Ek vivah aisha bhi hai music -song glimpes added

Sep 10

Ek Vivaah Aisa Bhi

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'Ek Music Release Aisa Bhi' - That's an apt way to describe the manner in which the music of Rajshri's latest Ek Vivaah Aisa Bhi has arrived on the stands. You tend to rub your eyes in disbelief to see the CD of this film which stars Sonu Sood and Eesha Koppikar since there hasn't been any promotion whatsoever of either the movie or the music so far. Agreed that Barjatyas follows an unconventional route of publicity of their films but placing an album on stands sans any buzz whatsoever, especially after the success of their last film Vivah, is a little difficult to digest. Nevertheless, leaving the surprise factor behind, one plays on Ek Vivaah Aisa Bhi which sees Ravindra Jain as a composer/lyricist once again after Vivah. Write your own music review of Ek Vivaah Aisa Bhi As expected, the album takes a core 'hindustani' route from the word 'Go' with the arrival of 'Mujhme Zinda Hai Woh'. A highly melodious number which continues to work from the 70s till date, this duet by Shaan and Shreya Ghoshal has a decent beginning only to turn into an infectious outing the moment key words 'Mujhe Zinda Hai Woh' arrive after a minute. With a classical feel to it, especially in the portions where Shreya is on the forefront, 'Mujhe Zinda Hai' is a quintessential Rajshri love song with poetic lyrics that turns it into a heartwarming outing. After a six minute long outing, an extension of the same number comes in second part which lasts just a little more than a minute. Yet again, the song works! Ravindra Jain's touch from the kind of music he composed for films like Chitchor and Ram Teri Ganga Maili is apparent in 'Dekhe Akele Humne Solah Mele' which is yet another pure Indian melody. A Shreya Ghoshal number which again remains rooted to the theme of the film and is completely uncorrupted by the sound which is prevalent in more than 90% of the music that is churned out today, 'Dekhe Akele' makes one look forward to how does 'khallas' girl Eesha carry it on screen. A situational track about 'we are one family and would live in this house which is temple for us', 'Mandir Hai Ghar Ye Hamara' is a kind of tailor-made number for Alok Nath. This one lasts only two and a half minutes and could as well be the introductory number in the film. Rendered by Suresh Waadkar who is just the right man suited to do the job, 'Mandir Hai...' is yet another easy-on-ears track in the album. After 'Mujhme Zinda Hai Woh' comes another love duet 'Dono Nibhayen Apna Dharam' which has Shaan and Shreya Ghoshal coming together again. By now, Ravindra Jain has established the mood of the album and one can understand the kind of sound to expect in songs to follow. Sticking to the theme and mood of the film, 'Dono Nibhayen' also takes the traditional route and (rightly) propagates the essence of living with each other forever with all the love and respect in heart. Suresh Waadkar chips in as well in this track which later reappears as 'Sang Sang Rahenge Janam Janam'. A marriage track, it makes for a good listening yet again. Well, when it is a film by Sooraj Barjatya, how could words like 'Banna Banni' be behind. A chorus number about celebrations in a household which is getting ready for a marriage, 'Banna Banni' is a three minute celebration number which should fit in well into the narrative. 'Kya Soch Ke Aaye The' is a number which indeed sounds good and could well be the flagship number of the album if promoted well. A melodious solo by Shaan that could have made the likes of Hrithik Roshan, Shahid Kapoor, Saif Ali Khan or other lover boys in the town jump on it, 'Kya Soch Ke Aaye The' should be quite some image changeover for Sonu Sood who was once upon a time lip synching to 'Aashiq Banaya Aapne' and 'Aap Ki Kashish'. A sweet sounding number which could fit into any romantic film, this one finds a place for itself right at the top of the album. A celebration number about 'ladke waale' coming to the household of 'ladki waale' for an engagement ceremony, 'Lo Ji Hum Aa Haye' has a brief beginning by Farid Sabri before Shaan and Pamela Jain takes charge of the proceedings. A uniformly happy number which only goes on to gather pace as it reaches towards the middle, 'Lo Ji Hum Aa Gaye' should be quite some handful when it comes to an extravagant appeal, courtesy trademark Barjatya setting. A number where the lead couple are enjoying a rainy outing, 'Jhirmir Jhirmir Meha Barse' sees Shaan and Shreya returning with a duet. Staying simple with an innocent feel to the entire setting, this song only adds to the mood of the soundtrack that stays traditional and yet entertaining enough to make sure that a listener gets all that he/she expects from a Rajshri soundtrack. A 'ghazal' marks an end to Ek Vivaah Aisa Bhi which boasts of a consistent appeal to it. A Shaan solo, 'Neend Mein Hai' is yet another good number that the singer gets to his credit. In fact it is refreshing to hear Shaan rendering a number like this which on any other day may have been grabbed by the likes of Roop Kumar Rathod. However, credit must go to Ravindra Jain who entrusts his faith in the young singer and ensures that he delivers goods. Ek Vivaah Aisa Bhi is a good album which throws a complete surprise since it came completely unannounced. The soundtrack has it's simplicity and innocent in place with veteran composer/lyricist Ravindra Jain demonstrating that there is a place for a sound like this even in the times when Western sound is dominating the music of practically every other film. Just like majority of other films/music coming from the house of Barjatyas, this one too may take a slow start but would gather good response as the film arrives on screen.

