals decimate the credibility of the track. It is purely situational and conceived to be accommodated in the film.
It's about the mesmerizing communion of colorful butterflies, fragrance of flowers and shimmering moonlight in the melodious soundtrack "Woh Chand Pe Titli". Udit Narayan and Shreya Ghoshal blossom their heart-felt romanticism in sheer delight and ecstasy. It reminds of "Woh Chand Jaise Ladki" ('Devdas') and to some extent "Chand Chhupa Baadal Mein" ('Hum Dil De Chuke Sanam'). In the album it can be termed as the only above average and audible soundtrack. Udit Narayan's free flowing voice is apt to the situation and gets fine support by svelte and shimmering voice of Shreya Ghoshal. Even Nusrat Badr's poetic lyrics are a big surprise and show the lyricist's class and finesse to a large extent. Aadesh Srivastav sums up the album in great style after delivering average to poor soundtracks. A great musical work!
'Rehguzar -- The Road to Destiny' is a low profile album and has its limitations but shines in couple of tracks. "Woh Chand Pe Titli" and "Rehguzar" stand out as the fine musical work and should work well in film too. It might not rock the charts for its unconventional flair but still provides some mesmerizing moments.