Naseer on his directorial debut

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Posted: 19 years ago
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Naseer on his directorial debut
By: Vickey Lalwani
February 23, 2006

Naseeruddin Shah
In an exclusive chat with hitList, Naseeruddin Shah spoke about his directorial debut, Yun Hota To Kya Hota, and lots more...

On his dream

I wanted to become a director. In fact, I was chasing this dream for the last 10 years. And when it finally happened, I had to pinch myself to believe it was true.

Earlier, I had two other stories — a ghost story and a wrestler story. I wasn't sure I could pull off the ghost story, because it required too many special effects. I couldn't get the wrestler story going because it required a big budget. In fact, Shabbir Boxwalla (who has produced Yun Hota To Kya Hota and has now tied up with Suniel Shetty's Popcorn to make other projects) wanted to go ahead with it, but I chickened out.

Konkona Sensharma and Naseeruddin Shah
On difficulties faced

I was told to cast certain popular actors, due to market demands. I was not too interested in casting them. Talking to them was a wild goose chase.

At the end of the day, I am very satisfied with my cast (Irrfan Khan, Konkona Sensharma, Ayesha Takia, Ankur Khanna, Paresh Rawal, choreographer Saroj Khan, stage artiste Karla Singh, Ratna Pathak and newcomer Shahana Singh). They were just what I wanted.

Ayesha Takia
On the cast

I had seen rushes of Socha Na Tha. Ayesha was a complete newcomer then, but I was mesmerised by her. Without make-up, yet she looked stunning. Without experience, yet she so skilful. Skill is something no actor can fake. I had decided that the criterion of skill would be ahead of the criterion of the suitability of character. As for Konkona, I was floored by her performance in Mr and Mrs Iyer and Page 3.

And Irrfan Khan is the best actor in this generation by far; he's right up there. Paresh is a personal friend and this role was written especially for him.

Jimmy Shergill
And I cast Jimmy because I needed a harmless face who looks capable of much more than he delivers; I had seen him in Maachis (he looked more interesting then) and now is a well-fed version of that, but it was okay with me.

On the roles

Jimmy plays a computer engineer. Konkona plays Jimmy's wife who has problems with her in-laws. Ankur Khanna plays a medical student. Ayesha is a girl who helps Ankur go to the US. Ratna plays a junior artiste who is an extra in movies and has a past with Paresh.

On directing wife, Ratna

It wasn't the first time that I was directing Ratna. She was great, as usual. At the end of it all, she said, 'Wow, it got over so fast'. I was not harsh with her at any point; she delivered exactly what I wanted. In my early days, when I directed on stage, I used to be harsh. Over the years, I have learnt that it does not pay to be harsh. Stars take offence, and newcomers who are insecure get frightened.

Both ways, the output is affected adversely. It was my own anxiety — I wasn't sure of what I wanted — that made me harsh. But yes, a director has to be obstinate at times because actors are the laziest creatures on earth.

On his temper

I have changed. Losing my temper had become an addiction with me. Mahesh Bhatt once told me something very perceptive, 'You are addicted to anger, you enjoy it, that's why you lose your temper so much'. That set me thinking. I realised he was right. My hot-tempered nature was causing me only harm.

On his son

Imaaduddin is playing an incidental part. I cast him because he was at a loose end those days. He had finished school and wasn't doing much. And I wanted somebody whom I could call anytime I needed him.

On acting

I have been refusing films. I am not getting anything interesting. To date, I am doing only Krrish and Omkara. In Omkara, I play the duke in Othello — a politician who operates from a prison. Also, I am bored of acting. I think acting is the most boring profession on earth. Unfortunately, it's the highest paid profession too.

On directing in the future

I would love to direct more, but a lot would depend on YHTKH. Directing takes quite a bit. It's a huge responsibility, and you need someone as a producer who trusts you to the hilt. Presently, I am putting a play together, which should see the light of day by the end of this year.

On his favourites

I like Saif; he is very funny. I like Ajay Devgan, because he really extends himself. I loved him in Company, Apaharan and Gangajal.

On films he enjoyed

In recent times, I only enjoyed Rang De Basanti.

vickey.lalwani@mid-day.com

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