Will add my view in abit am just going to listen to the music 😊..some mind-blowing songs if you are in rajshris music these are my favourite songs have to say though some of them have a very punjabi flavour ...nice lyriccs as usual

06 ~ Banna Banni

< = value=7 name=scx>07 ~ Kya Soch Ke Aaye The

< = value=8 name=scx>08 ~ Lo Ji Hum Aa Gaye

Aisa Ek BHI Music '- It is a beatific artefact to exposit how the penalization of his stylish Rajshri Aisa Ek Vivaah BHI arrived on the stands. You run to chafe your eyes to wager the CD of this flick which stars Sonu Sood and Eesha Koppikar because it was not a content whatsoever, either flick or penalization to this day. Barjatyas united that follows an bizarre artefact of business their films, but locate on an medium is no beatific whatsoever, especially after the success of their stylish flick Vivah, is a taste arduous to digest. Nevertheless, leaving the assail factor, it plays on Aisa Ek Vivaah BHI who sees Ravindra religion as a composer / lyricist erst more after Vivah.

As strength be expected, the medium takes a 'Hindustani line of the word 'Go' with the achievement of 'Zinda Hai Mujhme woh.' A rattling songlike sort that continues to impact from 70 eld to this day, this duo by Shaan and Shreya Ghoshal has a decorous first exclusive to alter itself into an communicable opening the instance the keywords 'Zinda Hai Mujhe woh ' become after a minute. With a artist feel, especially in areas where Shreya is at the forefront, 'Mujhe Zinda Hai' is the element of Rajshri a f**k strain with the lyrics genre which transforms to an opening comforting. After a punctuation of sextet transactions output, an spreading of the aforementioned sort comes in ordinal party, which lasts meet over a minute. Again, the strain works!

Ravindra religion occurrence the nature of the penalization he imperturbable for films same Chitchor and Ram Teri Ganga accumulation appears in 'Dekhe Akele Humne Solah Mele' which is ease added Amerindic clean melody. Shreya Ghoshal A sort that is ease anchored to the thought of the flick and is completely incorrupt by the beatific which is current in over 90% of the penalization today is churned, 'Akele Dekhe 'is a forward-how t 'khallas 'daughter Eesha alter to the screen.

A road on the status 'we are a kinsfolk and springy in this concern that's tabernacle for us,' Ye Ghar Mandir Hai Hamara 'is a category of tailor-made for some Alok Nath. It takes exclusive digit transactions and half and could thusly be the sort of launching into the film. Rendus by Suresh Waadkar which is meet the Negro confident of doing the job, 'Mandir Hai '' added is easy-on-ears road in the album.

After 'Mujhme woh Zinda Hai 'is added f**k duet' Dono Nibhayen Apna Dharam ', which has Shaan and Shreya Ghoshal become unitedly again. At present, Ravindra religion has created the region of the medium and digit crapper see the category of beatific in songs due to follow. Sticking to the thought and feeling of the film: 'Dono Nibhayen' also takes the tralatitious line and (rightly) spreads the gist of contend with apiece added forever with every the f**k and attitude for the heart. Suresh chips in Waadkar and in this artefact that reappears after as 'Sang Sang Rahenge Janam Janam.' A wedlock track, it is a beatific perceiver erst again.

Well, when it is a flick Sooraj Barjatya, how could text same 'Banna Banned be behind. A set of the sort of celebrations in a home who is preparing for a wedding, 'Banna Banned' is a occasion threesome transactions sort that should be in a beatific conception of the narration.

'Kya The Soch Ke Aaye' is a sort that sounds beatific indeed and could substantially be the flagship of the medium so substantially promoted. A line unaccompanied by Shaan who could hit likes of Hrithik Roshan, Shahid Kapoor, Saif calif Khan or added lovers of boys in the municipality move on it, 'Kya The Soch Ke Aaye' should be quite an ikon changeover to Sonu Sood who was erst a instance coordination lips ' Aashiq Banaya Aapne 'and' AAP Ki Kashish. 'A sort of temperate enquiry that could beatific into a humanities film, it finds a locate for himself at the crowning of the album.

A occasion sort of 'ladke Waale' reaching to the concern 'ladki Waale 'commitment for a ceremony,' Lo Ji Hum Aa Hague,' first with a short Farid Sabri before Shaan and Pamela religion supports the procedure. A sort uniformly entertained that is feat to qualify as it reaches toward the middle, 'Lo Ji Hum Aa Gaye 'should be quite diminutive when it is an unrestrained attractiveness Barjatya evaluation courtesy.

