This might be of interest to our fantastic FF writers on the fourm.
Page
of
1This might be of interest to our fantastic FF writers on the fourm.
MAIRAs BIRTHDAY 13.1
🏏WPL 2026: Match 6: MIW vs GGW at Navi Mumbai on 13/01/26🏏
Official Trailer - Mardaani 3 - Rani Mukherjee
Dharma on verge of getting closed
Maira Vani storyline
CAKE KA TAMASHA 14.1
Tulsi SN Business bacha payegi??
17 years of Yeh Rishta Kya Kehlata Hai
Tulsi fried Noyna. Mihir rejoices [VIDEO ATTACHED]
Happy Birthday Sultan Mirza 🧁
Toxic song - Chand se pucha
🏏New Zealand Tour of India 2026: 2nd ODI: At Rajkot on 14/01/26 D/N🏏
Happy New year
Ship name for Aryamann and Purvi
🏏WPL 2026: Match 7: DCW vs UPWW at DY Patil on 14/01/26🏏
Originally posted by: michifanreal
"If you are writing for television then you are actually writing next scene while the shoot is happening for the first scene. Writing for daily soaps is quite an exhaustive exercise. To keep the audience interested and glued to your program you have to keep creating fresh interest value in every episode. It is a medium of masses so it is very important to keep getting the constant feedback and keep revisiting your storyline in light of that."
The article says so. Hmm may be writing a scene on the sets and not having something called a well thought script explains the inconsistencies in Kayamath.
This also explains why we never got a proper explanation of what happend to Suyesha (Alaap's first wife). All we got was that Alaap had sent her to her Maykaa. No mention of divorce or anything. This has irked me for so long....i can't tell you!! 😆😆The constant turnover in script writers/directors and other creatives may explain why we get dialogues and scenes which completely ignore what we have previously been shown in Kayamath.