Originally posted by: MeySimi
I was actually impressed by the transformation scene. When he realizes that Gulaal knew all along and still was willing to keep that a secret for the sake of family, he was a changed man right at that moment. After that incident, Gulaal does not reach home and sits at the temple crying over her fate.
Pannba treacks her down to the temple and asks her what had happened. the only thing she said after looking at Dushyant standing far away was " Vasant ki bahut yaad aa rahi hai". that scene my heart went out to her.
When Pannba manages to take her home, Dushyant picks her "jooti" that was outside the temple that she had forgotten to wear. That scene was significant because it marked the begining of Dushyant considering her as a divine figure indeed. Carrying the footwear of a person symbolises SLAVERY. he willingly became a devoted slave to her. He brings her the 'jooti" and returns the "taweez" which was proof that he murdered Vasant. Gulaal had thrown it on his face at that abandoned house asking him to destroy it before her mind would change. He returns it to her saying his life strings are with her and she has the rights to pull a stop to it whenever she found it necessary.
I also remember a scene after that when Sudha teases Dushyant saying he still loves Gulaal for which he replies "kisi aurat se pyaar karna bahut aasaan hota hai, lekin kisi aurat ka izzat karna, bahut mushkil hai".
Hence started his penance and his reform. But we always pay for our sins, or so we believe, who aren't atheists