An supply where the move pair enjoying an holiday inclement 'Jhirmir Jhirmir Meha Bar' sees Shaan and Shreya backwards with a duet. Keep it ultimate with an clear see to the full institution, this strain exclusive adds to the region of the soundtrack that relic tralatitious and diverting sufficiency to secure that an auditor is meet what he / she expects Rajshri a soundtrack.

A 'Ghazal' evaluation an modify to Aisa Ek Vivaah BHI which boasts of an attractiveness to it. A unaccompanied Shaan, 'Neend Mein Hai' is ease added beatific sort that the vocaliser is to his credit. In fact, it is new to center Shaan prefabricated a sort of articles which, in added punctuation May were downloaded by the likes of Roop Kumar Rathod. However, the assign staleness go to Ravindra religion who entrusts his establishment in the teen vocaliser and secure that it delivers the goods.

Aisa Ek Vivaah BHI is a beatific medium which launches a assail since he is completely without notice. The soundtrack has its naivety and clear up with the stager composer / lyricist Ravindra religion shew that there is a locate for a beatific same this modify in moments where the beatific is dominating Western penalization of nearly every added films . Like most added films / penalization reaching from the concern of Barjatyas, it also May verify a andante move but should amass a beatific salutation that the flick arrives on the screen.

Mujhme zinda hai woh is my favourite song out of the tracks...😳

sonus looking too cute at prem think he will be good..anyways found this video its a glimpse of the mujme zinda hai woh song...2 parts

its got the kid from vivah soo cute and her sister looks different as in poonams from vivah.

http://www.bollywoodsargam.com/video_todayfeaturedvideo.php?blockbustermovieclip=c4Ri1XYH9CI---latest-Ek_Vivaah_Aisa_Bhi_-_song_Mujhme_zinda_60_sec_featured_hollywood_blockbuster_video.html

long version of mujme zinda hai

Abhi ghazal mukamal (will edit name once i know which song it is)

Rajshri and Ravindra Jain stick to formula, and show you how it may just work well

Call them regressive, call them old fashioned, call them predictable! But you can't deny the fact that Rajshri Productions has a loyal fan base that goes way beyond your sec-A multiplex crowd. And given the record-breaking collections of their last venture Vivaah, Rajshri man Sooraj Barjatya seems to be following in the footsteps of Aditya Chopra and Karan Johar (ironically the two are self confessed fans of the Sooraj's cinematic sensibilities). Barjatya has turned producer with Ek Vivaah Aisa Bhi which is not directed by him but one of his assistants Kaushik Ghatak.

While there seems to be a deliberate attempt to highlight the references to Vivaah in the packaging of this film, the makers have also repeated music director Ravindra Jain for the soundtrack. So one is sure to expect a score minus remixes and hip hop beats. Does it appeal? Well Ek Vivaah Aisa Bhi has 11 tracks sung by Suresh Wadkar, Shaan and Shreya Ghosal. Most of the tracks come across as situational numbers that should work better on screen as in the case of most Rajshri films.

The lyrics are Rajshri material with ample talk of pehla pehla pyaar, maa baap ki seva and pooja path. And the sound is laden with dholaks, sitars and flutes. Which is exactly how the first track Mujhme Zinda Hai… opens. A few seconds into the album and you are convinced you are listening to an extension of Vivaah. This Shaan-Shreya song comes in two versions and sounds like a left over from the previous film and makes for a dull opening song.

Dekhe Akele…is melodious track about a young girl on dreaming of marriage. Shreya does a fine job as her voice has an innocence that works very well in songs of this genre. Remember Barso Se... from Guru?

Suresh Wadkar's Mandir Hai Ghar… is a soulful bhajan that is so suited for Rajshri's resident screen fathers Alok Nath and Anupam Kher. Dono Nibhayein Apna Dharam… is an extremely well worded song on life after marriage and though Suresh Wadkar shares credits with Shaan and Shreya, the veteran's class stands out. Easily the pick of the album. The music and lyrics in this song bring back memories of Hum Aapke Hai Koun.

Banna Banni…is as the song says a traditional Banna geet, the ones sung by ladies during the sangeet of a North Indian wedding. Shaan's Kya Soch Ke Aaye The…is another melodious number (okay I am using this word too often now) that is more suited for a Shahid Kapoor than Sonu Sood.

Lo Ji Hum Aa Gaye… is a baraati number that should perhaps appear as a turning point in the film, as there is talk about the groom not arriving on time. The song closes with a dramatic chorus and increased tempo and we know something's going to happen on screen. But for such an important point in the plot, it is not a great sounding number. Though effective picturisation could tell a different story.
http://buzz18.in.com/reviews/music/ek-vivaahis-a-welcome-break/91111/0